Two page Gestetner copy of an amended timetable for tram services in Bendigo for the SECV issued October 1955. Gives times for the departure from the City and the terminus for the Eaglehawk, Quarry Hill, Golden Square and North Bendigo routes. On Gestetner foolscap sized paper, stapled in the top left corner. Headed the "Electricity Supply Department - Northern Branch" bendigo, secv, timetables, tram services

Demonstrates the method of recording who built the tramcar body.Brass cast Builders' plate with raised letters on both sides - " J.M. JONES' SONS WEST TROY N.Y." Rounded on one corner. Has small lug on both sides on square end - window pull?? On lower edge, has two holes, countersunk on one side, See Tramways of North Sydney. - I. MacCowan 1990In pencil on non countersunk side "TRAM No. 15"tramways, trams, builders' plate, j.m. jones, ballarat??

Yields information through a photograph of the transportation of Ballarat No. 36 for Tourism Week in September 1971, possibly called via the home of the truck driver in Ligar St. Two large format (42mm square approx. colour positive film) within a Kodak Ektachrome Transparency (50mm sq) of Ballarat tram No. 36 enroute to Melbourne, making a house call in Ligar St Ballarat. Has the advertisements for Melbourne in position. See also Reg item 3503 of tram in Melbourne and 3432 for newspaper clipping.On both slides "14/9/71" and "Tram in Ligar St"ballarat, tramways, trams, melbourne, tourism, mmtb, ligar st, tram 36

35mm slide, square format mounted in a "Kodak " cardboard slide mount with Kodak logos and printing of the SEC Ballarat Crews in front of the depot shortly before the closure of the tramway system. Underexposed photo. See also Reg Item 1861 for a black and white photo. Taken 23/8/1971 - the last Sunday of full operations? Has date of "Sep 71" and "9" stamped onto the slide.tramways, trams, crews, ballarat, sec crews, personnel, staff photo

35mm slide, square format mounted in a "Kodak " cardboard slide mount with Kodak logos and printing of the two SEC Ballarat crew standing in front of No. 31, prior to running out at the depot, tram has the destination of Victoria St. Possibly the last day of Victoria St - Taken 23/8/1971 - the last Sunday of full operations? Has date of "Sep 71" and "12" stamped onto the slide.tramways, trams, crews, ballarat, sec crews, personnel, depot, tram 31

35mm slide, square format mounted in a "Kodak " cardboard slide mount with Kodak logos and printing of No. 34 and three other bogie trams parked in the City Loop. No. 34 showing "Special". Has Gear Chemist and other buildings on the South side of Sturt St. in the background. Taken 23/8/1971 - the last Sunday of full operations? Has date of "Sep 71" and "20" stamped onto the slide.tramways, trams, sturt st, city loop, tram 34

Agfa plastic mount (blue base, white cover) with a photo of Bendigo No. 21 in the loop at Myrtle St, High St, bound for Golden Square. Photo taken late 1960's early 1970's from the window of another tram, either inbound or outbound, at the southern end of the loop. In the background is the Sacred Heart Cathedral ."BES 41" in penciltramways, trams, bendigo, quarry hill, tram 21

Red covered auction catalogue for a sale at the Bendigo United Breweries, High Street, Golden Square on 18/2/1948. Sale included Brewery Machinery, Refrigerating Plant, Tools and Accessories. Also board Room furniture. J. H. Curnow & Son Pty. Ltd. In Conjunction with E. M. Vains & Co. were the auctioneers.business, auctioneers, j h curnow & son pty ltd, ian dyett collection - auction catalogue - bendigo united breweries, j h curnow & son pty ltd, e m vains & co, the prahran telegraph printing co

Grey and white 2 page Presha Engineering Limited brochure, 290 City Road, South Melbourne, Victoria. Photo of large square shaped steam generator on front cover, written in pencil top centre ' Length 14.9'; width 6'10', height 11'3', 100 hp. Specifications written in centre pages and back page.organisation, commerce, presha steam generators

Colour newspaper article attached to black board. Image shows Golden Square Primary School student Leah Morris who won a prize for a short story about lolly-pop people (crossing supervisors ) Prize awarded by Parents Victoria. In image Peter and Mavis O'Brien and Blaz Kelis congratulating Leah Morris on her award.education, primary, golden square laurel st p.s.

Photographs of Golden Square Secondary College students. The year covered is 2006 Classes: 7A-7B-7C-7D-7E-7F/ 8A-8B-8C-8D-8E-8F/ 9A-9B-9C-9D-9E-9F-9G-9H / 10A-10B-10C-10D-10E-10F-10G-10I Two photos of staff. students' photographs, golden square secondary college

Three square light silk table/food covers with floral flower motifs embroidered in each corner. Main colours are pink, yellow, aqua, purple. Each piece has a slightly different colour combination: the flower pattern is constant in the three cloths. A 5cm border is hemmed along the edges of each cloth. Favaloro collection.silk food covers, favaloro

The Fashion & Design collection of Kew Historical Society includes examples of women’s, men’s, children’s and infants' clothing from the 18th, 19th and 20th centuries. While the collection includes some examples of international fashion, most items were handmade or purchased in Melbourne. Camisole comprised of three types of machine lace and an embroidered cotton joined together to form a fabric and backed with fine netting. There is a band of narrow lace at the square neckline, this is attached to a band of insertion lace with ribbon holes and then wide bands of insertion lace. At the upper midriff level there is a band of lace interspersed with embroidered butterflies. Garment is buttoned at the front.lace, women's clothing, lingerie, underwear, undergarments, chemisettes

Nino Corda was a Geelong based textile designer who worked at various textile mills between 1957 & 2003. He travelled the world in search of the latest fashions and techniques and developed timeless designs that were much loved by Australians. These items are on rotational display at the National Wool Museum’s ‘In the Factory’ exhibition. For many years, Nino also worked as part of the Honorary Staff of the National Wool Museum. His passion for the world of textiles provided energy and knowledge to the visitors and staff of the museum. Although Nino has now retired from his honorary position and has hung up his Australian Tartan vest, these items will continue to serve the community in sharing the stories of Australian Textile design. This notebook contains information on how to calculate and enlarge a small sample pattern into a larger textile. It is a hand-written notebook that was passed from a master to an apprentice. This notebook is written in German and belonged to George Snchabel and was given to Nino Corda, who eventually donated it to the National Wool Museum. Nino only spoke basic German so many of the passages of writing were lost to him, regardless the illustrations and little bits of German he did know made this a useful resource which was often looked upon for inspiration and guidance.The notebook has a black cover on both the front and back with no writing. The spine is in bad condition and is being held together by three strips of tape. Internally, the pages have faded to a pale peach colour with a background blue square pattern. The notebook is completed with black ink used for writing and illustration. Occasional red ink is used for highlighting and illustration.textile calculations, textile design

This shirt was manufactured in 2004, and was presumably owned by a Beechworth local service personnel by the name of Cross. This piece of clothing would have been worn as part of the standard Royal Australian Naval Ratings uniform.White short sleeved shirt. Square collar with thin navy blue trim. A curved slit on either side of the lower edge (near the hip area) and an extra piece of fabric within each slit. A white label with inscriptions is stitched to the seam in the middle of the lower back seam. This has n written inscription beneath on the shirt fabric.Inscriptions on the label: CAN'T TEAR 'EM 8405-66-132-3767 R.A.N 2004 SIZE: 117 35% COTTON 65% POLYESTER GENTLE WARM MACHINE WASH. RINSE WELL. WARM IRON. DO NOT SOAK. DO NOT BLEACH. DRY CLEAN (A) MADE IN AUSTRALIA Written inscription under label: CROSSshirt, naval ratings, royal australian navy, navy

1960Square, cream linen supper cloth with a multi-coloured, floral embroidery, cross stitch and drawn thread pattern stretching across the entire cloth. It has drawn thread and embroidered edging all around the cloth. There are 6 matching serviettes each with a floral, embroidered pattern in one corner and drawn thread and embroidered edging all around.table linen., household textiles

This card table is part of a special bequest to the Mont De Lancey Museum of hand carved furniture and items made by Mr Franz Striezel by his grandaughter Mrs Dorothy Adamson. Dorothy was a friend of Nella Lord (nee Sebire). Dorothy passed away in 2007. It was to be known as The Franz Striezel Collection. Franz Streizel came from Germany in 1886 and was one of the three recognised craftsmen (Art Carvers) in Australia who contributed to the wood carvings in public buildings and honour boards throughout Australia. The National Gallery at their request had two small panels and a tobacco jar (some of his work), donated by Mrs D Adamson. They considered these pieces highly valuable.A handmade square wooden card table featuring an ornately patterned inlaid top of lighter coloured woods. It has a beautifully carved four legged base with a shelf at the bottom above the four clawed feet. The top lifts up to reveal a storage box below which is attached with screws to the base. The lid is attached with brass hinges and screws.furnitue, tables, card tables

These bottles may have been in use in the 1940's or earlier. Cordial drinks came in bottles bought at a local grocery store. The shape of the bottles changed as did the stopper or seal. Bottles were recycled remaining the property of the manufacturer - 1. O.T. Ltd., Australia and 2. Lemos Australia in these samples. It appears these bottles may have the remains of a soft drink or cordial which is now dark in colour. Two vintage glass bottles: 1. A clear glass bottle with an embossed decorative leaf pattern around the neck. It has a rusted metal cap. 2. An embossed diagonal square patterned clear glass bottle with a rusted screw top lid. It has an oval shape on the front where the paper label was glued; there are the remains of a label.1. 'This bottle is the property of O.T. Ltd.' 2. 'Design No. 9072 Australia No. 8449 India 6888661 Great Britain. No. 1826 United Union of South Africa........ Only contents sold'. 2. 'Lemos. Registered trade mark.'bottles, beverage bottles, glass, cordial

Historical information Sarah Coventry Pty. Ltd. was a North American jewellery company that was established in 1949 by the Stuart family as part of Emmons Jewelry, Inc. It began operations in England and Australia in 1968, and in Australia it moved from Carlton in Melbourne to Wodonga in 1969. The premises were originally on High St. in Wodonga, but a new warehouse was built in Melbourne Rd. later in 1969. It was a direct selling jewellery business using a party-plan model similar to Tupperware and Avon. The sales reps or 'Hostesses' were provided with jewellery samples in demonstration kits, which they displayed at jewellery parties in their homes. The designs for jewellery such as brooches, necklaces, earrings, chokers and bracelets were purchased from freelance designers and jewellery manufacturers rather than in-house designers. In 1979 Sarah Coventry Pty. Ltd. in Wodonga was bought by three Australian businessmen, including Wodonga local Jim Sawyer, and continued to sell jewellery under the name "Sargem Pty. Ltd”, for several more years in the 1980s. The "Aristocrat" line was first released in Canada in 1969 for several years. It was distributed from the outlet at Sarah Coventry Park, Wodonga.As part of the Sarah Coventry collection, the tie pin has local significance with the decentralised commercial development of regional centres such as Wodonga in NE Victoria, as well as national and international significance from the perspective of social and economic developments for women after World War II. The direct selling party-plan business model Sarah Coventry was based on is also considered the first of its kind for jewellery.A small square tie pin of silvertone plated metal with an ice blue rhinestone in the centre. A short chain and clip are attached. A small diamond shape has the "SarCov" brand on the back. The pin is in its original packaging of a cardboard box with clear central oval on the front. The back of the box bears the Sarah Coventry branding as does the internal card.On internal mounting card: "Made in Canada/ Sarah Coventry Pty. Ltd / WODONGA (SC) VICTORIA" On back of box: "Sarah Coventry® PTY. LTD / SARAH COVENTRY PARK/ WODONGA, VICTORIA / PTD IN AUST"sarah coventry wodonga, men's fashion accessories, costume jewellery

Jonathan Harris operated a winery on the banks of the Axe Creek, Axedale in the 1850s. A metal rod one centimetre diameter 61 centimetres long. On one end six centimetres is folded back to form a handle. On the other end 14 centimetres is flattened to a width of two centimetres and half a centimetre thick, the last six centimetres is bent to 90 degrees and has a one centimetre square hole in it. Part of the Harris Collection.harris collection, hand forged poker

Wooden edged Writing Slates (x2). One slate with engraved parallel lines on both sides; other slate with parallel lines on one side and (part) square grid engraved on other side (for arithmetic?). Dovetailing of corners differs between both examples (one with nails - original??). Old (catalog?) numbers of U4 6841 and U4 6842.domestic equipment, writing equipment, slates

The wooden pattern is part of a set that is stored in a strong wooden crate and may be part of another similar pattern. It was used at Briggs’ Brass Foundry for making sand casts. The traditional craft of sand casting is over 2000 years old. The handcrafted process produces brass and copper alloy goods that are well suited to marine use; bells, boat hooks, cowls, propellers, handles, lids, rowlocks, hooks, letters, bolts, rail holders, brackets, deck plates, flanges, rudder guides, portholes and covers. Briggs’ Bronze mixture is a copper-based alloy made from local ingots of copper, tin, zinc and lead in carefully measured quantities. The finished product is non-ferrous and can last indefinitely. The crate of patterns was donated by the Briggs family in the early years of Flagstaff Hill, along with other related items such as brassware, tools and machinery. The donated items were displayed in a simulated Brass Foundry in the Village along with other working crafts, trades and services found in a Maritime town. The items were on show from the completion of the building in 1986 until 1994 when the building was repurposed. The patterns represent the trades of foundering and metalwork, both supporting maritime industries such as shipwrights and boatbuilders. Farmers, manufacturers and other local industries also needed the castings made by foundries. The Brass Foundry included a historic Cornish chimney set up as a working model, to tell the story of smelted metal heated in furnaces then be poured into the sand moulds. This chimney was made from specially curved bricks and is now about two-thirds of its full height when originally located at the Grassmere Cheese factory. The craft of sand-casting from carved wooden patterns to create metal is an example of skills from the past that are still used today. The foundry pattern set is significant for its association with brass foundries locally and generally in coastal areas of Victoria. Marine industries such as ship and boat building rely on good quality castings for their machinery, equipment and fittings. Briggs Brass was especially formulated using non-ferrous metals to ensure their longevity. The patterns are associated with the long-running firm Briggs Brass Foundry that specialised in cast goods for the marine industry, ready to supply the needs for once-off or mass-produced items. Their products would have been fitted to sail and steam vessels along coastal Victoria including Warrnambool. Briggs Marine was also a bell-founder specialist and is also associated with the Schomberg Bell at Flagstaff Hill, having restored it to is former state as a fine example of the bell from a luxury migrant vessel from the mid-19th century. Pattern; unpainted, square wooden block with a semi-circle of dowel added to the centre of the side with rounded corners. Three short dowel pegs are inserted on one flat side; one below the semi-circle and one near the lower corners in an overall triangle configuration. The pattern is part of a set of foundry patterns from Briggs Brass Foundry.flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, briggs' bronze, traditional method, trade, sand cast, cast, brass alloy, copper alloy, pattern, mould, foundry, brass foundry, metal foundry, casting, sand mould, sand casting, marine equipment, marine tools, marine fittings, copper tin zinc lead, non-ferrous, non-corrosive, brassware, metalware, foundering, metalwork, maritime, bell founders, ship chandlers, marine products, biggs, briggs family, herbert harrison briggs, h h briggs, george edward briggs, cyril falkiner mckinnon briggs, cyril briggs, briggs & son brass foundry, h h briggs & sons foundry, briggs marine, alliance casting & engineering solutions, grassmere cheese factory, cornish chimney, curved bricks, collingwood, moorabbin, collingwood foundry, moorabbin foundry, 1912

Ribbons = 1. Korea Medal. 2. U.N. Medal. Refers to the service of Norman Tupper 51455 3 RAR KOREA. Served 3 April 1952 - 24 March 1953.1. Battle dress jacket. Khaki wool, two front pockets on both. Arms are a cloth badge for RA Survey Corps. A square cloth badge with a two tone shield, red over blue. On the shield is an image of a crowned lion standing on a big crown Corporal's stripes beneath that. On the left breast are two campaign ribbons. They are faded.Written inside is "Tupper B.L." and "N. Tupper".army uniform, survey corps, korean war, passchendaele barracks trust

News paper clipping from The Age, 15 June 1985, titled "You're right, this tram has a flat wheel!", written by Tony Harrington, transport reporter about the problem of wheel flats or square wheels. Quotes the Union Secretary Jim Harper and the MTA who blamed the Union over a dispute the previous year and a backlog.trams, tramways, wheels, tramcars, maintenance, unions, mta

Photocopy of an article from The Argus, 23/1/1925, page 9 extracted through Trove, titled "Combined Crossover installed at Kooyong" with a photograph of the level crossing, replacement of track leading up to the Tramway or Railway Square. The disc signal for trams has been highlighted in yellow. Item made by Robert Green 18/9/2017trams, tramways, victorian railways, glenferrie road, level crossings, tramway square, trackwork

Items in the collection re Lt Col J. Swatton, refer Cat No 6719.2P for his service details.This is an enlarged version of a contour map. It is undated. On centre left is Ravenswood Train station. The Calder Highway is shown, from the bottom of the map to halfway up left side. Top right side shows "Spring Hill".Each grid square is 1000 x 1000 yards. Top right corner grid is 230,000 E, 450,000 Nth. Magnetic variation when this map was made is 6.55' grid to magnetic Nth. printed onto the map, with an "X" are 'Starting Point', "Debussing Point", and "Assembly Point" . Handwritten in red pencil at top LHS are the letters "C.O".passchendaele barracks trust, map, j.w. swatton

Unit badge mounted on wooden plaqueBadge - Square on blue background surrounded by the words (left) National 51, (top) Servicemen's, (right) Association 72, (bottom) Navy Army Airforce. (Central) Over map of Australia are the crown, crossed swords, eagle, anchor. Plate below badge reads - Eastern and Yarra Valley/ Sub-Branch/ Chartered 29 November 1998

“Kinloch Gardens at Eltham, Victoria is planned as a comprehensively designed and cohesive residential environment.” “Only twelve innovatively designed houses ,will be situated within the established gardens and grounds of this historic Eltham estate. Building design and development will be under the control of the Kinloch Gardens design and construction team.” “Kinloch Gardens is situated on one of the highest points in Eltham and enjoys panoramic views in all directions.” “Kinloch Gardens lies hidden from the outside world behind high stone retaining walls, terraced embankments and extensive landscaping. The existing buildings, amongst the most significant of the Eltham / Montsalvat domestic building tradition are set in park like surrounds and enjoy panoramic views of the ranges to the north east and the city sky line to the west. New houses combined with sensitive landscaping will blend immediately into the established garden environment and will share the amenity and ambience of a very private and unique estate. The central theme of the landscape master plan is a garden reserve and a planted avenue terminating in a -small square.” “Houses vary in size from 120m2 (12.9 squares) to 210m2 (22.6 squares) (or larger) and include an extensive range of planning options. House types include: The Studio House The Tower House The Pergola House The Gallery House 'The Barn' is one of the existing buildings of Kinloch Gardens and is situated on the premium Lot 11.” Developer: Kinloch Pty Ltd. Project Managers: Creative Block Design Pty Ltd. Architects: Graeme Gunn and Ian Jelbart. Landscape Architect: Suzy Boyd. Builder: Vizarje Homes Pty Ltd. Surveyors and Engineers: Miller Merrigan.Digital file only; created from scan undertaken by EDHSarthur street, creative block design pty ltd., eltham, graeme gunn, houses, ian jelbart, kinloch gardens, kinloch pty ltd, miller merrigan, real estate, suzy boyd, vizarje homes pty ltd.

“Kinloch Gardens at Eltham, Victoria is planned as a comprehensively designed and cohesive residential environment.” “Only twelve innovatively designed houses ,will be situated within the established gardens and grounds of this historic Eltham estate. Building design and development will be under the control of the Kinloch Gardens design and construction team.” “Kinloch Gardens is situated on one of the highest points in Eltham and enjoys panoramic views in all directions.” “Kinloch Gardens lies hidden from the outside world behind high stone retaining walls, terraced embankments and extensive landscaping. The existing buildings, amongst the most significant of the Eltham / Montsalvat domestic building tradition are set in park like surrounds and enjoy panoramic views of the ranges to the north east and the city sky line to the west. New houses combined with sensitive landscaping will blend immediately into the established garden environment and will share the amenity and ambience of a very private and unique estate. The central theme of the landscape master plan is a garden reserve and a planted avenue terminating in a -small square.” “Houses vary in size from 120m2 (12.9 squares) to 210m2 (22.6 squares) (or larger) and include an extensive range of planning options. House types include: The Studio House The Tower House The Pergola House The Gallery House 'The Barn' is one of the existing buildings of Kinloch Gardens and is situated on the premium Lot 11.” Developer: Kinloch Pty Ltd. Project Managers: Creative Block Design Pty Ltd. Architects: Graeme Gunn and Ian Jelbart. Landscape Architect: Suzy Boyd. Builder: Vizarje Homes Pty Ltd. Surveyors and Engineers: Miller Merrigan.Digital file only; created from scan undertaken by EDHSarthur street, elders real estate, eltham, kinloch gardens, real estate agent, the barn

After the first world war there was a decision made to create a memorial. Legatees were involved in the process at various times and capacities. In particular Legatee Kemsley was vocal in idea of a structure over a utilitarian memorial (such as a hospital or a park) - see letter at 01182. These notes include the resolution that passed at the Melbourne Town Hall at a public meeting: "That this meeting of citizens confirm the launching of an appeal by the Lord Mayor to establish a National War Memorial by means of a monument and that an executive committee with the Lord Mayor as Chairman with power to add and point sub-committees be formed to carry out the project." Also that 20 sites were selected for consideration in 1921. Although the St Kilda Road site was favoured early on, by 1926 there was pressure to change to a "provision of square" and Cenotaph at the intersection of Spring and Bourke Streets. Legacy Clubs voiced their opposition to this proposal by passing a resolution "That the Melbourne Legacy Club, representative of the returned soldiers in business in this city, whilst welcoming the Anzac Square Scheme as a city improvement, cannot support it as a War Memorial scheme and affirms its support for the Shrine of Remembrance in the Domain as the only War Memorial worthy of Victoria's unparalleled efforts in the Great War." The document was in an envelope with a letter dated 30 April 1971 (01182) that also outlines the efforts Legacy (especially L/- Kemsley) went through to promote the construction of the Shrine of Remembrance over a proposed square. The envelope says 'The Origin of the Shinre of Remembrance p/p Legatees Kemsley and Joynt'. And the initial 'JMBA'?. It was in a file with other documents concerning the Shrine and it's history.A record of the events that led to the construction of the Shrine of Remembrance as noted by a Legatee at the time. There was an effort to record historical events for the "Archive Committee" which collected this an other documents relating to the Shrine together in a file (see items 01181 - 01190)Five white foolscap pages of black type recording major events in the history of building the Shrine (covering the years from 1926 - 1928).memorial, shrine of remembrance