Showing 1920 items
matching white m.
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Phillip Island and District Historical Society Inc.
Photograph - Post Card, 1920
... at the Tea House. Cowes, Phillip Island." "Valentines Series M. 4851 ...Donated by Stan McFee from the Keith McIlwraith Collection.Black & White Postcard of rustic bridge leading to Teahouse where a figure stands behind teatree staked fence. Surrounded by trees and shrubs."Rustic bridge at the Tea House. Cowes, Phillip Island." "Valentines Series M. 4851"tea house phillip island, cowes, phillip island, stan mcfee, keith mcilwraith collection -
Phillip Island and District Historical Society Inc.
Photograph - Post Card, Early 1900's
... at Cowes." "Real Photo Series M. 2384" Black & White postcard ...Donated by Stan McFee from the Keith McIlwraith Collection.Black & White postcard. Central figure of fisherman with hand shading his eyes, looking out to sea. He is standing in the Fisherman's Shed."Looking for the boats. Fisherman at Cowes." "Real Photo Series M. 2384" cowes fisherman, phillip island, stan mcfee, keith mcilwraith collection -
Phillip Island and District Historical Society Inc.
Photograph, Unknown
One of 6 photographs donated by M. Batty.Black & White photograph of the Pinnacles at Cape WoolamaiOn back: Pinnacles Cape Woolamaithe pinnacles, cape woolamai pinnacles, phillip island coastline, phillip island, m batty -
Phillip Island and District Historical Society Inc.
Photograph, Unknown
... -island-and-the-bass-coast One of 6 photographs donated by M Batty ...One of 6 photographs donated by M Batty.Black & White photograph of Cape Woolamai cliffs and coastline.cape woolamai coastline, cape woolamai shoreline, phillip island shoreline, phillip island coastline, phillip island, m batty -
Phillip Island and District Historical Society Inc.
Photograph, Unknown
... phillip island coastline m batty Black & White photograph ...One of 6 photographs donated by M. BattyBlack & White photograph of Pyramid Rock Phillip Islandpyramid rock, coastline - rock formation - pyramid rock, phillip island coastline, m batty -
Phillip Island and District Historical Society Inc.
Photograph, Unknown
... phillip island m batty Black & White photograph of the South Coast ...One of 6 photographs donated by M. BattyBlack & White photograph of the South Coast of Phillip Island.phillip island coastline, south coast phillip island, phillip island, m batty -
Phillip Island and District Historical Society Inc.
Photograph, Unknown
... phillip island phillip island m batty Black & White photograph ...One of 6 photograph donated by M. BattyBlack & White photograph of South Coast of Phillip Island with rocky outcrop.phillip island coastline, coastline - south coast, rocky outcrock phillip island, phillip island, m batty -
Phillip Island and District Historical Society Inc.
Photograph, Unknown
... island m batty Black & White photograph of Cape Woolamai ...One of 6 photographs donated by M. BattyBlack & White photograph of Cape Woolamai coastline. Photo is a copy of 165-02.cape woolamai coastline, phillip island coastline, phillip island, m batty -
Phillip Island and District Historical Society Inc.
Photograph - Post Card, Unknown
... at Cowes" "Real photo series M 2384" Black & White postcard showing ...One of 15 photographs and postcards donated by Mary KarneyBlack & White postcard showing Mr Cox in front of his beach hut looking out to sea."Looking for the boats" "Fisherman at Cowes" "Real photo series M 2384"cowes fisherman, mr cox beach hut, mr cox, phillip island, mary karney -
Phillip Island and District Historical Society Inc.
Newspaper clippings, 21/11/1938
... documents newspapers phillip island tourism black & white newspaper ...Newspaper articleArticle in which G M Warren, joint Passenger Manager of the Cunard White Star Group, states that the best he had enjoyed in any part of the world, was a visit to Phillip Island.local history, documents, newspapers, phillip island, tourism, black & white newspaper clipping, g m warren -
Glenelg Shire Council Cultural Collection
Print, Nancy Malseed, Bird Trip, 1973
UnknownThree separate images of birds. Top image is six large abstract birds with 12 birds in background (upper centre). Centre panel contains 3 birds in flight, brown against a grey background. Lower panel contains 3 walking birds, black and white against a brown background. Mounted in a dark green matt, in a black wooden frame with glass glazing.Front: 3/20 Etching and roll-up (lower left) "Bird Trip (centre) N. M. Malseed (lower right) (pencil) Back: (no inscriptions) -
Glenelg Shire Council Cultural Collection
Painting, Sea Air Near Goose Lagoon, n.d
Art CollectionThis painting depicts a green hill below a cloudy sky, and a sandy landscape below the hills. Towards the left of the hill there are trees and shrubbery. The frame is white with gold on inside, beige mount and glass.Front: Rita M McLean (grey paint, lower right) Back: (no inscriptions) -
Glenelg Shire Council Cultural Collection
Drawing, Burnt Mountain, 1964
CEMA Art Collection Winner of 1965 Portland Art Society Art Prize for category Any other medium.The drawing depicts the burnt remains of a mountain top. In the foreground are two mountain edges which are black with a patch of blue and patch of orange/brown. In the background are remains of several burnt tree stumps on a purple/brown ground. The work has a thin wooden frame, white painted hessian and glass.Front: M Macqueen 64 (signature, lower right, black chalk) Back: MARY MACQUEEN "BURNT MOUNTAIN" (1964) (lower left, typed label) 1964 (upper right, yellow sticker and also pencil) -
Greensborough Historical Society
Photograph, Janefield staff 1963, 1963
Photograph of Janefield Special School staff Dr M Troup, Matron Buckley, L.E. Richards c1963.Black and white photographCaption on back: "L to Right: Dr M Troup, Matron Buckley, L.E. Richards c1963"janefield, janefield special school, janefield staff -
Greensborough Historical Society
Plan - Advertising Leaflet, Coghill & Haughton, Plenty Township Estate and Bryn Teg Hill's Estate, 1925c
Copy of Real Estate Agent's advertising leaflet for two subdivisions, the Plenty Township Estate and Bryn Teg Hill's Estate in Lower Plenty, by order of Mrs M Thomas (d. 1925)Black and white photocopy of advertising leafletlower plenty, bryn teg, plenty river -
Greensborough Historical Society
Administrative record - Delivery docket, A. A. & M. B. Collister, 20/12/1965
Item is an electric hot water service, purchased from the manufacturer. The purchaser, L. N. Lewis, worked for the Greensborough SEC.Delivery docket, black print on white paper, handwritten details of purchaser and purchased itemsNo. 1 Tubulous boiler; No. 1 Booster jacket; (SEC) L.H. Lewis, 44 Alexandra St Greensborough T8737hot water service, lewis family -
Mission to Seafarers Victoria
Photograph - Mounted photograph, Sepia, S.S. Tasmania's Football Team, 1922
This is a photograph of crew members that formed the football team of the S.S. Tasmania. Taken place on the deck of the ship, it is a snapshot in timeAn addition to the collection of crew photographs in the MTSV Collection with all crew members featured in the image named and dated with name of ship making it a useful research and reference image.Black and white photograph of S.S. Tasmania football team in 1922. The photograph is mounted onto a grey green cardboard frame with the text, 'S.S. "Tasmania's" Football Team 1922' on the top. The bottom reads, 'The Happy Thirteen', handwritten in black ink. The photograph itself is of 13 men in three rows, 6 on top row standing, 4 in the middle row sitting on a bench and 3 on the bottom row sitting with their legs crossed. All men have their arms crossed across their chest. On either side of the front row is a lifesaver with the text "S.S. Tasmania/Plymouth". The men are posed on the ships deck. On front mount with photograph: 'S.S "Tasmania's" Football Team 1922' / The Happy Thirteen Inscribed back:of mount names in ink : Thomas Holohay / William Bridges / James. H. Stone / George Angus / James Arthurs / George Arthurs / C. Quinell / C. (Lawrence/labence ?) / W. Manon / M. Zard / I. Ancell LT/JL ?. Chipperfield / F. Franksuniform, team, s.s. tasmania, 1922, football, crew, life buoy, crews and ships -
Mission to Seafarers Victoria
Letter - Correspondence, 1949
Quinn CollectionTwo page letter written on one sheet of unlined buff-coloured paper (0808.a) headed M.S.Fenris, Tenerife, Canary Islands and dated 25.04.49. The blue-grey coloured envelope (0808.b) has a 7cm border of diagonal light blue and white stripes. There are two Irish stamps - one brown and one blue.letters-from-abroad, quinn, 1949, m s fenris -
Mission to Seafarers Victoria
Letter - Correspondence, Allan Charles Quinn, 1949
Quinn CollectionOne and a half page letter written on two sheets of unlined buff-coloured paper (0809.a1-2) headed M.S.Fenris, Dublin and dated 22.04.49. The blue-grey coloured envelope (0809.b) has a 7cm border of diagonal light blue and white stripes. There are two 'Espana' stamps - one red and one light blue.letters-from-abroad, quinn, 1949, m s fenris, dublin -
Mission to Seafarers Victoria
Letter - Correspondence, Allan Charles Quinn, 1949
Quinn CollectionTwo and a half page letter written on two sheets of unlined buff-coloured paper (0810.a1-2) headed M.S.Fenris, Baltic Sea and dated 03.05.49. The blue-grey coloured envelope (0810.b) has a 7cm border of diagonal light blue and white stripes. There are two Norwegian stamps, one olive green and one orange, postmarked Stockholm.letters-from-abroad, quinn, 1949, m s fenris, germany, denmark -
Mission to Seafarers Victoria
Leisure object - Model Ship, H.M.S Dreadnought, 2014
A modern detailed replica to scale 1:200 of the early 20th C battleship launched in 1906. " The dreadnought class defined the basic form of battleships up to the 2nd WW. Original specifications: Length 526 ft; beam 82 ft; speed: 21 knots cruising Crew complement: 657; Armament: 10 12inch guns; 18 12 pdr guns( 4 shown on model) ; Engines: two turbines driving 4 shafts; weight: 17,900 tons fully laden; coal capacity 2977 tons; The ship was broken up for scrap in 1920 - David Lumsden donor and modelmaker Detailed Model of the Dreadnought 90% cardboard model of early 20th C. battleship one white ensign; on a polished wood plinth with cardboard hand lettered labels. Decks painted pale gunship grey and below waterline bright red. Model on polished wood plinth with bevelled edge.two card labels adhered to plinth: "David Lumsden 2014 Scale 1:72" "H M S Dreadnought"model ships, h.m.s. dreadnought, battleships, ww1, david lumsden -
Seaworks Maritime Museum
Shipbuilders model, Era
Model of the Era. Oil tanker built by Samsung Ship Building and Heavy Industries Company in South Korea. Completed January 1987. 1985 officially under ownership of Howard Smith Industries Pty Ltd, Melbourne with take over of R W Miller. 1996 transferred to Intercontinental Ship Management. Scrapping began at Alang January 2002. 54 880 gross tons Length overall: 229.732 m (758 ft) Beam (MLD): 46 m (151 ft) Depth (MLD): 19.2m (46 ft) Draught (design): 12.17 m Draught (Scantl): 13.6 mShip builder's model of the tanker Era IMO 8420218 built by Samsung Shipbuilding & Heavy Industries Co. - Moulded polyurethane hull painted in colours of black and maroon, the deck with detailed fittings, machinery and superstructure, presented within a perspex display case. Scale 1:200plaque at foot of model: "95,000 DWT CRUDE/ PRODUCT CARRIER/ PRINCIPAL DIMENSIONS/ LENGTH O.A 229.732M/ LENGTH B.P 220.000M/ Breadth (MLD.) 46.000M/ DEPTH (MLD.) 19.200 m/ DRAUGHT (DESIGN) 12.170 M/ DRAUGHT (SCANTL.) 13.600 M/ SHI SAMSUNG SHIPBUILDING &/ HEAVY INDUSTRIES CO., LTD./ SCALE OF MODEL 1:200" White pen written on base: "PWO 2666.4/ 110/97/S4" Label affixed to base: "104226" on model "ERA MELBOURNE/TUG/TUG/TUG/NO SMOKING/NO SMOKING/ ERA" -
Seaworks Maritime Museum
Window
White paint flecks on top edge of block.Ornate and engraved wooden block with the letters MHT. Stained dark on front and edges.M H Tmelbourne harbour trust (mba) -
Seaworks Maritime Museum
Flag
Large, red, blue and white striped flag with insignia of the Melbourne Shipping Company. Has rope and metal attachmentsM S CO -
Mission to Seafarers Victoria
Photograph - Photograph, Black and white, Bill Doyle (Reverend C.J. Eldridge-Doyle), 1948-1954
Small b & w photograph depicting 1930's Mission to Seafarers building at Port Melbournemission, port melbourne, art deco, harry a. norris, alfred m. nicholas, brick, beach street, huntingfield hall, king george v memorial building, seamen mission, mission to seamen, mission to seafarers, 1937, phone booth, phone box, bill doyle -
Mission to Seafarers Victoria
Photograph - Photograph, Black and white, Bill Doyle (Reverend C.J. Eldridge-Doyle), 1948-1954
large b & w photograph street view of the Art Deco Mission in Port Melbourneart deco, mission, harry a. norris, alfred m. nicholas, brick, king george v memorial building, beach street, port melbourne, 1937, seamen mission, mission to seamen, mission to seafarers, phone booth, bus stop, bill doyle -
Mission to Seafarers Victoria
Photograph - Framed montage, Arthouse - Picture Framing & Gallery, On the Seas, 2013
HUMBLE BEGINNINGS The Mission to Seafarers, which was originally known as the ‘Bethel Union’, was established in London in 1835, a recognition of the spiritual needs of seafarers who live a lonely life at sea. In 1857, the Bethel Union began a mission in Victoria aboard the Emily, a large hulk vessel donated by the government, with the object of establishing a floating church for sailors moored in Hobson’s Bay. The first chaplain, his wife and their eight children, three servants and livestock called the Emily home for two and a half years. Each week, sailors were taken to the Emily via a longboat to join in the Sunday services. Today following the same custom, seafarers are transported by bus to and from the docks by a volunteer bus service run from the Mission building at 717 Flinders Street. This window, named ‘On the Seas’, was installed in 1980 and represents the origins and history of the Mission to Seafarers through the symbols of a cross, maritime and Masonic imagery.Reflections of the Sea was an exhibition of 10 framed montage of photographs from the mission's archive collection showcasing 10 stained glass windows from the St Peter chapel. This exhibition curated by Georgia Melville and Catherine McLay, and funded by PROV and Creative Victoria, was displayed in the World Trade Centre Wharf Gallery in June July 2013 and toured to Queenscliff Maritime Museum. The photographs of the windows were taken by scientific photographer Justine M. Philip. This frame is showcasing the window by Greg Cummins with a photograph of seamen in front of a van and a view of Port Melbourne.Framed and mounted on black cardboard of black and white and colour reproductions from the MTSV collection for the exhibition Reflections of the Sea with brief label signageon label: ABOVE: View of the Princes Pier from the Port Melbourne Mission windows in 1928. BELOW: A group of visiting seafarers standing in front of the Mission bus during an outing to the beach, circa 1950s.reflections of the sea, georgia melville, exhibition, 2013, world trade centre, wtc, creative victoria, prov, mission to seafarers, stained glass windows, justine m. philip, greg cummins, flinders street, catherine mclay, arthouse -
Mission to Seafarers Victoria
Photograph - Framed montage, Arthouse - Picture Framing & Gallery, Missions to Seafarers, 2013
THE HOME OF THE MISSION TO SEAFARERS By 1907 the Mission to Seafarers Victoria had moved from providing its services aboard a floating vessel, the Emily, to three different bases in Melbourne locations: Williamstown, Port Melbourne and the North Bank of the Yarra - opening a central home in 1907, and finally at 717 Flinders Street in 1917. The Mission to Seafarers Victoria complex, includes the landmark domed gymnasium, which opened in 1920. The State heritage listed buildings of the Mission are considered architecturally significant urban examples of two distinct architectural styles: the external Spanish Mission Revival and the Arts and Crafts influence of the interior. This window, titled ‘Missions to Seamen’, was installed in 1980 and depicts a cargo ship, tug and lighthouse representing the working seaman, and is further supported by the Flying Angel emblem of the Mission to Seafarers ministry.Reflections of the Sea was an exhibition of 10 framed montage of photographs from the mission's archive collection showcasing 10 stained glass windows from the St Peter chapel. This exhibition curated by Georgia Melville and Catherine McLay, and funded by PROV and Creative Victoria, was displayed in the World Trade Centre Wharf Gallery in June-July 2013 and toured to Queenscliff Maritime Museum. The photographs of the windows were taken by scientific photographer Justine M. Philip. This frame is showcasing the window depicting a ship and tugboat, two photographs of the Flinders Street building and seamen departing for a picnic.Framed and mounted on black cardboard of black and white and colour reproductions from the MTSV collection for the exhibition Reflections of the Sea with brief label signageon label: ABOVE: A photograph of the Mission to Seafarers complex on Flinders Street with horse drawn carts going by, taken in 1927 BELOW: Visiting seafarers gathered in front of the Mission entrance prior to a picnic on Boxing Day 1926reflections of the sea, georgia melville, exhibition, 2013, world trade centre, wtc, justine m. philip, flying angel flag, tugboat, mission to seafarers, flinders street, creative victoria, prov, stained glass windows, catherine mclay, arthouse -
Mission to Seafarers Victoria
Photograph - Framed montage, Arthouse - Picture Framing & Gallery, Noli Me Tangere, 2013
A GLOBAL PERSPECTIVE Before the increase of air transport, everything that arrived or departed from Australia did so via the ports and wharves. The Mission to Seafarersis not a Victorian initiative, but rather a global network that currently operates in over 260 ports worldwide, assisting over 1.3 million seafaring men and women each year. The importance of the Mission’s role is demonstrated in the Chaplain’s Report 1947, which notes that ships and their crews are: “...inextricably linked with the well-being of Australian industrial and economic life... This, in turn, means that you cannot escape some share in responsibility for their welfare.” This window, titled ‘Noli Me Tangere’, was installed in memoriam of Moira Oliver, the wife of the Reverend Frank Oliver, chaplain at the Mission 1930-60, and whose dedication in life and service to the welfare of seafarers was inspirational to many.Reflections of the Sea was an exhibition of 10 framed montage of photographs from the mission's archive collection showcasing 10 stained glass windows from the St Peter chapel. This exhibition curated by Georgia Melville and Catherine McLay, and funded by PROV and Creative Victoria, was displayed in the World Trade Centre Wharf Gallery in June July 2013 and toured to Queenscliff Maritime Museum. The photographs of the windows were taken by scientific photographer Justine M. Philip. This frame is showcasing the memorial window to Moira Bird Oliver, wife of Padre Oliver , a photograph of Padre Oliver listing a ship and a photograph of sailors playing tug-of-war during a picnic.Framed and mounted on black cardboard of black and white and colour reproductions from the MTSV collection for the exhibition Reflections of the Sea with brief label signageon label: ABOVE: Mission to Seafarers' chaplain Frank L Oliver, visiting a ship whilst in port, c1950s BELOW: The crew of the motor ship Nyhaugin a tug-of-war with the crew of the SS Madgeburg at the 1926 Boxing Day picnicreflections of the sea, georgia melville, exhibition, 2013, world trade centre, wtc, creative victoria, prov, mission to seafarers, stained glass windows, justine m. philip, moira bird oliver, moira bird oliver (nee good), padre frank leslie oliver, picnic, tug-of-war, flinders street, catherine mclay, arthouse -
Mission to Seafarers Victoria
Photograph - Framed montage, Arthouse - Picture Framing & Gallery, Light of the World, 2013
THE CHAPLAINCY Although fostered by the Anglican Church since 1906, the work of the Mission to Seafarers’ is inter- denominational and is not limited by the physical space of its buildings. When the old Melbourne wharves and their moorings were still in use, chaplains would also visit ships to look after the welfare of those who could not visit the Mission. Today, the Mission’s ‘Ship Visitors’ provide a similar service. The Flinders Street central complex was purpose built to meet with seafarers’ needs: “...the first thing a sailor would see before the traps and temptations of the city would be the Institute and its comfortable rooms.” (The Argus, ND). Today, the Mission continues to offer its comfortable, safe spaces and a friendly ear to seafarers, alongside other services that extend well beyond those traditionally offered - including TV, phone cards, and access to the internet. This window, titled ‘Light of the World’, was installed in 1935 in memory of a former ‘M.V. Manunda’ captain and represents chaplaincy support to the seafaring community.Reflections of the Sea was an exhibition of 10 framed montage of photographs from the mission's archive collection showcasing 10 stained glass windows from the St Peter chapel. This exhibition curated by Georgia Melville and Catherine McLay, and funded by PROV and Creative Victoria, was displayed in the World Trade Centre Wharf Gallery in June July 2013 and toured to Queenscliff Maritime Museum. The photographs of the windows were taken by scientific photographer Justine M. Philip. his frame is showcasing the memorial window to Captain Robert Sunter and a photograph of a chaplains conférence in the 1950s.Framed and mounted on black cardboard of black and white and colour reproductions from the MTSV collection for the exhibition Reflections of the Sea with brief label signageon label: Taken in the courtyard at Flinders Street in the early 1950s, this photo shows eighteen individuals, fifteen of whom are wearing white clerical collars, illutsrating the integral relationship between the Mission to Seafarers ministry and the Anglican Churchreflections of the sea, georgia melville, exhibition, 2013, world trade centre, wtc, captain robert sunter, chaplaincy, conference, mv manunda, creative victoria, prov, mission to seafarers, stained glass windows, justine m. philip, flinders street, catherine mclay, arthouse