Black and white photograph of Venga Guest house, run by Miss Bertha Hansen for over thirty years. It shows timber and cement sheet building, gable roof, bay window, picket fence at front, front door has side light windows. Small girl in doorway.guesthouses, architecture, room display

Original home of George Carpenter, son of John Carpenter, first contractor for the artificial entrance. On this site home and office of Carpenter's Caravan Park.Colour photograph of Skippers Restaurant, Esplanade. It shows a weatherboard building, centre roof connects eastern hipped roof and western gable which is half timbered in Tudor style. Decorative corbels support eaves. Wrought iron lacework and brackets under veranda roof. Lakes Entrance Victoriaarchitecture, township, restaurant

Apartments opened for 1991 / 1992 seasonColour photograph of Bellevue Apartments, built on Marine Parade. Modern style building, concrete slab construction, each unit having own balcony. Section of Lakeside Motel seen on left, Hybiscus Motel on right. Car on street at front. Lakes Entrance Victoriahotels, architecture, transport

Date made February 2000Colour photograph of Bellevue Offices, Glenara RSL Motel at the right hand side. Lakes Entrance Victoriamotels, tourism, architecture

Date made October 1994Black and white photograph of the new Bellevue Motel complex on the Esplanade, almost completed, containing thirty two units. Lakes Entrance, Victoriaguesthouses, architecture, tourism

Colour photograph showing close-up view of the front of Gainsborough House. Garden is semi formal. Originally a guest house, now a private residence. Lakes Entrance Victoriaguesthouses, tourism, architecture

Two other copies identical view size 12.5 x 17.5 cmBlack and white photograph of Heyfield House, showing a large fibro-cement clad building, with name Carstairs on facade. Man, woman and child seated on concrete fence. Couch in alcove with person seated. Lakes Entrance Victoriaguesthouses, architecture, tourism

Also enlargement 18 x 25, also sepia toned copy from postcard titled Mrs Baker's, Lakes Entrance. Guest House conducted by Mrs Zelie Alphonsine Baker, previously Lake, nee Ducret. Husband George 'Brinet' Baker. Later proprietors were Mrs Syd Ashton, 1930's, and Gerlands, 1950's. Site now occupied by Lakes Photographics, King and Heath shops, all Myers St (west side) to Church StBlack and white photograph of St Rosieres Boarding House. showing weatherboard residence, corrugated iron roof, half veranda at front, timber awning over windows of gabled room. George - Briney - Baker and wife Zelie at front fence. Lakes Entrance Victoriatourism, guesthouses, architecture

Francis cafe shop and guest house, burnt completely 1925-1926.Black and white photograph of Venga Guest House which was run for over thirty years by Miss Bertha Hansen. It shows a small weatherboard and cement sheet building, gable roof, bay window, half veranda at front. To west of Venga is side of Broomes Federal Hotel. To east is Cafe Francis. Lakes Entrance Victoria,guesthouses, architecture, restaurant

Black and white photograph print of Venga Guest House which was run for over thirty years by Miss Bertha Hansen. It shows timber and cement sheet building, gable roof, bay window, picket fence at front. Four people in front yard. Side view of Broomes Federal Hotel, double storey frontage in background. Lakes Entrance Victoriaguesthouses, architecture, fences

Black and white photograph of Venga Guest House. It shows a timber and cement sheet building, gable roof, bay window, half veranda at front, hydrangeas flowering in garden, picket fence at front, two women in picture. Lakes Entrance Victoriaguesthouses, architecture, fences

Black and white photograph of Venga Guest House, showing timber and cement sheet building, gable roof, bay window, half veranda at front, woman standing at gate of picket fence. Lakes Entrance, Victoria,guesthouses, architecture, fences

Black and white photograph of Venga Guest House, showing timber and cement sheet building, gable roof, bay window, half veranda, woman standing at picket fence. Lakes Entrance Victoriaguesthouses, architecture, fences

This building was the original home of the family of George Carpenter, son of John Carpenter, first contractor for construction of the man-made entrance to the lake system, the house was relocated to Hunters Lane, December 2002.Colour photograph of Skippers Restaurant, Esplanade. The photograph shows a weatherboard building, corrugated iron roof, gabled extension at left end, hipped extension at right. Historical evidence shows that the building consists of additions to original smaller residence. Lakes Entrance Victoriaarchitecture, township, restaurant

Black and white postcard of the western wing of the Central Hotel, showing weatherboard building, corrugated iron roof, bull nose veranda, three sash windows. Three persons sitting on lawn, soldier in wicker chair, man standing beside small boy sitting on wooden rocking horse. Lakes Entrance Victoriahotels, architecture, people

This photo taken before additions in 1892 by P E Coutouley, owner from 1890 to 1894, when hotel was extended.Black and white photograph of the Club Hotel, showing a substantial weatherboard single storied building, veranda across half front corrugated iron roof. Wooden picket fence at front. Horse and wagon in centre front of hotel, horse and man standing to right . Some people on the veranda. Sandy expanse in front of hotel. Lakes Entrance Victoriahotels, architecture, transport

Also a sepia toned enlargement 30 cm x 40 cm but fading. Also a black and white enlargement 13 cm x 18 cm in large frame red background, 'centenary'.Black and white photograph of the Club Hotel, showing a large single storied weatherboard building with corrugated iron roof, bluestone rock wall along the lake front. Hotel of 22 rooms opened 1885. Late 1920's sedan car parked at front of hotel. Lakes Entrance Victoriahotels, transport, architecture

Also photographic enlargement 20 x 25, also enlargement copy 28 x 35 in frameless frame. Also re Donor, Mrs Lucy King, previously Sanberg, nee Olsen, was the proprietor of Bellevue Guesthouse 1946 to 1988Black and white postcard of Vizes Bellevue Guesthouse, showing a large weatherboard building, corrugated iron hipped roof, gable at left front. Veranda across the front, picket fence enclosing front yard. Wire strung wooden fence between roadway and grassy area bordering sandy beach at lake edge. Kerosine tin on grass, church visible beside guest house. Lakes Entrance Victoriaguesthouses, waterfront, architecture

Postcard, one of a series from 'The Rose Series De Lux'Black and white postcard of the Club Hotel. Shown are seven hard top sedan cars and two soft top cars. Ardath cigarette advertisements in upper windows of right hand section of the complex. Building is weatherboard, hipped roof corrugated iron, three chimneys. Roof of viewing gallery at rear of main building. Picket fence and hedge in front of left section. Lakes Entrance Victoriahotels, architecture, transport

re Donor - Mrs Breeze descended from Herbertson family, living at the Hummocks 1889cBlue toned photograph of the Club Hotel, showing a large weatherboard building, iron roof, three chimneys. Picket fence encloses part of the building - residential. Five tree ferns planted outside centre front of the hotel. Two rainwater tanks on low stands between main building and additional building on right of photo. Sandy bank and lake in foreground. Lakes Entrance Victoriahotels, architecture, waterfront

2x Identical copies 10x14Sepia toned photograph of Broomes Federal guest house, showing a large two storied fibro cement clad building, two tourist launches and rowing boat on lake moored to a timber jetty. Two motor cars of early vintage in front of guest house. Venga guest house visible to right of Broomes Federal. In the background amongst the trees, Holiday Inn guest house on Kalimna Heights. Lakes Entrance Victoriaguesthouses, architecture, transport

Black and white photograph of Hoopers Maranui Guest House, after losing balcony in severe windstorm. Upstairs doorway is barricaded. Sun shields over upstairs veranda front windows. Water tank on high tank stand at rear of Maranui. Fibro cement picture theatre at right of picture. Lakes Entrance Victoriaarchitecture, guesthouses, cinema

Black and white photograph of Hoopers Maranui Guest House. A timber double storied building with upstairs balcony and down stairs veranda across front, sash windows, doors with side lights and fan lights, hedge at front enclosed by picket fence. On right of photo, fibro cement Prince Regent Theatre, built 1926. Lakes Entrance VictoriaMaranui Lakes Entranceguesthouses, architecture, entertainment

Date made August 2008Colour photograph of two brick units in Bung Yarnda Court. This is the site of the original Merrangbaur House. Lakes Entrance Victoriaguesthouses, architecture, room display

black and white photo: an architectural niche next to draped windows to left and right. Marble statue on a pedestal, depicting a partially draped woman. On front bottom margin, Bartlett Bros. Bendigo.Bartlett Bros. Bendigo.buildings, fittings & materials, `lancewood house

The first section of Studley House, now part of the preparatory school for Xavier College conducted by the Society of Jesus in Kew, was built in about 1857 for Parliamentarian John Hodgson, an early settler in the district, as a two-storey residence in the Classical Revival style. The name Studley House was first recorded in the Kew ratebooks in 1862, after the house was purchased in 1860 by James McEvoy, squatter. Alterations and an extension, designed by William J Ellis were undertaken in 1875. The house was again altered in 1919 during the ownership of John Wren, former bookmaker, ALP lobbyist, influential Irish-Catholic and millionaire. After 1969 the house was used by the school. (Victorian Heritage Database, 2023)This work forms part of the collection assembled by the historian Dorothy Rogers (1905-1973), donated to the Kew Historical Society by her son in 2015. The manuscripts, photographs, maps, and documents were sourced by her from both family and local collections or produced as references for her print publications. Many were directly used by Rogers in writing ‘Lovely Old Homes of Kew’ (1961) and 'A History of Kew' (1973), or the numerous articles on local history that she produced for suburban newspapers. Most of the photographs in the collection include detailed annotations in her hand. The Rogers Collection provides a comprehensive insight into the working habits of a historian from the 1960s to the 1970s. Original monochrome photograph of architectural elements used in the decorative scheme on the exterior of Studley House in Nolan Avenue, Kew. The POV is of the rendered and painted Doric columns supporting the first floor colonnade.dorothy rogers, studley house -- nolan avenue (kew), xavier preparatory school

The first section of Studley House, now part of the preparatory school for Xavier College conducted by the Society of Jesus in Kew, was built in about 1857 for Parliamentarian John Hodgson, an early settler in the district, as a two-storey residence in the Classical Revival style. The name Studley House was first recorded in the Kew ratebooks in 1862, after the house was purchased in 1860 by James McEvoy, squatter. Alterations and an extension, designed by William J Ellis were undertaken in 1875. The house was again altered in 1919 during the ownership of John Wren, former bookmaker, ALP lobbyist, influential Irish-Catholic and millionaire. After 1969 the house was used by the school. (Victorian Heritage Database, 2023)This work forms part of the collection assembled by the historian Dorothy Rogers (1905-1973), donated to the Kew Historical Society by her son in 2015. The manuscripts, photographs, maps, and documents were sourced by her from both family and local collections or produced as references for her print publications. Many were directly used by Rogers in writing ‘Lovely Old Homes of Kew’ (1961) and 'A History of Kew' (1973), or the numerous articles on local history that she produced for suburban newspapers. Most of the photographs in the collection include detailed annotations in her hand. The Rogers Collection provides a comprehensive insight into the working habits of a historian from the 1960s to the 1970s. Original monochrome photograph of architectural elements used in the decorative scheme on the exterior of Studley House in Nolan Avenue, Kew. The POV is of the rendered and painted Ionic columns forming the first floor colonnade.dorothy rogers, studley house -- nolan avenue (kew), xavier preparatory school

After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c.1983 and c.2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Property illustration of a block-fronted Victorian villa. Extant building 08/2020. The pen and ink architectural drawing on drafting film of 71 Brougham Street was made by Margaret Picken in 1989.71 BROUGHAM ST., KEW / MARGARET PICKEN '89 / WOODARDS ~ HAWTHORNartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 71 brougham street -- kew (vic.)

After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a number of real estate agents in Melbourne between 1983 and 2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Originally a single-storey Edwardian weatherboard villa with a later two storey addition. Pen and ink architectural drawing on drafting film of 56 Kent Street, Kew by Margaret Picken in 1998.56 KENT ST., KEW / MARGARET PICKEN '98 / WOODARDS ~ HAW.artist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 56 kent street -- kew (vic.)