217 p. : red cover, with image of man and woman in evening dress, man smoking a cigar.fictionnathaniel gubbins, fiction

Written on back of photograph, "J.K. McCaskill, City historian (left)". Other man not identified.

Tray made by unknown internee in Camp 3.Wooden tray. Two trays donated. Second registration number C8032.Scroll carving at either end. Map of Australia and Aboriginal man carved on body of tray.

B089.1 - Oval metal tin B089.2 - Tin lid B089.3 - B089.22 - Round communion tokens [a total of twenty]."I.COR.11.28. BUT LET A MAN EXAMINE HIMSELF" "LUKE 22.19. THIS DO IN REMEMBRANCE OF ME"

Application by Mr Frederick R Killey in February 1943 for the position of Manager of the Legacy Club Hostel. It lists his experience as 16 years teaching and missionary work in India in charge of an orphanage. He was rejected from military service in WWI due to defective eyesight and points out he has a badge issued to him at the time stating he was rejected on medical grounds. The note in red ink shows the application was unsuitable. Legacy had a preference for providing positions to ex=servicemen when possible. Holmbush was the first children's residence operated by Melbourne Legacy it was renamed Blamey House when the first Blamey House was sold. Melbourne Legacy ran three residences: Blamey House (purchased 1947) , Stanhope (purchased 1945) and Harelands (purchased 1950), to take care of children whose fathers were servicemen, and who may have been left orphans, or whose mother may have been unable to care for them herself. Harelands accommodated boys and girls under the age of 14, Blamey House looked after boys over 14, and Stanhope looked after girls over 14. The children were cared for until they were old enough to become independent.A record of written correspondence regarding job applications in 1943.Letter written by Mr Killey in 1943 applying for a position at Holmbush on white notepaper, black ink handwriting, two hole punched.Handwritten "Considered by Doug and self. Does not seem suitable. Not a returned man" in red ink.residences, holmbush, holmbush administration

Heidelberg Golf Club members' tie with logo.One of a collection of various HGC members' ties.Navy blue necktie with yellow and brown diagonal stripe and single HGC logo.Manufacturer's tag on back of tie: "Holly Green, Made in Australia", "Man-made fibre"heidelberg golf club, memorabilia, vic mcgavin, neckties, club ties

Heidelberg Golf Club members' tie with logo.One of a collection of various HGC members' ties.Navy necktie with multiple yellow and red diagonal stripes and single HGC logo.Manufacturer's tag on back of tie: "Holly Green. Made in Australia. Man made fibre"heidelberg golf club, memorabilia, neckties, club ties

One of a pair of separate half-length studio portraits of an unidentified man and a woman photographed using the daguerreotype process. Both portraits are contained within pinchbeck frames, bound in brown-tooled leather cases, with red, cut-velvet binding. Each daguerreotype required an individual negative, presented to the sitter as a positive, and was not reproducible. Due to an exposure time that could extend to many minutes, people were often seated for portraits. Sitters were almost exclusively drawn from the middle to upper classes because of the cost of production of the photograph. It is assumed that the subjects of the two daguerreotypes were unidentified members of Gwen Steele's family. They are the earliest photographs in the pictures collection.Three quarte-length studio portrait of an unidentified man photographed using the daguerreotype process. The portrait is contained within pinchbeck frames, bound in brown-tooled leather cases, with red, cut-velvet binding.daguerreotype, photograph, portrait

This letter from Des Walsh, Director of Special projects, the Australian Bicentennial Authority (12/08/1987) to Patricia Boyd acknowledging her nomination of Robin Boyd for the Heritage 200 Program. The Heritage 200 program's purpose is to identify 200 Australians who have made the greatest contribution to making Australia what it is today. A Fact Sheet for the Program is included. A Good Weekend clipping (pp 12-16) titled 'Manning Clark Overcomes Australia" by Alan Tate. Note that Patricia Davies's drafted a letter to Mr Kirk from Heritage 200 after Robin Boyd was given this award. (item D348)A4, one page letter, fact sheet and a magazine clipping on Manning Clark. In Baillieu Knight Frank envelope, with contents Heritage 200 Application Bicentennial written on it by Patricia Davies

Colour photograph of man and lady in period costumes riding in four-wheel horse drawn buggy, with man seated in front driving horse, glimpse of man riding horse behind."Jim Mason (driving) Faye and Trevor Mason Len McDonald (on horse)".ldhs activities, ldhs exhibition linton park 1983, jim mason, faye mason, trevor mason, len mcdonald

Portrait of a man in a suit.kevin livingston

A man stands at a microphone.gippsland campus collection, opening of the gippsland campus, churchill, gipplsand institute of advanced education

A man stands at a microphonegippsland campus collection, opening of the gippsland campus, churchill, gipplsand institute of advanced education

Port of Portland Authority archives.Front: (no inscriptions) Back: (no inscriptions)port of portland archives

Elderly man and childTyped below photograph, "Kevin Pratt".

Photographic portrait of a man.albert w. steane, steane, ballarat school of mines

A man riding a Camelaborigine, aboriginal, spear, spearing

$1 Dancing Manephemera, 2005, general

Mr McCleery opened the new Glen Iris Presbyterian Church hall on February 22, 1958.Head and shoulders of man.On back: "25" "McCleery"glen iris presbyterian church

Photographic portrait of a manfullarton, roberts, ballarat

Photographic portrait of a man.fullarton, ballarat, willetts

Photographic portrait of a manfullarton, man

Man in uniform on horsephoto, ww1, army

This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed drawing of a man.art, artwork, drawing, available

This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.A painted portrait of a man.art, artwork, wendy bach, horsham campus art collection

Neville Bunning taught Ceramics at the Ballarat Technical Art School, a division of the Ballarat School of Mines. Famed portrait of a man.neville bunning, artwork, portrait, available

My practice questions the definition of masculinity, from the position that there is more to the story than the mainstream narrative. My subjects consist of aesthetic beings seen through the lens of the classical principles of shape and form such as danseurs, youths, other ages and shapes. Sometiimes I have exculded faces to emphasize the interesting dynamic line unique to the male shape. Any symbols of sexual politics have been omitted, to concentrate on how the concept of maculinity pays alongside modern notions of beauty. Garth HORSFEILD (19 June 1970 - ) Born Ballarat, Victoria Returning to study after a partially completed degree and pursuing art and music, Garth Horsfield returned to the Federation University Arts Academy where he completed a Bachelor of Visual Arts in 2021. Portrait of a young man.dvc art award, alumni, garth horsfield, portrait, masculinity, male, men, available

Photograph of a man swimming swimming, swimming pool, mt helen campus, sport