This is an example of Melbourne Legacy Club newsletters, covering the activities of Melbourne Legacy Widows' Club. It includes photos of events. Information includes a notice from the Chairman of the Widows' Committee, dates of meetings, possible day trips and theatre outings, and cruises. The ladies were welcome to attend monthly meetings, card afternoons, indoor bowls competitions, outings and tours, plus the annual fete and Christmas concert. The first edition of the newsletter was in 1960, previously there had been a quarterly magazine but the distribution was limited, they changed to a 4 page newsletter format to reach more of the widows. The September 1992 edition of the Melbourne Legacy newsletter was the first to be called 'The Answer'. The name comes from the verse that guides the work of Legacy - 'In Flanders Field' and 'The Answer' (see page 2). This edition had become 20 pages. Various pages of interest have been added to show different news items. Other pages haven't been scanned.Brings to life the activities provided for the widows and the work of Melbourne Legacy.Black and white printed newsletter from November 1992, Issue 196.newsletter, answer, activities

All six editions of the Melbourne Legacy Club newsletters in 1993, covering the activities of Melbourne Legacy Widows' Club. It includes photos of events. Information includes a notice from the Chairman of the Widows' Committee, dates of meetings, possible day trips and theatre outings, and cruises. The ladies were welcome to attend many activities including, monthly meetings, card afternoons, indoor bowls competitions, outings and tours, plus the annual fete and Christmas concert. The first edition of the newsletter was in 1960, previously there had been a quarterly magazine but the distribution was limited, they changed to a 4 page newsletter format to reach more of the widows. The September 1992 edition of the Melbourne Legacy newsletter was the first to be called 'The Answer'. The name comes from the verse that guides the work of Legacy - 'In Flanders Field' and 'The Answer'. Editions were published January, March, May, July, September and November, they have approximately 24 pages.Brings to life the activities provided for the widows and the work of Melbourne Legacy.Black and white printed newsletters from 1993 in hardcopy and pdf format 65.89 MB.newsletter, answer, activities

All six editions of the Melbourne Legacy Club newsletters in 1994, covering the activities of Melbourne Legacy Widows' Club. It includes photos of events. Information includes a notice from the Chairman of the Widows' Committee, dates of meetings, possible day trips and theatre outings, and cruises. The ladies were welcome to attend many activities including, monthly meetings, card afternoons, indoor bowls competitions, outings and tours, plus the annual fete and Christmas concert. The first edition of the newsletter was in 1960, previously there had been a quarterly magazine but the distribution was limited, they changed to a 4 page newsletter format to reach more of the widows. The September 1992 edition of the Melbourne Legacy newsletter was the first to be called 'The Answer'. The name comes from the verses that guides the work of Legacy - 'In Flanders Field' and 'The Answer'. Editions were published January, March, May, July, September and November, they have approximately 24 pages.Brings to life the activities provided for the widows and the work of Melbourne Legacy.Black and white printed newsletters from 1994 in hardcopy and pdf format 69.74 MB.newsletter, answer, activities

Photos of Legacy Widows, volunteers and staff, preparing food for visitors to Legacy House. Legacy House was open Monday to Friday with many events scheduled for Widows to participate in such as Tuesday craft sessions, painting lessons, stamp sorting and a cup of tea was always available. From a Widows' Newsletter the lady on the far left is Sue Sargent a volunteer helper. The paid kitchen lady is Audrey, seen on far right in striped skirt. Some of the photos were featured in the April 1996 edition of The Answer newsletter, which mentions 'Audrey and her band of volunteer helpers serve refreshments at minimal cost to all Legacy ladies calling into the Clubrooms, Monday to Friday 10 - 3:30pm.' "Legacy house at two nine three A good place for a chat and a cup of tea Monday to Friday, week in and out Something for everyone, there is no doubt So don't be lonely, don't be shy Come to the city and give us a try!!"A record of the type of activities Legacy provided as a social outlet for widows. Colour photo of widows preparing food at Legacy HousePrinted on the back "

From an article in The Answer newsletter December 1995 edition there was a Remembrance tour to Canberra for widows in 1995. 1995 was the 50th Anniversary of the end of World War II and there were remembrance events all over Australia as part of 'Australia Remembers'. The ladies are standing at the Changi War Memorial, Duntroon. The article says: "On 5th August, 32 members of various Legacy Clubs journeyed to Canberra on a 4 day Remembrance Tour. A wonderful time was had by all. The whole tour was wonderfully organised. We got off to a very cold and wet start, even to snow on the way, but by the time we reached our Motel the sun was out and it remained out all the time were were there. The highlights of my trip personally were Duntroon, The War Museum and Parliament House. It was great to met all the other Club Members and to establish friendships. Muriel Love, Williamstown Legacy Widows' Club."A record of a special event for the Widows' Clubs.Colour photo of a Widows' trip to Duntroon.Handwritten 'The Changi War Memorial, Duntroon' in black pen Printed on back

Hilda Hill collection. Combination of Sepia & Black & White Photos Total of 9. Photos. Five boys all dressed in white and wearing white boaters playing instruments in a band, left foreground Tuba, two in centre playing trombones, man in background playing smaller tuba like instrument, Clem Easter Fair procession1920. Four young ladies and four young men sharing a picnic at the lake, (Weeroona?), ladies wearing white or light coloured outfits and the men and boys all dressed in darker clothing, background left building on far side of the lake, at the lake 'Hungry' January 1920. Ken at Lockwood April 25th 1920, wearing white shirt dark waistcoat and trousers, left arm on top of gate post, two stays for the gate post and dry tree limb on ground, background open paddock with trees further in the background. Babe & Hilda at the Easter Fair 1920, Both wearing broad brimmed hats, one light the other dark, dark coat and skirt combinations with white accessories. 'the Three Graces' Queen street, April 25th 1920, 1 wearing dark suit and hat with white shirt and dark tie, centre wearing grey suit hat white shirt and dark tie also holding a ball his left hand round the shoulder of the man to his left, man on right wearing dark coat grey trousers white shirt and dark tie his left hand is holding round stick. Group of seated ladies, lady to left wearing light broad brimmed hat and white blouse holding bunch of leaves, next lady also wearing light broad brimmed hat dark dress white blouse with large collars folded over the coat lapel, and glasses, next at rear of group lady in hat white dress and dark coat left hand on shoulder of person left front of herself, This lady wearing dark wide broad brimmed hat dark coat and skirt with white blouse and also holding a bunch of leaves, last lady on right wearing a floppy brimmed hat with white blouse and dark coloured outfit with light coloured lapels, One Tree Hill April 18th 1920. Family group Lockwood April 25th 1920,some of the males are wearing hats others not, most are in dark coloured suits with or without coats, all of the ladies are wearing hats of varying kinds, all appear to have white blouses on with dark skirts or dresses, photo in open paddock with trees in the background. Girlie & Frank Queen street April 25th 1920, Girlie in foreground seated on rug of which more next to her is where Frank may sit, to her wearing glasses dark dress with white blouse and white hat, Frank wearing grey suit and hat is holding an object over the head of Girlie,background left a suitcase on the ground, centre background is a slim tree, right background house with gabled roof and bull nose verandah, high picket fence, trees on footpath. Left side buildings fronting the footpath. Babe seated on the hand rail at the bottom of wooden stair case, wearing broad brimmed hat dark dress and white blouse, shadow in foreground of the photographer and assistant, left is wire fence with wooden posts and top rail, April 1920.australia, history, post war life

The Portland Social Amusement Club was founded in 1897. Taken from Trove. Portland Guardian Monday May 26 1913: Portland Social Amusement Club. The members of the above Club celebrated the 16th anniversary of its foundation on Tuesday evening last, when the usual banquet. and social gathering was held. During the afternoon, a numerous band of the lady members attended at the, Free Library Hall and made the necessary arrangements, so that on arrival at the scene at 8 p.m. those attending were very pleasurably surprised to find most taste fully decorated tables actually groaning with the weight of all those good things which appeal so strongly, it is said, to the average man, and perhaps we may also add, woman also. At any rate, he would indeed be hard to please, who was not fully satisfied with all that was placed before him on that eventful evening. The attendance this year overtopped that of previous years, as over 80 ladies and gentlemen took part in what must be considered as one of the most successful of the many 'successful gatherings that have taken place. This 16th anniversary was the 431st ordinary gathering that had occurred, and, as the President (Mr. F. A.Row) justly said, it would appear that the Club, which many years ago was given but six months live, had proved the falsity of the attempted prophecy. After the principal business of the gathering had been transacted, the usual Club dinner speeches were made. The President gave "The King," which after being duly honored, was followed by the principal toast of the evening, "The day we celebrate." To Mr D. McDonald the toast of the Absent and Foundation members was entrusted, and as usual, that veteran discharged his duty well. II i cferred to the fact that of the 34 foundation members who started the Club in 1897,only five were present that evening. Mr W. T. Bennett, as one of the five referred to, responded, and hoped that in the glorious future that appeared before Portland, the Club, which had been started in the days of its adversity, would flourish in a like manner. Mr Grant proposed the toast of "Our Visitors." and in the name of the Club welcomed them to this the most important gathering of the year. Mr J. R. Woods responded in his usual happy way, and acknowledged that, until he had been the Club's guest during the years of his mayoralty of the town, he had no idea that it had enrolled among its members the number of ladies and gentlemen that it had or that its functions were upon the scale that he had since found to be the case. Mr G. H. .ennett upheld the claims of the ladies, especially those belonging to the Club. He evidently spoke with much feeling, and. waxed more than usually poetical in his eulogy of the graces and skill of the gentler sex. He rather upset the equilibrium of three of the younger portion of the gentlemen present by asking them to respond, but they all managed to "upstand" and make their acknowledgments. Mr T. F. Cruse was particularly happy in proposing the toast of. "The President and Members of Committee," who, he claimed, had done so much towards the success of the Club, and were deserving of the best that the members could give. Mr T. E. C. Henry, upon the invitation of the .President, responded,-end pointed out that [whilst it might appear that the work of the committee was light, it was not so in reality, as any member who desired a seat upon the Board would soon find out after.his or her election. The singing of Auld Lang Syne brought this portion of the entertainment to a close. In the dance which followed, some opportunity to view the ladies' dresses was afforded, and it could then be easily seen that the anniversary gathering of the Club was considered by the lady members at least, if not .by others, to be important enough to demand special treatment in the matter of dress. Many elaborate and beautiful costumes graced the scene, and everyone appeared to thoroughly enjoy themselves. The function was kept going merrily until about 2 a.m.; when the break up occurred. During the gathering telegrams of con gratulation were received from Mr W. B. Shevill and also from Mr Jno. Homers, both old members, the former a foundation one. Mr O'Donnell apologised for his own and Mrs O'Donnell's absence.Photograph of Portland Social Amusement Club

Clothing. A concealed full length back opening reveals five tiny covered buttons, 7 mm in diameter and five hand-stitched button holes. This opening is bordered by two groups of five very fine pin tucks with a 3 cm spacing between the two groups. The blouse is made from very fine Swiss lawn cotton fabric, and is very soft to the feel. The front has a broad panel thirty cm wide of exquisite pintucks, crochet, lace and embroidery. The embroidery is white on white, and features flowers and leaves in a curved pattern. A crochet panel below the high neckline is 4 cm x 10 cms and is peaked at the lower edge. This is bordered by 1.5 cm wide cotton lace, and horizontal pintucks. Two panels, one on either side of three pintucks, 1.5 cm panel of lace, and then the central panel of embroidery, pintucks, lace, and crochet. Five pintucks, 1.5 cm panel of lace and five more pintucks run the length of the short sleeves. Sleeves are puffed, and gathered at the shoulder, and at the 1.5 cm deep cuff, which is also pintucked. A 1.5 cm deep 'stand-up' collar, spoke-stitched to the garment, as are the sleeves and shoulder seams. Front hemline is curved. Back hemline is straight.costume, female, a full length back opening blouse

Taken some time between 1914-18, the photograph depicts an aerial view of trenches in France. The image mostly shows rural landscape, although there is a house in the bottom right corner. A dotted line has been drawn across the photograph, marking the section of trenches that belonged to British forces during World War I. It is believed that the line marking on this record denotes a section of the Western Front. The Western Front was the main theatre of war during World War I. Following the outbreak of war in August 1914, the German Army opened the Western Front by invading Luxembourg and Belgium, then gaining military control of important industrial regions in France. The German advance was halted with the Battle of the Marne. Following the Race to the Sea, both the French-British and German armies dug in along a meandering line of fortified trenches, stretching from the North Sea to the Swiss frontier with France. Between 1915 and 1917 there were several offensives along the Western Front. The attacks employed massive artillery bombardments and massed infantry advances. Entrenchments, machine gun emplacements, barbed wire and artillery repeatedly inflicted severe casualties during attacks and counter-attacks and no significant advances were made. Among the most notable of these offensives were the Battle of Verdun (1916), the Battle of the Somme (1916), and the Battle of Passchendaele (1917).The record is historically significant due to its connection to World War I. This conflict is integral to Australian culture as it was the single greatest loss of life and the greatest repatriation of casualties in the country's history. Australia’s involvement in the First World War began when the Australian government established the Australian Imperial Force (AIF) in August 1914. Immediately, men were recruited to serve the British Empire in the Middle East and on the Western Front. The record has strong research potential. This is due to the ongoing public and scholarly interest in war, history, and especially the ANZAC legend, which is commemorated annually on 25 April, known as ANZAC Day.Sepia rectangular photograph printed on matte photographic paper.Obverse: A.3FE.O.146 / G2R 29 . 6 . 18 (Y p.m) / F= 10 1/4 / British Line / ------------------------------------------ / P. 250 1040 / 0. 30d. 0010 / 0. 30d. 3070 /military album, military, war, wwi, world war i, france, great britain, trenches, village, rural, western front

August Rietmann (1877-1951) of Lustdorf ,Switzerland, married Maria Frieda Oesschlager (2/21878- 22/7/1942) of Baden Baden, Germany on 6/8/1910 In 1915 August and his wife Frieda migrated to Melbourne, Victoria, Australia. They leased Box Cottage, Ormond in 1917 and raised two children, Stefanie (1918 -2006) and William (1920- 1997). 1935 August purchased the property and the family used the Cottage during the day and slept in the Front House. August was a monumental mason, potter and sculptor, and was employed at Corbens Ltd Clifton Hill, to carve war memorials in Victoria post WW1 c 1915-1922. During the 1920's August set up his own business in pressed cement making pot plants, columns,paving slabs and lampstands. He continued to carve headstones and figures and took contract work for Artists eg Paul Mountford. He built a workshop in the Barn and used the Cottage for plaster moulding. His son William joined the business and and the family continued to use the site after August died in 1951. Rietman's Landscaping Ltd moved to Bay Road Highett in 1953 and later to Carrum. The land, containing the Box Cottage, was sold to Lewis Timber Pty Ltd in 1970 and Mr Lewis proposed that Moorabbin City Council should preserve the heritage Cottage. In 1984 the Cottage was dismantled and reconstructed in the adjacent Joyce Park.The Rietman family is an example of the diverse nationalities that lived and worked productively in Moorabbin Shire 1871–1933 , the City of Moorabbin 1934-1994 and continues today in the Cities of Glen Eira, Kingston, Bayside, and Monash. August, a sculptor and stone mason, was employed by Corben Pty Ltd Clifton Hill to carve WW1 Memorials before establishing his own successful masonry business in the Box Cottage during the latter 1920s. After becoming interested in pressed cement casting, he took on apprentices (1930s Depression) and among his products were garden furniture, pots and also street lamp standards, some of which were installed in St Kilda Road. After August’s death in 1951, his family continued the business ‘Rietman’s Landscaping Ltd.’, at Highett and Carrum.a) Photograph Black & White August & Frieda Rietmann Wedding 6/8/1910 in Baden Baden ; b) Passport Photograph August Rietmann 1915; c) Photograph Frieda Rietmann 1915; d) Document Wedding Certificate August & Frieda Rietmann Baden Baden 1910a) b) c) Handwritten information d) Official Document in Germanrietmann august, rietman august, rietmann frieda, rietman frieda, stonnington city town hall, war memorials, world war 1 1914-1918, rietman stefanie, rennick stefanie, francis stefanie, rietman william, rietman ray, mountford paul, malvern city town hall,box cottage museum ormond, box william, box elizabeth, joyce park ormond, rietman's landscaping pty ltd, bay road highett, macrobertson pty ltd, coleraine soldier memorial 1921,

Slawa built the umbrella using existing and modified umbrella parts purchased from manufacturers and other sources with the idea to develop a more practical umbrella. At the time Slawa was a student studying sculpture at the Akademie der Bildenden Kunste Wien (Academy of Visual Arts). She spent many months developing the prototypes in secret before she applied for and received a patent on 19 September 1929. The patent documentation for Flirt noted that although foldable umbrellas with telescopic shafts were not new, the inventor's umbrella was a significant improvement as it was smaller and more practical as the folding mechanism had been considerably simplified. The umbrella was included in the Inventors’ pavilion at the Vienna Spring Fair in 1931. In a contemporary newspaper report it was described as ‘the magic umbrella of the sculptress’. After the design was granted a patent, it was contracted to the firm Basch and Braun, which authorized its manufacture under licence by the largest Austrian umbrella manufacturer in Austria Bruder Wuster and a German firm Kortenbrach und Rauh. It was called Flirt. In the first year of production sales reached 10,000. This number increased steadily each year as sales spread throughout Europe and the Flirt umbrella was still being produced in the post-war period. Slawa was paid royalties till 1938, the year that she left Vienna and fled to Switzerland. In 1939 with pressure from the Nazis she sold her rights to the company Bruder Wuster. Ann Carew 2016The umbrella prototypes have national and international aesthetic significance as examples of technological innovation in industrial design. The archive has national and international scientific and research potential – detailed records concerning the development of the design, patent and its manufacture are held in the studio. The archive demonstrates the links between the realms of fine art, industrial design and manufacturing in Vienna in the early twentieth century. The sale of Slawa Horowitz-Duldig’s rights to the umbrella under duress from the Nazis makes this archive historically significant. The provenance is excellent, and the prototypes and accompanying documentation have national and international interpretative potential. Ann Carew 2016Three handmade compact foldable umbrella prototypes. The prototypes have black silk covers, a metal shaft, handle, ribs and ferrule. The shaft has a telescopic mechanism. The top and the end of the handle are metal disks. The related documents, designs, patent documentation, a hand written record of her inspiration for the design, and other archival material are also held in the Studio’s Collection.

This jacket and cap were designed by Rosalie 'Rosa' Kiessling about 1967. They formed part of the Fashion Group Inc's Walkabout Tour of the USA in 1967 which aimed to promote Australian fashion design in America. German by birth Rosalie, grew up skiing and ice skating, studied fashion design in Munich and worked designing women’s ski wear and lingerie before migrating to Australia via New Zealand in 1939 with her husband. As skiing increased in popularity following the end of WWII, Rosalie’s business grew reaching its peak during the 1960s. Though it was never large; at most she employed three staff. Her designs featured in the pages of Australian Vogue, Flair and the Women’s Weekly throughout the 1960s and received coverage from newspapers in Australia, New Zealand the United States. Rosalie was closely involved with the Swiss Club of Victoria, the Australian Wool Board and the Fur Traders Association, participating in numerous fashion shows and awards run by these groups. In the late 1960s she became involved with the Melbourne Branch of the Fashion Group Inc, a worldwide non-commercial association of women involved in the fashion industry. Rosalie continued to design and manufacture fashionable but functional ski wear until the late 1970s, although increasing imports from large overseas manufactures and constant new innovations in fabric technology made it difficult for her to compete in a relatively small industry. This ski jacket and cap illustrate Rosalie Kiessling's emphasis on practical glamour. She was the first Australian ski wear manufacturer to bring high fashion to ski wear design; which though common in the boutiques of St Mortiz, Chamonix and St Anton was new to Australia. The use of an Australian wildflower motif and of these pieces in the Fashion Group's Walkabout Tour also speak to her involvement in and promotion of the Australian fashion industry during the 1960s.Ski jacket and matching cap appliqued with Australian wildflowers.Noneskiing, ski clothing, fashion design, australian fashion, australian flora

The late W.F. “Bill” Waters, Rover Commissioner of Victoria, was introduced to skiing in November 1930 at the International Scout Chalet at Kandersteg in Switzerland. He believed it would be a good activity for Victorian Rovers to be involved in to learn more about the Victorian Alps The first Rover ski trip to the Bogong High Plains was in the August of 1932 when a group of four crossed the High Plains from Omeo to Harrietville via Tawonga Huts, Cobungra Gap, Mt Loch and Mt Feathertop. In 1933 the Bogong Rover Crew was formed and in 1938 funds were collected and life memberships offered to raise funds to build a Rover Chalet for the purposes of skiing. During February and March1940, the Chalet was built at a cost of £700 using volunteer labour. It was the first ski lodge in the area and was built long before there was a road over Watchbed Creek. After the road to Rocky Valley was finished it was easier for the scouts to walk in from there instead of from Shannonvale. During the spring thaw the creek became almost impassable. Joe Holsten who was an SEC employee who worked with Martin Romuld out of Wilkinson’s Hut built a bridge across the creek made entirely from snow gums which he had to haul about 300 metres from the nearby hills. It became known as the Harbour Bridge as it arched over the water just like the Sydney Harbour Bridge.These images are significant because they depict an early bridge structure to enable easier travelling across the Bogong High Plains.Three black and white photos taken at the Harbour Bridge, Watchbed Creek.harbour bridge bogong high plains, watchbed creek, joe holsten

This is a photograph of the first committee and members of the Orbost Bowling Club in 1931. L-R: Rev. Montgomerie, Ab Trewin, Dave & Dick Pardew, Jack Cameron, Harry Cameron, Carl Dreverman, Lance Herbert, Rupert Mosley, J. McKeown, Sam Lynn, T. Bartold - Geo. Haymes. The first meeting was held on 23/3/1922, then the Orbost bowling Club was formed in 1929 when the funds for the construction of the green were issued by debentures of five pounds each. These were all taken up and a six rink green was laid down. Inaugural President, Sam Lynn and Secretary T. Bartold, the first Club Champion was M. Rothberg. It was not until 1951 that women were admitted as associates albeit restrictions.Associate members were not to exceed 25 and ladieswere to be of good character with preference to be given to wives of male members. Ladies had tot be off premises by 4pm. It was not until 1935/1936 that Orbost became a member of the Central Gippsland Bowling Association. Bowling clubs play a significant role in community recreation needs. The Orbost Bowling Club plays an important role in the Orbost community.A small black / white photograph of a group of men wearing lawn bowling uniforms. In front of them are two balls.on back - handwritten - "Opening Orbost BC Committee Oct 1931"

This blazer pocket is from Ann (Price) Royal's Clarendon Presbyterian Ladies College blazer. Ann attended CPLC 1947 - 1957. Blazer pockets were embroidered with the school crest and additional embroidery was added during a student's years at College to reflect school colours and leadership roles. School colours were awarded for participation and leadership in various sport, house and academic pursuits. Ann's pocket, and the accompanying authorisation receipt reflect her receipt of the following awards: Athletics Colours (1952 - 1957), Hockey Colours (1954 - 1957) , Cairns House colours, school colours (1957) as well as leadership roles as Prefect (1957), House Captain (1957) and Sports Captain (1956). Students removed their pockets after graduation to keep as a momento of their school years. The authorisation receipt indicates that Ann's family chose not to have the final embroidery for Aths 1957, Hockey 1957 added to the pocket - probably because these awards would have been identified at the end of Ann's final school year. Significant reflection of school focus and individual attainmentBrown felt blazer pocket with braid across opening and embroidered crest and achievements; bottle green braid piece, multi-coloured braid piece; completed authorisation receipt for pocket embroidery made out to Harry Davies and Co Pty Ltd. Authorisation receipt: Harry Davies & Co Pty. Ltd / Drapers and style specialists 401, 403, 405, 413 STURT STREET 1719 Sturt Street Ballarat 13.12.1957 / Please supply Mrs J Price / for daughter ANN, for Clarendon P.L.C. uniform / full CREST for blazer pocket, Aths 52.53.54.55.56.57, Hockey 54,55,56,57 / Prefect 1957, House Captain 1957, Sports Captain 1956. / M H McPhersonann-price, ann-royal, 1950s, clarendon-presbyterian-ladies-college, prefect, house-captain, sports-captain

A plastic, costume jewellery, fashion accessory for early 20th Century ladies Plastic is a material consisting of any of a wide range of synthetic or semi-synthetic organics that are malleable and can be moulded into solid objects of diverse shapes. Due to their relatively low cost, ease of manufacture, versatility, and imperviousness to water, plastics are used in an enormous and expanding range of products. They displaced many traditional materials, such as wood, stone, horn and bone, leather, paper, metal, glass, and ceramic, in most of their former uses including jewellery. Parkesine is considered the first man-made plastic. The plastic material was patented by Alexander Parkes, In Birmingham, UK in 1856.The world's first fully synthetic plastic was bakelite, invented in New York in 1907 by Leo Baekeland who coined the term 'plastics'. After World War I, improvements in chemical technology led to an explosion in new forms of plastics, with mass production beginning in the 1940s during World War 11 due to shortages of silk and ivory. A small, black plastic brooch with a verticle pin at back and diamante decoration .fashion, costume jewellery, personal effects, moorabbin, bentleigh, cheltenham, early settlers, jewellery, plastic

Slide photograph of ladies preparing costumes in Legacy House in the 1950s or 1960s. There is a sewing machine in the background. The lady in centre back is Miss Enez Domec Carre who ran the girls classes for many years. Throughout the year Melbourne Legacy provided classes for Junior Legatees such as dancing, gymnastics and Eurythmics. The Demonstration was an annual event to showcase their skills. Costumes for the Annual Demonstration were extremely elaborate and were often reused in different years. The beautiful costumes were made by members of the Junior Legacy Mothers' Club, senior girls, and the Melbourne Legacy Wives' Association. Melbourne Legacy conducted Annual Demonstrations / Parades from 1928 through to 1979, usually held at Melbourne Town Hall or Olympic Pool Stadium. Was with many other slides taken in the 1950s and 1960s. The slides have been photographed to make digital images and moved to archive quality sleeves. In many cases the original images were not well focussed and the digital image is the best available.A record of the the work done for the Annual Demonstration.Colour slide of costume preparations at Legacy House in a navy blue Hanimount cardboard mount.annual demonstration, costumes

Many of the brigade and group base radios were situated in private residences and operated primarily by fire fighters wives who held the position of Communications Officer, either registered as a brigade member or informally. Edna Barrie was never registered as an operational brigade member but operated informally as an assistant to her husband Bon. She was however a member of the Melton Fire Brigade Ladies Auxiliary from its inception in 1968, a non-operational position. Edna kept up to date with radio procedure following the 1967 handbook; preparing maps, plotting compass points and taking notes on weather forecasts from the SA Border and Western District. Daily notes were taken in anticipation of fire warnings. These log books and daily radio traffic were incidental to the regular radio schedules. Emergency turnouts noted, burning off times and predicted location of smoke. In the summer fire season all TBF (total fire ban days were recorded.)CFA burning off dry grassemergency services

This is an example of Melbourne Legacy Club newsletters as they have changed over the years, covering the activities of Melbourne Legacy and the Widows' Clubs. It includes photos of people and events. Information includes a notice from the Chairman of the Widows' Committee, and from the President, dates of meetings, possible day trips and theatre outings, and events. The ladies were welcome to attend monthly meetings, monthly concerts, outings and tours, plus the annual fete and Christmas concert. Various pages of interest have been added to show different news items. Other pages haven't been scanned. The first edition of the newsletter was in 1960, previously there had been a quarterly magazine but the distribution was limited, they changed to a 4 page newsletter format to reach more of the widows. The September 1992 edition of the Melbourne Legacy newsletter was the first to be called 'The Answer'. The name comes from the verse that guides the work of Legacy - 'In Flanders Field' and 'The Answer' (see page 2). This edition had become 24 pages.Brings to life the activities provided for the widows and the work of Melbourne Legacy.Black and white printed newsletter with orange highlights on the cover from 1 June 2006, Issue 272.newsletter, answer, activities, widows clubs

Small white programme with scalloped edge on three sides for Progressive Euchre Party and Cinderella Dance, held at the Masonic Hall, Friday 24th Aug., 1900. Bendigo Philharmonic Society. Front card has embossed daisies and an embossed square on the front. Also the names of the Conductor, Mr. A. G. Finster; the President, His Worship the Mayor Cr. S. H. McGowan and Hon. Secretary, J. Williamson. The second card has the dance programme with the names of the dances and engagements and the names of ladies and gentlemen who contributed items during the evening. They were Miss E. Collins, Mr. R. W. Norton, Miss L. Jenkins and Mr. Howell. Gold printing on the cards. On the back is an area for Progressive Eucra Score with three red embossed stick on circles. The two cards are tied together with a piece of string.event, entertainment, philharmonic society, programme, progressive euchre party and cinderella dance, bendigo philharmonic society, mr a g finster, cr s h mcgowna, j williamson, miss e collins, mr r w norton, miss l jenkins, mr howell

W G Dahl series of nine photographs. Group photograph of mixed aged females dressed in white with suited males in foreground sitting on tarpaulin and against brick wall. Men and possibly ladies wearing labels. Possible label connection with Bendigo Miner's Association. W H Robinson, Bendigo photographer. Stamped W H Dahl, 79 Lansdowne Street, Blairgowrie, 3942, Phone 8861 on reverse not contemporary with photograph exposure. Biro ticked subject described in margin 'Second Top Row' Mum's Mother, possibly depicts W H Dahl grandmother. Front row males holding Gun Powder flask, .22 calibre single shot rifles, with muzzle loading pistol between feet of male second from left. Enlistment papers for William George Dahl. Dahl's had a hotel at Diamond Hill, Dahl's Hotel.bendigo, history, dahl family

Ladies brightly coloured waist length jacket. Single breasted with front opening, fastened with six X2.5 cm fabric covered shank buttons. 10 cm fold over collar attached across back of neck and detached at shoulder seams to form two 35 cm ties. These ties are threaded through two 4 cm buttonholes-one either side of V neckline 10 cm below shoulder seams. Shaped peplum dipping to V shape on either side of front opening and on either side of centre back. Padded shoulders. Front has 15 cm darts from each shoulder seam. Three quarter length sleeves shaped at end by three darts. Two 1 cm fabric covered buttons and loops fasten to form a pleat to tighten the opening by another 2 cms.costume, female, ladies short jacket

Black and white print of a donated negative. Print made 8/1998. Photo of the Lister's Junction Service Station, overhead and tram track at the intersection of Bridge St, Main St and Victoria St. (Stones Corner). Shows the style of overhead construction, signal contactors, the service station, its clock and associated advertising. Three ladies are crossing the road. Photo taken on 23.4.1950 at 3.05pm. Advertising on service station has Atlantic, Shell, and Castrol. Has multiple petrol dispensing bowsers. Clocks has directional arrows for Melbourne and Geelong. Tram tracks visible. Copy made Oct. 2001 for the "gold, Gold GOLD" temporary exhibition - colour laser print onto card, with Velcro dots on rear. Stored in box D1 (Display Box) 02/2003. high res scan of the negatives added 18/1/2019.tramways, trams, bridge st, stones corner, ballarat, main st

Black and white photograph, reprint of original, of group of ESCo employees, photographed in front of Ballarat Powerhouse (later Ballarat A), with horse drawn vehicle in entry gate, over tram tracks and employees either standing or kneeling. Five employees, three men and two ladies are seated, and two are riding motor cycles. See attached notes for some names and details for listing of employee names and other details. Notes say the 'Office and Station Staff, not the Distribution staff'. 2nd copy added 22/4/2000 from a copy negative ex Scienceworks - scanned at hi res 16/5/2020 and image added as i. Note re names scanned and added 27-2-2017, stored in folder 70 along with photograph. May have been taken at the time of the changeover from ESCo to SEC.trams, tramways, esco, employees, power station, wendouree parade

Yields information about the nature of the day on the last full day of operation in Sturt St and how passengers boarded the tram from the median strip.Black and White copy photographs of a newspaper photograph taken by The Courier - photo taken 18/9/1971, one published 20/9/1971 of No. 40 picks up shoppers, Sturt & Dawson Sts corner, last Saturday of service. 3772.1 - Shows two ladies boarding the tram from a crossover over the gutter. 3772.2 - shows the tram just after it left the stop. Has the Ritzy Cafe in the background. Also has a "Cars Stop Here" and a "End of Section sign in the photograph, that looks back along Sturt St. Tram has the destination of Sebastopol. One photo used in the Courier Supplement following the closure of the tramways. Collected by Alan Bradley from the Ballarat Courier early 1980's. See Excel file "Record of Ballarat Courier Photos SEC era" (Archive Documents) for source of details.On rear of 4772.2 stamped "Copyright, The Ballarat Courier Proprietary Limited." and "100%" in black ink, and "92A Rpt" in felt pen.tramways, trams, sturt st, closure, dawson st, signs, tram 40

Handmade booklet of black and white drawings. Three pages of heavy brown paper stitched together on short side with cotton thread. The booklet was disassembled for one page to be used in a display. Pages remain separated. The first page has a drawing of a standing dark coloured horse. Beneath the drawing is the word 'ARABIAN". 0453 is written in one corner. In the background is another horse with rider riding away. On the reverse side of this page are some geometric patterns. The second page has a black and white drawing of two ladies in a paddock observing a bull in the distance. They are surrounded by long grass and flowers. On the reverse are several random unfinished sketches. The third page has a drawing of Thos. Strachan's Vineyard, Axedale, 1884. The drawing includes a weatherboard house with a verandah, and a barn close by. Three chimneys are visible. On the reverse are random unfinished sketches. george harris, axedale, drawing, sketches

The dignitaries in this photograph are at the opening ceremony of the Royal District Nursing Service (RDNS) Essendon Centre on the 30th of August 1967Gradually over the years, Melbourne District Nursing Service, MDNS, later known as Royal District Nursing Service, RDNS, from 1966 when they received Royal patronage, opened Centres throughout the Melbourne Metropolitan area. Their Trained nurses (Sisters) left from these Centres each morning to carry out their nursing visits in a specific area, (district), taking any sterilized equipment needed with them. They returned at the end of the day to write up their patients nursing histories, clean and reset any equipment used ready for sterilization, and contact other medical personal as necessary. Most of the RDNS cars were housed at each Centre, only a few being driven home by a Sister.Black and white photograph of dignitaries participating in a ceremony. Hanging across the front of the rostrum is a large sign with the round RDNS logo emblazoned in white across the central dark strip, and white sections above and below the strip can be seen. A dark boarder is around the circumference of the logo, with the words 'Royal District Nursing Service' seen. Behind the rostrum a gentleman, who has short dark hair; is wearing a white shirt, dark tie and a dark suit, stands at the microphone. To his rear left sits two ladies, one wearing white, the other grey, and a gentleman in a dark suit. To his right rear sit two gentlemen in dark suits and another can partially be seen. The dignitaries are in a marque which shows a striped background and grey top behind them. There are flowers on either side of the rostrum.Photographers stamp and 'Quote No. GJ 70'rdns, royal district nursing service, essendon centre