A set of laminated A3 sketchbook pages depicting designs for the 1992 Barcelona Olympic Men's Official Occasions Uniform designed by Wendy Powitt. On the 1992 Barcelona Olympic Games donor Doug Pleasance wrote- The 1992 Barcelona Olympic Games saw an evolutionary change in designer selection. A Declaration of Interest Form was communicated to over forty potential designers. The task and especially tight timelines that were involved deterred many aspirants, however, there remained eight designers with the potential we were seeking. These eight designers were paid $3,000 per submission and the winning designer, Wendy Powitt, was paid $15,000. For the first time the judging panel included two athletes, one male swimmer and one female basketballer, their influence was pivotal. The Official Uniform was used for both travel and official functions. This included a tailored blazer and trouser/skirt set (all water repellent) by Fletcher Jones in pure olive green faille fabric by Foster Valley, a cotton PE formal shirt by Pelaco, pure wool knitwear by Spangaro, a printed wool tie by TD Noone, wool nylon socks by Holeproof and footwear by Hush Puppy.8117 .1 - A laminated A3 sketchbook page depicting a design for the 1992 Barcelona Olympic Men's Official Occasions Uniform. The main drawing shows the design for black suit pants and blazer, a yellow shirt with a white collar and a floral printed tie. Two detail drawings appear at the top of the page depicting the Australian emblem in detail as well as the suit jacket and shirt. 8117.2 - A laminated A3 sketchbook page depicting a design for the 1992 Barcelona Olympic Men's Official Occasions Uniform. The main drawing shows the design for a pair of black trousers, a yellow button up shirt with a white collar and cuffs and a floral printed tie. Around the main image are three smaller drawings depicting the detail of the trousers, belt clasp and black shoes. 8117.3 - A laminated A3 sketchbook page depicting a design for the 1992 Barcelona Olympic Men's Official Occasions Uniform. The main drawing shows the design for a pair of trousers, a green knit, button up vest, a yellow shirt with a white collar and cuffs and a floral printed tie. On this design there is also a small swatch of yellow fabric attached as well as a small detail drawing of the knit vest behind the right shoulder of the man depicted. 8117.4 - A laminated A3 sketchbook page depicting a design for the 1992 Barcelona Olympic Men's Official Occasions Uniform. The main drawing shows the design for a pair of trousers, a yellow button up shirt and a printed striped tie. 8117.5 - unnumbered - A laminated A3 sketchbook page depicting a design for the 1992 Barcelona Olympic Men's Official Occassions Uniform. The main drawing shows the design for black suit pants and blazer, a yellow shirt with a white collar and a floral printed tie. Two detail drawings appear at the top of the page depicting the Australian Emblem set on top of stripes in detail as well as the suit jacket and shirt. 8117.6 - A laminated A3 sketchbook page depicting a design for the 1992 Barcelona Olympic Men's Official Occassions Uniform. The main drawing shows the design for black shorts and floral button up shirt, belt, lace up shoes with socks and pocket detail.1992 barcelona olympics, sport, athletes, fashion, design, artwork, drawing, uniform

A set of laminated A3 sketchbook pages depicting designs for the 1992 Barcelona Olympic Women's Opening/Closing Ceremony Uniform designed by Wendy Powitt. On the 1992 Barcelona Olympic Games donor Doug Pleasance wrote- The 1992 Barcelona Olympic Games saw an evolutionary change in designer selection. A Declaration of Interest Form was communicated to over forty potential designers. The task and especially tight timelines that were involved deterred many aspirants, however, there remained eight designers with the potential we were seeking. These eight designers were paid $3,000 per submission and the winning designer, Wendy Powitt, was paid $15,000. For the first time the judging panel included two athletes, one male swimmer and one female basketballer, their influence was pivotal. The Official Uniform was used for both travel and official functions. This included a tailored blazer and trouser/skirt set (all water repellent) by Fletcher Jones in pure olive green faille fabric by Foster Valley, a cotton PE formal shirt by Pelaco, pure wool knitwear by Spangaro, a printed wool tie by TD Noone, wool nylon socks by Holeproof and footwear by Hush Puppy.8122.1 - A laminated A3 sketchbook page depicting a design for the Men's 1992 Barcelona Olympics Australian Official's Uniform. The main drawing shows the design for blue suit pants and blazer with six gold buttons, a yellow shirt and a red, green, yellow and cream striped tie. To the left of the main image are four smaller detail drawings of the belt buckle, gold bottons, blazer and shoes. 8122.2 - A laminated A3 sketchbook page depicting a design for the Women's 1992 Barcelona Olympics Australian Official's Uniform. The main drawing shows the design for a blue elbow length, square necked blazer with gold buttons on both the front of the jacket and sleeves paired with a blue pencil skirt and a red, green, yellow and cream shirt. To the right of the main drawing are four smaller detail drawings showing the pattern for a scarf, the striped shirt, the blazer and the shoes. 1992 barcelona olympics, sport, athletes, fashion, design, artwork, drawing, uniform

Shearing Team, 1938, at woolshed of "Fintry" standing in front of triple-A wool bales. Pictured from left are Lewis Whiteway Wills, Guy Rance, Lewis Wills, John Barnes, Jack Meek, Myles Graham, Geoffrey McInnes, Laurie Green and James Wills (right). lake bolac, "fintry", woolshed, shearing team: barnes, graham, green, mcinnes, meek, wills

Photo depicts a Dennys Lascelles auction on 27 Nov. 1946 in Geelong, where 8371 bales of wool were sold at an average price per bale of 36-15-2. The auctioneer was Mr P.F. White. This photo originally hung in the Dennys Lascelles office in Horsham.DENNYS LASCELLES LIMITED / GEELONG. / SALE BY AUCTION 27th NOVEMBER 1946. / 8371 BALES - AVERAGE PRICE PER BALE 36-15-2 / AVERAGE PRICE PER LB. 29.66d. / Auctioneer Mr. P.F. WHITE. SILENCEwool sales, dennys, lascelles limited

Photo was taken on location of the filming of the mini series "The Dunera Boys". The photographer was Paul Baitz who was an extra working amongst the sheep in the pen on a freezing cold December day. Taken: ?December 1984. (this photo appears in a circular format on the title page of "Wool and the Australian Imagination")

Vintage Japanese school geography primer (one of a series) titled ‘The Story of Woollen Fabrics’ (1957). Tells the story of wool from a global perspective, including several pages devoted to Australia. Booklet found by donor in a second-hand shop in Kurashiki (Japan) in September 2024.Sixty four page soft cover book, with staples at spine. Monochromatic on gloss paper featuring extensive photographs and illustrations. Text is in Japanese. Front cover features an image of a lamb and printed Japanese text.japan, wool industry, international, school, primer, kurashiki, book

This knitting pattern book was published by Coats Patons and contains knitting patterns for babies garments.PATONS BOOK / No. 658 / BABIES' WEAR / From 3 Months to 3 Years - 17 to 23 Inches / Patons / KNITTING BOOK 658 / WITH T.V. DESIGNS / BABY WOOL . BLUEBELL . SWIFTAKNIT / TOTEM . AZALEA . PATONYLE, 4-PLY / 2'3knitting handicrafts - history, coats patons (australia) limited, knitting, handicrafts - history

Wooden 1-50 Scale model of the Dennys Lascelles WoolstoreOn plaque - 1-50 Scale Model of The Dennys Lascelles Woolstore / Cnr Moorable & Brougham sts, Geelong, Which will house the National Wool Centre - Geelong / The Centre is a project of the Geelong Regional Commission and is Geelongs major bicentinnial celebratons project

Sixteen page book with black and white printed text and graphics. The front cover features seven black and white images of women wearing different hats. front: [printed] Patons / KNITTING BOOK / No. 444 / Ladies’ and Girls’ / Gloves and Hats / No. 444 / Page 3 / Page 12 / Page 6 / Page 4 / Page 2 / Page 5 / Page 7 / 1’3 / P&B / WOOLSfashion, women, knitting, crochet, home life, patterns

Typical British and Commonwealth full dress cap for 1950sBlack peaked cap with black wool crown and red piping and hat band. Royal Australian Artillery gilt cap badge. Black patent leather chin strap with 13mm dia. brass AMF buttons. Black patent letter peak with 20mm gold wire edging and green undersides. Tan leather sweat band. Tan cloth lining with green printed manufacturer's name and purple stamped details Green printed. "Hobson & Sons (London) Ltd. Purple stamp. "1952 6 7/8 Made in England" Note - no personal markingsheadgear, cap

Black and White print contained within the Wal Jack Bendigo and Geelong Album, see Reg Item 5003 for more details. Photo of Geelong No. 6 at the North terminus. The tram has the destination of Belmont. In the background are the Federal Wool stores. Wal's album notes provides the date of 1940. i1 - scan of print in the album i2 - rear of image i3 - scan of negative at 3200dpi added 6/6/2020. trams, tramways, geelong, north, tram 6

Black and White print contained within the Wal Jack Bendigo and Geelong Album, see Reg Item 5003 for more details. Photo of Geelong No. 6 turning from Moorabool St in Corio St enroute to Beach. Has many wool store buildings in the background. Printed on Ilford paper. i1 - scan of print in the album i2 - rear of image i3 - scan of negative at 3200dpi added 25/6/2020. On rear in ink "SEC Geelong No. 6 to Beach. Turning out of Moorabool St. into Corio Terrace 1.50pm 3rd January 1945" Has the Wal Jack copyright stamp in the top right hand corner with the number "T323" written in. trams, tramways, geelong, moorabool st, corio st, beach, tram 6

A Slazenger (UK) 'Lawn Tennis Ball' box. Printed on lid: 'BRITISH MADE/MADE ACCORDING TO/ THE REGULATIONS OF THE / LAWN TENNIS ASSOCIATION /AND OFFICIALLY AUTHORISED'. On front of box is printed: ' EXCLUSIVELY USED AT/THE CHAMPIONSHIPS/WIMBLEDON/ SINCE 1902'. Colour advertisement adhered to underside of lid, depicting 1920s/30s tennis racquets. Contains all six original balls, all printed with '1937'. Materials: Ink, Cardboard, Paper, Rubber, Wooltennis

The first Bendigo Easter Fair was held on April 10th and 11th 1871 and remains one of Australia’s longest running annual community events taking place over the Easter long weekend. The Bendigo Easter Fair features events throughout the City of Greater Bendigo and celebrations culminate in a parade through the streets on Easter Sunday. The parade features a variety of commercial and community groups. In 1892, large processional dragons became an integral part of the annual parade. The three principal golden dragons are Loong (1892–1970), Sun Loong (1970–2019) and Dai Gum Loong (2019–present), housed at the Golden Dragon Museum in Bendigo. The Bendigo Easter Fair Society is custodian of the Bendigo Easter Fair and continues to support the City of Greater Bendigo’s largest festival. Series of 16 colour 35mm Ektachrome slide transparency of parade floats and community groups as they pass along Mitchel Street. Images have been taken from a second story vantage point, diagonally opposite the Terminus Hotel which stood at 126 Mitchell Street Bendigo. Floats include S.E.C., Post Master Generals Office, Greyhound Racing, YMCA, the wool industry and Bendigo ALP Women's Association. sandner collection, mayor sandner, city of greater bendigo easter fair, city of greater bendigo tourism, city of greater bendigo events

1. Jacket, light green. Wool/polyester two hip pockets in front. Jacket fastened with 5 brass buttons. Colours are broad. Short sleeves with small cuffs. 2. Trousers - light green, zip fly. No cuffs at bottom of legs, no pockets. 3. Hat, two tone green with RACT Badge - peaked brim. 4. Belt - light green. No buckle, has a press stud arrangement at one end.3. Hat - written inside is "Browne F3207657." 4. Number “360” written inside belt.wraac, uniforms, passchendaele barracks trust

These trousers have been made by Fletcher Jones and Staff. This business was established by David Fletcher Jones (1895-1977) in 1924 when he leased three shops in Liebig Street, Warrnambool. In 1928 he moved his business to the main retailing area near the Liebig Street/Koroit Street intersection. In 1931 a shop built to Fletcher Jones’ requirements was erected and by 1938 he had a staff of 40. By 1945 FJ trousers were sold in 123 stores in Victoria and in 1948 the Fletcher Jones factory was established in Flaxman Street Warrnambool, officially named Pleasant Hill. In 1951 the company became Fletcher Jones and Staff and by the mid 1970s the staff had 75% ownership. By this time FJ and Staff had become one of the largest clothing manufacturers in Australia with 55 shops and almost 3000 employees. The range of clothing was enlarged to include both men’s and women’s wear. In the 1980s, after the death of Fletcher Jones, the abolition of import tariffs and the availability of cheap imported clothing caused the Fletcher Jones Company to decline and to be sold to a Geelong company. By 2011 all Fletcher Jones shops had closed. These trousers are of great interest as they are a product of a Warrnambool business that was nationally and internationally known in the 20th century for its quality men’s wear, especially the Coverdine brand trousers. The Fletcher Jones business remains one of the most important businesses, (if not the most important), that ever existed in Warrnambool. It employed a great number of local people in the second half of the 20th century, and is remembered with great fondness by many people in the city and surrounds today. The Fletcher Jones Gardens at the Factory site are still maintained today and are a tourist attraction in the city. These are a pair of brown Fletcher Jones trousers made of Coverdine material (87.5% wool with nylon). There is some lining around the waist area and the legs are turned up at the end with some leather binding inside the bottom legs. The waist band is stiffened and is fastened with a metal clip and two buttons. The waist band has two adjustable areas using tabs and two buttons each side. The back pockets also have buttons.fletcher jones and staff, coverdine fletcher jones trousers, history of warrnambool, david fletcher jones

From a family who had three generations that worked for Dennys Lascelles. This image depicts Arthur Ganly as a young man taking a break from painting the inside of one of the Dennys Lascelles wool store buildings. Ganly is third from the left with arms folded smoking a pipe.Grey cardboard backing with black and white attached. Photo depicts six men seemingly taking a break from painting. Five of the men are smoking pipes. The men are covered with paint drops and there are paint buckets on the ground in front of them. Many areas of spotting/foxing across backing and photo.

Winner of Expressions 2008: The Wool Quilt Prize Artist Statement: 'My friend Vriginia named this quilt for me and I thought "of course". A ladder is a means of rising or climbing and I began this work woth a sense of freedom. In this case freedom from entrapment of thought, feeling and creativity.'W7184 'Green Ladder' Catalogue for 'The New Quilt 2003: an exhibition of contemporary quilt textiles' Jo Steele's entry in 'The New Quilt 2003' catalogue Jo Steele's Curriculum Vitae Photocopy from Quilters Guild Magazine, 1998. Jo Steele's 'Eggshells & Iron Bars' Photocopy from catalogue '2002: One step further marvellous minatures', including Jo Steele's entry. Photocopy from '2007 Australian Cotton Fibre Expo'. Jo Steele entry 704. Includes first prize certificate for Section 7: Contemporary Quilting and Patchwork. Certificate awarded to Jo Steele for 'Chill Out!' 2004. Winner 'Fashion Extravaganza' Category. Photocopy from catalogue for 'Territory Craft 30th Alice Craft Acquisition'. Jo Steele entry 133. Photocopy from catalogue for 'The 29th Alice Craft Acquisition'. Jo Steele entries 143 and 144.Jo Steel 34 Neale Street Katoomba 2780 NSW 0413 074 604 'Green Ladder'quilting textile art, steele, ms jo, quilting, textile art

The knitter was Vera Neale,1901 - 1990. Married with three children, Vera knitted with one and two ply wool, often using piano wire or bicycle spokes as needles, entering the garments in agricultural shows. This is one of 23 garments donated by her granddaugher, Mrs Glenda Ilsley.Ladie's short sleeve jumper knitted by Vera Neale in the 1950s.knitting handicrafts, neale, mrs vera, knitting, handicrafts

The knitter was Vera Neale,1901 - 1990. Married with three children, Vera knitted with one and two ply wool, often using piano wire or bicycle spokes as needles, entering the garments in agricultural shows. This is one of 23 garments donated by her granddaugher, Mrs Glenda Ilsley.The only dress knitted by Vera Neale, c 1950s.knitting handicrafts, neale, mrs vera, knitting, handicrafts

The knitter was Vera Neale,1901 - 1990. Married with three children, Vera knitted with one and two ply wool, often using piano wire or bicycle spokes as needles, entering the garments in agricultural shows. This is one of 23 garments donated by her granddaugher, Mrs Glenda Ilsley.Fawn child's jumper knitted by Vera Neale in the 1950s.knitting handicrafts, neale, mrs vera, knitting, handicrafts

The knitter was Vera Neale,1901 - 1990. Married with three children, Vera knitted with one and two ply wool, often using piano wire or bicycle spokes as needles, entering the garments in agricultural shows. This is one of 23 garments donated by her granddaugher, Mrs Glenda Ilsley.Shorts sleeved jumper knitted by Vera Neale in the 1950s.knitting handicrafts, neale, mrs vera, knitting, handicrafts

The knitter was Vera Neale,1901 - 1990. Married with three children, Vera knitted with one and two ply wool, often using piano wire or bicycle spokes as needles, entering the garments in agricultural shows. This is one of 23 garments donated by her granddaugher, Mrs Glenda Ilsley.Man's vest knitted by Vera Neale in the 1950s.knitting handicrafts, neale, mrs vera, knitting, handicrafts

The knitter was Vera Neale,1901 - 1990. Married with three children, Vera knitted with one and two ply wool, often using piano wire or bicycle spokes as needles, entering the garments in agricultural shows. This is one of 23 garments donated by her granddaugher, Mrs Glenda Ilsley.Child's jumper knitted by Vera Neale in the 1950s.knitting handicrafts, neale, mrs vera, knitting, handicrafts

The knitter was Vera Neale,1901 - 1990. Married with three children, Vera knitted with one and two ply wool, often using piano wire or bicycle spokes as needles, entering the garments in agricultural shows. This is one of 23 garments donated by her granddaugher, Mrs Glenda Ilsley.Pale pink bed jacket, long sleeved, hand knitted. Vertical pattern on sleeves and most of body. Round collar with tie.knitting handicrafts, neale, mrs vera, knitting, handicrafts, bed jacket, clothing, children

Slide of a superfine Merino ram. A superfine merino produces the finest and best wool in the world. Found in higher rainfall areas. Formerly stored in presentation folder as part of "Merino & Australasian Breeds of Sheep Set No. A866" series by the Audio Visual Education Centre, Education Department of Victoria.Slide of a superfine Merino ram.Merino & Australasian Breeds / of Sheep / Set No. A866 / No. 1 / Super Fine Merino Ram VISUAL EDUCATION CENTRE / EDUCATION DEPT. OF VICTORIAmerino sheep, wool superfine, slide, wool - superfine

Slide of a Suffolk sheep. The Suffolk is a short woolled sheep. Slide printed by Audio Visual Education Centre, Education Department of Victoria. Formerly stored in presentation folder as part of "British Breeds of Sheep Set No. 448" series by the Audio Visual Education Centre, Education Department of Victoria.Slide of a Suffolk sheep.BRITISH BREEDS OF SHEEP / Set No. 448 / No. 11 / Suffolk VISUAL EDUCATION CENTRE / EDUCATION DEPT. OF VICTORIAsuffolk sheep, sheep, british, slide, sheep - british

Worn by donor at son's wedding.|Jacquard, a complex and intricate weaving process on a power loom invented bt Joseph Jacquard in 1801. It refers to fabrics or textiles woven by this process of punch cards, using damask, twill, silk or plain weave,wool. The design being woven into the material.1960 Apple green dress and matching coat. There is a silver thread through the weave of the material (Jacquard Design - see History). Dress also trimmed with silver braid. Stand up collar. Back zip and self covered buttons.|Matching coat has round neck - two sets of three self covered buttons and loops.costume, female