This image captures the moment just before the Maldon Market Building was converted into the Shire Hall and Offices. The decision to so convert it was made formally by the man who painted it in has new role as Shire Secretary.This framed oil painting on canvas depicts the Maldon Market building, in the period before it was converted to be the Maldon Shire Hall and Offices. In the rear of the scene the Courthouse can be seen, with the Maldon Contingent of the Victorian Volunteer Rifles drilling in front of it. These buildings are located in the former Government Camp area. The work was painted by Henry Joseph Charles Mitchell, later to become the Shire Secretary in 1864.maldon victoria, market building, shire hall

The landscape painting depicts rolling green hills with a valley through the centre. Scattered throughout the painting are numerous trees and cattle. The foreground is a darker green which creates a shadow effect. Within the foreground are more detailed trees, tree stumps and birds. The background is a cloudy sky in shades of blue, pink, purple and orange. Work has a heavy gilded ornate frame.Front: (No inscriptions) Back: (Not available)

CEMA Art Collection Part of "A Community View" 150 years in Portland Screenprint Exhibition. Part of Angela Gee Residency 1983 and 1984.Screenprint depicting a panoramic view of Portland Harbour and coastline in lower half. Top half of work features five enlarged sea creatures on a yellow background. The creatures are (from left to right): two seahorses; a side view of a fish; a bug; and a front view of a fish. Mounted on yellow matt with purple highlight and sage edging. Wooden and gold frame with glass glazingFront: Portland Pier 30/70 (lower left) A Gee 83 (lower right) (pencil)femal artists, female artist, angela gee, portland screenprint, portland bay press, 150 years, 150th anniversary, 1984

Also second copy same sizeBlack and white postcard showing view of Works buildings and north end of eastern pier. Cunninghame Arm and tip of Bullock Island and groyne work on right. Reeves channel and tip of Rigby Island on left. Mt Barkly and Kalimna Hills in background. Photo taken from top of dune. Roof of Carstairs boarding house centre foreground. Lakes Entrance VictoriaLakes Entrance, Cunninghamewaterways, settlement, historic buildings

South New Chum Syncline G.M. N.L. to Miss G. Alice Jones. Pink paper dated Feb. 12 to May 3, 1940, and 28 May 1940. Account for work involved in the Discharge of Mortgage, preparing State Land tax Notice and registering discharge of Mortgage. Cost £1.1.0. "R688 delivered 29/5/40" in top left corner.the miss g alice jones collection - account, south new chum syncline g.m. n.l.

Central Nell Gwynne G. M. Co. N. L. to Miss G. Alice Jones. Pink paper dated Feb. 19, March 12 and 13 April 1937. Account details work and cost re J. V. A. Clapp's lost script. Total cost £1.1.0. "R634 delivered 13/4 37" written in the top left corner.miss g. alice jones collection - account, central nell gwynne g m co n l, j v a clapp

Central Napoleon G. M. Co N. L. to Miss G. Alice Jones. Pink paper dated July 4, 5, 11 and 27 1934. Account details costs and work involved for an underwriting agreement and draft of company's proposed rules. Total cost 3. 3. 0. "R593 delivered 31/7/34" written in top left corner.miss g. alice jones collection - account, central napoleon g m co n l., mr leed, mccoll rankin & stanistreet, savage & nicholas

Carlisle Gold Mining Co. N. L. to Miss G. Alice Jones. Pink paper dated Apr. 1 to Apr. 5, June 2 to 15 1927. Account details work and costs re sale of mining manager's house and the voluntary winding up of the Company. Total cost £5.5.0. "R446 Posted 15/6/1927 by RB?" writtenmiss g. alice jones collection - account, carlisle gold mining co n l, t c watts & son

North Deborah G. M. Co. N. L. to Miss G. Alice Jones. Pink paper dated March 6 to 18 1940 and 28 May 1940. Re Building Society (Evans) to You. Account details work and expenses involved in the transfer of land. "R688 delivered 29/5/40" written in the top left corner. Cost £3.11.0.miss g alice jones - solicitor - account, north deborah g m co n l, building society (evans), mr j stanistreet jnr, united insurance, h a wilkinson

Art Collection Previously located in History HouseThe painting depicts a large sailing ship with orange masts and is almost in full sail. To the left of the ship are two other sailing ships. To the right are several sailing ships and white cliffs with a port. In the foreground is a rough green ocean with several seagulls in midflight. The background is a blue sky with numerous dark clouds. The work has a heavy gilded ornate frame and exposed canvas.Front: C DELL 1856 Back: Sticker of the Conservation Centre

Oswald Gold Mines N. L. to Miss G. Alice Jones. Pink paper dated May 21to Kept 29 1926. Paper details work and expenses for a Lost Script and the application for a new certificate. Also return of capital and advising an extraordinary meeting of company to wind up voluntarily. Total cost £4.4.0. R421 Delivered 30/9/26 by BF.miss g alice jones - solicitor - account, oswald gold mines n l, mr stanistreet

"Craftsmen of the Australian Army/ The Story of RAEME". Item in the Cooper Collection.Hard cover book with dust cover. Hardcover - cardboard, with adhered blue colour paper. Gold colour print on front and spine. Dust cover - glossy paper white colour print on front, spine and flaps. Front illustrated with colour copy of a painting of the RAEME at work. 333 pages - cut, plain white colour paper. Illustrated black and white and colour photographs.publications, books, army, raeme, cooper collection

Instruction - 2 pages - duplicated foolscap sheets - headed "MMTB Engineering Department - Workshops and Running Shed Branch" - titled "Line Breakers GE and EE type - Electrical Mechanics Procedure" Details electrical work to be done on the rostered day in for GE and EE type line breakers, maintenance, checks, adjustments, safety, testing and closing the boxes. Dated May 1970.trams, tramways, depot, safety, workshops, electrical equipment, instructions, procedures, controllers

Newspaper clipping from The Age, Thursday January 24, 1974 titled "Clang clang goes the trolley right into a glass case", about the positioning of the Museum of Victoria (at the time the Science Museum) cable car - grip and trailer into a glass case on the corner of Russell and Little Lonsdale St. Has a photo of a Nicholson St cable car. Notes the MMTB repair work.trams, tramways, mmtb, cable trams, museums, exhibitions

Handwritten list on ruled paper. The first titled "MMTB Works Cars - 4/69 Data Sheets" lists the motors fitted to work cars 8, 9, 15, 16, 17 and 19 and some motor history. The second part "Final Mileages", lists mileages for trams 180, 182, 468, 217, 218 and 680. Assumed prepared by Bob Prentice.trams, tramways, workshop records, work trams, mileages, scrubber tram, freight tram

Handwritten page of notes on the Virginia Consols Mine on Paddy's Gully Line of Reef. Notes mention shaft being cleaned out and timbered to 100 ft. Also depth of work, timbering and geological features. Also a small piece of paper with:- Virginia Consols Mine 2 miles North of E'hawk Town Hall. Paddy's Gully Line. Notes prepared by Albert Richardson.document, gold, paddy's gully line, paddy's gully line, virginia consols mine, e'hawk town hall

Originally labelled "Beauville Estate, Established 1936, Still Thriving 65 years on, 10th March 2001", the Beauville Estate Album contains colour photographs of houses in the Estate. They were taken around the time of the Beauville Estate’s 65th Heritage Celebration held on 10/03/2001 and donated to the Caulfield Historical Society shortly afterwards. Photographer Bev Baxter. From Glen Eira’s Heritage Management Plan by Andrew Ward (1996) Vol 2 p63: The inclusion of shops in Murrumbeena Road and a common parkland developed at the rear of the properties were complemented by the construction of a gas display home at No. 10 Beauville Avenue.City of Glen Eira’s Heritage Management Plan Vol 2 p79 (this is p84 of the pdf version) – HO12 Beauville Estate and environs, Murrumbeena: The Beauville Historic Area is important at the State level as the first large housing estate undertaken by the AV Jennings Construction Co, later Jennings Group Limited, Victoria’s largest home builder. It is important also as a very early estate development incorporating a range of features other than houses and including made roads, shops and recreation facilities. In this respect it was the forerunner of the comprehensively planned housing estate of the post war era. The estate is distinguished by its aesthetic values, as is the earlier and comparable Hillcrest Estate, which are formed by a combination of restrained diversity in house styles, with the exception of no. 30 in the emerging International style, and by a landscaped garden environment. Colour photograph of cream rendered house with decorative unpainted brown brick features. Other features include a porch with two decorative open arches, tiled roof, 2 sets of matching double sashed windows with large square pane within each set, agapanthus lining the brick paved driveway and a cast iron work metal letterbox with number "10" on it. murrumbeena, houses, beauville avenue, architectural styles, 1930's, inter war style, a.v. jennings, av jennings, jennings, brick houses, beauville estate, porches, arches, sir albert victor jennings, a v jennings construction co, beauville estate heritage area, glen eira city council, architectural features, jennings group limited, land subdivision, gardens, beauville historic area, brick features, sash windows, paved drives, cast iron work, letter boxes, gas display houses

Letter dated 7th May 2002 to Councillor Willi Carney from George Ellis, Long Gully History Group requesting the council to consider the site in their original application for the marker to acknowledge the achievement of underground mining Linear Park Long Gully. The allocated site is unsuitable as the ground is unstable and work to stabilise the ground to stop it from tipping could double the cost.bendigo, history, long gully history group, the long gully history group - letters from the long gully history group, councillor willi carney, city of greater bendigo, george ellis

Handwritten notes on Mining Items from the Bendigo Advertiser, Page 2. 20th December 1861. Extract: Union Company; reef worked down to depth of 142 feet. The company has erected a crushing plant near the gully. A 9 H. P. table engine works the stamps. Stone raised by whim. Miners go up and down by an upright ladder.document, gold, ulster gold mining company no liability, mining items - sheepshead gully reef, bendigo advertiser 20/12/1861, union company

One page letter from Charles I. Du Ve, Court House, Rosedale dated 11th October 1888, to Mr. J. Barry, Senior Constable, Sandhurst, congratulating Snr. Cons. Barry on the excellent content in the book he produced 'Victorian Police Guide'. Extract from letter: 'a work which should be of great value and use in the Police Force of the Colony'person, bendigo, john barry

Illustrated book. Cover has green and white photograph "A Nurse at Work: the Journey" by Stacey Neaves, reprinted from the ANF(VB) publication 'CATCH THE MOMENT A Photographic Celebration of Nursing Yesterday and Today'. Title and authors name are superimposed in red print on front cover. On back cover is a quote by Dot Angell, summary of book and printers mark superimposed on photo in red print.non-fictionA social history of the Australian Nursing Federation, Victorian Branch. To work out the future direction of nursing it is essential that we understand its past, and documented in these pages are the struggles and victories told in the words of its members, both past and present.australian nursing federation. victorian branch-history, nurse-labor unions-victoria

Page 11 of Ray Pearson's Photo Album. Brown card page with four photographs (3 x landscape, 1 x portrait format) placed on page using metallic look and brown card decorative photo corners. All photographs depict trams. Hand written inscriptions are written under each photograph.Hand written inscription in white-out or white pen beneath phorograph on - Top left: WORK CAR ELWOOD DEPOT Top right: CROSS BENCH CAR No 23 SANDRINGHAM Bottom left: SALOON CAR No 3. V.R. TRAMS ELWOOD Bottom Right: END VIEW SMALL CAR St KILDA STATIONvictorian railways, melbourne tramways, vintage tram, elwood depot, elwood trams, cross bench car

The “Ugly man Contest” was a fund raiser for the P.O.W comfort fund in which £3891 was raised. (Pounds). The certificate was given to William (Bill) John Turner Bendigo RSL Sub Branch. Refer Cat No 8029 re this effort and others by Bill Turner. Refer Cat No 8030 for his RSL history and his WW1 service details.Framed certificate, frame is timber gold colour, backing piec is maroon colour, certificate is a fawn colour, all text in black. At the top is the word “Proclamation” followed by text, a red seal/stamp is at the bottom LH side. The paper relates to the “Ugly man Contest”Text, “Be it known by these presents - Bill Turner on the Tram each day, of ugly men he has his say; In competition he gives us shocks; And with his trams, he has his stops. In this event, he’s worked each day, to do his bit, in this big fray” “Bendigo November 27th 1943”brsl, smirsl, fund raiser

Half horse, half human bronze sculpture, the work has a circular formation of rocks as a base and incorporates a water feature. Water slowly cascades from a bowl held by the human and offered to the horse. The work has a circular formation of rocks as a base.Half horse, half human bronze sculpture. The work incorporates a water feature, and water slowly cascades from a bowl held by the human and offered to the horse. The work has a circular formation of rocks as a base. The “bowl” part of the base for this work was relined with concrete pavers in 2004 in an attempt to minimise maintenance.

Louise Hearman used the Norla Dome and painted a mural painted which had taken her around a year to complete. The exhibition called Elephant Room was shown from June 1988. The work was vandalised in 1989 and subsequently demolished.Louise Hearman is a Melbourne born artist and Archibald Prize winner. Hearman first came to public notice in 1987/88 when she spent a year painting the mural in the Norla Dome. The premises of the Mission also served as her studio at that timeBlack and white copy of a newspaper article, printed on A4 paper.The sky’s the limit for modern Michelangelo Because it was there . . . Melbourne artist Louise Hearman in the domed gymnasium of the Mission to Seamen - Picture: ROSS DUNCAN THE dilapidated pool halls of Melbourne’s Mission to Seamen are an unlikely setting for a budding Michelangelo. But when Louise Hearman came across the one-time mission gymnasium she could not resist the urge to create a fresco. It did, however, take a little persuading for the Anglican Church, which still owns and operates a mission in the 61-year-old building, to agreee to house a minor Sistine Chapel on their premises. A year of labour later, Hearman has had no complaints about the great swirling sky or huge oil paintings which now adorn the empty 11-sided room. Instead she is constantly visited by old sailors and passers-by who are thrilled to discover the unusual architecture and artwork. “When peoiple come here it’s a real discovery. It’s something they find for themselves,” she said. Her pictures are neither religious nor symbolic, merely outpourings to create an atmosphere. “THere are lots of things I’d like to say but I’m not saying them in my paintings. “There are no messages, they don’t have any political statement. Life was a little more comfortable for Hearman than her renaissance predecessors. After struggling with cumbersome scaffolding to reach her “canvas” she discovered the modern wonders of the scissor lift. She does not look on the work as a huge achievement. However, it may all be for nought. Unless money is spent to restore the building the paintings she has created will crumble and die - Deborah Stone The Australian Tuesday 10 May 1988louise hearman, elephant room, norla dome, exhibitions, 1988, melbourne, flinders street, ross duncan, cultural events

The swimming pool at Watsonia High School was commenced in 1976 and opened in 1977. This photo shows brick work and ground work and is noted as "West end looking North".While the school has gone, the pool remains in 2019, operating as Yarra Swim School, Liat Way GreensboroughDigital copy of colour photograph, scanned from slide. Slide set at Item 6513."West end looking North" written on slide.watsonia high school, swimming pools greensborough, yarra swim school

The swimming pool at Watsonia High School was commenced in 1976 and opened in 1977. This photo shows brick work and ground work and is noted as "North side looking East".While the school has gone, the pool remains in 2019, operating as Yarra Swim School, Liat Way GreensboroughDigital copy of colour photograph, scanned from slide. Slide set at Item 6513."North side looking East." written on slide.watsonia high school, swimming pools greensborough, yarra swim school

"Videos reveal church at work - Fourteen video cassettes which reveal the church community at work both in Australia and abroad are being offered for the establishment of video libraries…"B & W photograph of SaraHeilbronn standing behind a pile of videos and a telephone.C&N identification.ecumenical mission, video library, heilbronn, sara

A circular celluloid and tin button badge with stick pin at back. The badge features black text 'RED TRIANGLE DAY 1 JUNE 1917' printed in a gold border around the outer edge and white text 'GOD/​ KING/​ COUNTRY' in a red triangle in the centre. The centre background is white. During World War I, a large number of benevolent and patriotic organisations and charities were formed to raise money from the public for Australia’s war effort and soldiers, whilst other established organisations held specific patriotic fund raising days. Red Triangle Day was an initiative of the Young Men's Christian Association, commonly known as the YMCA and this badge incorporates the red triangle used as the everyday logo of the YMCA from 1897 to 1967. In 1917 Red Triangle Day raised £159,037 28 towards the war work of the YMCA.A circular celluloid and tin button badge with stick pin at back. The badge features black text 'RED TRIANGLE DAY 1 JUNE 1917' printed in a gold border around the outer edge and white text 'GOD/​ KING/​ COUNTRY' in a red triangle in the centre. The centre background is white. During World War I, a large number of benevolent and patriotic organisations and charities were formed to raise money from the public for Australia’s war effort and soldiers, whilst other established organisations held specific patriotic fund raising days. Red Triangle Day was an initiative of the Young Men's Christian Association, commonly known as the YMCA and this badge incorporates the red triangle used as the everyday logo of the YMCA from 1897 to 1967. In 1917 Red Triangle Day raised £159,037 28 towards the war work of the YMCA.Red Triangle Day God King Country