Showing 769 items matching " skin"
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City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Book, Globe Press Pty. Ltd, Buckley's hope : the story of Australia's wild white man, 1981
A small soft cover book with a blue/green cover,on the front cover is a painting of early Australia with Indigenous Australians hunting with spears alongside them is a European with long unkept hair and a beard dressed in animal skins,on the back cover is text by the author giving a brief outline of the book.buckley, sorrento, robinson crusoe, port phillip, van diemen's land, colonialism, 1840, convicts, indigenous tribes. -
Bendigo Historical Society Inc.
Document - W. BABIDGE COLLECTION: AUSTRALIA NATIONAL FUR & SKIN COMPANY
Account for the sale of rabbit skins for Account of Mr W Babidge, Wakool. Details prices for various classes of pelts, less Freight. Dated 28 May 1942. Docket No. 6673. Small typed piece of paper pinned to top: 'Down again 4d. To 8d. Per lb.'document, w. babidge collection - australia natinal fur & skin company -
Bendigo Historical Society Inc.
Newspaper - GOLDEN SQUARE P.S. LAUREL ST. 1189 COLLECTION: NEWSPAPER CUTTINGS
Newspaper article titled 'School an adventure for young' by Toni Hetherington, with two photos. One photo shows Naomi Doolan and another young girl. The other photo shows Julie Skinner taking her son Joshua to school. The article is about the new 1992 school year.education, primary, golden square laurel st p.s., golden square primary school 1189 collection - newspaper cuttings, naomi doolan, julie skinner, joshua skinner, toni hetherington, lynette wynne, mathew wynne, david robins -
Bendigo Historical Society Inc.
Financial record - Australian Red Cross Kangaroo Flat Branch Account Book
Long thin book Emerald Green snake skin type pattern with lighter green highlights Front and Back cover same. No writing on cover. Australian Red Cross Kangaroo Flat Branch - Monthly Balance Sheets July 1944 - Year ended 30th June 1946.monthly statement, receipts and expenses -
Glenelg Shire Council Cultural Collection
Painting, Yvonne Cohen, Banana Grower, c. 1966
CEMA Art collection. Winner of 1966 Portland art Society Art Prize for category oil. Included in the 1999 "Salvage" exhibition at CEMA Arts Centre.AbstractAbstract depiction of a person with a bunch of bananas completed in shades of red, brown and black. The focus of the work is the standing human figure with brown clothing and red skin tones. The person is looking to their right at the bunch of bananas they are holding. The work has a two tiered wooden frame and exposed canvas.Front: Von(lower left, etched into black paint) Back: Taped label:"Banana Grower" Yvonne Cohen Porter St Templestow $ 90.00 Glued label: Yvonne Cohen :Banana Grower"(1966) Yellow sticker: 1966cema, portland artists society, female artists, female, women, bannana, agriculture -
The 5th/6th Battalion Royal Victoria Regiment Historical Collection
Weapon - Sword, patt 1896, infantry officer w/ chrome scabbord
Ceremonial sword carried by officers on paradeStraight Blade, fuller edge side , 3/4 hand guard "GVR" cypher, ray skin grip - wire bound, no sword knot, chrome scabbard with . Scabbard markings "6MD 107" "PW" on opposite side outer hand guard "3MD 106" 10/133MD 10/13ceremonial sword, infantry, 5/6 rvr -
The Beechworth Burke Museum
Animal specimen - Morepork, Trustees of the Australian Museum, 1860-1880
The Morepork is a small brown and white spotted owl found in New Zealand, Tasmania and Norfolk Island. It is known by around twenty different names which are all onomatopoeic which emulate the birds distinctive two-pitched call. They are mostly nocturnal and carnivorous (eating insects and small vertebrates). They reside in habitats with trees, they sleep in roosts and hunt mainly in the evenings and early morning. Females are slightly bigger than males. This species attains full plumage in its third or fourth year. They can turn their heads 270 degrees." In Māori tradition the morepork was seen as a watchful guardian. It belonged to the spirit world as it is a bird of the night. Although the more-pork or ruru call was thought to be a good sign, the high pitched, piercing, ‘yelp’ call was thought to be an ominous forewarning of bad news or events." (NZ Department of Conservation). This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This Morepork (also known as the Masked Owl) is covered in brown and white plumage on its head and body. The white feathers delineate its round yellow eyes. Its belly and back are brown and white with the white feathering appearing spotted. This Morepork specimen sits on a wooden perch with his head turned to the left. A swing tag is attached to its left leg.Swing tag: 10 / Masked Owl / See Catalogue, page 3 /taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, ruru, spotted owl, tasmanian spotted owl, morepork, mopoke, new zealand owls, new zealand birds, tasmanian owls, tasmanian birds, norfolk island owls, norfolk island birds -
The Beechworth Burke Museum
Animal specimen - Morepork, Trustees of the Australian Museum, 1860-1880
The Morepork is a small brown and white spotted owl found in New Zealand, Tasmania and Norfolk Island. It is known by around twenty different names which are all onomatopoeic which emulate the birds distinctive two-pitched call. They are mostly nocturnal and carnivorous (eating insects and small vertebrates). They reside in habitats with trees, they sleep in roosts and hunt mainly in the evenings and early morning. Females are slightly bigger than males. This species attains full plumage in its third or fourth year. They can turn their heads 270 degrees." In Māori tradition the morepork was seen as a watchful guardian. It belonged to the spirit world as it is a bird of the night. Although the more-pork or ruru call was thought to be a good sign, the high pitched, piercing, ‘yelp’ call was thought to be an ominous forewarning of bad news or events." (NZ Department of Conservation). This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This Morepork (also known as a Masked Owl) is covered in brown and white plumage on its head and body. The white feathers delineate its round yellow eyes. Its belly and back are brown and white with the white feathering appearing spotted. He sits on a wooden perch with his head turned to the left. A swing tag is attached to its leg.11 / Masked Owl / See Catalogue, page 3 /taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, ruru, spotted owl, tasmanian spotted owl, morepork, mopoke, new zealand owls, new zealand birds, tasmanian owls, tasmanian birds, norfolk island owls, norfolk island birds -
The Beechworth Burke Museum
Animal specimen - White Winged Triller, 1860-1880
The White Winged Triller is a small member of the Campephagidae family. They can be found all over the Australian mainland, but there have also been sightings in Tasmania, Papua New Guinea and Indonesia. Their breeding season is from September to December, when they migrate to southern Australia for the warmer months. The males can be very noisy during this time, when they 'trill' all day, granting them their name. Throughout the winter they can be found in northern Australia. This species can be found in open areas with shrub and lots of ground cover, in woodlands, forests, scrub and waterways. The males and females are noticeably different, particularly when breeding. Breeding males are the most conspicuous, with black on their heads, bodies and wing coverts, with a white body, lower face and lower wings. Females are brown, with a light body, a faint brow and a dark line through their eyes. When not in the breeding season, males are similar to females, though they have a greyer rump. These birds have a netted pattern on their wings. When in flight they undulate, and when they land they often shuffle and re-fold their wings. This species predominantly forage for insects on the ground or tree foliage, but also 'hawks' insects from higher perches. They build nests on horizontal branches or forks, and can be found sometimes using empty nests of other birds. Many of these birds can be found nesting in the same tree as a colony, and both parents incubate and brood their two to three nestlings. This specimen is a male White Winger Triller, which is apparent from his black and white colouring. While missing some plumage, the distinction between black wings, tail, cap and wing covert are still clear against his white body and under-wings. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This male White Winged Triller has a black cap on its head. It has black wings with black wing coverts, and a black tail. It has a white lower face and body, a white shoulder bar and white under-wings. This specimen stands upon a wooden post, attached to a wooden post and has an identification tag tied around its leg. Swing-tag: 22a / White shouldered Campephagidae/ See catalogue, page 11. /taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, triller, white winged triller, campephagidae, australian birds -
The Beechworth Burke Museum
Animal specimen - Bassian Thrush, Trustees of the Australian Museum, 1860-1880
The habitat of the Bassian Thrush includes leaf littered and canopied gullies and dense forests. It forages for food on the ground eating small invertebrates and nests in tree stumps and tree forks. Primarily found in Tasmania, South Australia and Queensland, there are three sub-species of thrush, Zoothera lunulata cuneate (Queensland), Zoothera lunulata halmaturina (South Australian and Western Bassian Thrushes) and Zoothera lunulata lunulata/Zoothera lunulata macrorhyncha (South East Australia, Queensland, Victoria and Tasmania). Because this bird is a ground foraging species, the main threat to the Bassian Thrush is the ground clearing of its habitat, and unfortunately, the South Australian Zoothera lunulata halmaturina sub-species is considered vulnerable because of the bush fires that have eliminated much of its habitat, especially on Kangaroo Island. While the overall structure of this particular representation of a Bassian Thrush is relatively accurate, some of the smaller details are lacking. The eyes within this particular specimen are not accurate. Instead of solid black eyes, this specimen has golden/yellow eyes with black pupils. Another inaccuracy is some inappropriate intrusions coming from the beak (most noticeable in the left and right close up images). From the photographs, it is unclear if this is a representative/presentation choice or a condition problem caused overtime. Unfortunately, several aging problems have also occurred over time, with the bird’s feathers fading (Bassian Thrushes have distinct dark brown and black and white scalloped plumage) and the beak which was probably once dark grey has faded to the under colour, a yellowy cream. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.The Bassian Thrush has white and black scalloped plumage on its underbelly with caramel, soft brown and black tipped scalloped plumage on its back. This soft brown continues onto the bird’s head and neck. The thrush has a white rim around the glass black eyes. When seen in flight, there is also a noticeable wide band across the underside of the wings which is not visible on this specimen due to its particular stance.Swing tag appears to read: ‘46a [the a is superscripted] / Mountain Thrush. / See Catalogue, Page 16. / The number in the top centre of the wooden perch reads '63'taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, bassian thrush, zoothera lunulata, white's thrush, ground thrush, scaly thrush -
Hume City Civic Collection
Cap
A legionaire's style cap used by the children at Goonawarra Primary School after the start of the Sun Smart Campaign to protect them from the effects of the sun on their skin.A blue child's legionaire's cap worn by children at Goonawarra Primary School, Sunbury.GOONAWARRA / PRIMARY / SCHOOL / (on front of cap a black swan and full moon logo)goonawarra primary school, schools, costume, uniforms, sunbury, george evans collection -
The Beechworth Burke Museum
Animal specimen - Barking Owl (Male), Trustees of the Australian Museum, 1860-1880
The Barking Owl is a nocturnal, medium sized (390-440 mm) bird of prey native to Australia, parts of Papua New Guinea, and the Moluccas. Males are generally slightly larger by weight than females and they are only one of small number of owl species that do not exhibit marked sexual dimorphism. Barking Owls have characteristic vocalisations, ranging from 'a 'woof woof' barking dog sounds to shrill, human-like scream sounds, which reportedly alarmed early European settlers. The Barking Owl's shrill and explosive vocalisation is sometimes associated with Bunyip mythology or referred to as 'the screaming woman call'. The male call is slightly lower in pitch than the female, and males and females often duet, contrasting low and high pitches. The owls are brown-grey in colour with white spots on the wings and vertically streaked chest. Their eyes are large and yellow. Barking Owls may be vulnerable in some parts of Australia due to woodland habitat loss. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century. This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century. This male Barking Owl is average sized with brown, grey and white spots and vertical chest streaks. The face and breast are lighter in colour than the wings and dorsal plumage. The eyes are large and dark and the legs and feet are yellowish. The eyes are large and yellow irises and the legs and feet are yellowish. The specimen stands on a wooden perch pedestal with identification tags attached to its leg. 17. / Bookook Owl / See catalogue page, 4 /taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, owls, barking owls, screaming woman call, yowing, woodland birds, birds of prey, australian owls, endangered, loss of habitat, woodland habitat, bunyip, australian early settler mythology -
Flagstaff Hill Maritime Museum and Village
Domestic object - Vanity Jar, 1920s
Skincare cosmetics used for ageing skin have been a priority for over 3000 years, in ancient times masks were used to cleanse and maintain the moisture of the skin. The Egyptians used anti-wrinkle creams made with the essential oil of frankincense which claimed to possess anti-inflammatory properties. Thick creams use on the face were created to preserve moisture on mature skin. And were formulated from resin, wax, oil, grass, and plant juice, In the 1700s, face toners and scented water were popular. Cold cream made with scented oils, spermaceti, and wax mixed with rose water and ambergris was a common toilette preparation. But it was the 20th century when face cosmetics entered their golden era and mass production made cosmetics available to women of all classes. An item used to store face cream from the 1920s when face creams and other cosmetics started to become available to all classes of women and no longer were these types of preparations only available to women of financial means.Clear glass jar with "hobnail" pattern and brass lid used to hold face cream cosmetics.Lid decorated with a relief design of 5 cherub heads and cloudsflagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, glass jar, cosmetics jar, toilet article -
Deaf Children Australia
Bottle of Camphorated Oil, Frederick Lee & Sons
Camphor oil has been used for centuries to treat a plethora of ailments. It can act as an antiseptic, pain reliever, antidepressant and even a stimulant. Camphor oil has been used as an ingredient in smelling salts for years, as well. Its most common use is for the relief of arthritic and rheumatic aches and pains, skin ailments, colds and back pain. Camphor absorbs easily into the skin and produces a cooling, soothing effect. There are also references to the treatment of ear infections. Six sided triangular brown bottle with screw cap, with oil. Label indicates Camphorated Oil bought from Frederick Lee & Sons. Handwritten on label "ear drops & rub on". "POISONOUS:-Not to be taken/CAMPHORATED OIL/Caution: To be used with care and strickly in accordance with the directions./FREDERICK LEE & SONS/(Horace L.Lee)/Resident Chemists & Foot Specialists./103 Greville Street, Prahran, S.1/PHONE LA 1038" on front label. "NOT TO BE TAKEN" imprinted on the glass deaf children australia, chemical, camphorated oil, frederick lee & sons, bottle -
National Wool Museum
Stencil - LOCKS
This stencil was used as a wool classification stamp for the transportation of wool bales. Locks is a term used to describe very short wool cut from the fleece by shearers. Either short wool from around the points or second cuts caused when shearers lift the hand piece off the skin and then shear the short fibres left on the skin to tidy up. Classification stamps like these had to be approved by a Wool Classier and described the quality of wool inside the bale.Wool bale export stencil - LOCKSLOCKSwool - transportation, wool sales, wool class, wool classers -
Deaf Children Australia
Folder, Professor Armin Lowe Visits 1974 & 1978, 1974, added to in 1978
Profess Lowe was Professor of Paedeoaudiology and in Education of Deaf Children at Teachers College, Special Education Department, Heidelberg University, Heidelberg, West Germany The Victorian School for Deaf Children continued an interest in the latest research and information on the education of deaf children. This represents the most up to date information on the education of deaf children in the 1970s, as presented by Professor Armin Lowe. Black (fake skin pattern) foolscap folder with red spine containing reports and information regarding the visits of Dr Armin Lowe in September 1974 and March 1978. They include reports to VSDC with recommendations for improvements, record of interview, travel reports and itinerary and a report on religious education for deaf children and adolescents. On Spine: "Prof./Armin LOWE/Visits:/Sept, 1974/March, 1978" deaf children australia, dca, victorian school for deaf children, vsdc, deaf education, professor armin lowe, heidelberg university -
The 5th/6th Battalion Royal Victoria Regiment Historical Collection
Weapon - Sword, Henry Wilkinson, patt 1896, infantry officer no scabbord, 10/1913
Straight Blade, fuller edge side , 3/4 hand guard "GVR" cypher, ray skin grip - wire bound, sword knot, no scabbard " side outer hand guard "3MD " 300 10/13 Ornate makings decorate the blade including Royal Standards and the makers details"3MD " 300 10/13 By appointment Henry Wilkinson PALL MALL London by Warrent5/6 rvr, 5/6 rvr bhq, sword -
Waverley RSL Sub Branch
Flag - Vietnam
The three red stripes in the former flag of South Vietnam (1948-1975) represent the three regions of Vietnam, while the colours are associated with the expression, "red blood and yellow skin".Yellow background with 3 horizontal 5cm.width orange stripes. -
Mont De Lancey
Peeling Machine, Circa 1920
Interior surfaces are abrasive, rather like coarse sandpaper. Turning the handle rotates the potatoes or other vegetables, causing them to rub against the surfaces and so losing their skin.'Pronto' potato or other vegetable, peeler. Burgundy enamel tin on the outside, grey abrasive interior surface.Pronto The "Pronto" Peeling Machinepotato peelers, food processing equipment -
Anglesea and District Historical Society
Johnnie Walker Traveller's Box, "THE JOHNNIE WALKER TROPHY"
*Leather case - crocodile skin - black with brass corners to lid and base and brass lock with security code. Lining black and white plastic, padded with 3 compartments in base and 3 loops on the lid and evidence of 5 loops missing - 4 rubber stops on base and carry handle on top. *possibly fauxGold writing on black leather label inscribed "THE / Johnnie Walker / TROPHY". -
Bendigo Historical Society Inc.
Document - Instructions for Superba Skin Food
The Bendigo based Sander family business Sander and Sons, were producers of eucalyptus oil/extract in the 19th and 20th centuries. Carl Sandner established Sander and Sons Eucalyptus Distillery in 1875. It operated until 1967Instructions included in a box of Superba Skin Food. One page with black printing included claims made after use of product and directions for use. Notes that an application for Registration of the distinctive label was made on January 18 1907. Instructions originally folded tightly to fit inside packaging with tin. Two copies.advertising, sander, sandner -
Bendigo Historical Society Inc.
Photograph - GOLDEN SQUARE LAUREL STREET P.S. COLLECTION: PHOTOGRAPH - GSPS GRADE 4-5 NETBALL 1999
Coloured photograph of the Golden Square Primary School Grade 4-5 Netball Team and their coach. Their names are: Back: Broghan Parmenter, Tayla Flint, Gail Owen, Samantha Wynne, Caitlin Skinner. Front: Chris Hyett, Linda Iwaschtjeschin, Catrina Preece, Ashlee Ludbrook, Hannah Eames, Lisa Rosos.education, primary, golden square laurel st p.s., golden square laurel street p.s. collection - photograph - gsps grade 4-5 netball, broghan parmenter, tayla flint, gail owen, samantha wynne, caitlin skinner, chris hyett, linda iwaschtjeschin, catrina preece, ashlee ludbrook, hannah eames, lisa rosos -
The 5th/6th Battalion Royal Victoria Regiment Historical Collection
Weapon - Sword, patt 1896, infantry officer w/ leather scabbord, 1896
Straight Blade, fuller edge side , 3/4 hand guard "GVR" cypher, ray skin grip - wire bound, sword knot, leather scabbard with chrome around mouth. Scabbard markings "6MD 107" "PW" on opposite side outer hand guard "6MD 106" blade M5850. Scabbard markings "6MD 107" "PW" on opposite side outer hand guard "6MD 106" blade M5850. regimental property, sword, cermonial, king george v, infantry -
National Wool Museum
Textile - Fox Fur Coat, Nettlebergs Pty. Ltd, 1950
"The foxes were shot in the 1950's by my Father, Charles Winnet Daniel Allen at two properties around Bacchus Marsh. One was Greystones at Glenmore, owned by the O'Keith family and the other was at Parwan, owned by the Miles Family. In the late 1940's and early 1950's, the Government put a bounty on the fox head. A pair of ears were sent to the Council and you were paid 2 pennies and the skins were sold to a skin buyer. My Father would go out on moon lit nights and shoot the foxes then skin them, which he would peg on a board to dry. He took 21 fox skins to Nettlebergs Pty. Ltd., Furriers at 173 Elizabeth Street Melbourne, Victoria, to have this coat made for my Mother, Gladys Eileen Allen. It cost Twenty Pound and Nine Shillings to have the skins made into this coat. My Father died on the 1st July 1982 and my Mother on the 15th October 1993, aged 76. This coat was inherited by me Theresa Joy Hodge (nee Allen) on the passing of my Mother. I have worn it on cold days, but seeing that I am 84 and the coat is 74 years old, I would like to donate it to you, as I have no-one to leave it to and hope that you and the visitors to your Museum will enjoy looking at it." Theresa Hodge, 2025 Theresa was a dairy farmer, who grew up in Bacchus Marsh with her parents, before moving to South Australia in 1980 to a 167 acre farm in Burrungale.Dark brown fox fur coat with silk lining. Three eye and hook clasps at front edges of coat.fox fur coat, fashion, hunting, pest eradication, farming, rural life, bacchus marsh, greystones, glenmore, parwan, fox, nettlebergs pty ltd, furriers, clothing, theresa hodge, charles allen, gladys allen -
National Wool Museum
Letter
Letter from the The Kelson Products Co to W R Lang 11th April 1940, the testing of wool taken off sheep skins after the animal had been slaughtered469/40wool - research wool - testing world war ii, gordon institute of technology the kelson products co, fellmongery, lang, dr w. roy, wool - research, wool - testing, world war ii -
Stawell Historical Society Inc
Photograph, Stawell High School Students
a Sharon Hately, Diane Henderson, Lyne Pols b Val McLean? c Eileen Hay?, Kay Borella, Kay Orthank (Skinner) d Stawell High School e Five B/W photographs of Stawell High School Studentseducation -
Linton and District Historical Society Inc
Photograph, Original O'Beirne Home on Skipton Road
The original O'Beirne home on the Skipton Road, c.1901. Transported from Ballarat to Linton in 1872 for Henry and Catherine O'Beirne. The cottage on the right was the office of O'Beirne's Wool and Skin Business.Black and white copy of original photograph showing a weatherboard house with verandah and lattice work, next to a smaller building (office) with 2 windows a door and no verandah. One pine tree behind the buildings on the photograph. A light coloured picket fence in front of the buildings with a gate half way along. Two small children on the footpath in front of the house."Original O'Beirne Home Little cottage on the right was the office c.1901"o'beirne house, skipton road linton, c1901, henry and catherine o'beirne, office of o'beirne's wool and skin business. -
Bendigo Historical Society Inc.
Photograph - PETER ELLIS COLLECTION: EMU CREEK BUSH BAND, 25th November, 2007
Colour photograph. Members of Emu Creek Bush Band sitting in hall in front of windows. Toilets sign visible. Banjo, accordian and drum. Back of photo reads: Bendigo Retirement Village Sunday Nov. 25 2007 L-R Des Skinner, Olive Dobbyn, Julie and Don Maneypeney Peter Ellis.entertainment, music, emu creek bush band -
Geoffrey Kaye Museum of Anaesthetic History
Equipment - Magneto Electric Machine
Experimentation with electricity for medical purposes has its origins in the late 18th Century. Throughout the 19th Century it became more common, including as a proposed treatment for 'nervous' disorders. This device is a small, portable, 'at-home' device.Device for administering electric stimulation to patients. Consists of a wooden box containing a hand driven generator, with terminals for the attachment of electrodes that may be held by the patient or placed against the patient's skin. The directions for use include information about wetting the sponges and the patient's hands before cranking the machine to produce a small electric shock. electricity, medicine -
Bendigo Military Museum
Certificate - LIFE MEMBERSHIP 1960, RSL Inter Units Social Club, 28.3.1960
The Life Membership relates to William John Turner Bendigo RSL Sub Branch. Refer Cat No 8029 for details of his work and fund raising for the Sub Branch. Refer Cat No 8030 for details re his Committee involvement with Bendigo Sub Branch and his WW1 service history. The Unit Social Clubs listed in an RSL Bendigo Annual report 1946 appear to be 6th, 38th, 57th Bn Associations, Railways Sub Section, Catholic War Veterans Association, POW Association (new member 1947).Framed certificate, frame is timber gold colour, backing for the certificate is maroon colour, certificate has ornate blue edging, RSL logo at the top followed by the details of the certificate, all print in black, signed and dated.Main points; “Inter Units Social Club - Life Members Certificate - Presented to Mr W.J. Turner for services rendered to the above club” “R C. Kuryke President” “H Skinner Secretary” Dated 28.3.1960”brsl, smirsl, certificate.