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Royal Australian and New Zealand College of Obstetricians & Gynaecologists (RANZCOG)
Sculpture - Metal sculpture of a figure holding a baby
Metal statue of a figure holding a baby. Figure and baby take the form of stick figures, with thin metal bodies and hexagonal bolts for their heads. The larger figure is holding the baby by ankles in its right hand, dangling the baby head down in front of its torso. Sticker on underside of base of statue reads 'Handcrafted/By/ROCK CREEK/METAL CRAFT/P.O Box 39/Hansen, Idaho 83334/USA'. -
Royal Australian and New Zealand College of Obstetricians & Gynaecologists (RANZCOG)
Incubator, neonatal, Australia/ tVictor Watson/Limited/ New Zealand”, late 1950s- early 1960s
This item was purchased at Leski's, Melbourne, Medical collection auction, 8 May 2013. The incubator was part of a rare collection of medical, dental and pharmaceutical objects belonging to a tourism business, Kryal Castle, near Ballarat, Victoria from 1974. At some point,apparently, an officer manager discarded the museum records, so the provenance of the neonatal incubator, and many other items in the Leski auction, has been lost.Neonatal incubator, "Glenleigh", made and used, late 1950s- early 1960s. The four side laminated panels as well as bottom panel are possibly made of asbestos fibreboard,. Each panel is sealed with polished aluminium strips, and has a metal handrail.The incubator is mounted on four castors made by "Shepherd USA'. On the front panel is a bakerlite dial and a bakerlite switch. The item is incomplete: the cover, probably glass, is missing. Inside the unit is an old calico infant's mattress.There are two name plates on the front panel; “Australia/ Victor Watson/Limited/ New Zealand” and "Glenleigh/ Baby Incubator/ Aeronautical & Industrial Lighting Co/ 677-9 North Road Carnegie”. Australia/ Victor Watson/Limited/ New Zealand” "Glenleigh/ Baby Incubator/ Aeronautical & Industrial Lighting Co/ 677-9 North Road Carnegie”. Castors::"Shepherd USA' -
Mont De Lancey
Leisure object - Doll, 1930's
A celluloid female baby doll, wearing a pink babies knitted dress with buttons on the back and a pink ribbon around the waist. It has knitted underpants and white knitted booties. leisure object, toys, dolls -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, Lakes Post Newspaper, 1995
see page 22 Lakes Post Newspaper 20 July 1994Black and white photograph taken at Baby Show fundraiser for Bone Marrow Registry, Champion Baby Tiah Guillot, holding trophy, with mother Wendy. Lakes Entrance Victoriacharities, clubs -
Flagstaff Hill Maritime Museum and Village
Clothing - Baby Clothes, c. 1930
This baby dress was donated to Flagstaff Hill Maritime Village by the family of Doctor William Roy Angus, Surgeon and Oculist. It is part of the “W.R. Angus Collection” that includes historical medical equipment, surgical instruments and material once belonging to Dr Edward Ryan and Dr Thomas Francis Ryan, (both of Nhill, Victoria) as well as Dr Angus’ own belongings. The Collection’s history spans the medical practices of the two Doctors Ryan, from 1885-1926 plus that of Dr Angus, up until 1969. ABOUT THE “W.R.ANGUS COLLECTION” Doctor William Roy Angus M.B., B.S., Adel., 1923, F.R.C.S. Edin.,1928 (also known as Dr Roy Angus) was born in Murrumbeena, Victoria in 1901 and lived until 1970. He qualified as a doctor in 1923 at University of Adelaide, was Resident Medical Officer at the Royal Adelaide Hospital in 1924 and for a period was house surgeon to Sir (then Mr.) Henry Simpson Newland. Dr Angus was briefly an Assistant to Dr Riddell of Kapunda, then commenced private practice at Curramulka, Yorke Peninsula, SA, where he was physician, surgeon and chemist. In 1926, he was appointed as new Medical Assistant to Dr Thomas Francis Ryan (T.F. Ryan, or Tom), in Nhill, Victoria, where his experiences included radiology and pharmacy. In 1927 he was Acting House Surgeon in Dr Tom Ryan’s absence. Dr Angus had become engaged to Gladys Forsyth and they decided he further his studies overseas in the UK in 1927. He studied at London University College Hospital and at Edinburgh Royal Infirmary and in 1928, was awarded FRCS (Fellow from the Royal College of Surgeons), Edinburgh. He worked his passage back to Australia as a Ship’s Surgeon on the on the Australian Commonwealth Line’s T.S.S. Largs Bay. Dr Angus married Gladys in 1929, in Ballarat. (They went on to have one son (Graham 1932, born in SA) and two daughters (Helen (died 12/07/1996) and Berenice (Berry), both born at Mira, Nhill ) According to Berry, her mother Gladys made a lot of their clothes. She was very talented and did some lovely embroidery including lingerie for her trousseau and beautifully handmade baby clothes. Dr Angus was a ‘flying doctor’ for the A.I.M. (Australian Inland Ministry) Aerial Medical Service in 1928 . Its first station was in the remote town of Oodnadatta, where Dr Angus was stationed. He was locum tenens there on North-South Railway at 21 Mile Camp. He took up this ‘flying doctor’ position in response to a call from Dr John Flynn; the organisation was later known as the Flying Doctor Service, then the Royal Flying Doctor Service. A lot of his work during this time involved dental surgery also. Between 1928-1932 he was surgeon at the Curramulka Hospital, Yorke Peninsula, South Australia. In 1933 Dr Angus returned to Nhill and purchased a share of the Nelson Street practice and Mira hospital (a 2 bed ward at the Nelson Street Practice) from Dr Les Middleton one of the Middleton Brothers, the current owners of what previously once Dr Tom Ryan’s practice. Dr Tom and his brother had worked as surgeons included eye surgery. Dr Tom Ryan performed many of his operations in the Mira private hospital on his premises. He had been House Surgeon at the Nhill Hospital 1902-1926. Dr Tom Ryan had one of the only two pieces of radiology equipment in Victoria during his practicing years – The Royal Melbourne Hospital had the other one. Over the years Dr Tom Ryan had gradually set up what was effectively a training school for country general-practitioner-surgeons. Each patient was carefully examined, including using the X-ray machine, and any surgery was discussed and planned with Dr Ryan’s assistants several days in advance. Dr Angus gained experience in using the X-ray machine there during his time as assistant to Dr Ryan. When Dr Angus bought into the Nelson Street premises in Nhill he was also appointed as the Nhill Hospital’s Honorary House Surgeon 1933-1938. His practitioner’s plate from his Nhill surgery is now mounted on the doorway to the Port Medical Office at Flagstaff Hill Maritime Village, Warrnambool. When Dr Angus took up practice in the Dr Edward and Dr Tom Ryan’s old premises he obtained their extensive collection of historical medical equipment and materials spanning 1884-1926. A large part of this collection is now on display at the Port Medical Office at Flagstaff Hill Maritime Village in Warrnambool. In 1939 Dr Angus and his family moved to Warrnambool where he purchased “Birchwood,” the 1852 home and medical practice of Dr John Hunter Henderson, at 214 Koroit Street. (This property was sold in1965 to the State Government and is now the site of the Warrnambool Police Station. and an ALDI sore is on the land that was once their tennis court). The Angus family was able to afford gardeners, cooks and maids; their home was a popular place for visiting dignitaries to stay whilst visiting Warrnambool. Dr Angus had his own silk worm farm at home in a Mulberry tree. His young daughter used his centrifuge for spinning the silk. Dr Angus was appointed on a part-time basis as Port Medical Officer (Health Officer) in Warrnambool and held this position until the 1940’s when the government no longer required the service of a Port Medical Officer in Warrnambool; he was thus Warrnambool’s last serving Port Medical Officer. (Masters of immigrant ships arriving in port reported incidents of diseases, illness and death and the Port Medical Officer made a decision on whether the ship required Quarantine and for how long, in this way preventing contagious illness from spreading from new immigrants to the residents already in the colony.) Dr Angus was a member of the Australian Medical Association, for 35 years and surgeon at the Warrnambool Base Hospital 1939-1942, He served as a Surgeon Captain during WWII1942-45, in Ballarat, Victoria, and in Bonegilla, N.S.W., completing his service just before the end of the war due to suffering from a heart attack. During his convalescence he carved an intricate and ‘most artistic’ chess set from the material that dentures were made from. He then studied ophthalmology at the Royal Melbourne Eye and Ear Hospital and created cosmetically superior artificial eyes by pioneering using the intrascleral cartilage. Angus received accolades from the Ophthalmological Society of Australasia for this work. He returned to Warrnambool to commence practice as an ophthalmologist, pioneering in artificial eye improvements. He was Honorary Consultant Ophthalmologist to Warrnambool Base Hospital for 31 years. He made monthly visits to Portland as a visiting surgeon, to perform eye surgery. He represented the Victorian South-West subdivision of the Australian Medical Association as its secretary between 1949 and 1956 and as chairman from 1956 to 1958. In 1968 Dr Angus was elected member of Spain’s Barraquer Institute of Barcelona after his research work in Intrasclearal cartilage grafting, becoming one of the few Australian ophthalmologists to receive this honour, and in the following year presented his final paper on Living Intrasclearal Cartilage Implants at the Inaugural Meeting of the Australian College of Ophthalmologists in Melbourne In his personal life Dr Angus was a Presbyterian and treated Sunday as a Sabbath, a day of rest. He would visit 3 or 4 country patients on a Sunday, taking his children along ‘for the ride’ and to visit with him. Sunday evenings he would play the pianola and sing Scottish songs to his family. One of Dr Angus’ patients was Margaret MacKenzie, author of a book on local shipwrecks that she’d seen as an eye witness from the late 1880’s in Peterborough, Victoria. In the early 1950’s Dr Angus, painted a picture of a shipwreck for the cover jacket of Margaret’s book, Shipwrecks and More Shipwrecks. She was blind in later life and her daughter wrote the actual book for her. Dr Angus and his wife Gladys were very involved in Warrnambool’s society with a strong interest in civic affairs. He had an interest in people and the community They were both involved in the creation of Flagstaff Hill, including the layout of the gardens. After his death (28th March 1970) his family requested his practitioner’s plate, medical instruments and some personal belongings be displayed in the Port Medical Office surgery at Flagstaff Hill Maritime Village, and be called the “W. R. Angus Collection”. This garment is an example of the beautiful handmade clothing produced in Australian homes in the early 20th century. The W.R. Angus Collection is significant for still being located at the site it is connected with, Doctor Angus being the last Port Medical Officer in Warrnambool. The collection of medical instruments and other equipment is culturally significant, being an historical example of medicine from late 19th to mid-20th century. Dr Angus assisted Dr Tom Ryan, a pioneer in the use of X-rays and in ocular surgery. Baby clothes, handmade baby dress. Silk, front opening, button and ribbon closure, crochet around edges. Made by Gladys Angus. part of the W.R. Angus Collection. Dress has been made only has one seam in itflagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, dr w r angus, dr ryan, surgical instrument, t.s.s. largs bay, warrnambool base hospital, nhill base hospital, mira hospital, flying doctor, baby dress, baby clothes, handmade baby clothes, glenys angus -
Whitehorse Historical Society Inc.
Clothing - Baby's dress and bolero, c1927-1929
Baby clothes worn by Una Reynolds, member of the Society. Born 1927, died 2003.Creamy-white, fine voile baby's dress.Bodice and short sleeves in magyur (dolman) style with buckingham point lace inserts. Square neck in lace edged with lace edging gathering. Skirt with lace inserts and handkerchief hem, edged with gathered, wider buckingham point lace. Side seams of bodice and skirt are lace inserts. Back opening with two buttons and buttonholes and white cotton tape tie from lace at neck.|Bolero in same fabric and lace. Has Peter Pan collar edged and trimmed in lace with silk ribbon insert tied at neck. Sleeves and front opening edged and trimmed with lace; lower edge has handkerchief points trimmed with lace.costume, infants' -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Certificate - Document, receipt Burial 1893 Ethel May Jones, c1890
James Jones was the son of Philip Jones, a Chairmaker, and Ann Jones who settled in East Brighton after the sale of land c1852 in the area of the Henry Dendy Special Survey of 1841. Mary Ann Moore was the daughter of Thomas Moore, a Gardener, and Sarah Harris who also settled in Brighton c1852. James and Mary Ann Jones settled and raised their family in East Brighton now Bentleigh. Mr John Herron resided at 4 Vickery St Bentleigh until 1989. Sadly Martha Jones born 1888 died in 1890 and James Jones had to purchase a plot at Brighton General Cemetery for her burial. Baby Ethel May was interred in 1893 and another baby in 1900 then Mary Ann in 1903 and James in 1940James Jones and Mary Ann Moore were born in Brighton c1857 and c 1859 into pioneer market gardener families in the area of the Dendy Special Survey of 1841. They married in 1883 and raised their family in East Brighton, now Bentleigh. Sadly infectious diseases took the lives of many infants throughout the Colony of Victoria due to the poor state of water supply and sewerage disposal and locally the swamps of the Elster Creek were a constant breeding ground. Martha Jones born 1888 died 1890 and was interred in Brighton General Cemetery in a family plot purchased by her father James Jones. In 1893 another daughter Ethel May died and was buried in the family plot. An original paper receipt No. 3454 for payment on 23 March 1893 by James Jones to Brighton General Cemetery of £1 . 1s For the burial of baby Ethel May Jones in a plot 4 feet x 8 feet, in the Wesleyan section portion 199 compartment G. Fee was for reopening the grave he had purchased in 1890 for the burial of his daughter Martha, aged 2 years . BRIGHTON GENERAL CEMETERY / 3454 ( stamped) / 23 March 1893 ( hand written ) / Received from Mr James Jones ( hand written ) / the sum of £1 . 1s being the following / charges in Wesleyan (hand written) / Portion No, 199 compt.G Name of / deceased Ethel May Jones ( handwritten) / for re-opening grave internment recent ( hand written) £1 . 1s / Signed S Simmonds ( ?manager) Along left side of receipt is printed SOUTHERN CROSS PRINT, BRIGHTON melbourne, brighton, moorabbin, water supply, pioneers, bentleigh, dendy henry, market gardeners, early settlers, jones mary ann, wesleyan church, jones james, vaccination, typhoid, dendys special survey 1841, infectious diseases, elster creek, jones martha, brighton general cemetery, orford g h, printers, southern cross office, bay street brighton, jones ethel may -
Kew Historical Society Inc
Equipment, US Army OCD, MI, Pliofilm & Metal Infant Protector, 1941-1945
This infant protectors was donated to the Kew Historical Society by officers of the City of Kew. It was presumably held by the City for protection against gas attacks.Rare piece of WW1 equipment designed to protect infants on the home front.A respirator designed by the US Army O.C.D to be used to protect a baby in case of a gas attack. The respirator comprises a green pliofilm bag with a draw-string to secure the bag after a baby was placed in it. A hose and hand-action pump provides air for the baby. The respirator includes a detailed description of how it is to be used and stored. infant respirator, gas mask, world war two -
Phillip Island and District Historical Society Inc.
Photograph - Post Card, Koala, 1950
Donated by Molly CookBlack & White Postcard of a Koala and baby on it's back in a tree."Photo Shop Series" "Koala Bear" "Phillip Island"wildlife - koala, koalas, cowes phillip island, molly cook -
Phillip Island and District Historical Society Inc.
Photograph
Part of collection of Photographs donated to the Museum by the family of the late Mr. Jack Jenner. (1977)Black & White Photograph of baby Koala, (Edward), in pie dish"Koala Pie", Cowes.local history, photography, photographs, slides, film, view koala (edward), black & white photograph, jack jenner, koala, edward koala, phillip island -
Phillip Island and District Historical Society Inc.
Photograph, Bryant West, 1962
One of a collection of over 400 photographs in an album commenced in 1960 and presented to the Phillip Island & Westernport Historical Society by the Shire of Phillip IslandPhotograph of Mrs Jackobsen with Lady Brooks holding baby daughter.local history, photographs, new warley hospital opening, john jenner, mrs jackobsen, lady brooks, mrs jackobsen's baby daughter -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Clothing - Clothing, baby's pants, c1900
The pioneer settlers and market gardeners of Moorabbin Shire had to be self reliant and made their own clothing and utensils. This is one of the many items that exhibit the skill and craftsmanship of the women of these familiesThis pair of white cotton baby's pants with button holes is an example of the dressmaking skills and craft-work of the women of the pioneer families. The Peck family were early settlers in Moorabbin Shire.A pair of baby's white cotton pants with button-holes at waist.clothing, brighton, moorabbin, bentleigh, dressmaking, early settlers, craftwork, mr peck -
National Vietnam Veterans Museum (NVVM)
Photograph, Please Help
A Black and White Photograph of a Mother begging on the street nursing a baby.photograph, vietnamese children -
Numurkah & District Historical Society
Photograph - Photo of baby
Black & white oval studio photo of baby in white gown -
City of Ballarat
Artwork, other - Public Artwork, Carlo Benzoni, The Flight From Pompeii, Circa 1885
The Flight from Pompeii was designed by Professor Carlo Benzoni and carved by Charles Francis Summers, one of five white marble statues housed in the Statuary Pavilion, Ballarat Botanical Gardens.The Pavilion and its statues were unveiled in 1888 by Premier Duncan Gillies, a former colleague of James Russell Thompson whose bequest to the City enabled the purchase, in Italy, of the statues. The Flight from Pompeii and the four accompanying statues are housed in the Statuary Pavilion in the Ballarat Botanical Gardens. The Flight from Pompeii, in the centre, was designed by Professor Carlo Benzoni and carved by Charles Francis Summers while the four accompanying statues were all designed and carved by Charles Francis Summers. The octagonal Pavilion was specially designed by T.E. Molloy in 1887 to house the statuary. The five statues and Pavilion are believed to be unique in Australia. The Flight from Pompeii, Modesty, Rebekah, Ruth and Susannah are aesthetically significant as they are a group of statues, which are a fine example of the design of Professor G.M. Benzoni [Flight from Pompeii] and the design and carving of Charles Francis Summers. The carving of the Flight from Pompeii is both sensitive and finely done and both the design and carving of Modesty, Rebekah, Ruth and Susannah is sensitive and delicate with great attention to detail. The group is historically important as it epitomises the 'beautification' of the city in the 1880s by men who made their money from gold and who wished to give to the city money for projects such the statuary Pavilion and its contents. The Flight from Pompeii group is located in the Botanical Gardens, which were then also being developed in the Victorian style. This also illustrates the social feeling of the time in which the wealthy had made their money and were wanting to develop in a most substantial way, as well as to 'beautify' the city in which they lived. The Pavilion, designed by the major Ballarat architect T.E. Molloy, is unusual for its top-lit central lantern and curved roofs. The statues are seen to their best advantage because of the provision of all-round and top natural lighting. Classified: 03/03/2003 Victorian Heritage Database.White marble statue of a male, female and baby (family) in flight.The Flight From Pompeii by Charles Summersflight, pompeii, benzoni, summers -
National Wool Museum
Archive - Advertisement, Laconia Woollen Mills, 1957
Note from collector- "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from." Laconia Pure Lamb's Wool Blankets (mother and baby in bed)Laconia Pure Lamb's Wool Blankets/Make Goodnight a Certainty/*There's nothing in the World like WOOLblankets, blanket fever, wool, laconia, advertisement, australian women's weekly -
National Wool Museum
Singlet
Made by Sylvia Maidment 1947-48.Cream baby's singlet knitted by Sylvia Maidment 1944-1948.knitting, maidment, mr ian maidment, ms sylvia -
National Wool Museum
Dress
Made by Sylvia Maidment 1947-48.Cream baby's dress knitted by Sylvia Maidment 1944-1948.knitting, maidment, mr ian maidment, ms sylvia -
Whitehorse Historical Society Inc.
Clothing - Baby's Bonnet, 1930s
Cream crocheted baby bonnet made of rayon and lined with netcostume, infants' -
Whitehorse Historical Society Inc.
Clothing - Baby's Bonnet
Cream silk baby bonnet lace edged and embroidered in creamcostume, infants' -
Whitehorse Historical Society Inc.
Clothing - Baby's Jacket
White cotton baby jacket. Finely knitted and with drawstring at neck.costume, infants' -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, Bairnsdale Advertiser, 1/08/1994 12:00:00 AM
Black and white photograph of baby Megan Siacci with mother Amandacelebrations -
Kew Historical Society Inc
Photograph, Alf Ewin, Little Joe, aged 6 months, 1890-1914
Studio portrait in cabinet card format of a baby on an elevated table. Annotation on reverse: "Little Joe, 6 months". alf ewin (photographer), children -- portraits -
Flagstaff Hill Maritime Museum and Village
Baby Bonnet, c. 1912
In the Words of donor, Betty Stone , … “These crocheted and embroidered articles cover a period of three generations- ie. Sarah (nee Chamberlain) Lees, Ann (nee Lees) Dale, and Daisy Elvena (nee Dale) Welsh. All three were accomplished needlewomen; also, both Sarah Lees (born 1844) and her daughter, Ann (b 1865) crocheted a wide variety of articles for use in their homes. A few examples of these items have survived the years.” Baby's Crocheted Bonnet - This finely crocheted bonnet was made by Sarah (nee Chamberlain) Lees and is at least one hundred years old. Due to the condition of the original ribbon ties, they have been replaced with new ribbon. (NOTE: For additional information please refer to my book Pioneer and Places- A History of Three Warrnambool Pioneering Families ie. Chamberlain, Dale and Lees families) This item is associated with families of Chamberlain, Dale and Lees. These families are listed in the "Pioneers' Register" for Warrnambool Township and Shire, 1835-1900, published by A.I.G.S. Warrnambool Branch.Baby bonnet, white, fine crochet, white decorative piece over crown, ribbon ties are replacement for worn ties. Made c.1912 by Sarah Lees (nee Chamberlain), from the 'Chamberlain Dale Lees Collectionflagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, baby bonnet, c. 1912, sarah chamberlain, sarah lees, chamberlain, dale, lees, stone, betty stone, warrnambool pioneers, handmade, handcraft, crochet, baby clothes -
Bendigo Historical Society Inc.
Clothing - BABY CLOTHES COLLECTION: BABY MITTENS, Early 1940's
Machine knitted and stitched baby mittens. Salmon pink wool. Knitted woollen ties at wrist.This collection of knitted and sewn garments were made in the early 1940s and were intended for a baby that was stillborn.costume, children's, baby mittens -
Bendigo Historical Society Inc.
Book - W. GRENFELL BOOKLET WITH BABY PHOTOS AND SHOOPING LIST
Small booklet with 17 baby photos with shopping list. With compliments of W. Grenfell 343 Bond Street Long Gully, Bendigo. Phone 1831. Inside photos of babies and various meat recipes.business, retail, w. greenfell -
Whitehorse Historical Society Inc.
Document - Receipt, 1965
Shows the handwritten receipts used in local shops in 1960sReceipt from baby wear shop. Printed on top 'Baby Wear (A>E> Wallis & W.M. Peverell) 'Alorna' 36 Station Street Nunawading 873693. Printed on bottom of receipt 'Thank You'documents, commercial -
Port Melbourne Historical & Preservation Society
Photograph - Swallow & Ariell Busy Bee Baby Garment Stall, 1914 - 1920
One of 44 black and white photos recording the work and contribution by Swallow & Ariell's "Busy Bee" for the First World War in Europe .03 - Two ladies examining goods on the "S&A Busy Bee Baby Garment Stall" which is housed in a giant baby carriage. "Babies are our best immigrants and our future asset" is written on the side.built environment - industrial, business and traders, war - world war i, social activities, busy bee, swallow & ariell ltd, red cross -
Bendigo Military Museum
Photograph - PHOTOGRAPH WW2, c.1941 Possiible
Sgt Ignacio EISMA, 1st Howitzer Battalion, Dutch East Indies Army. Sgt EISMA died 3.1943 at the Rin Tin POW Camp on the Thai Burma Railway. Refer Cat No’s 3668 and 3670.Coloured photo, copy of original, of a man with a young baby on his knee.photograph, pow, dutch -
Kiewa Valley Historical Society
Baby's Bonnet
This bonnet could have been part of a Christening outfit which matches the same style of "KVHS 0235" The quality of the garment and the fashion style it represents is both historical, and is of the fashion in that era. It has Christian religious implications and values of the time frame of regional life in the early 1900s. It is hand made possibly by the mother of the child being christened. The bonnet was probably worn at a christening in one of the Kiewa Valley churches (denomination unknown). The importance of the event to family and friends is shown by the quality of the garment. These style Christening items were often worn buy several children of the one family , both boys and girls. Other items that match this outfit are KVHS 0235. White crocheted baby's bonnet threaded with white ribbon. (Possibly for christening.) infant. baby. bonnet. crochet. christening.