Phonogram belonging to the Pearce Family. The larger model being over 100 years old. The stand was needed to hold the trumpet in place.phonogram, pearce family, musical instruments

Date made August 2008Colour photograph showing Centre Point Arcade, and retail shops on the site of the old Barkes Store, Esplanade ,Lakes Entrance, Victoria.retail trade, roads and streets, room display

Ladies named as Kim Nicholson, Allana Carroll, Mandy Matheson.Black and white photograph three women dressed in old school uniforms at School Service Officers Conference Lakes Entrance Victoriaschools, conference

Colour photograph of ten year old Sally Chatfield, singer, winner of many awards, at Oltympic Torch celebration in Bairnsdale Victoriaentertainment

Old canvas medical stretcher with two wooden poles. Possibly used as a military stretcher. Possibly used for a footy club stretcher.stretcher, canvas, wooden handles, emergency medical equipment, war, sports

Photographic portrait of Thomas Tuke Hollway, member of the Old Colonists Association of Ballarat. He was also president of the Wendouree Rowing Club.thomas tuke hollway, old colonists' association of ballarat, old colonists' club

The old Wagon Road built 1876-1878. This photograph has a detailed inscription on the back handwritten by John Lundy-Clarke in 1974.The Wagon Road. Built 1876 – 8. The first settler’s road in the Ranges as apart from Dray Tracks. Was built through Jeeves Selection, Crown Allotment “C” named “Jeeves saddle” and removed the monopoly held over travel through the Gap. jeeves saddle, kalorama, road, wagon road, john lundy-clarke

Allan 'Jim Wells was born in Queenscliff in 1919 and fished between 1933 and 1990 on a 28 foot couta boat 'Lillian'Allan Wells was one of the founding fathers of the QMMFramed pencil drawing of prominent Queenscliff fisherman Alan 'Jim' Wells. One of a series of 10 drawings entitled 'The Old Salts'lillian, allan wells, queenscliff, couta boats, fishing

Robert 'Curley' Wood was born in Yarram in 1949 and fished from 1962 to 1990 on a 23 foot huon pine boat 'Whykickamoocow'Framed pencil drawing of prominent Queenscliff fisherman Robert 'Curley' Wood. One of a series of 10 drawings entitled 'The Old Salts''whykickamoocow', robert 'curley wood', queenscliff, couta fishing

Charlie 'The Coach' Zanoni was born in Queenscliff in 1909 and fished from 1924 to 1989 on a 67 foot iron bark boat 'The Olympic'Framed pencil drawing of prominent Queenscliff fisherman Charlie 'The Coach' Zanonni. One of a series of 10 drawings entitled 'The Old Salts'charlie zanoni, the olympic, queenscliff, fishermen

Colin 'Steak' Shapter was born in Queenscliff in 1913 and fished from 1927 to 1953 on a 20 foot clinker boat 'JWC'Framed pencil drawing of prominent Queenscliff fisherman Colin 'Steak' Shapter. One of a series of 10 drawings entitled 'The Old Salts'queenscliff, fishermen, jwc

Coloured photo of an older man wearing a white shirt with black bow tie, black trousers and a tartan waistcoat conducting the band.photo, individual, old timers, peter ellis collection, old timers

Colour photograph white edges. Older japanese man Sho Takasuka on Mallee Fowl Nest. Scrub behind him. Binoculars.photo, individual, sho takasuka

Two copies of photographs of the Lyric theatre in 1954, the first showing the frontage, the second the old stage and curtains at the time of the cinemascope installation.entertainment, theatre, lyric

A coloured photograph of three older girls who each have a chicken in their hands. They are standing in the school ground at the Bulla Primary School.bulla primary school, poultry rearing

Magdala cum Moonlight Gold Mining Company Mine Workmen 1906Group of men and older boys many leaning on shovels in front of horses and drays containing crushed quartz. Cyanide vats in background.stawell gold mining

Intersection of Canterbury and Balwyn Roads showing the old Canterbury Baptist Church and early plantings in Canterbury Gardens. black and white photographcanterbury, canterbury road, canterbury gardens, canterbury baptist church, footbridges, balwyn road

An old boot made into a sculpture, there are papers inside the boot as required to keep the books out, the boot is fixed onto a piece of wood

Murray Comrie Collection. Monochrome photograph with caption depicting Tarnagulla State School in 1924. This is a reasonable copy of an older original. Copy probably made in the 1960s. tarnagulla, school, education

BHS CollectionBendigo Advertiser '' The way we were'' from 2003. Marathon: Ernie Old in the Bendigo Easter Fair procession. The clip is in a folder.newspaper, bendigo advertiser, the way we were

Cream cotton table centre. Silk World War 1 embroidered motif in centre. (maybe added later? From old silk postcard) Silk embroidered floral motifs surrounding centre motif. Cotton machine made fringing machine stitched. Motif: British and ?flags. Forget me not. Old Box 85.2 flags - Union Jack and red flag with 'Forget me Not' Union Jack in corner., Blue floral forget-me-not embroidery.manchester, table linen, cotton and silk table runner

Corner of High St and Williams St (now Curtin Dve). Formerly the site of Wingfield's Hides and Wool agent and Frank O'Grady's solicitors office. In 1971 Jim Bannon moved his butcher business from the eastern end of High St to this newly built shop. He sold to Weirs in 1986 who sold to Frank Bourke in 1987. Part of a streetscape series taken for the Shire of Charlton in 1987.Colour photograph of single storey brick building with large glass window and door. Tree in front of building and a man walking past. Two storey white building to the right and a street and old single storey building on the left. Car parked in street on the LH side of the photo. Signage on the old building on the left reads STATES. jim bannon, frank bourke, wingfield's hides, frank o'grady

Ernest Heinrich Marcuse was born on the 1st of December 1900 to Hedwig and Siegmund Marcuse in Berlin Germany. While Marcuse's artistic talent was apparent from a younger age, his earliest existing artwork was from when he was approximately 20 years old. Ernest's formal art training commenced in 1918 with a three year course at the Berlin school of Interior design. After completion he found work until 1924 when Germany's Great Depression took effect. To broaden his career opportunities he undertook a further 12 months study of fashion, drawing and advertising at Berlin's Reiman school of art. From 1925 to 1934 Ernest was primarily a freelance press artist specialising in industrial, architectural and figurative drawing. Prominent newspaper The Berliner Morgenpost was his largest client along with Gross Deutsche Rundfunaustellung (Germany's organisation for major trade shows). During this period he would create many significant works. Two months after Hitler and the Nazi part came to power in 1933, Ernest received a life changing letter stating that being Jewish he could no longer continue employment in Germany. Up until 1938 he would only be able to undertake private commissions and occasional unofficial work as a book illustrator and games designer. This was by arrangement with non Jewish artists who claimed his work as their own, they would then share the income with Ernest. With increasing unrest in Germany during late 1938 Ernest decided to move to London and there he married his girlfriend Lotte. In late 1939 Ernest and Lotte Marcuse embarked on an eight week journey to their new home in Australia where they had been accepted as refugees. Shortly after arriving in Australia Ernest presented his portfolio to an editor at the Argus newspaper and gained employment as a war events illustrator. He soon became well respected and known in particular for his detailed illustrations and cross sections of ships , artillery and aircrafts. His detailed depictions of battles were displayed on the front pages of The Argus newspaper on a number of occasions. In May 1940 as the war intensified Ernest was dismissed from The Argus newspaper due to his Australian government classification of 'stateless person of enemy origin' and was considered a potential security risk. The editor of the time commented "don't blame us, blame Hitler". Marcuse then began to establish himself as a commercial artist. Ernest was de-classified as a 'stateless person of enemy origin' and in early 1942. The Australian army heard of Ernest's artistic abilities and began to utilize his designs for visual training aids and posters. Ernest became Private E.H Marcuse V377746, his first army posting was as staff artist at The infantry officer's training school at Bonegilla. When off duty he was inspired by the beauty of the surrounding area creating the works in North east Victoria 'Kiewa river bridge', 'Hume weir', ' Dried up river bed' and 'Hawksview gold reef mine' from his 1942-1943 period at Bonegilla Victoria. Ernest returned to the area to create drawings and paintings from 1948 to 1983 in locations including Bright, Wandilligong, Bogong High plains and Wallace's Hut, Mt Buffalo, Beechworth, Pretty valley, Kiewa Hydro, Yackandandah and Bontherambo homestead. These sketches were often completed on location, photographs were also taken onsite to assist the works back at the studio. Occasionally Marcuse also painted in the field. Ernest's preferred choice of medium was pencil and ink. Up until 1952 he would often incorporate watercolour into his work. Later into his career he began introducing pastels, acrylic and mixed media. In earlier years Ernest Marcuse often signed his work Mar, later on the signing of works ranged from Marcuse, E.Marcuse, Ernest Marcuse, EHM or simply EM . If a work was considered incomplete or Marcuse did not like the work it would remain unsigned. From Bonegilla Marcuse was transferred to Woodside South Australia before his final posting in Melbourne until the end of 1945. Ernest's work from within his army posting 'Troop Train at Night' from his 1945 exhibition Australia at War are part of the permanent collection at Canberra's War Museum. Between 1946 and 1969 Ernest largely worked from home and concentrated on a career as a freelance commercial artist and graphic designer. During that time he created work for well known household names including CRA/Conzinc, Vacuum oil (Caltex), Cottee's Brand (Schweppes and Heinz), Home Beautiful magazine Fulton garden supplies, International Iveco trucks, Ego pharmaceuticals, QV and Sunsense. After retirement Ernest concentrated on his true love of fine art and focused on painting images of personal interest both across Australia and Internationally. Earnest never drove a car. He would often walk or use public transport or enlist in the help of family or artist friends to drive him. Throughout his career Ernest Marcuse's artworks were purchase by private collectors these included ACTU, Melbourne City council, Holland Constructions, Melbourne Metropolitan Tramways Board, GJ Coles and Australian Resources Bank. Ernest Marcuse permanent collections can be viewed at The National Gallery of Victoria , Sydney Jewish Museum, Jewish Holocaust Centre Melbourne, Canberra's War Museum, City of Melbourne, Shire of Yarra ranges and now the Burke Museum. © 2020 Art by Marcuse https://www.artbymarcuse.com.au/aboutDonated to the Burke Museum through the Australian Government's Cultural Gifts Program by Peter and Evelyn MarcusePen and pencil landscape drawing on paper.Obverse: B'WORTH NEWTOWN / OLD HOUSE / E MARCUSE Reverse: B 11/ 023 / BEECHWORTH NOSTALGIA / BW - 04 ernest marcuse, marcuse, art, artbymarcuse, beechworth, burke museum, indigo shire, landscape, illustration, drawing, pen and pencil, australian army, war events illustrator, the age, the sun, the argus, germany, refugee, industrial drawing, architectual drawing, figure drawing, berliner morgenpost, grosse deutsche rundfunaustellung, berlin’s reiman school of art., cultural gifts program

Taken in 1924, the photograph depicts ten young men and three male children all in formal attire on the day of the Beechworth Concert Party. They are standing in front of Bill Howes' home on Loch St, adjacent to the old swimming bath.Black and white rectangular photograph printed on matte photographic paper mounted on board.Obverse: W. Howes / Beechworth Concert Party / 1924 / Taken at Bill Howes home in Loch St. / (Last house, next to old swimming bath) / Back row. / Ted Warden. / Bill Howes. / B. Shallard. / Jerry Burns. / J. Heatherly. / K. Prowse. / E. Smith / Front row. / P. Burdew. / A. Foster. / J. Warden. / Squidgy Smith / A. Shallard. / G. Foster / Reverse: 1997.2518 / A03063 / 79.19.3 / entertainment album, beechworth concert party, beechworth, 1900s, loch st, concert party