Black and white photograph . Group of men, some in normal clothes and in army uniform, some men are carrying buckets and pans. To the right a tent and 2 stoves and lots of buckets and pans. On back of photo: 21st October, 1912. World War 1 camp site.W.H. Robinsonorganization, military, casley collection. army personnel.

Index, bib, ill, p.257.non-fictionThe military history and heritage of the Shire of Lillydale in three volumeslillydale shire - history, military participation - shire of lillydale

Recognising that warmed ether was less irritating to the airway and patients receiving it were less likely to experience shock, Francis Shipway developed the Shipway's apparatus which was used during World War 1 and continued to be used through to World War 2. Reduction of shock for patients who had experienced trauma was crucial to their later recovery, particularly during war times. This example of the Shipway's apparatus also has the facility for administering chloroform.A triangular metal stand with two glass jars sitting in a metal tub and a green metal jar that looks like a thermos, also sitting in a metal tub. A metal pole has been screwed into the centre point of the stand, with a circular top to act as a handle. One of the jars has a rubber stopper in the neck with metal tubing attached to the stopper. The other glass jar has a metal screw top with a dropper spout. The two glass jars are connected via red rubber tubing. The apparatus has been sectioned in parts to show the inner mechanisms.Typed in black ink on white paper and adhered to metal bath: SHIPWAY'S APPARATUS •Typed in black ink on white paper and adhered to metal bath: ETHER VAPORISER •Typed in black ink on white paper and adhered to metal bath: THERMOS WITH HOT WATER •Typed in black ink on white paper and adhered to glass bottle: CHLOROFORM VAPORIZER •Typed in black ink on white paper and adhered to metal connector: TO AIR BELLOWS •Typed in black ink on white paper and adhered to tube in thermos: DELIVERY TUBE •Moulded into base of thermos: THERMOSshipway, world war i, warmed ether, endotracheal, chloroform

U.S. intervention in vietnam grew slowly in the first years after the Second World War - almost imperceptibly so to most Americans. but an ever-deepening committment soon became evident. 1961-1975 -- sources, vietnam war, 1961-1975 -- united states -- diplomatic history, united states -- foreign relations -- vietnam

The question of how the United States became enmeshed in the Vietnam War has troubled three generations of Americans. Now, in this incisive and very well documented history of American intervention in Vietnam from the end of World War 2 to the first months of John F. Kennedy's presidency, historian James R. Arnold present the dramatic unfolding of the events by which Washington led us into Vietnam. At no point along this way did any policymaker consider the ultimate result of this course as seriously heed those who counseled caution.united states - foreign relations - vietnam, vietnam - foreign relations - united states

Mounted ink and wash on paper.Handwritten (LR): Löwit Other Inscriptions: Center, inscribed on a wall: "Ich habe mehere Nächte darüber nachgedacht - und bin nun endlich auf eine hervorragende Idee gekommen - das Problem der imme anwachsenden Insassenanzahl im Ghetto zu lösen es wird notwending sein: (1) die Insassen schichtenweise quer uber einander zu legen, was bei einer durchschnittlichen Hohe der Raume von etwa 3m ganz besonders günstig sein durfte --- und (2) schlage ich vor, während der Winter monate alle Boden in heizbare Raume zu verlegen" [I have pondered for many nights and have finally come up with a great idea for the problem of the ever-increasing population of the ghetto. It will be necessary: (1) to stack the inmates at right angles on top of each other which should prove particularly useful in rooms approximately three meters high, and (2) I suggest that during the winter months all attics be made into rooms that can be heated] Center, inscribed on a selection of files: "GHETTO AUFBAU ROBERT MUNORY" [Ghetto Construction, Robert Munory] second world war, 1939-1945, jewish history & people, holocaust, czech republic

Australian National Flag Montage depicting 15 Australian flags, including Naval, Military and Aboriginal flags - with history and details of each flag, also featuring the words of our National AnthemAustralia entered the first world war with three flags representing its dual nationality: the Union Jack as national flag and its two Australian ensigns. All three featured in recruiting drives for the Australian Imperial Force (the AIF). At that time the Union Jack was clearly regarded as the most importantBlack and gold painted frame containing montage of Australian flag and 14 smaller flags with boxed narratives.The Australian National Flag Gold Plaque - Proudly endorsed by the Returned & Services League of Australia 1992 Signed by Brigadier A B Garland AM and B C Ruxton OBEflags, australian, australian states and territories

The 11th Australian Infantry Battalion AIF was was among the first infantry units raised for the AIF during the First World War It was first raised at Black Boy Hill Camp in Western Australia on 17 August 1914 and recruited from the militia units. The picture of the 11th Battalion at the Cheops pyramid in Egypt in 1915 was taken just before the landing at Anzac Cove. Not many of the soldiers in this picture survived the 8 month campaign. After the Campaign on the Gallipoli Peninsula, the 11th Battalion went on to serve with distinction in France and Belgium from 1916-18. They returned to Australia at the end of the war and disbanded on the 5 February 1919. The Battalion was awarded a Kings Colour for it’s service during the war which was held in the of custody the Militia 2/11th Battalion. This picture was taken just before the landing at Anzac Cove during the First World War. Not many of the soldiers in this picture survived the 8 month campaign. This now famous picture of the 11th Battalion AIF at the Cheops pyramid in Egypt in 1915 is shown throughout military history displays and books the world over.Burgundy frame, black mounting, gold writing with a photo of 11th Battalion standing and sitting on the Cheops pyramid in Egypt. There are seven rising suns underneath the photo.ANZACS at War. Fall an ANZAC Rise a legend. The 11th Battalion at the Cheops pyramid in Egypt. We will remember - Lest we forget. Limited edition 4438 of 5000.anzac, wwi, world war 1, cheops, pyramid, soldiers

Watercolour painting of Catalina Flying Boat - Attached to rear of frame is a short history of the Catalina Flying Boat together with the service history of Owen and and his younger brother Roy MORTIMER who both served in the Royal Australian Air Force in the South West Pacific area during WW2 Developed as a naval patrol aircraft, the Consolidated PBY Catalina was a widely exported flying boat during World War II. Over the course of the conflict it served with a number of different nations in a variety of roles. In the Royal Australian Air Force, PBYs and PB2Bs (a variant built by Boeing in Canada) served as multi role bombers and scouts, the type eventually earning great renown among Australian aircrews. The motto of the Catalina squadrons was "The First and Furthest." Gold painted embossed metal frame with cream coloured mount containing watercolour painting of plane on waterCatalina Flying Boat Royal Australian Air Force catalina flying boat, raaf, mortimer, ww2

A history of sixty cartoons with text by David LOW a New Zealander of Scottish-Irish parentage. In 1919 he started work in London. His cartoons on world affairs had a wide reputation in Europe before the war were banned in Germany in 1936. Book without cover containing 60 plus cream coloured pages of cartoons World at War A history in Sixty Cartoons with a narrative text by LOWdavid low, world at war

A remarkable, thoroughly researched and detailed record of "Dunera" internee artists with examples of their varied styles of water and colour paintings, sketches and cartoons. Vivid reminders of the whole experience of internment in Australia during World War 2 for these men. Launched at the Jewish Museum in St Kilda, Sunday July 8th and Monday July 9th at Readings Books in Melbourne.Visual history of camp life of the Dunera boysBlue soft cover, with front cover painting by Emil Wittenberg. Painted at Tatura on 23rd May 1941, depicts a group of Dunera internees behind barbed wire. B/W and colour photos, sketches, paintings and watercolour.To the memory of Amirah Inglis. A photograph of Kenneth Stanley Inglis, 7 October 1929 - 1 December 2017dunera boys

Vol 1 - Episode 1 1788 -1918 Genesis Episode 2 - In all Respects Ready Vol 2 - 1919 - 1945 - Episode 1 - Between two wars, Episode 2 - The world ablaze, Episode 3 - Banzai Volume 1 1778 - 1918 Volume 2 1919 - 1945 Plastic sleeves, with naval pictures on cover.australian navy

Trench Art is the name given to objects manufactured by both soldiers and civilians from shell casings, bullets, shrapnel and miscellaneous battlefield debris, and is predominantly associated with World War I (1914 – 18). The most common material used for trench art are brass shell casings, which, once decorated, can be utilised as vases. Often items will bear an inscription such as the name of a French village or theatre of war and engraved decoration or embossing. There is no known history in relation to this vase.Large brass shell casing with decorative engraving.Engraved - Les Halles D'Ypres 1914-19 with engraving of building possibly town hall or church . Several symbols, numbers and letters imprinted on base of casing. brass shell casing, trench art, world war one, first world war, wwi, ww1, ypres, flanders, vase

Hand drawn Coat of Arms for the soldiers known as the Rats of Tobruk with signatures of those involved in the engagement between 5th April to the 22nd of October 1941 The drawing is signed by artist John DOWIE AM, SX6087 who served with the 2/43rd Battalion Signatories are: VX42389 Eric Hamilton, 2/32 Battalion; VX30189 F.Baldwin, 2/23 Battalion; VX34544, F.J.Mc.Intosh 2/24 Battalion; VX34554 W.Harrison, 2/24 Battalion; WX7281 P.Bone 2/25 Battalion; VX33719 Duke Goldsmith, 2/24 Battalion; VX41179 Harry Frazer, 2/24 Battalion; VX29652 A.R.Stribley, 2/24 Battalion; SX6367 Jack Foley, 2/43 Battalion; VX48340 Harry Jones, 2/23 Battalion; VX42317 Aub Jarrott, 2/24Battalion; VX28869 Rod Deering 2/24Battalion; VX15719 Ian F. Joss 7th Division AASC; VX19723 Len Dauria, 2/12 Field Regiment; NX35852 R.E (Snowy) Cornelius 2/13 Battalion; VX32559 Jim Gray, 2/24Battalion - James Cyril GRAY Born 6/1/1916 in Orroroo South Australia. Enlisted 28/5/1940 at Mildura. Awarded Military Medal for remarkable coolness, bravery and leadership at Tobruk on 24/4 and 1/5/1941. He was promoted to Sergeant on 14/8/1941, Lieutenant in November 1942 then Captain on 9/4/1945. He was wounded in action on 11/9/1943 and discharged on 20/12/1945. He married and had three children. He died on 10/4/1992 aged 76 and buried at Wangaratta Cemetery.This original drawing is by John DOWIE SX6087 who served with the 2/43rd Battalion during the second world war and is signed by the artist and soldiers from the 2/24th Battalion known as "Wangaratta's Own". John Stuart Dowie AM (15 January 1915 – 19 March 2008) was an Australian painter, sculptor and teacher. He was born in the suburb of Prospect in Adelaide, South Australia, and studied architecture at the University of Adelaide. During World War II, Dowie worked in the Military History Unit of the Australian Imperial Force, and as an assistant to Australia's official war sculptor, Lyndon Dadswell. As a soldier, he was one of the Rats of Tobruk. After studying art in London and Florence, Dowie returned to Australia. His work includes over 50 public sculpture commissions, including the "Three Rivers" fountain in Victoria Square, "Alice" in Rymill Park, the "Victor Richardson Gates" at Adelaide Oval and the "Sir Ross & Sir Keith Smith Memorial" at Adelaide Airport. He was made a Member of the Order of Australia in 1981 in recognition of service to the arts as a sculptor and painter. Dowie died on 19 March 2008, aged 93. There is a similiar version of the drawing on page 32 of the book Desert Sand and Jungle Green by Geoffrey Boss-Walker which is an illustrated history of the 2/43rd Battalion.Timber frame containing hand drawn Coat of Arms consisting of "rats" as shield supporters, crest with a swastika in the centre and motto surrounded by signatures.Signatures of artist John Dowie and soldiers engaged at Tobruk. The crest depicts a latrine and the motto reads NON FASCES SED FAECES (Latin translation - "Do not move but the dregs") rats of tobruk, coat of arms, 1941, john dowie

non-fictionDecorating with wallpaper c.1840–1914 : a guide to assist in the conservation and restoration of buildings. National Trust of Australia (Victoria, 1987. Chapters: 1. Introduction; 2. Mid-nineteenth century; 3. Halls, stairs and passages; 4. 1870s period; 5. 1880s period; 6. 1890s period; 7. Early Twentieth Century; 8. Towards World War I; 9. Ceilings; 10. Colour notes; 11. Conservation noteswallpapers - history, interior decoration - history, wall coverings - history

On back To Mrs A Davidson with best wishes from CR Sands 7.2.18Black and white postcard showing Private CR Sands standing and another soldier seated both wearing WWI AIF uniforms Englandworld war 1914-1918, communications

message continued from 05475...we went out snow balling one another and had some fine fun, and then we made a snowman had our photo taken alongside him. Well little Dorothy I am going to France next week so I will not get a chance to write very often so I will say goodnight for this timeAustralian soldier waiting to go into battleBlack and white postcard of British soldier and a little girl. Englandworld war 1914-1918, communications