A beige coloured beauty case used by Gertrude Perry. The top four corners are dark brown as is part of the handle. the lining inside is in a square pattern of different brown colours. The bottom has a plastic cover and there are four pockets on the sides as one bigger pocket on the inside cover.cottage, miners, gertrude perry collection, photographs & memorabilia gertrude perry

Four sides of a tea packet printed in green, gold and white. Three have Delicious hill grown Ceylon Gold Ribbon Tea and the fourth has 'How to Make a Good Cup of Tea' and Half Pound Net Weight printed on it. Along the edges is a lacy pattern.business, printers, cambridge press, cambridge press collection, gold ribbon tea

TROVE : The Age (Melbourne, Vic. : 1854 - 1954), Sat 26 Oct 1940, Page 14, SITUATIONS VACANT. Boy, messenger, good wages. F. H. R. Brady, A.M.C.A.L. chemist. 511 High-st.. E. Prahran. Hexagonal clear amber glass bottle, half full of clear liquid with cork stopper. Bottle has 3 plain sides, one with paper label attached, two sides with stippled 'x' pattern, one side with embossed text and numeral. Embossed logo on base.Embossed text on side 'NOT TO BE TAKEN' and '4' near base. on base '4' AGM logo over 'M422M', over 'O'. paper label with indistinct text . Typewritten 'THE LINAMENT Use as directed before .........op.....7/.......'. Printed blue band, text and logo ' AMCAL' under Amcal logo. 'QUALITY & SERVICE'.chemist, amber glass, amcal, dispensery

Textiles. Brown fabric handbag with brown xylonite or celluloid frame with hinged clasp. Brown silk fabric with insert at lower edge of brown and gold patterened fabric. Plastic chain link carrying handle (broken). Lined with patterned cotton fabric (blue,red,yellow).textiles, domestic, ladies brown fabric handbag

Textiles. Rectangular shaped tapestry piece dipping to V shape at lower edge. Piece is covered with bead work in floral pattern of white, grey, gold and green. Bright green lining piece of shantung fabric has been pinned to the tapestry piece. Work is unfinished.textiles, domestic, tapestry piece.

Textiles. A pair of bright yellow cotton pillow shams. Front covered with grid pattern (10X6) of 6-7 cm rosettes of net fabric with embroidered yellow centres. 7 cm frill of net around edges-tacked onto cotton fabric. Machine hemmed.textiles, domestic, pair of pillow shams

Glass lamp base - seven sided narrowing before kerosene covered bowl section covered with brass burner possibly ' Aladdin' with used wick. Middle rim patterned - molded glass. Chimney - clear glass undamaged. Made around 1920's - 1950's.

Jones Lock-Stitch Sewing Machine made of black painted heavy metal with gold-leafed pattern on the fiddle-shaped base and along the upper arm. Four claw feet moulded on to base and handle attached to wheel - metal workings visible under hollow base.Maker's insignia on centre of base in gold and green circle reads "JONES MACHINE" around circumference and 'HAND" in central shield.machine, sewing, hand operated

Set of 2 number SEC 3d ticket printed in orange on off white paper, over stamped "CONCESSION" in black and number stamped in black at base of ticket. Ticket number: A577057 and A561940 Ticket has a cross hatched pattern printed on the back of the ticket in red.trams, tramways, secv, tickets, concession fares

An unidentifiable tennis racquet, with raised lower shoulders, string whipping around, and hide reinforcing along length of shoulders, and, a Balmforth of England leather handle grip with patterned perforations. Materials: Wood, Nylon, Glue, Lacquer, Metal, String, Leather, Cloth, Adhesive tape, Hidetennis

A pair of Ping Pong paddles, with stretched hide faces, and leather binding with impressed gold patterning. During this period of table tennis history, it was merely a parlour game, and very distant from the professional competitive sport it was to become. Materials: Wood, Hide, Leather, Glue, Inktennis

An Adidas Ilie Nastase tennis racquet, with tape whipping around shoulders, and leather handle grip with patterned perforations. Autograph by Nastase features along shaft and neck, on obverse. Materials: Wood, Nylon, Ink, Glue, Lacquer, Metal, Leather, Plastic, Fibre, Adhesive tapetennis

The date is approximate. Tavistock was built c1890. The side windows on the front room are a later addition in a different style from the original windows. In 1897 it was the home of the Walker family; Joyce Walker later became matron of Mosgiel Hospital. In 1902 it became the first site of Milverton Girls School. From 1930s to 1960s it was home to Miss Marjorie Vahland, a locally well-known nursing sister. See History Walks No 5, p 11 and p32 Surrey Hills In Celebration of its Centennial 1883-1983Colour photo of the north side of Tavistock at 192 Union Road, Surrey Hills revealed when this side of the property was partially without a fence; taken while re-fencing. The house is Victorian in style, of red brick construction with a patterned slate tile roof and decorative chimneys.tavistock, milverton girls school, victorian style, houses, joyce walker, miss marjorie vahland, nurses

"A selection of poetry and prose from the works of the most admired authors with biographical and literary notes". Vol. 5 of 6.Red/brown cloth-covered hardcover book. Embossed gold decoration to front. Decorative black patterning to back cover. Gold edging to pages. 384 pp. 9 engraved plates. Some wear to cover with loss of colour. Structurally intact, pages clean & undamaged.P.2 Label 'Glenaroua Public Hall and Library/No. 110/This Book to be Returned Within One Month Umdamaged'.poetry & prose., kilmore mechanics institute library.

Hardcover novel, Cross Corners by Anna B Werner with red cover and coloured illustration of a young girl seated on a chair reading with her dog at her side. Black lettering for title and author on cover and spine which also has a floral pattern and publisher listed.fictionA late 18th Century novel with religious themes. The life of a young girl in the late 1800's and her family.fiction, children's books, books, religion

Various uses possibly - soft drink or medicines in the 1900's.Three glass bottles - 1. A tall clear green tinged glass bottle with a twisted pattern on the long neck and lines on the lower part. 2. A short brown glass bottle with no lid. 3. A short brown rectangular bottle with a black bakelite screw top lid.On bottle No.3. 'NOT TO BE TAKEN' stamped into one side.medicinal containers, glass bottles, containers

An unsuccessful attempt was made to set up a silkworm industry at Mt Alexander, to be an occupation for ladies of the district as well as to introduce the silk industry to Victoria. An attempt by women to enter the business world was beaten by difficulties: (1). Road access to the property (2). Heavy frost damage to mulberry plants. (3). Disease of silkworms. (4). Lack of quantity of leaves. (5) drought and rabbits. Experiments proved silk harvested and woven was superior to overseas products, but the venture was defeated by the climate and the surviving trees were relocated to Corowa NSWA relic of the far-sighted venture by the Victorian Ladies Sericulture Co, promoted by the charismatic Mrs Bladen Neill , who was anxious to generate employment opportunities for women..A dead branch from a mulberry tree grown at Sericulture Farm, Mt Alexander, in the early 1870s. This long limb's bark has cracked with age, forming a pattern of brown cracks. Remnants of smaller branch axilla are clearly visible. An inscription on paper is pasted around the branchTyped: "Part of a limb of a mulberry tree from the Sericulture Farm on Mt Alexander which was started by Mrs Bladen-Neill in early 1870s, finally closing in 1878. Mrs Bladen-Neill died in September 1884 at the residence of Dr Barker, Melbourne" "Courtesy of Keith Henderson, Harcourt"

This cash book contains entries relating to the farrier business of W M McCullough in Fairy St Warrnambool. It lists names and numbers of shoes replaced. It dates from January 1917 to march 1919 and contains many local names such as Sheldrick, Selby, Skuse, Horne and Saltau, to name a few.Listing many local people and being associated with a local business, it has social and historical significance. Green cloth covered card cover with maroon binding. Blue, maroon and white patterned inside covers. White paper label edged in floral design, pasted to front cover. 92 pages double numbered to page opening. Hand written entries to page 32 warrnambool farriers, w mccullough warrnambool, farriers of warrnambool, 1915 farriers

Dyeline print of MMTB Drawing R1241, version B, dated 12/12/1929?, titled "4 Motor Bogie Class W Details of Signal Bell", showing details of the conductors bells to be fitted to W class trams Includes pattern numbers and parts list.On rear in pencil "P.O. 36062"trams, tramways, conductors, tramcars, conductors bell

Blackout light (headlamp) covers were compulsory for civilian night driving during WW II. This example appears to closely follow the pattern suggested by the Department of Home Security for civilian motor vehicles, and appears to be for older, pre-war type vehicles, where the headlights were not integral to the front of the vehicle (Ref. Australian War Memorial) A.G. Cookson was the maker.Bogong village SECV employees manned an Observation Hut during WW 2. The SECV vehicles and their employees would have used vehicle blackout light covers on their cars when driving at night.Stitched brown leather disc cover with metal light shield over a central slit. Below this is a 25 mm white semi-translucent light diffuser. Includes leather attachment and leather straps at rear.A.G. Cookson embossed above the shield above the slit.ww 2, vehicle blackout light cover, bogong observation hut

Godfrey Hirst Diamond blankets from the mid-1950s are always delight to find. Some of these were found in the Geelong area but one came back with me from an op shop road trip around Tasmania, another from the St Pauls op shop in Romsey. I love this pattern and find the lemon and grey colourway particularly special. Note from collector- "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from." Diamond blanket, mint and lemon"An All Wool Blanket" /By Godfrey Hirst of Geelong/100% Virgin Woolwool, blanket, blanket fever, diamond blanket, godfrey hirst, geelong

This book and a number of others like it were owned by the mother and aunts of the donor, Mrs Dorothy Boyle. They were prolific producers of hand knitted and hand made items of clothing and also knitted and sewed for the armed forces during the Second World War. This book is English and is number 117 in Leach's Sixpenny Knitting and Handcraft Series. It contains patterns for baby clothes.LEACH'S / MATINEE COATS / AND / BONNETS / IN KNITTING / & CROCHET / 6D. / DAINTY DESIGNS FOR THE MODERN BABY / LEACH'S SIXPENNY KNITTING & HANDCRAFT SERIES No. 117knitting handicrafts - history crochet, leach's publications ltd, knitting, handicrafts - history, crochet

The Matyó region of Hungary, which includes Mezökövesd is known for its rich costume traditions, specifically embroidery. Matyó embroidery is a densely-patterned style of free-hand work in rich and colorful floral motifs. Its prime era was the 1860s and 1870s when the folk arts thrived. This example characterizes the dynamic color combinations and flower varieties of the Matyó tradition.The textile is part of a large and significant collection of items donated by Rosemary Vaughan-Smith, past member and office-bearer of the Kew Historical Society. between 2005-12. The collection includes costumes, scrapbooks, autograph books, artworks and objects.Rectangular apron worked in three panels, the lower two of which are backed. The waist tie is of a floral fabric. The tape is attached to both vertical sides. There is a black fringe attached to the bottom panel over floral printed fabric. The needlework techniques employed in the embroidery include flat stitch which is used to create the effect of quilting and creating large brightly coloured flowers in the middle section. mezökövesd, aprons - hungarian, matyo embroidery, migration

Worn by Elizabeth Goodwin of Liverpool, England, who married Horace Book at St Andrew's Church, Brighton in 1921. The fabric was purchased by her father, a ship's captain, when he was in China. The bride had her dress made in Liverpool and made to a Butterick's pattern. Elizabeth was very active in public life and a well-known member of the Book family. Wedding dress made from cream silk purchased in China. The bodice is made of fine silk embroidered tulle with a vest of cream silk that floats over the top. The skirt has been permanently pleated, has has floating side panels of tulle and features a large butterfly-shaped bow at the back.wedding dress, silk, 1920s, elizabeth goodwin, horace book, st andrew's church brighton, brighton

The design of this set of four lightweight chairs is based on Thonet’s bentwood designs, which are still some of the best-selling designs for café and restaurant owners. It is elegant, sophisticated and durable. Some of these chairs still have their original seat, under which the letters “TH” or “RSL” are hand written. Flagstaff Hill has several bentwood chairs with these letters on them, in either chalk, black paint, or both. It is believed that the chairs were used in the original Warrnambool Town Hall, and later the RSL. The Town Hall was completed in 1891, built on the corners of Timor and Liebig Streets. (In 1977 the Town Hall was declared unsafe and was later replaced by the Warrnambool Performing Arts Centre.) Some of the chairs have marks, paper labels and symbols on them that show that the maker was Josef Jaworek, who had a small furniture factory in east Sinensia, which was at that time in Austria, from 1907 - 1914. Bentwood chairs are made by a process of wetting wood in water, bending it into curved shapes, then allowing it to dry so that the shape becomes permanent. This process originated by Michael Thonet, who had been given the right to bend wood into desired curves by the Austrian Courts in 1842. In 1856 he was granted a 13 year patent to manufacture chairs and table legs of bent wood treated by steam or boiling water. In 1859 his company Gebruder Thonet produced his original design. Thonet’s early designs also featured hand carved or laminated wooden seats. His Model No. 14 was produced in the 1850’s and his most popular design. After Michael’s death in 1871 the family went on designing and producing chairs. These bentwood chairs are believed to be associated with the original Warrnambool Town Hall. The Warrnambool Town Hall played a significant role in the both the local government and the social events of local and district areas. It was a place for Council meetings, community events and entertainment, theatrical and musical.Bentwood chair (1 of 4), painted black, inner back is curled loop. Seat is padded leather, attached by studs. Splayed legs. Patterned ventilation holes under seat. Under seat are various Marks; hand painted, printed on small piece of paper, stamped in wood.Under seat are various Marks; hand painted in black "TH", printed on small piece of paper "400", stamped in wood "400" flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, bentwood chair, café chair, restaurant chair, josef jaworek, austrian chairs

This plate comes from the Commercial Hotel in Warrnambool. This hotel, situated on the north west corner of Liebig and Timor Streets, Warrnambool, was established in 1865. It was built by Thomas Mickle and the first licensee was Charles Anderson. From 1928 on the O’Dwyer family was associated with the Commercial Hotel, either as licensees or owners, for fifty years. The plate would have been first used during the times when Patrick O’Dwyer was the licensee – 1928-1931 and 1932 to 1934. Today the Commercial Hotel still trades as the Whalers Hotel.This plate is of interest as it is a memento of the 1920s and 30s when Patrick O’Dwyer was the licensee of the Commercial Hotel. This hotel, trading today as the Whalers Hotel, is the oldest hotel in Warrnambool and a prominent landmark in the city. This is a white china plate (dinner plate size) with the inner section slightly recessed. The plate has a black line around the outer rim and initials and a hotel name in a scroll pattern on one outer edge. The names of the maker and supplier are on the base of the plate and the top of the plate is somewhat stained. ‘P O’D Commercial Hotel Warrnambool’ ‘Made expressly for John Dynon and Sons, Melbourne Vitrified Globe Pottery Co. Ltd Cobridge England’ commercial hotel / whalers hotel, warrnambool, history of warrnambool