The original idea to create a monument was conceived by William Cameron. The monument was first constructed of cement block tiles and was a memorial to all those who served in WW1. Later gates were added to the precinct in memory of those who served in WW2. Restoration of the Memorial took place in 1995, with the original tiles being replaced by replaced by re-inforced concrete. Mt Macedon Memorial Cross is a significant War Memorial in the district. ANZAC Day dawn service is held at the Mt Macedon Cross, it is an impressive setting.Glazed precast cement block coloured to resemble sandstone, mounted on wooden stand. Centre front is a metal plate inscribed : Mt Macedon War Memorial Cross.On the back of the stand is a printed description of the construction history of the Mt Macedon Memorial Cross. No 77, on white sticker ( previous cataloguing number) memorial

Booklet hinged at the top. Dark blue plastic cover with gold lettering.Cover: Restricted Royal Engineers Pocket Book. 1967. Crown copyright reserved. Contents: black and white printed with diagrams and tables.

This item is part of the Di Reidie collection. Diane Reidie was a much loved volunteer and President of Brighton Historical Society from 1999 until 2016. Originally from New Zealand, Di and her family lived in Male Street, Brighton for many years. A vibrant and energetic person with a zest for life and a gift for bringing people together, Di was a friend to many in the Bayside community and active in local community organisations. Her tireless work as President of BHS saw her named Bayside Citizen of the Year in 2008. As a seller and collector of vintage clothing, she was passionate about fashion history; one of her many enduring contributions to BHS was her extensive work in preserving, developing and promoting the Society's costume collection. In 2018-19, Di donated more than one hundred items from her personal vintage clothing collection to the Society. The collection, which includes clothing, hats, handbags and shoes from local and international designers, is representative of Di's wide-ranging interests, colourful personality, creativity, humour and love of fashion and travel. Di purchased this dress as a vintage item. Elvie Hill (1917-2018) was a Melbourne fashion designer and a longtime Brighton resident. She established her eponymous label and became well-known for her elegant and feminine designs. She dressed some of Australia's best known women, including Lady Sonia McMahon and Dame Pattie Menzies, and was also known for her boutiques in Melbourne (the last store closed in 1991). She retired in 1999, aged 80.Long-sleeved silk chiffon evening dress with yellow/gold floral print and brown, red and black border at hem. Ruffled neckline and cuffs. Snap fastenings at cuffs and zip at back. Matching silk chiffon sash.Label, inside collar, black on white: "ELVIE HILL / OF MELBOURNE" Label inside seam: "SIZE 10 / TO FIT / Bust 80cm"di reidie, vintage clothing, melbourne designers, elvie hill, 1970s

Portrait in pen and ink with grey wash of Tilly Aston, aged seventeen, done by Fred Kneebone. She is shown with long hair tied back, wearing a high buttoned up dress with a brooch at her neck. In 'Memoirs of Tilly Aston', she recalls the portrait being done (p47) and being donated to the Austral Salon, who held a matinee performance to raise funds for her university education.1 unframed pen and ink drawing with grey washFred Kneebone Miss Tilly Aston Blind authoress philanthropist obit 1947 C.M. Dodd 1" white close upartwork, tilly aston, fred kneebone

This book of war cartoons that had been published in the Argus Newspaper is a second volume to "Havoc" (item 00987). World War 2 has almost enveloped the globe and the Allies are having difficulty in containing the rapid expansion of Axis forces. It has been kept by a Legatee as a souvenir and found its way into the archives.Despite the reverses of the allied forces the cartoonist has maintained a positive outlook in his sketches about the outcome of the war. The cartoons are depicting Allied strength and resolve in a difficult situation.Book of war cartoons published in the Argus newspaper compiled as Mein Kranks.Front cover depicts Adolf Hitler (Germany) and Benito Mussolini (Italy) goose steppping and saluting. Cartoon sketches in black and white.world war two, souvenir

Colour Photograph, postcard size of tram 33 at Depot Junction on 11 March 1996. Trolley pole being turned by Peter Winspur, Gavin Young (in shorts) standing by front of tram. Shuttle service for Begonia Festival, 1996. Photo used on rear cover of Ballarat Tramway Museum's Annual report for 1995-96. On rear, remains of a paper label for Trolley Wire use.On rear, in a green label sticker, '3' and on bottom left corner, 'William F. Scott/11.3.1996 24' on a white sticky label.btm, depot junction, 33, begonia festival, tram 33

The White-necked Heron (also known as the Pacific Heron) is commonly found throughout mainland Australia. It resides mainly in locations with freshwater and in tidal areas. These birds are carnivores and mainly eat fish, crustaceans, amphibians and insects. They are also known to feed on young freshwater rats, young ducklings and lizards. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.The White-Necked Heron has been stylised in a standing position on a wooden platform. The bird has long black legs and a long white neck with black spots decorating the front of the neck. The head is also white and the bill black. The front torso of the bird is cream mixed with brown plumage and the back. The rear and wings are a dark brown. [illegible] Heron / See Catalogue, page 33. /taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, australian birds, white-necked heron, heron, pacific heron

This album contains numerous items in relation to the Army Survey Regiment & WOII R R PRATT, WWII onward. Cards, drawings, magazines, souvenirs, caricatures, newspaper clippings, some photos of Bendigo Historical Society objects. Robert Richard PRATT VX85798 enlisted in the 2nd AIF on 8.8.1942 age 28 years. He was discharged from the AIF on 29.10.1947 with the rank of Sgt serving with AHQ Cartographic Coy. He then enlisted in the ARA with a Regimental Number of 31074. He was promoted WOII on 27 May 1948.Blue hard cover photo album with spiral binding. Top right side on a white label in black print: EX FORTUNA ASR In the centre on a white label in black print: Donated by Mrs Connie PRATT on behalf of late husband WOII R R PRATT Ex AHQ CARTO COY "FORTUNA" BENDIGO (Per R O Temple)royal australian survey corps, rasvy, fortuna, army survey regiment, army svy regt, asr

Written on backing of original, 'Opening of clock tower by Mayor W. MacKinlay, 4.8.1928'. Typed below black and white copy, 'Mayor MacKinlay dedicating Ringwood clocktower in original position at end of Warrandyte Rd. Maroondah Hwy on right. 1928.' The second black and white copy states the date as 1924.

Note from collector- "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from."Playing cards featuring Onkaparinga sales mottos and picturesOnkaparinga Pure Wool Blankets/Australia’s Best/Rugs, Blankets, Piece Goods, Men’s and Boy’s Clothing/Made from Pure Wool In White Pink Blue Green And Primrose/The Home Of The Famous Onkaparinga Pure Wool Products/White And Coloured Blankets Give Individuality And Charm/Made In Australiablanket fever, wool, playing cards, advertisements, onkaparinga

Newspaper article and black and white photograph Japanese Arts collectioncouncillor, mayor, jack campbell, allan moore, japanese kamuri restaurant, helen friedmann, sandt anderson

Black and white photograph of house located at 314 Kooyong Road.kooyong road, caulfield south, architectural feature, houses, cast iron work

Source: 1 Black & White print. National Gallery of VictoriaThis photo forms part of a collection of photographs gathered by the Shire of Eltham for their centenary project book,"Pioneers and Painters: 100 years of the Shire of Eltham" by Alan Marshall (1971). The collection of over 500 images is held in partnership between Eltham District Historical Society and Yarra Plenty Regional Library (Eltham Library) and is now formally known as the 'The Shire of Eltham Pioneers Photograph Collection.' It is significant in being the first community sourced collection representing the places and people of the Shire's first one hundred years.Digital image of 10 x 13 cm printcow, sepp, shire of eltham pioneers photograph collection, walter withers

Source: 1 Black & White print. National Gallery of VictoriaThis photo forms part of a collection of photographs gathered by the Shire of Eltham for their centenary project book,"Pioneers and Painters: 100 years of the Shire of Eltham" by Alan Marshall (1971). The collection of over 500 images is held in partnership between Eltham District Historical Society and Yarra Plenty Regional Library (Eltham Library) and is now formally known as the 'The Shire of Eltham Pioneers Photograph Collection.' It is significant in being the first community sourced collection representing the places and people of the Shire's first one hundred years.Digital image of 8 x 13 cm printhorse, plough, sepp, shire of eltham pioneers photograph collection, walter withers

Source: 1 Black & White print. National Gallery of VictoriaThis photo forms part of a collection of photographs gathered by the Shire of Eltham for their centenary project book,"Pioneers and Painters: 100 years of the Shire of Eltham" by Alan Marshall (1971). The collection of over 500 images is held in partnership between Eltham District Historical Society and Yarra Plenty Regional Library (Eltham Library) and is now formally known as the 'The Shire of Eltham Pioneers Photograph Collection.' It is significant in being the first community sourced collection representing the places and people of the Shire's first one hundred years.Digital image of 8 x 13 cm printharvesting, sepp, shire of eltham pioneers photograph collection, walter withers

Ron White's Collection. Possibly a gift as this type of container was popular.Ron White. See KVHS 1282Round pale green 'pumpkin' shaped porcelain container decorated with 'hand painted?' red, blue, yellow flowers and green leaves. The lip & handle are steel. The lid is pewter with a decorated ring on top. The steel wire handle is vertical then bent to join at the centre. The bends have decoration on their inside.Nilron white' collection, porcelain container

Black and white photograph of Signal Box No1 and train in Stawell. Railway signal box and train stawell

Hay Baling Thornton-Kanya. Two Black and White Photographs.

Also black and white copy 20 x 13.5 cmSepia photograph showing flagstaff with navigation baskets on dunes at entrance to Gippsland Lakes. Two smaller baskets above yardarm, two larger baskets below yardarm. Lakes Entrance Victoriajetties, coast

Also one black and white copy 9 x 15Sepia photograph showing wooden Western pier at entrance from ocean into the Gippsland Lakes, with dunes in background foreground shows top ridge of roof of rocket shed on left and shipwreck bell on far right foreground. Lakes Entrance Victoriawaterways, jetties, township

Also black and white copy 10 x 18.5 cmSepia photograph showing piers and entrance to Gippsland Lakes from ocean - Bass Strait - with Kalimna escarpment in background. Photo taken from boat outside the entrance. Lakes Entrance Victoriaships and shipping, jetties, fences, islands, township

Also black and white copy 9 x 14 cmSepia photograph showing lake, Cunningham Arm, in front of three houses on dunes at New Works. House on left is harbour masters, centre is harbour engineer's house and on right is house of contractor John Carpenter. Lakes Entrance Victoriajetties, fishing industry, boats and boating, waterfront

One black and white enlarged copy 19.5 x 25.5Sepia photograph showing New Works cottage Sea Shell on dunes, people on verandah, shed back left of house, rocks and wooden groynes along beach front, fence and track down side of house. Vegetation on dunes. Lakes Entrance Victoriawaterfront, houses, vegetation

Also black and white copy 16.5 x 25 donatedSepia toned copy photograph of a postcard of the punt, two men and early model motor vehicle on punt. Johnsonville, Victoria.boats and boating, waterways, animals

Cypriot White Painted Ware from Cypro-Geometric PeriodThe neck with frieze of dark brown crosshatched diamonds flanked by three vertical lines alternating with blank panels, bands above and below, two bands on shoulder, and two columns of crosshatched diamonds flanked by three vertical lines and blank panels, between painted twin horizontal loop handles, bands above and below, single band on lower body. cypriot

Cypriot White Painted Ware from Cypro-Geometric PeriodThe interior painted with two concentric bands and a set of concentric circles between, the rim and twin loop handles painted (one missing), the exterior with two opposed crosshatched triangles flanked by lines, over a set of two bands with lines between, a Maltese cross is painted on the base of the foot cypriot

Cypriot White Painted Ware from Cypro-Archaic PeriodThe mouth and rim painted black, the neck with two rows of concentric circles between lines and bands, another set of lines and bands above and below the painted twin horizontal loop handles flanked by columns of three concentric circles and centred by a pair of concentric circles, traces of concentric circles on lower body, foot painted. cypriot