Yields information about the operation of horse tram trailers behind electric trams and the appearance of Ballarat Sturt St c1906.Postcard - looking north west from the Town Hall clock tower, c1905 - 06 - with an ESCo electric tram hauling a loaded ex horse tram trailer. Has the Snows and the buildings on the north side of Sturt St in the view, including Anderson Morse Coach builders. Has the title "Sturt St Ballarat looking North West" in the bottom left hand corner. On the rear - divided back type with space for stamp, address and correspondence and the printer's name "Litho Coy, Ballarat". "$16" in stamp position in pencil.trams, tramways, sturt st, trailers, horse trams, esco

A4 photocopies and Master sheets consisting of copies cut and pasted together for 2010 edition (pages 77 on) Also digital file of copy scanned from Council. Most pages from 77 on have page numbers added by hand not present on master sheets. Note: no page 63 (pagination error possible) First published 2002 The Tower of Remembrance and War Memorial Park on Garden Hill at Kangaroo Ground, Victoria, 1919-2001; Revised 2010. 109 p, : ill, ports., plans ; 30cm ISBN 0957719825 (2002) Eltham District Historical Society 2010

Printed colour postcard of the east end of Sturt St from the Town Hall tower, with the Post Office on the left hand side, looking down to Bridge St. Has Black Hill in background. Shows tram tracks, but no horse tram. Titled "Ballarat from the Town Hall, looking East" in top left hand corner. On rear of postcard is a letter to a Miss Lily Saw, Mair St. Ballarat from a person in Melbourne. Has a "Victoria One Penny" stamp, cancelled on Nov ?0, 1905. Handwriting has been carried over on the top of the front of the card. Handwritten letter on card. Has been carried over on the top of the card. $7.27trams, tramways, horse trams, sturt st, postcards, post office

Yields information about the appearance of Sturt St and the Town Hall from the Post Office c1892Digital image from the George Washington Wilson and Co. photographic collection held by the University of Aberdeen - see related documents for information and their website for reproduction permissions. It notes that Fred Hardie was sent to Australia in 1892. There are some 41 Ballarat images available on the website. Sturt St Ballarat, looking from the Post Office tower towards the Town Hall and the intersection of Armstrong St- photo number GB 0231 MS 3792/A1995. Has a number of horse cabs in the background, and various buildings. There are no horse trams in the background. See: https://www.abdn.ac.uk/special-collections/about-george-washington-wilson-383.php - accessed 29-12-2017.trams, tramways, sturt st, horse cabs, armstrong st

Yields information about the horse drawn tower wagon first used in Ballarat and has a strong association with some of the COTMA 1975 Conference participants.Colour slide, Kodak white cardboard mount, developed April 1975 of the first horse-drawn tower wagon at Sovereign Hill. This item was offered to the BTPS but declined as it did not have the storage space for it. Understood to have later been dismantled. Photo dated 24/4/1975. See also Reg item 7280 for another photo by David Verrier. The tall person in the photo is John Radcliffe, and standing next to him is Bill Kingsley, The person with his hands in his pockets is Peter Kahn, and behind him is Mal Macaulay and Rolf Jinks. Standing alongside Bill Kingsley is Noel Forster person with tie - Geoff Cargeeg.ballarat, tramways, trams, tower wagon, sovereign hill, cotma

Postcard - Rose Series black and white of the view from the Flinders St station clock tower looking south towards the Shrine. Shows St Kilda Road, Prince Henry's Hospital, the Yarra River and the gardens on the south side of the river. Has two trams in the view. On the lower edge of the card "The Rose Series P13602 Looking over St Kilda Road from Flinders St Station Melb. Vic" and "Olympic Year 1956". On the rear is a note written to Keith from Ken of Barkly St Mornington on 14/1/58 mainly about a Pat Lyton? now a tram conductor at Hanna St and a meeting with Brian. Has some personal notes about Pat.trams, tramways, flinders st, postcards, st kilda road

Also present Mick and Margaret Woiwod, Doug and Gwen Orford, Keith and Betty BanksColour photographactivities, heritage excursion, kangaroo ground, war memorial tower, russell yeoman

St Paul's Church can be clearly seen.st paul's church, east ballarat fire station, church, building, private dwelling

The Moor-Rul Viewing Platform, part of the Kangaroo Ground War Memorial Park opened in April 2007. Eight double-sided interpretation panels on the Moor-rul viewing platform highlight the area's Aboriginal and European history of the area and also details of local geology, flora and fauna. These panels feature high quality graphic design and professionally written text. The subjects covered are: ''Womin Je Ka" Welcome The Kulin Nation Singing, Dancing, Ceremony, Celebration This Country, My Home The Highland Taken Auld Lang Syne "Same Land Different Views" Working the Land Food from the Earth or "Earth's Harvest" Lest We Forget, "And with the going down of the Sun .... (3 panels) This Black Earth Those other indigenous inhabitants - Kangaroo Ground's Wildlife Silent Witnesses - Kangaroo Ground's White Manna Gums Belonging A Place of Reverence and A Tower of Strength Souce: EDHS Newsletter No 173 March 2007. This panel includes a frame of an eagle feather. See ID 02224-47 As part of a program to acknowledge the Anzac Centenary Nillumbik Shire Council partnered with Yarra Plenty Regional Library to provide a bus tour with commentary of local sites of significance: Shire of Nillumbik World War One Memorials tour, 10 August 2016. These included Eltham township, the Shire of Eltham War Memorial at Kangaroo Ground, Christmas Hills war memorial, Hurstbridge memorial recreation park and finshed at Eltham Library to view the Writing the War exhibtion at Eltham Library Community Gallery.Born Digitalshire of nillumbik, kangaroo ground, moor-rul viewing platform, interpretative signage, interpetation panel, display panel

This work forms part of the collection assembled by the historian Dorothy Rogers, that was donated to the Kew Historical Society by her son John Rogers in 2015. The manuscripts, photographs, maps, and documents were sourced by her from both family and local collections or produced as references for her print publications. Many were directly used by Rogers in writing ‘Lovely Old Homes of Kew’ (1961) and 'A History of Kew' (1973), or the numerous articles on local history that she produced for suburban newspapers. Most of the photographs in the collection include detailed annotations in her hand.The Rogers Collection provides a comprehensive insight into the working habits of a historian in the 1960s and 1970s. Together it forms the largest privately-donated collection within the archives of the Kew Historical Society.Small black and white photograph of the tower and verandas of Ramornie in Pakington Street, Kew.."Commenced 1890 by J.M. Campbell / Ramornie now The Towers / 18"historic houses -- kew (vic.), ramornie -- pakington street -- kew (vic.), the towers -- pakington street -- kew (vic), james maitland campbell

George Wharton arrived in Melbourne in 1844. An architect and surveyor, he was appointed to lay out the 'Village of Kew' by N.A. Fenwick following the land sales of 1851. A protagonist for Kew's separation from the Boroondara District Road Board, he was elected chairman when Kew achieved municipal status in December 1860. His home, 'Fernhurst', was built in 1866 on eight acres in Studley Park, with a four-storey tower and pyramidal roof. The Italianate home was a prominent Kew landmark. It was demolished in 1979 and replaced by St Paul's College in 1980.Rare colour photograph of what was once a significant mansion in Kew.Original colour positive photograph (Kodak print) of 'Fernhurst' in 1978. Photographed by Stewart West in May 1978, one year before it was demolished, the photograph gives little idea of the large landholding once surrounding the house. Originally accessed from near the corner of Princess Street and Studley Park Road, its gardens had been subdivided in the 1900s and its footprint restricted to 13 Fernhurst Grove. Like many other grand houses, by the 1970s it had been converted into apartments. From the photograph, one can see that the house had retained many of its original features such as the distinctive tower and the wide bow-fronted verandah. The slates on the roof (apart from those on the tower) had been replaced by tiles and the cement render of the exterior painted white. Annotated reverse: "Front view of Fernhurst showing tower to advantage / 9"fernhurst, 13 fernhurst grove -- kew (vic.), george wharton, italianate architecture, vila maria society, st paul's school for the blind

One of a collection of 6 postcards donated by T. H. HillSepia Postcard of The Watch Tower, Cape Woolamai, Phillip Island"The Rose Series, P. 679" "The Watch Tower, Cape Woolamai, Phillip Island, Victoria"the watch tower, the watch tower cliffs, coastline cape woolamai, cape woolamai cliffs, phillip island coastline, rock formations, t h hill

One of a collection of 4 photographs donated by Y. Hancock.Sepia postcard of a rock formation at Cape Woolamai called The Watch Tower."The Rose Series P. 679" "The Watch Tower, Cape Woolamai, Phillip Island, Victoria"the watch tower, the watch tower cliffs, cape woolamai cliffs, the watch towes at cape woolamai, phillip island coastline, y hancock

A colour photograph of the Tower Motel in Marysville. The Tower Motel was one of the few buildings in Marysville that survived the 2009 Black Saturday bushfires.A colour photograph of the Tower Motel in Marysville.marysville, victoria, australia, tower motel, accommodation, photograph, 2009 black saturday bushfires

This Sike’s Hydrometer was donated by the Port Fairy Customs Office as it was no longer required by them due to a change in the law. The hydrometer was part of a system for Ullaging or calculating the amount of liquid remaining in a container of liquor such as a barrel, and the amount of alcoholic content in the contents. It can also measure the free space or head space remaining. Hydrometers were used to measure the density, or relative density, of liquids from the late 1600s. In 1816 Bartholomew Sikes won the competition for the most useful accurate hydrometer. Hydrometers were commonly used by distillers, vintners, and brewers to establish accurate measures of alcohol concentration in their beverages. Following this manufacturing process, government inspectors and excise officers used them to check that the labelled indications of alcohol-proof were correct and that the right amounts of duty were being paid.The Sikes hydrometer is of local significance because of its association with the Government's Customs Office in Port Fairy, in the southwest region of Victoria. It is also associated with Bartholomew Sikes, whose design of a hydrometer was chosen in 1816 as being the most useful and accurate hydrometer. The hydrometer has evolved into the digital version available today to measure density of liquids.Sikes Hydrometer and thermometer in a fitted wooden case with crimson lining inside the lid and dark lining in the base. The case has ten vertical pegs to secure the weights. The brass hydrometer has a spherical float and eight thick brass horseshoe-shaped weights. The serial number is on each section of the float and all weights. Both sides of the float’s upper flat stem have a scale from 0-10, with five divisions between each number. The eight weights are numbered from 20 – 90 in increments of 10. The set includes a mercury thermometer mounted on an ivory back plate labelled with Fahrenheit and Centigrade Scales. The Sikes hydrometer set was made by Loftus of London. The hydrometer model is IID 510, Serial Number is 14674, calibrated by Longs, London. All parts of the float and eight weights are inscribed with Serial Number “14674” The float stem is stamped "SIKE'S IID 51o” Calibrator, "LONG LITTLE TOWER ST LONDON" The weights are numbered individually ”20”, “30”, “40”, “50”, “60”, “70”, “80” or “90” Each weight in inscribed; symbol “(J L) [inside an ova, with textured background]” The thermometer inscribed: “LOFTUS OF LONDON”flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, measuring instruments, customs tax, weighing instrument, sike’s hydrometer, calibrator long of london, loftus of london instrument maker, loftus, j long, sikes hydrometer, scientific instrument, pressure measurement, measuring instrument, ullage tool, customs, excise duty, tax, alcohol content, proof, calibrate, standard weights and measures, tariff, scientific instrument makers, specific gravity, liquid density, alcohol testing, technology, alcohol measurement, proof spirit, wine and spirits merchants, local business, brass measuring instrument, port fairy, customs office, port fairy customs, joseph long, instrument maker

Photos taken by Frederick Gardner DAVEY whilst in UK, c.1942 Item re Frederick Gardner DAVEY DFC No 410533 RAAF. Refer Reg No 3536P for his service details.Series of 5 black / white photos depicting scenes of London & Brighton. .1) Tower Bridge with River Thames in foreground. .2) One of the Tower Bridge towers. People & vehicles crossing the bridge. .3) People sitting on the edge of the Serpentine River, Hyde Park. .4) Plaque. .5) View of a row of terrace houses in Brighton.Handwritten in black ink of back of each: .1) London Bridge .2) Tower Bridge, London .3) Serpentine, Hyde Park, London .4) Plaque in Tower of London .5) Roof top view of Brighton. End. 1942photography, london, wartime

This photo shows building of tower with scaffolding and the builders on the top.Building of St Pauls tower.local history, photography, photographs, slides, film, st pauls training school, schools, phillip island, sepia photograph, ken pound

The water tower on the corner of Pakenham St and High Street Echuca, was designed by Sir John Monash, who was an innovator in the use of reinforced concrete. The tower cost £2,973 and was completed in 1915. It is 108 feet high and holds 150,000 gallons. it was originally connected to the steam powered pumping plant at Echuca East. John Monash was a war hero at Gallipoli in 1915 and also went on to be the Manager of the Victorian State Electricity Commission. Monash University was named after him.The water tower was a revolutionary design in 1915. It also brought tapped water to people's homes. Sir John Monash made a huge contribution to engineering and social concepts, which was why he was knighted. As well as these contributions to social development, he was also a war hero.Black and white postcard featuring the water tower in Packenham Street. The photograph was taken from Alton Reserve. The background shows a conglomeration of buildings and the foreground shows shaped lawns and park benches. The postcard has a thick border in a cream colour all around it.On the reverse is printed ; POST CARD. Write here for Inland Postage only. Tha Address to be written here. In pen is hand written the words View of Water Tower Pakenham St. Taken from Alton Reserve?echuca east pumping station, echuca water tower, monash, sir john, alton reserve, engineering, reinforced concrete

Sunset from Big Hill looking Southwest. Fire Tower on right. Fire watch tower on right of photo. Communication Tower in the center. Stawell gold mine ventilation shaft on the left with barb wire around the fence. Spectacular sky in the background.Colored photo of sunset looking southwest on Big Hill. Fire watch tower on right of photo. Communication Tower in the center. Stawell gold mine ventilation shaft on the left. Carol Anne Jonesstawell

Black and white small format postcard of the footbridge over Cunninghame Arm, taken from the Royal lifesaving tower. Three people on footbridge, town beyond North Shore. Lakes Entrance VictoriaThe bridge from lifesaving tower Lakes Entrancebridges, waterways, township

A digital copy of a colour photograph of the Tower Motel in Marysville. The Tower Motel was one of the few buildings in Marysville that survived the 2009 Black Saturday bushfires.A digital copy of a colour photograph of the Tower Motel in Marysville.marysville, victoria, australia, tower motel, accommodation, photograph, 2009 black saturday bushfires

A digital copy of a colour photograph of the Tower Motel in Marysville. The Tower Motel was one of the few buildings in Marysville that survived the 2009 Black Saturday bushfires.A digital copy of a colour photograph of the Tower Motel in Marysville.marysville, victoria, australia, tower motel, accommodation, photograph, 2009 black saturday bushfires

A digital copy of a colour photograph of the Tower Motel in Marysville. The Tower Motel was one of the few buildings in Marysville that survived the 2009 Black Saturday bushfires.A digital copy of a colour photograph of the Tower Motel in Marysville.marysville, victoria, australia, tower motel, accommodation, photograph, 2009 black saturday bushfires

Date made February 1944 Prior to the tower being built VAOC activities took place at the Post Office Jetty. Tower was demolished 1972.|Also two other photographs similarBlack and white photograph of the Volunteer Air Observors Corp tower on Esplanade showing timber tower with steps broken by two landings leading to fenced square deck on top, small observation hut built on deck, onlookers around tower and beside roadway. Lakes Entrance Victoriaobservation, world war 1939 - 1945, volunteering

Made to commemorate the opening of the Clocktower which was built after WWI to commemorate the fallen servicemen and women. The Clocktower was situated in Maroondah Highway at the corner of Warrandyte Road.White fluted triangular dish with black edging and black etched picture of Clocktower in Main Street, Ringwood.The Memorial Clocktower, Ringwood

Digital photograph

The Great Kantō Earthquake of 1 September 1923 devastated the major cities of Tokyo and Yokohama, as well as five other surrounding prefectures and was one of the world’s worst natural disasters of the early twentieth century. In terms of loss of life and material damage, with an estimated 140,000 deaths and countless homeless, it is still Japan’s worst national disaster. Nearly 90% of the newspaper printers were destroyed in the earthquake. These postcards were not produced for aesthetics but as a major tool for the spread of information. Seeing how newspaper companies were left with their offices in shambles, postcard publishers tried to fill the gap hence some were in three languages. A very small number of publishing companies were fortunate enough to survive, one of them being Mitsumura Printing, which took advantage of its remaining resources to churn out postcards. When the Ōsaka Mainichi Shinbunsha published its bilingual three-volume photographic pictorial of the Great Kantō Earthquake just two weeks after the event, the calamity had already been captured in thousands of images that circulated on a national and international media highway. Commercial photographers and photojournalists produced the most abundant and immediate images of the quake, which were transmitted in newspapers, special-issue newspaper pictorials, commemorative photography collections, illustrated survivors’ accounts, and sets of commemorative postcards. These photographic images functioned as both news and souvenirs, rendering their consumers/viewers, inside and outside the devastated locale, into both witnesses and voyeurs. Images in the news media and those issued by respected publishing houses carried the visual authority of supposed facticity. As such they both produced and became the historical record of the event. Since the vast majority of 1923 disaster postcards that survive have no writing on them, they were likely treated more as collectibles than as a form of postal communication. Many were put into albums, creating new ways to combine images and create visual cultures of disaster for home viewing. Accordion-style albums allowed for personalized, serial organization of images that produced unique, imagistic narratives of the event. The album pages were also two-sided and could be stretched out to view a series of images on recto and verso. References: Imaging Disaster: Tokyo and the Visual Culture of Japan’s Great Earthquake of 1923 震災をイメージ化する　東京と1923年関東大震災のヴィジュアルカルチャー - The Asia. (2024, March 31). Retrieved from https://apjjf.org/2015/13/6/gennifer-weisenfeld/4270 The Great Kanto Earthquake: Postcards of Tragedy. (2024, March 31). Retrieved from https://www.tokyoweekender.com/art_and_culture/japanese-culture/the-great-kanto-earthquake-postcards/ See also: Postcards from Hell – Glimpses of the Great Kantō Earthquake; M. William STEELE (International Christian University, Japan) 14th Conference of the European Association of Japanese Studies: Visual Culture and Postcard Research Papers – East Asia Image Collection Blog. (2024, March 31). Retrieved from https://sites.lafayette.edu/eastasia/2014/09/01/14th-conference-of-the-european-association-of-japanese-studies-visual-culture-and-postcard-research-papers/] And https://icu.repo.nii.ac.jp/record/4503/files/ACS44_01Steele.pdfThis item, a souvenir from Japan from between the wars (circa 1923) was brought home to Research, Victoria by Bill Teagle who was serving in the Royal Australian Navy (1919-1945). Bill Teagle's sister Violet Amelda Teagle had married Theodore (Curly) Feldbauer in 1933. Bill's brother-in-law Curly was taken as a Prisoner of War by the Japanese and died at Sandakan in March 1945. The family did not learn of Curly’s death till months later and Bill's sister, Violet, herself could never forgive the Japanese for what happened to Curly. Curly is remembered on the Eltham Roll of Honour Board and his son, Albert Feldbauer (Bill’s nephew and youngest child of the children of the soldier fathers attending a school in the district), was given the honour of turning the first sod for the Eltham War Memorial Infant Welfare Centre Building. Despite this, the family maintained this cherished souvenir from a time of previous foreign friendship with Japan. The item was possibly given by Bill Teagle to his sister Margaret Rose (formerly Ingram) who later married Richard Edward (Eddie) Fielding in early 1948. (Eddie had been engaged to someone else before he went to war, but his fiancée broke it off before his return to Australia.) It was cared for by the Teagle/Fielding family for approximately one hundred years. It is of particular significance given the family's connection to the Eltham War Memorial and the significance of that memorial to the local community and represents that despite the horrors of war, former friends then foes can become friends again.tom fielding collection, japanese postcard, postcard, 1923, great kanto earthquake, japan, tokyo, yokohama

The Great Kantō Earthquake of 1 September 1923 devastated the major cities of Tokyo and Yokohama, as well as five other surrounding prefectures and was one of the world’s worst natural disasters of the early twentieth century. In terms of loss of life and material damage, with an estimated 140,000 deaths and countless homeless, it is still Japan’s worst national disaster. Nearly 90% of the newspaper printers were destroyed in the earthquake. These postcards were not produced for aesthetics but as a major tool for the spread of information. Seeing how newspaper companies were left with their offices in shambles, postcard publishers tried to fill the gap hence some were in three languages. A very small number of publishing companies were fortunate enough to survive, one of them being Mitsumura Printing, which took advantage of its remaining resources to churn out postcards. When the Ōsaka Mainichi Shinbunsha published its bilingual three-volume photographic pictorial of the Great Kantō Earthquake just two weeks after the event, the calamity had already been captured in thousands of images that circulated on a national and international media highway. Commercial photographers and photojournalists produced the most abundant and immediate images of the quake, which were transmitted in newspapers, special-issue newspaper pictorials, commemorative photography collections, illustrated survivors’ accounts, and sets of commemorative postcards. These photographic images functioned as both news and souvenirs, rendering their consumers/viewers, inside and outside the devastated locale, into both witnesses and voyeurs. Images in the news media and those issued by respected publishing houses carried the visual authority of supposed facticity. As such they both produced and became the historical record of the event. Since the vast majority of 1923 disaster postcards that survive have no writing on them, they were likely treated more as collectibles than as a form of postal communication. Many were put into albums, creating new ways to combine images and create visual cultures of disaster for home viewing. Accordion-style albums allowed for personalized, serial organization of images that produced unique, imagistic narratives of the event. The album pages were also two-sided and could be stretched out to view a series of images on recto and verso. References: Imaging Disaster: Tokyo and the Visual Culture of Japan’s Great Earthquake of 1923 震災をイメージ化する　東京と1923年関東大震災のヴィジュアルカルチャー - The Asia. (2024, March 31). Retrieved from https://apjjf.org/2015/13/6/gennifer-weisenfeld/4270 The Great Kanto Earthquake: Postcards of Tragedy. (2024, March 31). Retrieved from https://www.tokyoweekender.com/art_and_culture/japanese-culture/the-great-kanto-earthquake-postcards/ See also: Postcards from Hell – Glimpses of the Great Kantō Earthquake; M. William STEELE (International Christian University, Japan) 14th Conference of the European Association of Japanese Studies: Visual Culture and Postcard Research Papers – East Asia Image Collection Blog. (2024, March 31). Retrieved from https://sites.lafayette.edu/eastasia/2014/09/01/14th-conference-of-the-european-association-of-japanese-studies-visual-culture-and-postcard-research-papers/] And https://icu.repo.nii.ac.jp/record/4503/files/ACS44_01Steele.pdfThis item, a souvenir from Japan from between the wars (circa 1923) was brought home to Research, Victoria by Bill Teagle who was serving in the Royal Australian Navy (1919-1945). Bill Teagle's sister Violet Amelda Teagle had married Theodore (Curly) Feldbauer in 1933. Bill's brother-in-law Curly was taken as a Prisoner of War by the Japanese and died at Sandakan in March 1945. The family did not learn of Curly’s death till months later and Bill's sister, Violet, herself could never forgive the Japanese for what happened to Curly. Curly is remembered on the Eltham Roll of Honour Board and his son, Albert Feldbauer (Bill’s nephew and youngest child of the children of the soldier fathers attending a school in the district), was given the honour of turning the first sod for the Eltham War Memorial Infant Welfare Centre Building. Despite this, the family maintained this cherished souvenir from a time of previous foreign friendship with Japan. The item was possibly given by Bill Teagle to his sister Margaret Rose (formerly Ingram) who later married Richard Edward (Eddie) Fielding in early 1948. (Eddie had been engaged to someone else before he went to war, but his fiancée broke it off before his return to Australia.) It was cared for by the Teagle/Fielding family for approximately one hundred years. It is of particular significance given the family's connection to the Eltham War Memorial and the significance of that memorial to the local community and represents that despite the horrors of war, former friends then foes can become friends again.tom fielding collection, japanese postcard, postcard, 1923, great kanto earthquake, japan, tokyo, yokohama