BLACK & WHITE PHOTOGRAPH OF CLUNES POST OFFICE.COMMONWEALTH SAVINGS BANK OF AUSTRALIA SIGN ON FRONT OF BUILDINGlocal history, photography, photographs, post office

This sculpture is a bronze cast of Karl Duldig’s 1956 terracotta sculpture titled 'Moses'. The terracotta sculpture won the 1956 Victorian Sculptor of the Year award, an honor given by the Victorian Society of Sculptors. The National Gallery of Victoria purchased the original terracotta sculpture for the Gallery’s collection in 1956. In 1979 the NGV allowed Karl to cast the original terracotta sculpture in bronze (to a limited edition of 5). The National Gallery of Victoria holds one of these casts and one is in Duldig Studio collection. The original terracotta sculpture was exhibited in 1956 at the Olympic Arts Exhibition in Wilson Hall at the University of Melbourne. Two other works by Karl were also exhibited, a sandstone titled 'Adam and Eve' and a work titled 'Fountain'. The catalogue for the Olympic exhibition, which promoted modernism across a variety of disciplines, noted that Australia’s post war immigration program had given ‘further momentum to the modernist cause’. The identification of émigré artists, such as Karl Duldig, with the acceptance of modernism in Australia became a major theme in any discussion of art and design in the post war period. Ann Carew 2016The subject Moses and the tablets of law is an important theme in the history of art. For example the National Gallery of Victoria collection includes paintings on this topic by the Australian Aboriginal artist, Queenie McKenzie (1991), prints by the Russian-French modernist artist, Marc Chagall (1956), and a painting by 19th century British academic painter, John Rogers Herbert (1870s). Michelangelo’s sculpture of Moses is perhaps the most famous sculptural interpretation of the subject. In Karl’s hands we have a modern interpretation of the theme. His simplification and abstraction of form and attention to surface modeling is masterly. The figure has an emotional intensity and despite its relatively small scale, a ‘forceful monumentality’. The sculpture is aesthetically significant for its craftsmanship, expressive qualities and modernity. It is historically significant because of its associations with the 1956 Olympic Arts Festival. The Duldig Studio’s bronze cast of the sculpture was exhibited in the exhibition '1956: Melbourne, modernity and the XVI Olympiad, Museum of Modern Art at Heide.' Apart from the formal qualities of a work like Moses, its relevance as a motif in Judaism and Christian faiths ensures its place as a work of spiritual significance. Ann Carew 2016Bronze cast from terracotta sculpture. Depicts Moses as in Exodus 32 when he returns from Sinai with the tablets of the law to find his people worshipping the golden calf, in his fury he holds the tablets aloft above his head before crashing them down on the ground.

Eltham Council (now the Shire of Nillumbik) commissioned this work in 1989 to create an entrance / gateway to Edendale Community Farm. It was also aided by a grant from the Ministry of the Arts (now Arts Victoria). The former name of this work was "Gateway to Edendale Farm". Edendale Farm is a demonstration farm modelling sustainable environmental practices, providing support to the local residents of Nillumbik. Established in 1986, the land was purchased in 1970. It was previously an English gentleman's residence and was used for grazing. It consists of 5.6 hectares, with the Diamond Creek meandering through the property. The Victorian Fences Act 1968 governs liability of occupiers of adjoining lands to fence, and deals with disputes between neighbours regarding boundaries fences and costs. This work took into consideration ideas and suggestions from residents and committees, who required the use of recycled materials and that the work celebrate man's relationship with nature, animals and the earth, as well as relate to the fence-line on the far side of the carpark. Trembath also absorbed significant aspects of local history, making references to Eltham's agricultural past, the clearing of the land, the destruction of trees, the ruthless pruning of trees by suburban Councils and incorporated such Australian features as the post and rail fence. 'The Fences Act 1968' is significant for aesthetic, historic and social reasons at a regional level. It makes prominent the historical and social significance of Edendale and the rural aspects of Nillumbik. The use of existing tree stumps and salt pots in the work explores the iconography of the countryside such as the isolated farmhouse, pioneering farming practices, post and rail fencing and the regrowth of lopped trees. The title of the work, as well as the extensive community involvement in its creation, also makes reference to the Victorian Fences Act 1968, which makes neighbours jointly responsible for the cost of construction and maintenance of fences in the partitioning of land for settlement. 'The Fences Act 1968' has been classified as of regional significance by the National Trust of Australia. The work is an installation of wood and metal, approximately twenty five meters long. The design is very informal and rustic and runs the full width of the fence-line. It comprises groups of recycled tree trunks fitted with metal caps (chrome-nickel 'salt pots' that are shaped like tall bowler / top hats). Metal rods protrude from the trunks and some of these rods have metal birds. Two larger, sentinel-like stumps at the two outer ends have metal flame-like wings, which bend inward. To the left of the entrance, a simple architectural element indicates an isolated farmhouse. The rustic fence runs between the groups of tree trunks with native planting in clumps along it. The fence-line incorporates a functional engineered double gate and post and rail fencing. There may be many interpretations of the work and the intention is to stimulate interest and imagination rather than alienate. Interpretation is based on the personal experience that a visitor brings. The artist recommended that no explanation of the design logic be positioned with the work. N/Apublic art, sculpture, edendale, recycled, wood, metal, fences act 1968, gate, trembath, salt pot, tree stumps

Names of depositors who used the Commonwealth Bank service at the Peterborough Post Office, from 1928 - No 1 Aileen McKenzie to 1973 - No 276 Alan Radford, giving a good indication of residents, holidaymakers and visitors to the town. Entries include the persons name, signature, address marital status and occupation.Names of residents and visitors to Peterborough between 1928 to 1973Foolscap size book with handwritten entries from 1928 to 1973.All handwritten names and signatures of depositors.peterborough, peterborough post office, commonwealth bank of australia, register of depositors

Records of names and signatures of depositors who used the Commonwealth Bank service at Peterborough Post OfficeBook containing an index of names of Commonwealth Bank depositors and in the back are pasted signature slips from other branches around Australia, 1932 to 1973.Handwritten entries, list of dates and initials inside front cover. Includes typed instructions on how to record entries within the book. Also loose pages for Authority for society Accounts entries.peterborough, peterborough post office, commonwealth bank of australia

This book was owned by the late Dr Elizabeth Kerr and was donated to the Museum by the executor of her estate, Margaret Cameron. It was produced by the Australian Women's Weekly and contains knitting patterns. A date of c.1946 is given for this book as although it contains no military references, the first knitting pattern in the book is called 'The Rose of England' and is dedicated to 'the women who have watched and waited'.The Australian / WOMEN'S WEEKLY / Knitting Book / FOR / ADULTS and CHILDREN / Registered in Australia / for transmission by post / as a book. / 1'6knitting handicrafts - history world war ii, australian women's weekly, knitting, handicrafts - history, world war ii

A letter from Australia Post to Robin Da Costa in answer to her queries regarding early postal history of Blackburn. It recommends various directories, publications and correspondence that would help her. Letter written by Derek Baker, historian.postal services, da costa, robin, minahan, james j., poyntz, henry, sinclair, p. j., railway road, blackburn, chapel street, bell, andrew, cage (miss), baker, derek n., blackburn post office

The first eBook published by Ballarat Heritage Services, Australia Takes Wing was written by Leigh Edmonds. It is first in a series of three books on the history of flight in Australia.eBook by Leigh Edmonds. flight, aeroplanes, leigh edmonds

Devizes is a medieval market town in the centre of Wiltshire, near Stonehenge and Avebury, and east of Bath. For more information see https://devizes.org.uk/index.php/history/history-of-devizes.html Some convicts that were tried at the Devizes Assizes were transported to Australia. Amongst these was John Chew, who stole metal, and who was transported to Tasmania. He married in Tasmania, but descendants of his family settled in Victoria, Australia. Colour photograph of a circular staircase at the Bear Hotel in Devizes. devizes, bear hotel, staircase, window, john chew

Members of the Geoffrey Kaye Museum of Anaesthetic History receive an award at the 2017 Victorian Museum Awards.melbourne, acmi, museums australia (victoria), awards, 2017, geoffrey kaye, geoffrey kaye museum, victorian museum awards, 2017

History of Anzac.Book - Foreword by Sir Edward ('Weary') Dunlop.Hand signed by Edward Dunlop to Lucy Flannery.

This map serves the purpose of proving that Thorne and the Spanish geographers knew nothing about a continent near Australia.Copy of a map from 'A Short HIstory of Australia' by Ernest Scott.map, robert thorne, robert thorne's map, spanish explorers

This map shows a portion of New Guinea, but the plae occupied by Austrlai was left as open ocean.Copy of a map from 'A Short HIstory of Australia' by Ernest Scott.map, paris map, new guinea, early australian mapping

Copy of a Dutch map published in Amsterdam. showing a large stretch of outhern land called Terra sustralis Copy of a map from 'A Short HIstory of Australia' by Ernest Scott.map, plascius, placius's map, terra australis, dutch map

Copy of a map from 'A Short HIstory of Australia' by Ernest Scott.map, chart of the southland, hessel gerritsz, dutch discovery of australiaj.e heres het aandael

Copy of a map from 'A Short HIstory of Australia' by Ernest Scott.map, van neck's fleet, dutch east indies

Copy of a map from 'A Short HIstory of Australia' by Ernest Scott.map, new holland, hollandia nova, isaac de graaff, new guinea, australia of the holy spirit, papua, new hebrides, new zealand, nuyts land, van dieman's land, tasman's track

Copy of a map from 'A Short HIstory of Australia' by Ernest Scott.map, explorers, exploration, new holland, norfolk island, point hicks, timor

Copy of a map from 'A Short HIstory of Australia' by Ernest Scott.map, explorers, exploration, voyages, captain james cook, new south wales coast