Diana Jones (1939-2009) was President of the Association for the Blind from 1985 until 1992. In her 8 years as President a great deal was accomplished. New centres were opened or extended throughout Victoria and the Metropolitan area, volunteer services expanded and the Vision Resource Centre at Kooyong was built into which 3RPH radio was relocated. A Vision Information hotline, audiology services and the National Centre for Ageing and Sensory Loss were established, the Braille and Talking Book libraries was incorporated into the Association and the Charlie Bradley Cricket Pavilion opened at Kooyong. In 1990 Diana Jones became a member of the first Board of Directors of the newly incorporated Association for the Blind Ltd which ushered in a new era, requiring strict observance of financial and accounting methods in order to ensure continued Government funding. Mrs Jones was highly regarded by clients, volunteers and staff as a capable hard-working leader. Her services to the Association and over many years to the wider community, were recognised in her appointment as a Member of the Order of Australia in the 1993 Queen's Birthday Honours. In these images she is standing outside Brighton (?) wearing a pleated skirt, a white top with banding on the short sleeve edges, across the neckline and mid-chest with a zig zag pattern between the lines. She has on thick hoop earrings and a long chain with a pendant possibly shaped like a genie bottle.Portrait of Diana Jones in various sizesdiana jones, association for the blind

Situated in King Street, Eltham, Alistair Knox built his home and office in 1962-1963 with mud-bricks made from the local soil and recycled materials blending the house with bush around it. Knox popularised the Eltham earth building movement, begun by Montsalvat founder, Justus Jorgensen. Alistair Knox (1912-1986) was also an Eltham Shire Councillor 1971-1975 and Shire President in 1975. Knox established the inaugural Eltham Community Festival in 1975. Covered under Heritage Overlay, Nillumbik Planning Scheme. Published: Nillumbik Now and Then /​ Marguerite Marshall 2008; photographs Alan King with Marguerite Marshall.; p145 Lack of money was a strong incentive for Alistair Knox to do what he did best when he built his house and office at King Street, Eltham in 1962-63. He used mud-bricks from local soil and recycled materials, characteristically blending the house with the bush around it. The result was a work of art. Knox popularised the Eltham earth building movement,1 begun by Montsalvat founder Justus Jörgensen. He was also an Eltham Shire Councillor from 1971 to 1975 and Shire President in 1975. For Knox mud-brick building was not just a building style, but a spiritual experience and a way of relating with nature. At 40 he rediscovered God and his building reflected his theological, political, philosophical and particularly environmental world view, which was far ahead of its time.2 He also contributed to building development in his use of concrete slab foundations when stumps and bearers were the norm. Knox was introduced to mud-brick construction in 1940 by Jörgensen, then shortly after, Knox joined the Navy. In 1946 Knox studied Building Practice and Theory at Melbourne Technical College (now RMIT University). There he befriended fellow student and artist Matcham Skipper who belonged to what was then called the Jörgensen Artists’ Colony. Knox decided to build an earth building in Eltham, partly because the post-war huge building demands resulted in expensive and scarce building materials. He asked artist Sonia Skipper for help who, with Matcham, had constructed mud-brick buildings at the Artists’ Colony. The simple rectangular low-lying house at King Street is framed by native plants and a 3.6 metres wide pergola surrounds the building. Wedded to the landscape, a door in every room at the perimeter, opens outside. The property also includes a forge, a small hut built by son Macgregor at 15, and a mud-brick tower for chickens. Building materials were foraged from a wide variety of sources. Some of the joinery material came from old whisky vats. When the Oregon of the highest quality ‘was put through the wood-working machines, it gave off a deep smell of whisky that made the whole atmosphere exotic and heady’.3 Amateur builders, including schoolboys from Knox’s Presbyterian Church, made some of the mud-bricks. But the building was finished with the professional help of Yorkshire builder, Eric Hirst. Inside, the light is subdued with the mud-brick, beamed timber ceilings and floors of slate, timber or orange-brown tiles. Skylights, with rich blue and red leadlighting, illuminate one entrance area and this feature is repeated as edging on the door. The centre of the house is like a covered courtyard, with rooms built around it. The central room, 11 metres x 7 metres, was built in the same proportions as Knox’s mud-bricks. Clerestory windows on four sides infuse the room with a soft light. A huge brick fireplace extends beyond one corner and opposite is a small one where timber can only be placed vertically. The slate for the floor was discarded from the Malthouse Brewery now used as a theatre in Southbank. In the middle is a large refectory table and benches that seat 18. Like much of the house, it is rugged, yet beautiful. Made of Western Australian Jarrah by Macgregor with a chain saw and an adze, it retains knot and nail holes. Each wall has an opening, 2.4 metres at the ends and 3.6 metres at the sides. Only one has doors and these concertina doors are made of the backs of old church pews. The main bedroom has an ensuite with a marble hand basin discarded from the Victorian Parliament building; and a dressing room, where two wardrobes of polished timber recovered from a tip are attached to the walls. Separate from the house is the strikingly original circular-shaped office made of bluestone sourced from the original Army campsite at Broadmeadows.This collection of almost 130 photos about places and people within the Shire of Nillumbik, an urban and rural municipality in Melbourne's north, contributes to an understanding of the history of the Shire. Published in 2008 immediately prior to the Black Saturday bushfires of February 7, 2009, it documents sites that were impacted, and in some cases destroyed by the fires. It includes photographs taken especially for the publication, creating a unique time capsule representing the Shire in the early 21st century. It remains the most recent comprehenesive publication devoted to the Shire's history connecting local residents to the past. nillumbik now and then (marshall-king) collection, alistair and margot knox house, alistair knox design, mudbrick construction, eltham, king street

Reproduction slide of a photograph of a cable tram, trailer number 201, with the destination or Carlton with the grip man and conductor standing in front of the tram. Both are young men. The conductor is adorned with his safety pins and trip slips, that he would punch a hole in when he sold or collected a fare. The bell punch in the conductor's right hand would sound a bell to indicate the fare had been collected. There is a church vicarage in the background - at Prahran terminus in Chapel Street outside Trinity church. Underneath the photo is written "A Paradox: two Badger ?" which is a reference to the General Strike in Brisbane of Jan 1912 by Brisbane Tramway Company workers over the wearing of Union badges which was strongly opposed by the Company Manager Joesph 'Boss' Badger. See also item 7485 for a similar-themed photograph about the Badger. At the time there was a major industrial or arbitration case before Mr Justice Higgins regarding Australian tramways employees and their working conditions.Demonstrate cable tram uniforms and cable tram trip slips that were used to account for fare collection and has a close association with an event in Brisbane that led to a General Strike.Kodachrome cardboard duplicate slide - Black and white - reproduction - Carlton cable tram and crews - 1910s? "CB7" in penciltrams, tramways, cable trams, carlton, bell punch, unifoms, crews, grip men, conductors, prahran, tram 201, unions, brisbane, joesph badger

Colour photograph of the Ballarat Horse Tram No.1 with most of the painting of the metal work completed. Handrail installation has commenced. Warren Doubleday working on the west end steps. Photographed outside the rear of the depot by Carolyn Dean on 17/5/1992. On Fujichrome paper.In top left hand corner of print on rear "167.4 17.5.92 / Carolyn Dean / Photo"horse trams, reconstruction, depot, btps, tram 1

Set of nine colour prints of the drainage works and initial track construction carried out by the BTPS outside the depot on 29/9/1972. Photos with hand written captions on rear. .1 - Drainage works No. 2 Road, BTPS Depot .2 - ditto .3 - ditto .4 - ditto .5 - ditto, working in the pit by the level crossing .6 - Drivers eye view from Car 27, No. 2 road construction commencing - sleepers laid out with rail alongside. .7 - Construction of No. 2 road BTPS depot proceeds .8 - Time: 5.46 3/4 - Subject "The first blow" R. Gilbert, Sec BTPS drives the first "doggie" on the track connecting No. 2 road of the depot to Wendouree Parade. .9 - Time: 5.47pm. Subject: R. Gilbert, Sec BTPS drives the first doggie on the track connecting the depot to Wendouree Parade. Picture take of the first "doggie" being driven home.In ink on rear of each photo "23/9/72" and details - see abovetrams, tramways, depot, construction, gardens, buildings, btps

Photocopy of a hand written document, 4 sheets, 3 on MMTB Memo paper titled "Costing quotes required for Working Party" Seeking information about the costs of items purchased by the MMTB outside, seeking additional work for Preston Workshops, e.g. armature overhauls, seats, destination blinds etc. The 2nd to 4th sheet provides some of these costs.With "1983" in black ink in top right hand cornertrams, tramways, preston workshops, overhauls, repairs, unions, finances

The Orchid Tables were on display as part of the Ten Years of Dowel Jones exhibition at the National Wool Museum in 2024. The exhibition label reads: Sitting just outside this exhibition in the National Wool Museum is a 1910 Axminster Jacquard Carpet Loom. This loom was operating at Brintons factory in Geelong from 1960 to 1975, and then at the Melbourne College of Textiles, until it was donated to the museum. In the 1990's the museum commissioned an exclusive pattern called the Manor House Rug. Based on earlier designs from Brintons UK Persian Rug Archive Library, the museum continues to make this rug through the expertise of Loom Technician Michael Farquhar. The Manor House Rug features a central medallion with floral pattern. Working with illustrator Beci Orpin, and referencing Margaret MacDonald & Angair's book 'Orchids of the Anglesea District', we identified regional orchids. By a process of removal and addition, the original floral medallion was replaced with local species as decorative motif. Ten Year of Dowel Jones presents three altered Manor House Rugs, each with different orchids tufted in wool and placed in the centre of each rug. The rugs have been attached by cotton thread to three table frames at different heights to create the Orchid Tables.Three tables consisting of powder coated steel frames, with a woven carpet top. The table tops are made from wool with a jute backing, and feature a red, green, blue, black and cream floral design with an orchid in the centre. Each table is a different height.dowel jones, ten years of dowel jones, national wool museum, axminster loom, carpet, manor house rug, orchids, anglesea, design, art, furniture, beci orpin, brintons, geelong, melbourne college of textiles

21 colour photographs with negatives in a photograph folder with, "Peter Esdale Burnley," handwritten on it. (1) Low view across Lily Ponds to Weeping Willow trunk. (2) Same as (1), different exposure. (3) View from path beside Emily Gibson beds towards Oak tree. (4) Lily Ponds. (5) Crack Willow, pruned. (6) View of trees across lawn. (7) View of Administration Building from Oak tree. (8) View of Administration Building from Oak tree. (9) View of Administration Building from Oak tree. (10) Outside of Shady Garden. (11) View towards Wisteria Arbour from Sunken Garden. (12) View of Administration Building from Oak Lawn. (13) Planting demonstration. (14) Students working in the Gardens. (15) Students working in the Gardens. (16) Students working in the Gardens. (17) Students working in the Gardens. (18) The Sequoia sempervirens from the Orchard. (19) View of the outside of the Shady Garden from the Orchard. (20) The Administration Building from the Oak Lawn. (21) The Administration Building from the Emily Gibson bed. 4 additional photographs dated Sept 1990: (22) Administration Building from the Oak Lawn. (23) Entrance to Administration Building. (24) Front of Administration Building. (25) Administration Building with Emily Gibson bed in front. "Peter Esdale Burnley," handwritten.burnley, lily ponds, weeping willow, emily gibson beds, oak tree, crack willow, trees, lawn, administration building, shady garden, sunken garden, students, sequoia, orchard, oak lawn, wisteria arbour, garden views

Collection of photographs and slides taken by Geoff Olive (Horticultural Instructor). (1) "Burnley 1979 Flash flood outside engineering." (2, 3) Administration Building, different years. (4) "Trish Mooney Gardener 1998." (5) 15-7-00 Ellis Stones Garden Friends Working Bee Tim and Chris." (6, 7) "Photos taken by John Dwyer (N.C.H.H.) following a tour of the native garden area given by Chris. 3.11.99." (8) Garden Week 1989? Phil Tulk Andrew Smith." Slides (9) "Rose Bed." (10) "Choisya ternata." entrance to what became the Rose Garden from Oak Lawn. (11) Aug 1981 view of Luffmann Ponds from Administration Building. (12) Nov 1982 "Herbaceous Border & Annual Display BHC" view of Bergenia Walk towards Administration Building. (13) May 1986 view of Administration Building from Luffmann Ponds. (14) August 1990 "Paula Cave/Andrew Smith" rejuvenating Luffmann Ponds. (15) April "Andrew Smith" mulching around Cork Oak when Staff Car Park removed from Bull Paddock. (16) April 1990 compacted lawn after last Garden Week at Burnley. (17) August 1990 Garden view. (18) August 1990 view of Luffmann Ponds from Administration Building roof. (19, 20) August 1990 View of Kath Deery Native Garden from Administration Building roof. Some handwritten notes on scraps of paper.geoff olive, horticultural instructor, burnley, floods, administration building, trish mooney, gardener, 1998, ellis stones garden, working bee, john dwyer, phil tulk, andrew smith, kath deery native garden, rose garden, herbaceous border, paula cave, luffmann ponds, bull paddock, garden week, lily ponds

Collection of negatives with instructions for developing. Probably belonged to Stuart Miller (Staff). Some scanned. 1-4,17,18,22,31 Student outside class, 5-8 Oak Lawn, 9-11. Students working in the Orchard, 13,19,20 Students in the Nursery, 14-16 James Hitchmough Grasslands, 21,24,25 Students inside class, 23. Garden view, 26. John Delpratt and his Grassland Project, 27-30. Administration Building, Order list attached dated 08.04.99stuart miller, staff, john delpratt, grassland project, students inside class, laboratory, landscape design, nursery, potting in nursery, trees in suburbs, students outside class, herb garden, administration building, plants

Denis Gibbons (1937 – 2011) Trained with the Australian Army, before travelling to Vietnam in January 1966, Denis stayed with the 1st Australian Task Force in Nui Dat working as a photographer. For almost five years Gibbons toured with nine Australian infantry battalions, posting compelling war images from within many combat zones before being flown out in late November 1970 after sustaining injuries. The images held within the National Vietnam Veterans Museum make up the Gibbons Collection. A black and white photograph of the refugee village of Ap Sui Nge outside 1st Australian Task Force Base in Phuoc Tuy Province, South Vietnam. The village was designed by the officers and men of the 1st Australian Civil Affairs Unit and built as a major project involving Task Force Unitsphotograph, 1st australian civil affairs unit, 1st atf base, ap sui nge village, gibbons collection catalogue, phuoc tuy, refugee village, denis gibbons

34 colour photographs with negatives. (1) Principal's garage in the Herb Garden area, used for Arboriculture, demolished shortly after in 1992. (2,3)North end of Administration Building. (4) Front of Administration Building. (5,6) Front of Administration Building in winter. (7) ?. (8) Camellia in Emily Gibson Bed. (9) Nursery. (10) Native Garden pool, Andrew Smith, Gardener. (12) Native Garden pool. (13) Melaleuca Lawn. (14)Students outside front of Administration Building. (15-20) Paula Cave, Gardener and Jasmine (in pink) Apprentice working in Herbaceous Border.(21) Students on West side of Administration Building. (22-25) Magnolia in Emily Gibson Bed. (26,27) Pond in a garden not Burnley. (28) Looking through fence to Field Station, Andrew Smith, Gardener. (29) Herbaceous Border and Oak Lawn. (30) Luffmann Ponds and Summer House. (31) Garden view, Wisteria Walk behind. (32) Students in Citriodora Courtyard. (33,34) Students.principal, garage, herb garden, arboriculture, administration building, camellia, emily gibson bed, nursery, native garden, pool, andrew smith, gardener, melaleuca lawn, students, paula cave, gardener, apprentice, herbaceous border, magnolia, ponds, fence, field station, oak lawn, luffmann ponds, summer house, garden views, wisteria walk, citriodora courtyard, lily ponds, orchard

Photo of a cable tram set turning from Smith St into Gertrude St 22/3/1940, trailer 286. Wal Jack Negative number T147. Has destination of Spencer St. and an advert for The New Palais Royale at the Exhibition buildings. In the background is G. D. Langridge Real Estate building. On the street outside is a fire alarm point. Rod Atkins advised 6/9/2020: "I have been so impressed with the photo that is being used in Bellcord for the issue that did some digging. The photo is priceless! The photo is taken on a Friday (to my surprise) mid-afternoon given the shadows. Did you notice the flip side of the dummy destination - Clifton Hill. Hard working cable tram line to the end - licence to print money for the board. The building on the South east corner. - G.D. Langridge & Sons Auctioneer. This was a Melbourne "institution" . George David Langdon was a local identity who went on to become MLA for Collingwood. ot sure when the business started but could have been in the 1860s or 70's Well before the cable trams. George died on 24th March 1891. The business survived till well after the war." Clock is showing 2.30pm, - day of the week - Friday.Yields information about cable tram operation in Smith St and the corner with Gertrude St in 1940.Negative - black and white. On rear of print in album "Cable 286 turning out of Smith St in Gertrude St Fitzroy. T147" and 22/3/1940.trams, tramways, cable trams, gertrude st, smith st, tram 286

Denis Gibbons (1937 – 2011) Trained with the Australian Army, before travelling to Vietnam in January 1966, Denis stayed with the 1st Australian Task Force in Nui Dat working as a photographer. For almost five years Gibbons toured with nine Australian infantry battalions, posting compelling war images from within many combat zones before being flown out in late November 1970 after sustaining injuries. The images held within the National Vietnam Veterans Museum make up the Gibbons Collection.A black and white photograph of an extended Vietnamese family worshipping at a shrine outside Hue, South Vietnam, built to commemorate the male members of their families murdered by the NVA/VC Forces during the Tet Offensive in January to March 1968.photograph, hue, nva/vc, tet offensive (1968), gibbons collection catalogue, shrine, vna/vc forces, denis gibbons

Denis Gibbons (1937 – 2011) Trained with the Australian Army, before travelling to Vietnam in January 1966, Denis stayed with the 1st Australian Task Force in Nui Dat working as a photographer. For almost five years Gibbons toured with nine Australian infantry battalions, posting compelling war images from within many combat zones before being flown out in late November 1970 after sustaining injuries. The images held within the National Vietnam Veterans Museum make up the Gibbons Collection.A black and white photograph of Children from a small hamlet outside Baria, Phuoc Tuy Province, return home after collecting grass to thatch their homes and other hamlet buildings. The boys carried heavy loads on the bicycles, yet were always cheerful.photograph, baria, phuoc tuy province, gibbons collection catalogue, vietnamese children, denis gibbons