One of a collection of photographs donated by Bruce Bennett.Coloured copy of a postcard showing The Nobbies in the distance across a coastal flatphillip island coastline, the nobbies phillip island, coastal scene phillip island, bruce bennett

From Jessie Smith's collection of Island Events & Landscapes. Early education facilities. Sold off to private owners c 1990.Back view of Ventnor State School with chimney at right - landscape flat.local history, photographs, state schools, black & white photograph, early education, ventnor state school, jessie smith collection, stan mcfee

Iron would be heated on a stove, and used on pre-damped fabrics. In common use when electricity was not available, before electric irons were made. Also called "Sad-iron".Small heavy black iron with strong cast handle and flat bottom. "Silvester No. 5" flatiron, irons

Collected by Charles Willoughby on his farm on the site of the current Lake Buffaloregional significance as ground edge stone axes are relatively rare in North Eastern Regionedge ground stone axe, quartzite,flat backed and evidence of hafting axe, aboriginal artefact, buffalo river

Flat screwdriver. 335mm long Wooden handle has piece missingflagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village

Thought to be made by a Plumbing student of the Ballarat School of Mines. Lead four way branch pipe beaten from a flat sheet.plumbing, trades, ballarat school of mines, ken scull

Flat Handed Dome Handle Metal Tip for ink Wooden HandleFoi M. M. Stuart Murray (all backwards)

tall air canister with a flat surface able to turn a valve for air

Record of races held during 1968-1979 at GCC and neighbouring Victorian cycling clubs.Cycling races held during 1968-1979 at GCC and neighbouring Victorian cycling clubs were well organised and publicised.Flat file of Race Events at GCC during the years 1980-89.race records; geelong cycling club;

An unusual square nail used for building. early 19th Century?A long square nail with a point at one end and a flat head at the other.buildings, building materials, nails, george evans collection

There were no double beds than and the girls always made a pair - a set of cotton sheets with identical patterns.Flat white cotton sheet with the lace insert, special bordering and the initials Lace insert in the top part of the single white cotton sheet, special zig-zag border (žur) and the initials MG - for Marcela Gec, married Marcela Boleinitials mg, white cotton single sheet, lace inserted, žur

Made by internee at camp 3, who was a blacksmithFlat nose tongs, long handled, tapered beak, forged steelkazenwadel, blacksmith, tools camp 3, blacksmith tools, tongs

Pair of spectacles with flat lens and gold frame, in brown leather case.English made.spectacles, spectacle cases

Used at fire basecampsWood fire used at basecamps Metal plates fold flat for transportforests commission victoria (fcv), bushfire, camping equipment

Map: Parish plan showing area Northwards from Kangaroo Flatmap, bendigo, parish plan, parish of sandhurst, kangaroo flat

Triangular flat iron. Some decoration on top. Straight cylindrical handle'8' 'Silvesters Patent' 'Salter'domestic items, irons

These three rocks were given to KVHS on the understanding that they were Indigenous rocks used as tools.No knowledge of their origins.These rocks have been stored in the Kiewa Valley on the understanding that they are Indigenous tools. It is not known where they came from.1. Dark grey rock with smooth surfaces and ridges with one flat side. Size of an adult's hand 2. Grey rock with smooth surfaces and ridges with one flat side. Smaller than no. 1 3.Narrow dark grey rock with beige section on rounded side. One flat side and a sharp pointed end.rocks, aboriginal tools, kiewa valley

Black and white photo of the Henschke Band. There are six men and a boy. Written on the back is: Top Row L - R: Instruments. Clarinet. Flugelhorn. Cornet. Bottom Row: Bass Drum & Cymbals, E flat Saxhorn, E flat Saxhorn, E flat Bass. German Band. Henschke band, Mocuita, SA. Band formed 1888.photo, group, musicians, peter ellis collection, german band, henschke band, clarinet, flugelhorn, cornet, bass drum & cymbals, saxhorn, bass saxhorn

Refers to the service of:- James Thomas Holl, No 2432. Enlisted 1/6/1916 age 39, in the 60 Bn, 5th Reinforcements. Embarked 25/8/1918, for England. Embarked 30/12/1918, for France. Hospital 17/6/1917, Influenza. Rejoined unit 8/3/1918. Hospital, Trench fever 29/4/1918. Rejoin unit 16/7/1918. Transfer to 59 Battn, 25/9/1918. Discharged 2/11/1919. These 'plates' were beaten out of "Fritz's" dixies. (Mess tin). These items could be classed as a type of trench art..1) This is a rectangular piece of flat aluminium. It is not perfectly square, it shows signs of having been panel beated. Words, drawings and numbers are hand engraved on both sides. The animal on this "card" is a kangaroo. .2) This is a flat rectangular plate of flat aluminium. It is not perfectly square, across the middle is a 'dint" that appears to have been a flattened out corner. Plate One: Side A. Kangaroo motif - engraved on this side: A souvenir of Peronne. Wishing you a Merry Christmas and Happy New Year 1918-1919. From France J.T.H. Side B - Engraved as per a postcard:- Carte postage France 14/10/18. Correspondence: Dearest Mother and Sisters, Just a card to say I am well. This is a bit of a xmas card. Love to all Jim. Addressee: Mrs Holl. "Holliston" Healesville, Victoria, Australia. Plate Two: Kookaburra Motif. Side A; Best wishes for Christmas and the New Year 1918-1919. A souvenir of Peronne, France - marked. (This side has the remains of some sort of official number - top right corner). Side B: Correspondence: My Dear wife and Family. A few lines to say I am well when writing this. This is a piece of Fritz's dixie. Love to all, Jim. Addressee: Mrs J.T. Holl, C/- Mrs Briggs, 103 Mollison Street, Bendigo, Victoria, Australia. Carte Postal - Stamp 6/10/18 France.christmas, aluminium, souvenirs

The basic balance scale has been around for thousands of years and its accuracy has improved dramatically over the last several centuries, the principle behind this tool remains unchanged. Its parts include a fulcrum, a beam that balances on it, a pan at the end of the beam to hold the materials to be weighed, and a flat platform at the other for the counter-balancing weights. Balance scales that require equal weights on each side of the fulcrum have been used by everyone from apothecaries and assayers to jewellers and postal workers. Known as an unequal arm balance scale, this variety builds the counterweight into the device. Counter scales used in dry-goods stores and domestic kitchens often featured Japanned or (blackened) cast iron with bronze trims. Made by companies such as Howe and Fairbanks, the footed tin pans of these scales were often oblong, some encircled at one end so bulk items could be easily poured into a bag. Seamless pans were typically stamped from brass and given style names like Snuff (the smallest) and Birmingham (the largest). Some counter scales were designed for measuring spices, others for weighing slices of cake. In the 18th century, spring scales began to appear and would use the resistance of spring to calculate weights, which are read automatically on the scale’s face. The ease of use of spring scales over balance scales. These scales are significant as they identify one of the basic preparation items for the weighing of foodstuff in the family kitchen to prepare everyday meals. This item is significant as it gives a snapshot into domestic life within the average home in Australia around the turn of the twentieth century and is, therefore, an item with social relevance. Black cast iron, medium weighing scales, with a fulcrum which the beam that balances on, there is a scoop or large bowl at one end for the material to be weighted and a flat platform at the other end that holds the weights. Around the cast iron base is an embossed strip weight and bowl missing.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village

BHS CollectionNavy cover with white text and emblem printed on front and spine. Lined pages inside with handwritten notes. Page numbers stamped at top of each page. Kangaroo Flat Red Cross Minute book containing minutes of general meetings held monthly at various halls. Kangaroo Flat Branch of the Australian Red Cross Society Victorian division. Minutes of the inaugural Kangaroo Flat Branch meeting held in the RSL Hall, Station Street, Kangaroo Flat on Monday 21 September 1964 at 8:00pm are in this book. Prior to this meeting Kangaroo Flat had been a circle of the Bendigo Red Cross Branch since 1939.Water marks/ discoloration on inside front cover and first page. 17/3 has been handwritten in grey lead on the top right-hand corner of the first page. Two typed pages have been attached at the spine with glue to the first lined page. 7 blue pen marks on calendar inside back cover. The last page has the top left-hand corner folded. Small water marks/discoloration at the center bottom of the last page and inside back cover. 2 white marks on back cover.kangaroo flat, red cross, minutes

This chair, one of a set of three, is significant historically for its origin in the St Nicholas Mission to Seamen's Church in Williamstown, established in 1857 to cater for the physical, social, and spiritual needs of seafarers. It originated in Bristol, England when a Seamen's Mission was formed in 1837. Chair wooden dark brown with curved backrest, one of a set of three. The two front legs are decoratively shaped (turned) while the back legs are plain and flat-sided. Almost square flat seat.flagstaff hill maritime museum and village, flagstaff hill, warrnambool, maritime museum, maritime village, shipwreck coast, great ocean road, religion, religious service, st nicholas seamen’s church, williamstown, missions to seamen victoria, chair, religious furniture

Chains are available in a variety of link shapes and sizes. They have many uses on sailing vessels, such as part of anchoring systems or loading cargo onboard the ships. A link called a shackle is used as a quick and flexible way to join two pieces of chain. Sometimes the shackle needs a tool to remove it. A shackle punch like this one will do the job. A modern term for a similar tool, that also has a handle, is a ‘breakdown’ tool. It is designed for aligning and driving pins in and for removing bolts, rivets and pins. This shackle punch has a handle with six flat sides that prevent it from rolling around when stored. It has a fine shank that tapers down to the end. The tool is placed on the join of the shackle, and then the end of that handle is hit with a hammer until the join breaks apart. The shipwright’s tools on display in the Great Circle Gallery are connected to the maritime history of Victoria through their past owner, user and donor, Laurie Dilks. Laurie began his career as a shipwright in the mid-1900s, following in the wake of the skilled carpenters who have over many centuries used their craft to build and maintain marine vessels and their fittings. You can see Laurie’s inscription on the tool called a ‘bevel’. Laurie worked for Ports and Harbours, Melbourne, for over 50 years, beginning in the early 1960s. He and a fellow shipwright inscribed their names on a wheelhouse they built in 1965; the inscription was discovered many decades later during a repair of the plumbing. Many decades later Laurie worked on the Yarra moving barges up and down the river and was fondly given the title ‘Riverboat Man’ His interest in maritime history led him to volunteer with the Maritime Trust of Australia’s project to restore and preserve the historic WWII 1942 Corvette, the minesweeper HMAS Castlemaine, which is a sister ship to the HMAS Warrnambool J202. Laurie Dilks donated two handmade displays of some of his tools in the late 1970s to early-1980s. The varnished timber boards displayed the tools below together with brass plaques. During the upgrade of the Great Circle Gallery Laurie’s tools were transferred to the new display you see there today. He also donated tools to Queenscliffe Maritime Museum and Clunes Museum.The shipwright’s tools on display in the Great Circle Gallery are connected to the maritime history of Victoria through their past owner, user and donor, Laurie Dilks. Laurie began his career as a shipwright at Ports and Harbours in Melbourne in the mid-1900s, following in the wake of the skilled carpenters who have over many centuries used their craft to build and maintain marine vessels and their fittings.A shackle punch; a metal tool with six flat sides on the handle and the shank tapers inwards to a rouded point. It once belonged to shipwright Laurie Dinks.flagstaff hill, warrnambool, great ocean road, shipwreck coast, maritime museum, maritime village, shipwright, carpenter, shipbuilding, ship repairs, hand tool, equipment, ship maintenance, cooper, tool, marine technology, shackle punch, breakdown tool, chains, links, laurie dilks, l dilks, port and harbours melbourne

Schmidt’s Strawberry Farm is set on acres of lush strawberry fields in Allans Flat, approximately 5 kilometres from Yackandandah and 24 kilometres from Wodonga. Schmidt's is the oldest strawberry winery in Australia, owned and operated by brothers Martin and Michael Schmidt who are third generation strawberry growers/winemakers.This item originates from the oldest strawberry winery in AustraliaA bottle of Schmidt's Strawberry Wine from their 1975 harvest. The bottle bears a beige label with brown text. Their is also a sticker on the back of the bottle containing information about the wine.Front Label below a district map: 1975 Harvest/ Schmidt's /(GENUINE)/ Strawberry/ Wine/ Grown & Bottled by / J.F., D. F. & G. SCHMIDT/ ALLANS FLAT, VICTORIA/ PRODUCT OF AUSTRALIA/ .740 LITRES" On sticker across back: "Fermented from fresh strawberries with no artificial flavour or/ preservatives. This strawberry wine has been the house specialty/ of the Schmidt family for many generations - with the advent of/ improved growing techniques, this dessert wine is now introduced/ to the wine lovers of Australia."strawberry wine, schmidt’s strawberry farm, martin and michael schmidt

This spiky, pointy metal flower holder, often called a flower frog or kenzan, was made around the late 19th to the early 20th centuries by Stayput Products of Melbourne, Australia. The flat metal base has been made in layers with the head of the spikes between the layers. It is likely to be handmade. Heavy flower holders made of non-corrosive metals are designed to sit in the base of a vase, dish, bowl or other suitable holder so that cut flower stems can be pushed into the spikes and held firmly in the arrangement. Flower frogs can be made of glass, ceramics or, more recently, synthetic materials.The flower holder is an example of Victorian era domestic decoration aids that have carried through to the 21st century.Flower holder, rectangular block made from layers of metal, with spikes embedded into the metal. The block is heavy, likely to be lead, and the spikes are strong brass pints arranged evenly in rows. There are remnants of florist's putty between some spikes. An inscription within concentric oval rings is moulded in the flat base. Made by Stayput Products, Melbourne, Australia.Stamped into the metal: "STAYPUT / PRODUCTS / MELB. AUST."flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, flower frog, flower arrangements, flower holder, pin-holder, stayput, flower aid, ikebana flower arrangement, kenzan, moribana style, flower support, melbourne manufacturer, spiky pin frog, metal flower holder, stayput products, flower block, flower arranger, vintage, antique, late 19th to early 20th centuries, vase accessory, decorative item, floral arrangement support, florist accessory, floral art, needle aids, victorian era

An antique cast iron trivet was primarily used to provide a stable, heat-resistant surface to rest a domestic iron on whilst ironing clothes. The iron may also have been made from heavy metal.The trivet is in the shape of an iron with a pointed top and flat bottom. Raised on 3 legs at each corner and a decorative handle at the flat end. The base of the trivet where the iron would sit is done in a criss cross pattern.ironing, cast iron, decorative pattern, trivet