Showing 5099 items
matching 1980
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University of Melbourne, Burnley Campus Archives
Document, Amenity Horticulture Orientation Walk, 1980-1990
Description of areas of Burnley with a planamenities, horticulture, burnley -
University of Melbourne, Burnley Campus Archives
Document, Enid Carberry, 1980-2010
Correspondence, notes and articles about Enid Carberryenid carberry, burnley -
University of Melbourne, Burnley Campus Archives
Document - Report, James Hitchmough, V.C.A.H. - Burnley Grounds Management Study, 1980-1990
Report by Dr. James Hitchmough, analysing maintenance and design status of Burnley gardens and grounds, including major problems with recommendations. 30 pp.vcah, burnley, grounds management, james hitchmough -
Vision Australia
Photograph - Image, Various Mirridong images, 1980's
Photographs taken of various activities that occurred at the Association for the Blind's nursing home in Bendigo - Mirridong. These include clients sitting outside (for possibly the opening of a new wing or a street parade), staff participating at a local fete, volunteers/staff playing games with residents, reading newspapers, receiving visitors and awards for gardening activities.8 B/W photographs of clients, staff and volunteers at Mirridongassociation for the blind, mirridong home (bendigo) -
Vision Australia
Painting - Artwork, Portrait of John Wicking, 1980
Framed portrait of John Wicking who was President of the Association for the Blind 1973-1984 as well as a generous benefactor. It is part of a series of paintings commissioned by the AFB Board to commemorate the work of past presidents of the organisation. Mr Wicking wears a navy suit, white shirt and navy blue Kiwi tie. John Wicking served as President of Vision Australia from 1973 to 1984 and as Vice President in 1990. He was Managing Director and Chairman of Kiwi International when he was introduced to the Committee in 1971. With a natural air of authority, he was known to be both strong and wise. One of the first hurdles Mr Wicking faced following his election as President in 1973 was understanding the health service system and sorting out the differing views of committee members over recommendations for projects costing hundreds of thousands of dollars with no funds to implement them. The ten years of his Presidency were a time of exceptional growth and expansion. He was instrumental in acquiring an adjacent property to those already owned in Glenferrie Road in 1974 at a cost of $120,000, on which the Low Vision Clinic was erected – the first of its type in Australia. Land was also bought in both the metropolitan and country areas for future expansion. Day care centres were opened in Ballarat and Bendigo and new metropolitan services commenced. Mr Wicking formed a committee to explore the possibility of a radio station people unable to read standard print. As a result 3RPH commenced broadcasting in 1981. Mr Wicking was also involved in the incorporation of Vision Australia under the Companies Act in 1990. After his retirement as President Mr. Wicking continued as a committee member until 1994. In 1995 he was instrumental in the establishment of the Tilly Aston Heritage Collection, on which he served as Chairman until sadly passing away in 2002. 1 art original in old gold frameThe plaque at the base of the painting reads 'Mr John O. Wicking AM / President 1973-1984 / Association for the Blind'. association for the blind, vision australia, john wicking -
Vision Australia
Badge - Object, Association for the Blind volunteer badge, 1980-1999
Lapel pins were struck to recognise Association for the Blind volunteers. These consisted of the Association for the Blind symbol of a square (filled with horizontal lines crossed by two diagonal lines), in gold and a circle in the middle against a contrasting background. Around the outside in gold lettering is written 'Association for the Blind' and 'Volunteer' on a a dark background. Red background - 3 years of service Green background - 5 years of service Gold background - 10 years of serviceMetal pins of various coloured backgroundsassociation for the blind, badges -
Vision Australia
Badge - Object, Remember the Blind badge, 1940-1980
To raise funds for the Royal Victorian Institute for the Blind, these badges were sold by street sellers in Melbourne. "Remember the Blind" - Blue and white oval badges with the words, 'Remember the Blind' around the edge. The outer oval is narrow, white with gold edges and words. A dark blue oval is in the centre, suspended over the empty space by four curved pieces of metal, with gold edging. Some badges have paper numbers on the reverse. Metal pin with enamel with writingRemember the Blind royal victorian institute for the blind, badges -
Vision Australia
Badge - Object, Tilly Aston badge and tie pin, 1980-1999
A tie clasp and badge remembering Tilly Aston, the founder of the Association for the Advancement of the Blind, was created. It has a cameo of Tilly Aston in gold, against a roughened gold background. A circle surrounds the head and above this "Tilly Aston" and below it, "Association for the Blind" in gold lettering. Metal tie clasp and metal pinTilly Aston Association for the Blindtilly aston, association for the blind, badges -
Vision Australia
Badge - Object, RVIB Auxiliary badge, 1940-1980
To identify members of its Auxiliary, badges were provided. These consisted of a oval with a gold lighthouse on a pale blue background and the words 'For the Blind' in gold across the middle, either side of the lighthouse. Around the outside, 'Royal Victorian Institute for the Blind' was written in gold against a royal navy blue background, with 'Auxiliary' at the base of the badge. 1 metal pin depicting a golden lighthouse'Royal Victorian Institute for the Blind' 'Auxiliary'royal victorian institute for the blind, badges -
Vision Australia
Badge - Object, RVIB badge, 1940-1980
Badges were created to identify staff members. These consisted of a oval with a gold lighthouse on a blue background and the words 'For the Blind' in gold across the middle of the lighthouse . Around the outside, 'Royal Victorian Institute for the Blind' was written in gold against a navy blue background. 1 metal pin with gold lighthouse on blue background'Royal Victorian Institute for the Blind' royal victorian institute for the blind, badges -
Vision Australia
Badge - Object, RVIB Auxiliary 25 year badge, 1940-1980
To honour the commitment of its Auxiliary, badges were awarded to commemorate 25 years of service. These consisted of a oval with a gold lighthouse on a blue background and the words 'Auxiliary' in gold across the middle of the lighthouse. Around the outside, 'Royal Victorian Institute for the Blind' was written in gold against a navy blue background, as well as the number '25' at the base of the lighthouse. 1 metal pin depicting a gold lighthouse with shining light and writing around outside'Royal Victorian Institute for the Blind' 'Auxiliary' '25'royal victorian institute for the blind, badges -
Vision Australia
Badge - Object, RVIB Auxiliary badge, 1940-1980
To identify members of its Auxiliary, badges were provided. These consisted of a oval with a gold lighthouse on a light green background and the words 'For the Blind' in gold across the middle, either side of the lighthouse. Around the outside, 'Royal Victorian Institute for the Blind' was written in gold against a black background, with 'Auxiliary' across the middle of the lighthouse. 1 metal pin with gold lighthouse and shining light'Royal Victorian Institute for the Blind' 'Auxiliary'royal victorian institute for the blind, badges -
Vision Australia
Badge - Object, RVIB Auxiliary 25 year badge, 1940-1980
To honour the commitment of its Auxiliary, badges were awarded to commemorate 25 years of service. These consisted of a oval with a gold lighthouse on a blue background and the words 'Auxiliary' in gold across the middle of the lighthouse and '25 years' either side of the lighthouse at the base. Around the outside, 'Royal Victorian Institute for the Blind' was written in gold against a navy blue background. 1 metal pin with gold lighthouse and shining light'Royal Victorian Institute for the Blind' 'Auxiliary'royal victorian institute for the blind, badges -
Vision Australia
Object, Playing cards with large print, 1980-2000
A 52 playing card set (plus two jokers) with large print numbers and suit types. Playing cards with William Grant's Scotch Whiskey printed on back and numbers and suit in large print in paper packet. recreation equipment, games -
Surrey Hills Historical Society Collection
Book, A history of Camberwell, 1980
In 1964 Camberwell City Council commissioned Professor Geoffrey Blainey to first write this history. Since that time, many changes have taken place and therefore the Council asked Professor Blainey to bring the book up to date. Bibliography, includes index. The author presents a century of pioneering development and endeavours. He has traced the coming of the wood-cutters and the farmers, the transition from rectangular paddocks to a grid of roads and streets, the growth from shire to borough, town and city, the filling up of thirteen squares miles into residential suburbia - in successive waves of invasion, along new transport routes - including the Outer Circle Railway. Substantial chapters cover the War Years and the progress of Camberwell since the 1960s have also been included in this edition. 134p; ill;camberwell, victoria, market gardens, tolls, railways, mayors, boroondara road board, borondara shire, councillors, (mr) (prof) geoffrey blainey -
Federation University Art Collection
Ceramic - Artwork - Ceramics, Stoneware Bowl by Robin Welch, c1980, 1980
Robin WELCH (1936- ) Born Nuneaton, Warwickshire, England Robin Welch is one of the most highly respected contemporary British potters. The full range of his work includes large vessels with related paintings, fine drawings, and distinctive bowls and vases which explore colour, surface texture, form, detail of edge, and line. Initially studying at Penzance School of Art and the Central School of Art, London Robin Welch then worked part-time at the Leach Pottery between 1953 and 1959 before opening his own pottery in London's west end (1960 to 1962). After a couple of years of world travel, including working in Australia from 1962 to1965 helping Ian Sprague set up his Mungeribar Pottery and exhibiting in Melbourne, Robin Welch returned to England setting up Stadbroke Pottery in Eye, Suffolk in 1965. This work is part of the Jan Feder Memorial Ceramics Collection. Jan Feder was an alumna of the Gippsland Campus who studied ceramics on the campus. She passed away in the mid 1980s. Her student peers raised funds to buy ceramic works in her memory. They bought works from visiting lecturers who became leading ceramic artists around the world, as well as from many of the staff who taught there.Stoneware bowl with single flange. White glaze with copper tint. Dry black glaze underneath and airbrushed lustre banding. Robin Welch stamped on base.ceramics, robin welch, jan feder memorial ceramics collection, jan feder, gippsland campus, stadbroke pottery, mungeribar pottery -
Federation University Art Collection
Ceramic - Artwork - Ceramics, Stoneware Bowl by Robin Welch, 1980
Robin WELCH ( 23 July 1936-5 December 2019) Born Nuneaton, Warwickshire, England Robin Welch is one of the most highly respected contemporary British potters. The full range of his work includes large vessels with related paintings, fine drawings, and distinctive bowls and vases which explore colour, surface texture, form, detail of edge, and line. He is one of small group of significant British potters who expanded the language of throwing pots on the wheel through post-wheel additions and alteration. This gave his generally cylindrical forms a more organic and sculptural aspect, but their heavily coloured and textured surfaces were as much about painting, too, as Robin sought an integration of the visual disciplines he enjoyed. As he once wrote: “There’s no divide between art or craft. You decide to be an artist and you’ll use anything. If marooned on a desert island you’d use driftwood.” (https://www.theguardian.com/artanddesign/2019/dec/27/robin-welch-obituary, accessed 23 March 2021) Initially studying at Penzance School of Art under Michael Leach (son of Bernard Leach) and the Central School of Art, London Robin Welch then worked part-time at the Leach Pottery between 1953 and 1959 before opening his own pottery in London's west end (1960 to 1962). After a couple of years of world travel, including working in Australia from 1962 to1965 helping Ian Sprague set up his Mungeribar Pottery and exhibiting in Melbourne, Robin Welch returned to England setting up Stadbroke Pottery in Eye, Suffolk in 1965. Apart from his studion work Robnin Welch was a skilled designer for industry including Wedgwood. When not in his Suffolk studio Robin Welch spent much time in Australia where he appreciated the outback’s arid earth, brilliant light, grittier textures and luminous colour. Stoneware bowl on a tall foot. Calcium matt glaze, underglaze colour with underglaze metallic lustre. ceramic, jan feder memorial ceramics collection, robin welch, gippsland campus, mungeribar pottery, stadbroke pottery -
Federation University Art Collection
Ceramic, Raku Fired Bowl with White Crackle Glaze by Robin Welch, 1980
Robin WELCH (1936- ) Born Nuneaton, Warwickshire, England Robin Welch is one of the most highly respected contemporary British potters. The full range of his work includes large vessels with related paintings, fine drawings, and distinctive bowls and vases which explore colour, surface texture, form, detail of edge, and line. Initially studying at Penzance School of Art and the Central School of Art, London Robin Welch then worked part-time at the Leach Pottery between 1953 and 1959 before opening his own pottery in London's west end (1960 to 1962). After a couple of years of world travel, including working in Australia from 1962 to1965 helping Ian Sprague set up his Mungeribar Pottery and exhibiting in Melbourne, Robin Welch returned to England setting up Stadbroke Pottery in Eye, Suffolk in 1965. This work is part of the Jan Feder Memorial Ceramics Collection. Jan Feder was an alumna of the Gippsland Campus who studied ceramics on the campus. She passed away in the mid 1980s. Her student peers raised funds to buy ceramic works in her memory. They bought works from visiting lecturers who became leading ceramic artists around the world, as well as from many of the staff who taught there.Raku Fired stoneware bowl with White Crackle Glaze by Robin Welch Robin Welch stamped on baserobin welch, ceramics, jan feder memorial ceramics collection, gippsland campus -
Federation University Art Collection
Ceramic, Bowl by Robin Welch, 1980
Robin WELCH ( 23 July 1936-5 December 2019) Born Nuneaton, Warwickshire, England Robin Welch is one of the most highly respected contemporary British potters. The full range of his work includes large vessels with related paintings, fine drawings, and distinctive bowls and vases which explore colour, surface texture, form, detail of edge, and line. He is one of small group of significant British potters who expanded the language of throwing pots on the wheel through post-wheel additions and alteration. This gave his generally cylindrical forms a more organic and sculptural aspect, but their heavily coloured and textured surfaces were as much about painting, too, as Robin sought an integration of the visual disciplines he enjoyed. As he once wrote: “There’s no divide between art or craft. You decide to be an artist and you’ll use anything. If marooned on a desert island you’d use driftwood.” (https://www.theguardian.com/artanddesign/2019/dec/27/robin-welch-obituary, accessed 23 March 2021) When not in his Suffolk studio Robin Welch spent much time in Australia where he appreciated the outback’s arid earth and brilliant light, its grittier textures and luminous colour, qualities he sought to convey in-the-round and on canvas. Apart from his studion work Robnin Welch was a skilled designer for industry including Wedgwood, Midwinter and Denby. Initially studying at Penzance School of Art under Michael Leach (son of Bernard Leach) and the Central School of Art, London Robin Welch then worked part-time at the Leach Pottery between 1953 and 1959 before opening his own pottery in London's west end (1960 to 1962). After a couple of years of world travel, including working in Australia from 1962 to1965 helping Ian Sprague set up his Mungeribar Pottery and exhibiting in Melbourne, Robin Welch returned to England setting up Stadbroke Pottery in Eye, Suffolk in 1965.Stoneware bowl with split flange, glazed with matt white, black and a touch of copper red Tobin Welch stamped on basejan feder memorial ceramics collection, ceramics, robin welch, gippsland campus, jan feder -
The Dunmoochin Foundation
Oil Painting, Angela, 1980
Portrait of a semi-nude woman with black hair, black skirt and black and white robe against a yellow background. Signed mid-left 'Angela' and (L.r) 'Clifton '80'clifton pugh, painting, portrait, angela, female nude, dunmoochin -
The Dunmoochin Foundation
Screenprint, Leda and the Emu, 1980
Painting depicting a reclining female nude and two blackboy plants with emu against an orange background. Inscribed (L.l) 'AP VIII/VIII Leda and the Swan' and signed (L.r) 'Clifton 80'.clifton pugh, screenprint, leda and the emu, female nude, landscape -
Tennis Australia
Racquet & cover, Circa 1980
A Davis Imperial tennis racquet (.1), with vinyl racquet head cover (.2). Racquet features ribbon whipping around shoulders, and a mottled leather handle grip. Davis logo and model name, displayed within banner device extending around the shoulders, feature across base of head. TAD "Kings of the Court" trademark features on lower shaft on obverse. Davis coat-of-arms "Duce virtute comite fortuna" trademark features on lower shaft on reverse. TAD trademarks feature on throat and rubber butt cap. Materials: Wood, Nylon, Ink, Glue, Lacquer, Metal, Ribbon, Leather, Adhesive tape, Rubber, Vinyl, Metaltennis -
Tennis Australia
Racquet, Circa 1980
A Royal tennis racquet with open throat, oversized head, and vinyl handle grip. Made in Pakistan. Materials: Wood, Nylon, Ribbon, Plastic, Vinyl, Paint, Inktennis -
Tennis Australia
Racquet, Circa 1980
A Spalding, Tracy Austin Junior tennis racquet, with string whipping around shoulders; leather handle grip with X-formation perforations; and, a plastic butt cap. Model name features across base of racquet head and lower shaft; manufacturer's name features along shaft; and, Spalding 'diamond in circle' trademark features on the throat and butt cap. Materials: Wood, Metal, Lacquer, Glue, Ink, Nylon, Leather, Plastic, String, Painttennis -
Tennis Australia
Racquet, Circa 1980
A Spalding, Tracy Austin Junior tennis racquet, with string whipping around shoulders; leather handle grip with X-formation perforations; and, a plastic butt cap. Model name features across base of racquet head and lower shaft; manufacturer's name features along shaft; and, Spalding 'diamond in circle' trademark features on the throat and butt cap. Autograph in black marker, by Austin, features across throat on obverse. Materials: Wood, Metal, Lacquer, Glue, Ink, Nylon, Leather, Plastic, String, Paint, Adhesive tapetennis -
Tennis Australia
Racquet, Circa 1980
A Spalding, Martina Navratilova Signature tennis racquet, with coated string whipping around shoulders; leather handle grip with continuous patterned perforations; and, a plastic butt cap. Model name features across base of racquet head. Manufacturer's name features across crown, along shaft, across handle grip, and across butt cap. Materials: Wood, Metal, Lacquer, Glue, Ink, Nylon, Leather, Plastic, String, Fibre, Adhesive tapetennis -
Tennis Australia
Racquet, Circa 1980
An Head 'Arthur Ashe Competition 3' tennis racquet, with: wood/aluminium/plastic composite frame with open throat; grooved outer crown; plastic butt cap; and, Spalding synthetic handle grip over hard plastic shaft encasement. Manufacturer's name features along lower shaft, and across butt sticker. Model name features along throat. Materials: Metal, Plastic, Wood, Nylon, Synthetic material, Adhesive tape, Ink, Papertennis -
Tennis Australia
Racquet, Circa 1980
A metal tennis racquet frame with double shaft and white plastic bridge. White plastic shaft casing and black plastic butt cap. Handle wrapped with perforated tan leather grip tape with Dunlop branding. No model name. Materials: Metal, Adhesive tape, Leather, Plastictennis -
Tennis Australia
Racquet, Circa 1980
A metal tennis racquet frame with double shaft and green plastic string-buffers around head. Black plastic shaft casing and butt cap. Handle wrapped with brown leather grip tape. No model name. Materials: Metal, Adhesive tape, Leather, Plastictennis -
Tennis Australia
Racquet, Circa 1980
Two-part object. (1) A Fischer 'Powerwood' model tennis racquet, with teardrop shaped head, cloth whipping on shoulders, handle wrapped in perforated leather, and a plastic butt cap impressed with manufacturer logo. Modela name on base of head; manufacturer name and logo along shaft. (2) Brown vinyl racquet head cover printed with manufacturer logo and name in silver. Materials: Wood, Vinyl, Adhesive tape, Cloth tape, Leather, Ink, Plastic, Paint, Metaltennis