Articles by Lucy Hill: A man and his dog, the story of Mr. Webb, a flour miller and his faithful dog. A Man who loved Horses custodian of a dog whistledocument, lucy hill collection - from the manuscript of the late lucy hill and published in the bendigo advertiser - compiled by john hattam

Sepia photograph of a shack in countryside with a man standing next to a horse, a second man wearing suit and hat standing holding a gold panning dish, and dog sitting at front.mining camp, gold mines, ira (paddy) craine

The couple in the photograph are Ioulia and George Raftopoulos (Klapatsouras) who were the parents of Effie Cominos and Aspasia (Sia) Koutsouvelis. Ioulia was from the village of Stavros and George from Frikes. They arrived in Australia from Ithaca in the 1920s and settled in Park Street Brunswick. Following George's death moved to Cromwell Road South Yarra close to her daughter Effie. A scanned studio photograph mounted on a brown board of a smartly dressed man and lady. They are photographed in front of a floral backdrop with the man seated on a seat and the lady standing beside him.

Polyethylene wool bale used to press wool into. Part of Woolbroker's office equipment.elders vp

29 letters/notes/correspondence, and 1 invoice; from July to Dec 1909, from business and Victorian Government Officers; addressed to Mr. J.H. Abbott 29 letters/notes/correspondence and one 1909 invoice; from July to Dec 1909, from business and Victorian Government Officers; addressed to J.H. Abbott often as MLC in office. Many with Victorian Parliament House, Melbourne letterhead One invoice from the Melbourne Wool & Grain Warehouses, 22 Nov 1919, for a range of goods (for 2 bags & 6 bales of greasy wool, detailed in 8 items)company invoices and business correspondence, official parliament correspondence

Frank Wright was a renown resident of Smeaton, where he was born on 2 August 1901. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia.Black and white photograph of a man dressed in a suit with a lady dressed in a long summer frock, hat and holding a large bouquet of flowers. They are standing outside the door of a bluestone church, with other people in the background. The man is holding the arm of a small flower girl. The man is Frank Wright and the occasion is a wedding.frank wright, conductor, brass band, blue stone church

Photograph: faded black and white photo of man seated on stool. On Left Hand side, shovel and pick leaning on wall beside man . On Right hand side, doorway, man seated in house (partly visible) . On step, cup and saucer, can of treacle. House is potentially the same as in 1610.2person, individual, cook, spring gully, mining

These items came from the Godfrey family who lived in Warrnambool in the mid 20th century. The hat was bought and worn by Barbara Phipps (nee Godfrey) some time in the 1960s. It was bought from the department store of Cramond and Dickson, a prominent and important business in Warrnambool from 1855 to 1973. The two felt hat shapes were bought in Italy during World War Two by Jim Godfrey and given to his wife Joy. They were never made into hats to wear but remain in their original state. These items are of interest because they are connected to a 20th century Warrnambool family and because they are good examples of women's fashions of the past..1 A beige=coloured lady's felt hat with a slight fold in the crown and with a strip of felt around the outside of the crown ending in a single knot. There are some multi=coloured feathers attached to the felt strip.The hat has a cream lining on the inside edge of the crown and the brim is stitched .2 A cream felt hat shape .3 A green felt hat shape.1 Doeskin Felt 100% Wool Geo. W. Bollman & Co. Inc. Made in U.S.A.vintage women's clothing

Woven labels for 'Physician' blankets produced by Collins Bros Pty Ltd.Woven labels for 'Physician' blankets produced by Collins Bros Pty Ltd.Physician CHILLPROOF BLANKET EXTRA SUPER FINE PURE MERINO WOOL MOTHPROOFED MADE IN AUSTRALIAtextile design textile production, collins bros mill pty ltd, textile design, textile production

This book was owned by the late Dr Elizabeth Kerr and was donated to the Museum by the executor of her estate, Margaret Cameron. This book was produced by Patons and Baldwins and contains knitting patterns for womens hat, scarves and gloves.Patons KNITTING BOOK NO. 345 / "VELASQUEZ" - See page 12. / P&B / WOOLS / 1'4dknitting handicrafts - history, patons and baldwins (australia) ltd, knitting, handicrafts - history

Note from collector- "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from." 'Warmth without weight' Sheep with lady wearing blue nightclothesWarmth without weight/Laconia Blankets/100% Pure Lamb's Wool /Make Goodnight a Certainty blanket, blanket fever, wool, laconia, advertisement, australian women's weekly

This book was produced by Patons and Baldwins and contains patterns of knitted garments for women. It was owned by Billie Rech, the aunt of the donor, who was a great knitter.Patons Knitting Book No. 276 / 'GLOUCESTER' - See page 12 / P&B WOOLS / 1'-handicrafts - history knitting, patons and baldwins (australia) ltd, handicrafts - history, knitting

This book was produced by Patons and Baldwins and contains patterns of knitted garments for women. It was owned by Billie Rech, the aunt of the donor, who was a great knitter.Patons KNITTING BOOK no. 319 / "NOLEEN" - See page 8. / P&B / WOOLS / 1'-handicrafts - history knitting, patons and baldwins (australia) ltd, handicrafts - history, knitting

One of a collection of 56 knitting pattern books donated by Mrs Hilma Carruthers. These books had been used by Mrs Carruthers, her mother and her two daughters. This book was produced by Patons and Baldwins and contains knitting patterns for women's garments.Patons KNITTING BOOK NO. 287 / "REA" - See page 12 / P&B / WOOLS / 9d.handicrafts - history knitting, patons and baldwins (australia) ltd, handicrafts - history, knitting

One of a collection of 56 knitting pattern books donated by Mrs Hilma Carruthers. These books had been used by Mrs Carruthers, her mother and her two daughters. Book produced by Patons and Baldwins and contains knitting patterns for women's garments.Patons KNITTING BOOK NO. 308 / "Auriol" - See page 8 / P&B / WOOLS / 1'-handicrafts - history knitting, patons and baldwins (australia) ltd, handicrafts - history, knitting

One of a collection of 56 knitting pattern books donated by Mrs Hilma Carruthers. These books had been used by Mrs Carruthers, her mother and her two daughters. This book was produced by Patons and Baldwins and contains knitting patterns for baby clothes.Patons KNITTING BOOK NO. 326 / "PAM" - See page 2. / P&B / WOOLS / 1'6d.handicrafts - history knitting, patons and baldwins (australia) ltd, handicrafts - history, knitting

This book was produced by Patons and Baldwins and contains knitting patterns for young girls.Patons KNITTING BOOK NO. 292 / "MARY" - See page 12 / P&B / WOOLS / 9d.handicrafts - history knitting, patons and baldwins (australia) ltd, handicrafts - history, knitting

This book was owned by the late Dr Elizabeth Kerr and was donated to the Museum by the executor of her estate, Margaret Cameron. It was produced by Patons and Baldwins and contains knitting patterns for womens jumpers and cardigans.Patons KNITTING BOOK NO. 282 / "MARGARET" - See page 12 / P&B / WOOLS / 8d.knitting handicrafts - history, patons and baldwins (australia) ltd, knitting, handicrafts - history

This book was owned by the late Dr Elizabeth Kerr and was donated to the Museum by the executor of her estate, Margaret Cameron. It was produced by Patons and Baldwins and contains knitting patterns for baby clothes.Patons KNITTING BOOK NO. 328 / "RUBY" - See page 2 / P&B / WOOLS / 1'9d.knitting handicrafts - history, patons and baldwins (australia) ltd, knitting, handicrafts - history

This book was owned by the late Dr Elizabeth Kerr and was donated to the Museum by the executor of her estate, Margaret Cameron. It was produced by Patons and Baldwins and contains knitting patterns for womens garments.Patons KNITTING BOOK NO. 332 / "VIRGINIA" - See page 8 / P&B / WOOLS / 1'4d.knitting handicrafts - history, patons and baldwins (australia) ltd, knitting, handicrafts - history

This book was owned by the late Dr Elizabeth Kerr and was donated to the Museum by the executor of her estate, Margaret Cameron. It was produced by Patons and Baldwins and contains knitting patterns for womens garments.Patons KNITTING BOOK NO. 340 / "ROSALIND" - See page 8 / P&B / WOOLS / 1'4d.knitting handicrafts - history, patons and baldwins (australia) ltd, knitting, handicrafts - history

This book was owned by the late Dr Elizabeth Kerr and was donated to the Museum by the executor of her estate, Margaret Cameron. This book was produced by Patons and Baldwins and contains knitting patterns for womens hat, scarves and gloves.Patons KNITTING BOOK NO. 345 / "VELASQUEZ" - See page 12. / P&B / WOOLS / 1'4dknitting handicrafts - history, patons and baldwins (australia) ltd, knitting, handicrafts - history

This book was owned by the late Dr Elizabeth Kerr and was donated to the Museum by the executor of her estate, Margaret Cameron. It was produced by Patons and Baldwins and contains knitting patterns for womens garments.Patons KNITTING BOOK NO. 346 / "VIOLA" - See page 2. / P&B / WOOLS / 1'4dknitting handicrafts - history, patons and baldwins (australia) ltd, knitting, handicrafts - history

This book was owned by the late Dr Elizabeth Kerr and was donated to the Museum by the executor of her estate, Margaret Cameron. It was produced by Patons and Baldwins and contains patterns for womens knitted garments.Patons KNITTING BOOK NO. 363 / "CATHIE" - See page 8 / P&B / WOOLS / 1'6d.knitting handicrafts - history, patons and baldwins (australia) ltd, knitting, handicrafts - history

This knitting pattern book was published by the Villawood Textile Company, Sydney and contains knitting patterns for womens knitted garments."SPEEDIKNIT" SPORTS WOOL / Villawool / KNITTING BOOK / No. 66 / 1'9 / "FANFARE" See p. 4knitting handicrafts - history, villawood textile company, knitting, handicrafts - history