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Eltham District Historical Society Inc
Photograph, Gayle Blackwood, 50 Livingstone Road, Eltham, May 1998, 1998
Alistair Knox's 1959 designed mudbrick home. Note that the extension is not Knox's design. 4 bedrooms on 1/3 acreThree colour prints 10 x 15 cm Four newspaper clippings One Ian Reid Auction flyer (A4)houses, mudbrick, alistair knox, gayle blackwood collection, ian reid real estate, livingstone road, eltham -
Robin Boyd Foundation
Book, Max Dimmack, Clifford Last, 1972
Hardcover w/ Dust Jacketinscription inside front Cover - "To Patricia, A very bright star in my 'galaxy of friends' - Cliff October 1972" Book design by Grahame King. Also, cutout of 'Arts in Society' column from New Society, 12 August 1971walsh st library -
Flagstaff Hill Maritime Museum and Village
Ceramic - Floor Tile, circa 1878
This Minton floor tile is from the wreck of the Loch Ard. The iron-hulled clipper ship from the Loch Line was heading for Port Phillip from London, when it ran into the cliffs of Mutton Bird Island near Port Campbell. The Loch Ard was laden with high-value cargo including luxury goods intended for display at the Melbourne International Exhibition in 1880. One notable survivor from the ship’s freight manifest was the well-packed Minton porcelain peacock, a two-meter high ceramic masterpiece of vivid glazed colours. (This is also on display in the Great Circle Gallery). The almost total loss of life and property from the Loch Ard registered as a shocking tragedy for the Colony of Victoria, at a time when social confidence and economic optimism were otherwise high. The wealth generated from Gold and Wool was increasingly being spent on grandiose private residences and imposing public buildings. The demand for quality furnishings and fittings was therefore strong. Among the products consigned to burgeoning colonial markets by the Milton Pottery at Stoke upon Trent, were their new range of colourfully patterned but very durable floor tiles ideal for the high-traffic spaces in the large civic buildings then being constructed in Australia and America. These floor tiles were “encaustic”, meaning that their designs and colours were encased “within” the depth of the tile. Rather than their decorative patterns being glazed onto the surface of the tile, their inlaid designs were created during the manufacturing process, as “coloured slips” (or liquid clay) were poured into a deep pre-moulded casting. When fired, the resulting tile was colour-fast and design-fast. The Minton floor tile is significant for its hard-wearing yet attractive design. The shipwreck of the Loch Ard is of significance for Victoria and is registered on the Victorian Heritage Register ( S 417). Flagstaff Hill has a varied collection of artefacts from Loch Ard and its collection is significant for being one of the largest accumulations of artefacts from this notable Victorian shipwreck of which the subject items are a small part. The collections of objects give us a snapshot of how we can interpret the story of this tragic event. The collection is also archaeologically significant as it represents aspects of Victoria's shipping history that allows us to interpret Victoria's social and historical themes of the time. Through is associated with the worst and best-known shipwreck in Victoria's history. A square Minton floor tile with a white background, and beige, dark blue, light blue and black geometric pattern as well as leaves in the design. The tile has corner broken off and some chipping along the edges. The reverse has five rows of five evenly spaced holes. The back of the tile has inscriptions. Made by Minton & Co. at Stoke upon Trent. This encaustic floor tile was recovered from the shipwreck of the LOCH ARD. Branded "... MINTON&CO / PATENT / STOKE UPON TRENT"flagstaff hill, warrnambool, flagstaff hill maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, loch line, loch ard, captain gibbs, eva carmichael, tom pearce, glenample station, mutton bird island, minton floor tile, encaustic tile, melbourne international exhibition, floor tile, minton tile, minton & co., stoke upon trent -
Supreme Court of Victoria Library
Brass Gasalier Pillar, 1888
The Government Gazette of September 28, 1888 advertises the acceptance of a contract of 276 pounds for the purchase of a "Pillar gasalier for Library, New Law Courts". The area under the dome was obviously found to be poorly illuminated and the purchase of the pillar light was approved. A table for the library had been approved in January and these two pieces of furniture were to complement each other.The gasalier pillar is of state significance as a unique survivor of gas light illumination. It is an important part of the interior decoration of the library, contributing to its intact 19th century furnishings.The gasalier has a blackwood base, with an elaborate serpentine brass fit out for the lighting with etched glass shades. The gasalier is topped by a small figure of an emu, on the lower finials are kangaroos. While originally designed for gas the gasalier was converted to electricy in the early 20th century. -
Bendigo Military Museum
Map - MAP of LONDON, The Authentic Map of London
Map of London with also places of interest. Part of th collection of Frederick Gardner Davey DFC No 410533 RAAF. Refer cCat No 3536P for his service details.Black and white folded street map with transport routes/stations marked in orange. Cover is black and white print, features a scroll and compass design inside a B & W border, written details in black type, street index printed on inside of the cover.map, london -
Frankston RSL Sub Branch
Belt, Webbing
Example of Australian Army standard issue belt worn by soldiers during the 1970s. This was a USA Army design adopted by the ADF during the Vietnam conflict. The belt is jungle green in colour with multiple mounting points for special clips which hold a variety of pouches. -
Glenelg Shire Council Cultural Collection
Accessory - Badge - Australia's Federation, 1901, 1901
Displayed at History House.Large badge with photographic black and white portrait of a woman in a high-necked black dress with a white cameo broach at the neck. Portrait is in an oval frame, within a decorative design depicting two heraldic flags on either side and a crown on top. Text at base.Front: Australian/Federation/1901 (lower centre)federation, memorabilia, 1901 -
Kiewa Valley Historical Society
Booklet - The Kiewa Project, The Kiewa Project by Adrian Rufenacht
The Kiewa Hydro Electric Scheme was constructed by the SECVBooklet of 40 pages typed on both sides and including 4 maps at the back. It has a black plastic spiral spine and black back cover. Title on the front followed by 'Evolution of Layout and Design, Personalities / Of Early Days and Future Possibilities' followed by the authorkiewa hydro electric scheme, adrian rufenacht -
Kiewa Valley Historical Society
Table Runner Dressing
This Item is one of four bedroom items hand made in circa 1900 by Amalihe Pierin. Her Son brought the item when he emigrated to Australia and members of the family still reside in the Kiewa Valley. Historically this item represents the requirement by families to manufacture a whole range of bedroom coverings due to the lack of professionally manufactured goods. Isolation from big towns or cities required local seamstress activities and therefore closer social bonding was a necessity. Although this item was transported from Italy to Australia by the son of Amalihine Pierin the significance still remains the sameLinen (white) cut work and embroidered central design tatting diamond shape with embroidered scrolls either side cut work leaves top and bottom L shaped tatting inner border with triangular tatting 2cm outer bordered hole patternembroidery, handcrafts, bedroom linen, trimmings, cut work -
Learmonth and District Historical Society Inc.
Photo -Walton, Richards & Co. Photos Ballaarat, Councilor D.Walton,J.P
Councilor D.Walton,J.P., was elected to council in 1906 serving until 1924.He was President for three terms, in 1912-13,1918-19 and 1924-25. He died during his last term of office and Councilor G.C.Stewart took over the balance of his term. Original Historic Photo.Sepia photo,oval in shape,of Councilor D.Walton J.P.It is set in pinkish/tan mount with decorative design painted in brown blue and white around base.It is placed second from right top row of collection of photos of all councilors for 1911-12. Presented to the Ballarat Shire Council ,J.Dickie Esq. President !911-12.ballarat shire council, walton d j p, 1906 1924 -
Cheese World Museum
Tin, J Kitchener & Sons, Soft soap
Soft soap was used for washing hands.Tin of soft soap with push on lid. The tin has a blue background with white flashes containing text which is text outlined in blue. An elaborate design on the front with scrolls and flowers encases a star. The back has 2 crosses. Text in one of these is unreadable.J KITCHENER & SONS/PTY.LTD/SOFT SOAPj kitchener & sons, ablutions, soaps -
Flagstaff Hill Maritime Museum and Village
Headwear - Wedding Veil and Headpiece, 1920s-1940s
An example of a wedding veil and headpiece dated around the 1920s to 1940s.This item is significant historically and socially as an example of a wedding veil and headpiece from the early 1900s.Full-length veil with a short train. A looped lace edging and lace trailing flower design is around the outside of the veil. The bridal wreath headband is composed of wax orange blossom flowers and pearl droplets attached to a wire base wrapped in cream ribbon.flagstaff hill, warrnambool, maritime village, maritime museum, flagstaff hill maritime museum & village, shipwreck coast, great ocean road, wedding veil, wax orange blossom headpiece, wax flower wreath, wax flower bridal wreath, orange blossom bridal wreath, lace wedding veil, wedding headpiece -
Federation University Historical Collection
Photograph - Colour, E. J. Barker Library, Mount Helen Campus, Federation University Australia - 2006, 2006
Work began on the Library construction in 1968. This was when it was known as Ballarat College of Advanced Education - Mount Helen. The Library started on the ground floor in 1970. In 1971 a contract for a four-storey library was drawn up and construction began the same year. The building opened in 1973, occupying two stories of the current building. The library grew and with Commonwealth Grants was able to develop its collection. In 1987 the library achieved an annual budget of over $1 million. The Teachers Resource Collection was added and by 1989 the library expected to occupy the top three floors plus the lower ground floor. A flexible study area on the top floor was introduced 1990-1991. 2010 saw the completion of a new stage in the history of the library. It now includes new study and research areas including the Geoffrey Blainey Research Centre with access to the University's Art and Historical Collection. The E. J. Barker Library is named after a former Principal of the School of Mines Ballarat who then became the first Director of the Ballarat College of Advanced Education, now Federation University. Jack Barker played an active part in education and was awarded the Medal of the Order of Australia. After retirement in 1987, the College Council decided to name the Library after him in recognition of his achievements.Colour photograph showing the entrance to the E. J. Barker Library at the Mount Helen Campus of Federation University - Ballarat. Lawn, trees and gardens provide a pleasant area for students and staff. Building design allows for large windows giving light into the various areas.ballarat college of advanced education, e.j. barker library, teachers resource collection, study area, geoffrey blainey research centre, art collection, historical collection, jack barker, medal of the order of australia -
Federation University Historical Collection
Posters, Architectural History, not dated
These posters were used at the Ballarat Technical Art School.Five printed teaching posters illustrating architectural design from the Ballarat Technical Art School Library: .1) English 15C Perpendicular Architecture .2) English late 17C Architecture .3) English mid 17C .4) English late 15C posters, architectural history, architectural design, ballarat techincal art school, art education, tudor, palladian, mediaeval, architecture, teaching aids -
Churchill Island Heritage Farm
Ceramic - Salt Glazed Bread Crock, c. 1900
Salt-glaze or salt glaze pottery is pottery, usually stoneware, with a glaze of glossy, translucent and slightly orange-peel-like texture which was formed by throwing common salt into the kiln during the higher temperature part of the firing process. The breathable clay ensures that the bread stays naturally fresh for a long time.Large round salt glazed bread crock with two handles set on either side. Brown upper quarter including rim and top two thirds of handles. Cream coloured lower two thirds. Gloss glaze. Stamp X•X• design.churchill island, salt glaze pottery -
Coal Creek Community Park & Museum
Music Book, Golden Hours for Violin & Piano, 1929
Cream coloured paper music book with a brown printed design, inc. a floral border and small silhouette of violinist. "Golden Hours for Violin and Piano, Easy Transcriptions, Classical & Popular". Contents are listed beneath. Published by Keith Prowse & Co. Ltd., London. -
Bendigo Historical Society Inc.
Clothing - MAGGIE BARBER COLLECTION: LINEN LACE COLLAR, Late 1800's
Clothing. Large collar of linen Bobbin lace. High round neckline, with two 16 cm deep peaks at the front. A floral design of five petalled flowers. (in groups of three) surrounded by scroll effects. Scalloped edges of the lace surround the outer edge.costume accessories, female, linen lace collar. -
Bendigo Historical Society Inc.
Document - MCCOLL, RANKIN AND STANISTREET COLLECTION: CENTRAL NAPOLEON GOLD MINING CO. N.L, 1940's
Document: Hardcover Crocodile design, blue binding, unused reciept book for monies on shares in Central Napoleon Gold Mining Company, 2 loose Carbon pages, all unused, markings read 'Central Napoleon Gold Mine' on label glued on spine.organization, business, industrial - mining, mccoll rankin & stanistreet, mining, gold mining, central napoleon -
Royal Australian and New Zealand College of Obstetricians & Gynaecologists (RANZCOG)
Badge - Royal Army Medical Corps cap badge worn by F J Browne, World War I, 1915 (approximate)
Issued to Royal Army Medical Corps soldiers, this cap badge would have been worn by Francis Browne during World War I. Francis James Browne died in Sydney 1963. He had a long career in obstetrics and gynaecology. Summary of appointments include: General Practice in Wales, Maternity Department of the Edinburgh Royal Infirmary, 1st director of obstetric unit, University College Hospital London. Retired and continued postgraduate teaching in London and NSW. Married to Grace Cuthbert, who was director of Maternal and Baby Welfare in NSW. Collection of objects transferred from the Archives to the Museum collection found amongst Professor FJ Browne's papers.Dark brown metal cap badge. Design features a crown sitting atop a laurel wreath, which surrounds a representation of the Rod of Asclepius (serpent wrapped around a rod). A scroll is affixed below the wreath which is inscribed 'ROYAL ARMY MEDICAL CORPS'.world war i, numismatics, browne fj -
Tatura Irrigation & Wartime Camps Museum
Book, Lillian Louisa Pitts et al, Merrigum Frank, 1990
Photo essay made by Lillian Louisa Pitts c 1915. Photographs part of the biggest family album in Australia. Originals owned by Frank Pitts, copied for Museum of Victoria collection. Merrigum Frank compiled by Evan McGillivray and Matthew Nickson.Photo essay made by Lillian Louisa Pitt, c 1915. Glossy hard cover, white, blue design. Photo of boy winking. Front and back in sepia, text left hand pages, pictures on right. Pages framed in grey. no page numbers.Tatura and District Historical Society 1990 -
Villa Alba Museum
Decorative object - Wallpaper sample of a Morris & Co design, 1970–1979
The Villa Alba Museum is cultural institution committed to the collection, study and display of 19th century interior decorative finishes, and the components of 19th and 20th century interior decoration. These include artefacts (wallpapers, textiles, carpet samples), furnishings, printed materials (catalogues, books, periodicals), and pictures (photographs).Wallpaper sample of a Morris & Co., pattern. Monochrome, repeat pattern of a front facing bird contained in a roundel in pale grey on a darker grey ground, regularly interspersed on a geometric design. Sample is a later Morris-style wallpaper block reproduction from the 1970s. decorative arts & design, wallpapers -- morris & co, wall coverings – history, wallpapers – history, interior decoration – history -
Whitehorse Historical Society Inc.
Headwear - Hat
Hat belonged to leslie Ricketson's Mother.Shallow cloche hat in deep salmon pink velvet decorated with overlapping leaves in the same fabric interspersed with toning shantung shot silk leaves in a similar colour. Leaf points designed to cluster around rim. lined with beige rayon. Hand stitchedcostume, female headwear, trades, millinery -
Numurkah & District Historical Society
Domestic object - Iron (Charcoal) & Stand
Metal, arched shape with geometrical "diamond" design throughout the arch, has a decorative handle at the flat end and is supported by 3 legs Iron with wooden handle and black hollow body. Body has a lid to place charcoal inside. Handle is attached to the lidhousekeeping, clothes, laundry, washing, trivet, ironing -
South Gippsland Shire Council
Ornament, Chinese, 1990s
Inscribed Chinese wood and brass ornament on stand. Features raised design of horses and Chinese text. Polished dark wood panel with brass plate affixed to both sides. Hinged to decorative brass and wood supports which allow the panel to pivot on the base. -
Bendigo Historical Society Inc.
Document - MERLE HALL COLLECTION: DOCUMENTS RELATING TO CREATIIVE VILLAGE BENDIGO
Documents relating to Creative Village Bendigo - Cover? to bound printed material entitled ''Creative Village Bendigo - August 1995'' (with ink sketch of area from Victoria Hill to Botanical Gardens ); Page 2 with sections describing Introduction; The Design Team and Acknowledgements. -
Bendigo Historical Society Inc.
Document - MARKS COLLECTION: PLAN FORTUNA HOT WATER HEATING
Copy of plan: plan shows floor plan and design plans for hot water heating system to be installed in Fortuna Villa. Plans of basement and first floor. Heating unit construction detailed on plan. As plan has been copied, the stamp of the architect is indecipherable.buildings, house, fortuna villa -
Tennis Australia
Card game, 1986
Pack of 'Tennis Sporting Personalities' playing cards. Back of each card features a photographic image of a famous tennis player or stadium. UK patent app. number 8707446 and design app. numbers 1041081/2/3 & 4. Materials: Cardboard, Inktennis -
Kew Historical Society Inc
Clothing - Black satin and lace capelet, c.1900
Western fashion in the 1890s saw women's capes become an item of fashionable choice as they fell gracefully over an expansive sleeve. Capes often had a high neck, and were frequently trimmed with jet passementerie and fur. This capelet has a fashionable dog-collar neckline which became fashionable from c.1895, lasting as a style to c.1905. The capelet was probably part of a mourning ensemble.The capelet originally belonged to Catherine Francis Ellen Gulliver (nee Wells) who was born in Ballarat in 1874. The item was passed by descent to her daughter Catherine Francis Helen Taylor (nee Gulliver) [born 1896], and then to her granddaughter, Doris Catherine Kriesfield (nee Taylor) [1922-2015]. Victorian-era capelet, designed to cover the shoulders, and ornamented with shamrocks outlined in jet passementerie. The capelet has a dog-collar neck, that is lined with leather. The original lace, forms a wide border edging the satin. The front of the capelet has large hooks and eyes.fashion design, women's clothing, outerwear, capes, capelets, fashion -- 1890s -- 1900s, mourning wear, catherine francis ellen gulliver, doris catherine kriesfield -
Kew Historical Society Inc
Clothing - Crepe de chine and lace evening dress, c. 1920-23
An item forming part of a collection of costumes, photographs and documents relating to the Weir family who lived in a mansion, originally named Illapa, at 84 Princess Street, Kew, from c.1917 to 1950. This historically significant collection includes items relating to both George Weir (1866-1937), his wife Edith Mary Weir (1867-1948) and their children. George Weir attained national prominence in the mining industry, becoming General Manager of the North Broken Hill Silver Mining Company in 1903 (later renamed North Broken Hill Mining Company 1905-12, and North Broken Hill Ltd 1912-1988), and subsequently President of the Mine Owners Association. He was to remain General Manager of North Broken Hill Ltd until his retirement in 1926. This garment is part of a collection of women’s clothing, owned and worn by Edith Mary Weir (nee Betteridge) - born in Clare, South Australia 1867, died Kew 1948 - and also by her daughter. The garments date from the 1880s to the 1930s. The collection includes day dresses, evening dresses, evening coats, capes, and undergarments. As the wife and daughter of a mine manager, the collection includes representative examples of clothing worn by upper middle class Australian women in domestic circumstances, and at social and civic events. A number of the costumes from the 1920s to the 1930s are of a particularly fine quality, being both rare, representative and intact examples of Australian fashion of the period. The garments in the Weir Collection were donated to the Kew Historical Society by a granddaughter of Edith Weir in 2017.Long black single piece crepe de chine and valenciennes lace dinner dress. The dress has a high squared neckline. The sleeves are elbow length. The most significant aspect of the design are the layers of machine-made valenciennes lace that extend from the waist.edith mary weir (nee betteridge), illapa -- 84 princess street -- kew (vic.), women's clothing, weir collection, dresses, fashion -- 1920s -
Kew Historical Society Inc
Badge - Fundraising Button, Italian Red Cross, 1916-1919
Frances Rigg was a local business identity in Kew, at one stage managing the local branch of the English, Scottish and Australian (ES&A) Bank at 175 High Street from c. 1920 until the 1940s. After Francis Rigg’s death, the collection of buttons and medallions was inherited by his son, Ken Rigg (1922-2014). The collection was subsequently donated to the Kew Historical Society in 2015 by Francis' grandson, Adrian Rigg, at the time of the Gallipoli & Beyond Commemoration in 2015. The collection covers a period of almost 40 years. The majority of the buttons are patriotic buttons, issued and sold during and immediately after the First World World War (1914-1918) to raise funds for national and overseas causes. The collection also includes a number of locally significant sporting event buttons and sporting club medallions, issued in the 1920s and 1930s.Patriotic and other pressed tin buttons and badges were produced in large numbers in the first decades of the twentieth century. By nature, insubstantial and ephemeral, they have not always survived. The collections of badges, buttons and medallions in the Kew Historical Society collection is homogenous and yet diverse, ranging from buttons sold to raise funds for the war efforts in 1914-18 and 1939-45, to those used at festivals and sporting events. Because of the manufacturing process, many surviving buttons and badges have been affected by inadequate storage, suffering from oxidisation and physical damage. These survivors are now historically and socially significant artefacts, revealing much about the attitudes and values of the period in which they were produced. Their widespread distribution means that they are frequently significant at a local, state, national and international level.Fundraising badge for the Italian Red Cross (Croce Rossa Italiana) from World War I. The Italian Red Cross worked throughout the war to support sick and wounded Italian servicemen. Badges like these were designed for fundraising purposes during the war.I"talian Red Cross"patriotic buttons, first world war (1914-18), badges