This yearly effort was conducted from 12.11.1998 - 12.12.1998. At the bottom of each page are details re pick up and delivery of tickets and stocking. The raffle was conducted from 3 different selling points. The names on the roster are a who's who of the RSL at the time, except for two names all the sellers were WW2 era members being a list of President current, ex Presidents, Life members, Committee and notables. The hand written notes were by Jack Barnes OAM. Refer Cat No's 8130P & 8220.Bendigo RSL Xmas stocking raffle roster, 4 pages all white, first two pages are typed in black, one is for the morning roster and one the afternoon, pages 3 & 4 are a handwritten version getting the final ready, text in blue pen with some in red. All are stapled together.On first page in red pen, "98"brsl, smirsl, stocking, xmas, 1998

This newsletter published in January 1999 by the President Bendigo RSL Alan Holmes is basically an Annual report of the Sub Branch in 1998. The 22 sub headings cover all aspects of the Sub Branch. The one photograph shows Norm Smart with his Life Membership Certificate on the left, on the right is Jack Barnes, Norm was the Treasure BRSL and Jack was the Secretary. Some of the main points are: Membership total 1998 being 797, 40 members had passed on, award of the French Legion of Honour to Jack Locket 108 years old, Anzac Day was a high standard with guest Speaker Ray Wheeler, Annual dinner guest speaker being Warick Johanson, Life Membership awarded to Norm Smart, 97 parcels had been delivered to Members in Care, Appreciation to Jack Barnes, Norm Smart & Peter Ball, 19 Bendigo RSL Members win the Edinburg Bowls Sheild, Museum report by Curator Peter Ball, Appeals report by Malcolm Angus raising in the two Appeals, ANZAC $29,223.35, POPPY $22565.20, List of the full Committee 1998 & next AGM to be February 8th 1999, the first Sandakan service and B.B.Cue to be held on Sunday March 7th at 11.00Newsletter, paper, 4 pages each folded, all print B &W, there are 22 sub headings, two advertisements and one large article re Whats on at the Bendigo & District Servicemen's Club, heading on first page is simply "Newsletter 1999" underlined, one photo showing two RSL Members.brsl, smirsl, newsletter, 1999

This certificate was presented at the East Gippsland Shire Council Australia Day celebrations on 26.1.2003. The veiling of McKillops bridge was a 'Year of the Outback' event. The event was organised by Orbost resident, Sr Helen Barnes RSJ. to show solidarity with rural people. The local community transformed the bridge into "a symbol of communal love and hope", when its sides were draped with hundreds of personal messages. McKillop's Bridge, located high in the Snowy Mountains, is named after George McKillop, a pioneering explorer of the area. The bridge is a vital link for isolated farming communities living beyond the Bonang highway. The Veiling of McKillops Bridge was a significant community event.A large framed certificate. An Australia Day Community Event certificate for January 2003. The frame is silver The certificate has white, green and blue print on a blue background.presented to "Veiling of McKillops Bridge on frame corner AMS by East Gippsland Shie Council signed by Cr P. Bommer (mayor)mckillops-bridge-veiling east-gippsland-shire-council-australia-day

Bendigo RSL Sub Branch Committee 1993, the photo was taken in the old meeting room now the Building and RSL history room SMI, BMM. Standing at rear, Ted Kennedy, Frank O’Connell, Cliff Richards, Bill Scholtens, Jack Barnes, Alan Holmes, M Beams, Laure Schilling, Les Waters. Sitting. Jack Colston, Max O’Haloran, Jack Fay, Norm Smart, Fred Addlem. Not present Cliff Clohesy, Ian Bates. Committee history re the above as per listed. Kennedy 1993 to 1997, 1999 to 2000. O’Connell 1993 to 1999. Richards 1992 to 2017 President 2002 to 2017. Scholtens 1985 to 1987,1989, 1993 to 1997, 2001 to 2002. Barnes refer Cat No 8040. Holmes 1993 to 2001, President 1997 to 2001. Beams 1992 to 1993, Schilling 1992 to 2001. Waters 1985, 1988 to 1995. Colston 1979 to 1996, 1999 to 2000. O’Haloran 1961, 1963, 1971, 1982 to 1992, President 1961, 1963, 1983 to 1992. Fay 1958 to 1960, 1963 to 1996, 1998 to 2000. Smart 1985 to 2002 refer Cat No 8131.2P. Addlem 1982 to 1996, 1998 to 2000. Clohesy 1981 to 1991, 1993 to 1996 President 1993 to 1996. Bates 1990 to 1997, 1999. Photograph colour showing 14 men sitting/standing at the end of a table. On the rear is text in red pen.On rear, “C Clohesy away, I Bates away, Committee 1993”brsl, smirsl

Bishops Palace was built in 1877 as the home for the first Catholic Bishop of Ballarat. Designed by Melbourne architect, Joseph Reed, of Reed and Barnes, it was built by George Broom at a cost of £6,000. Reed and Barnes also designed Melbourne’s State Library, Ripponlea Estate and the Melbourne Royal Exhibition Building. The original heritage-listed gold lead stencilled paintwork that can be seen in the front entry and on the staircase walls at Bishops Palace was replicated in the Royal Exhibition Building. The original property was 140 squares set on 11 acres of gardens and took up an entire block of Sturt Street. This was on scale with the importance of Ballarat as a gold-mining centre at the time. Bishop's Palace is of architectural, aesthetic and historical significance to the State of Victoria. The two-storey bluestone mansion is an impressive example of 19th-century Gothic architecture with an unusual design. It retains many of its original features, including lead stencilled paintwork, cornices, ceiling roses, fixtures and fittings. Since sold by the Catholic Church the Bishops Palace has undergone a number of transformations in its lifetime, from the home of the first Bishop to a private residence, and today, as a luxurious accommodation, wedding and events venue. The grounds were subdivided over the years, and the property is now surrounded by four of the original 11 acres of gardens. It opened its doors to the public in 2019.Colour image of the bluestone Bishop's Palace, and it's cast iron lace.architecture, garden, bishop's palace, cast iron lace, cast iron, catholic church

The Kew Light Opera Company was formed in 1952, and mounted a number of musical and variety productions each year until it was subsumed in the "Q" Theatre Guild in 1957. A partial record of performances by the company includes: 1952 Florodora, 1953 The Cingalee - San Toy or The Emperor's Own, 1954 While the Sun Shines - A Country Girl - Our Miss Gibbs, 1955 The Toreador - The Arcadians, 1956 The Maid of the Mountains - Whiteoaks - Goodnight Vienna!, 1957 A Country Girl. Most of the Company's performances took place in the Kew Recreation Hall in Wellington Street, Kew. The scrapbook of annotated photographs, programmes, and newspaper reviews of which this item is a part was assembled by Marion Tilley, wardrobe mistress for, and performer in, productions by the Kew Light Opera Company and the "Q" Theatre Guild. It is significant as a remarkably complete document of theatre performances in Kew, Victoria during the 1950s and 1960s. The scrapbook, and the items individually catalogued within it, have artistic and aesthetic significance within the history of performing arts in Victoria in the middle of the 20th Century. They have social significance in that they reveal socio-cultural values and preoccupations during the period. The records also act as a history of arts activities in the Kew Recreation Hall and later in the Kew City Hall as entertainment and community arts and music precincts.Black and white photograph of performers in San Toy OR The Emperor's Own. San Toy was a "Chinese" musical comedy in two acts, first performed at Daly's Theatre, London, on 21 October 1899. The book was written by Edward Morton, and the musical score was written by Sidney Jones with lyrics by Harry Greenbank and Adrian Ross. Additional songs were written by Lionel Monckton. The scenery was by Alexander and Day and the production directed by Lance Nicholls in the Kew Recreation Hall. In the photo, nine of the ten members of The Emperor's Own are singing. The photo may include: Ethel Duncan, Marion Tilley, Julie Johnstone, Naomi Owen, Ruth Barnes, Joan Millerchip, Thelma Hiscock, Esme Melville, Elma Nicholson, and Jean Hayles.performing arts -- kew (vic.), scrapbooks, marion tilley collection, kew light opera company, kew recreation hall, musical comedy -- melbourne -- victoria

The Kew Light Opera Company was formed in 1952, and mounted a number of musical and variety productions each year until it was subsumed in the "Q" Theatre Guild in 1957. A partial record of performances by the company includes: 1952 Florodora, 1953 The Cingalee - San Toy or The Emperor's Own, 1954 While the Sun Shines - A Country Girl - Our Miss Gibbs, 1955 The Toreador - The Arcadians, 1956 The Maid of the Mountains - Whiteoaks - Goodnight Vienna!, 1957 A Country Girl. Most of the Company's performances took place in the Kew Recreation Hall in Wellington Street, Kew. The scrapbook of annotated photographs, programmes, and newspaper reviews of which this item is a part was assembled by Marion Tilley, wardrobe mistress for, and performer in, productions by the Kew Light Opera Company and the "Q" Theatre Guild. It is significant as a remarkably complete document of theatre performances in Kew, Victoria during the 1950s and 1960s. The scrapbook, and the items individually catalogued within it, have artistic and aesthetic significance within the history of performing arts in Victoria in the middle of the 20th Century. They have social significance in that they reveal socio-cultural values and preoccupations during the period. The records also act as a history of arts activities in the Kew Recreation Hall and later in the Kew City Hall as entertainment and community arts and music precincts.Black and white photograph of performers in San Toy OR The Emperor's Own. San Toy was a "Chinese" musical comedy in two acts, first performed at Daly's Theatre, London, on 21 October 1899. The book was written by Edward Morton, and the musical score was written by Sidney Jones with lyrics by Harry Greenbank and Adrian Ross. Additional songs were written by Lionel Monckton. The scenery was by Alexander and Day and the production directed by Lance Nicholls in the Kew Recreation Hall. In the photo, nine of the ten members of The Emperor's Own are singing. They include: Ethel Duncan, Marion Tilley, Julie Johnstone, Naomi Owen, Ruth Barnes, Joan Millerchip, Thelma Hiscock, Esme Melville, Elma Nicholson, and Jean Hayles.performing arts -- kew (vic.), scrapbooks, marion tilley collection, kew light opera company, kew recreation hall, musical comedy -- melbourne -- victoria

This album was donated to the Orbost & District Historical Society after the death of Judy Walcott, a long-time member. The veiling of McKillops bridge was a 'Year of the Outback' event. The event was organised by Orbost resident, Sr Helen Barnes RSJ. to show solidarity with rural people. The local community transformed the bridge into "a symbol of communal love and hope", when its sides were draped with hundreds of personal messages. McKillop's Bridge, located high in the Snowy Mountains, is named after George McKillop, a pioneering explorer of the area. The bridge is a vital link for isolated farming communities living beyond the Bonang highway.This album is a useful reference tool.A large photo album with a bright yellow cover and 19 plastic sleeves. It contains photographs, newspaper clippings, brochures , maps and an invitation to the veiling of McKillops Bridge on 8th August 2002. It also contains the history of McKillops Bridge.On inside cover - left hand side - "To Marie with Best Wishes from Judy Walcott 8/8/2005"mckillops-bridge album

These forceps were owned by Dr John Sidney Green, who was very skilled in their use and at the peak of his career in 1936. Green was a contemporary of Arthur Wilson and Arthur Chambers [Communication from Dr Cyrus Jones, 17/7/1997]. These forceps are unusual due to the addition of the Neville traction rod attachment, which is usually associated with Barnes-Neville forceps rather than Simpson forceps. Developed by James Young Simpson in 1848, Simpson forceps have become arguably the most popular model of forceps for use, and were adapted in the creation of many later designs.Set of steel obstetric forceps, consisting of two blades and a traction rod attachment. Inscribed "J.S.G" on stem of left blade."J.S.G"obstetric delivery

Collection of photographs showing an armoured regiment of the Citizen Forces in the 1960s as it transitioned from wheeled armoured vehicles to tanks to M113 armoured personal carriers.Black and white photograph of large group of soldiers with trucks in background. All are dressed in tanksuits and wearing black berets and 8th/13th VMR hat badges." Back Row 1--, --, Lt. Greathead, Tpr Schneider, Tpr Delphin,--, Tpr B. Bauerle, Tpr Hall, --,Tpr G. Cole, J. Farrelly, --, J. McLean, Centre : --, Tpr Anderson, Tpr Williams, Tpr Macklin, Tpr Barnes Front : --, Sgt Shepherd, L. Madjeric, Tpr Vincent, --, Tpr Cameron, Tpr McCluskey, Tpr Doyle, L/Cpl Roberts,

Photograph of the Kangaroo Hills School No 881 World War One Honour Board on display in the Smeaton Primary School in 2013.world war one, kangaroo hills, kangaroo hills state school honour board, caligari, t. barnes, barnes, caligari, dalton, fletcher, hurn, monohan, smitth, waddingham, whatmore

Bound book of 100 Certifications - "Hawthorn Tramways Trust - Certificate of Competency as Motorman". Consists of 100 pages of certificates, numbered 1 to 100, with butt of each certificate retained in the book. Bound with heavy card covers, red coloured on the outside of the covers, stapled with black binding material. Each Certificate numbered, in top left hand corner, giving date, employee name, date of birth and signed or initialled by the Engineer and Manager. In the top left hand corner of the book is printers logos - The Prahran Telegraph Printing Co, King St, opposite Town Hall, telephone 108W. Most certificates issue 29.12.1919. Certificates 1 to 58 issued by HTT 59 and 60 issue with HTT crossed out and MMTB written in. 61 to 75 and 92 to 99 removed from book and No. 100 removed altogether. No. 74 is loose. See related documents for a list of the names.See separate List - located in box 01-03-05trams, tramways, hawthorn tramways trust, htt, motormen, certificates

Vol. 8, No. 5, Summer Edition 2003-04 CONTENTS Clive Dickson talks to Steffie Wallace 3 Les Barnes - Bird Man by Elizabeth Gooding 6 The DVA Theatre Company 8 Fiona Sievers at Menzies Theatre 9 Odette Kelada at la Mama 10 Poetry News and Reviews 12 Vale Neil Douglas 16 Long Ride to Benares - Julian Chapple 18 Sarah Hammond on Leanne Mooney 19 Corrina Tauschke on Kathe Kollwitz 21 Visualising Pure Realms 23 Poem 24 CD Reviews 25 Artin' About 27 Wining & Dining 30 Listings 32 "Peter Dougherty has been involved in the local art scene for many years. As publisher and editor of the arts magazine Artstreams, his comments on the various branches of the arts are widely respected. His "The Arts" column in the Diamond Valley Leader presents a brief summary for a much wider cross section of the local community. Peter also operates his own gallery and the Artstreams Cafe at the St Andrews market. Peter has a wealth of knowledge about present day and historical aspects of local art and artists." - Eltham District Historical Society Newsletter No. 161, March 2005Colour front and back cover with feature articles and literary pieces with photographs and advertisements printed in black and white. 36 pages, 30 cm. Vol. 1, no. 1 (Nov. 1996) - Vol. 10, no. 5 (summer ed. 2005/​06) art streams, neil douglas, steffie wallace, clive dickson, bundoora homestead, sushi wushi eltham, les barnes, elizabeth gooding, dva thearte company, odette kelada, eltham fullife pharmacy, eltham wiregrass gallery, john jenkins, poetry, montsalvat, julian chapple, sarah hammond, leanne mooney, eltham gourmet poultry & game, dynamic vegies, corrina tauschke, potters, nerina lascelles, warrandyte cafe, bulleen art & garden centre, hurstbridge galleries, il primo restaurant carlton, leigh conkie, alan marshall short story award, ruth anderson, sylvia halpern, gus mclaren, northcote pottery, st andrews hotel, thompsons amcal pharmacy, bendigo bank, hurstbridge & districts community bank branch, mia mia gallery and cafe

Kew achieved independence from the Boroondara Roads Board in 1860. As a new municipality, its first three leaders were designated as chairmen. On becoming a borough in 1863, its leaders were identified as mayors. The earliest photographs date from ca.1906, when the Town of Kew commissioned the noted local photographer Josiah E Barnes to produce standardised portraits of former mayors to be displayed in the Mayoral Chamber of the Town Hall. The collection also includes photographs by other well-known photographic studios such as Burlington Studios, Melba – Melbourne, Stuart Tompkins, Spencer Shier and Talma & Co. The majority of mounts identify the photographer. Eighty photographs are housed in their original frames.This portrait is one of a series of mounted and framed photographic portraits of mayors and town clerks of the former Borough, Town and City of Kew. The portraits were transferred by the City of Kew to the Kew Historical Society in March 1989. A Significance Assessment in 2018, funded by the National Library of Australia confirmed the historic, and often artistic significance of the series.Framed portrait of Cr. Duncan R. McGregor, Mayor of Kew 1878-80. The mounting and framing of the photograph follows a typical layout or style in that each is framed in dark wood, glazed, and laid down on an inscribed board. The inscription identifies the name of the mayor and the year/s that he/she served.Duncan R. McGregor, Mayor [of Kew] 1878-80mayors of kew (vic), cr. duncan r. mcgregor, kew (vic.) — municipal collection

Kew achieved independence from the Boroondara Roads Board in 1860. As a new municipality, its first three leaders were designated as chairmen. On becoming a borough in 1863, its leaders were identified as mayors. The earliest photographs date from ca.1906, when the Town of Kew commissioned the noted local photographer Josiah E Barnes to produce standardised portraits of former mayors to be displayed in the Mayoral Chamber of the Town Hall. The collection also includes photographs by other well-known photographic studios such as Burlington Studios, Melba – Melbourne, Stuart Tompkins, Spencer Shier and Talma & Co. The majority of mounts identify the photographer. Eighty photographs are housed in their original frames.This portrait is one of a series of mounted and framed photographic portraits of mayors and town clerks of the former Borough, Town and City of Kew. The portraits were transferred by the City of Kew to the Kew Historical Society in March 1989. A Significance Assessment in 2018, funded by the National Library of Australia confirmed the historic, and often artistic significance of the series.Framed portrait of Cr. J. Lewis Carnegie, Mayor of Kew 1908-9; 1924-5; and 1934-5. The mounting and framing of the photograph follows a typical layout or style in that each is framed in dark wood, glazed, and laid down on an inscribed board. The inscription identifies the name of the mayor and the year/s that he/she served.Cr. J. Lewis Carnegie, Mayor [of Kew] 1908-9; 1924-5; 1934-5mayors of kew (vic), cr. j. lewis carnegie, kew (vic.) — municipal collection

Kew achieved independence from the Boroondara Roads Board in 1860. As a new municipality, its first three leaders were designated as chairmen. On becoming a borough in 1863, its leaders were identified as mayors. The earliest photographs date from ca.1906, when the Town of Kew commissioned the noted local photographer Josiah E Barnes to produce standardised portraits of former mayors to be displayed in the Mayoral Chamber of the Town Hall. The collection also includes photographs by other well-known photographic studios such as Burlington Studios, Melba – Melbourne, Stuart Tompkins, Spencer Shier and Talma & Co. The majority of mounts identify the photographer. Eighty photographs are housed in their original frames.This portrait is one of a series of mounted and framed photographic portraits of mayors and town clerks of the former Borough, Town and City of Kew. The portraits were transferred by the City of Kew to the Kew Historical Society in March 1989. A Significance Assessment in 2018, funded by the National Library of Australia confirmed the historic, and often artistic significance of the series.Framed portrait of Cr. H.W. Tompkins, Mayor of Kew 1918-20. The mounting and framing of the photograph follows a typical layout or style in that each is framed in dark wood, glazed, and laid down on an inscribed board. The inscription identifies the name of the mayor and the year/s that he/she served.H.W. Tompkins / Mayor 1918-20mayors of kew (vic), australian photographers - josiah earl barnes, cr. h.w. tompkins, kew (vic.) — municipal collection

Kew achieved independence from the Boroondara Roads Board in 1860. As a new municipality, its first three leaders were designated as chairmen. On becoming a borough in 1863, its leaders were identified as mayors. The earliest photographs date from ca.1906, when the Town of Kew commissioned the noted local photographer Josiah E Barnes to produce standardised portraits of former mayors to be displayed in the Mayoral Chamber of the Town Hall. The collection also includes photographs by other well-known photographic studios such as Burlington Studios, Melba – Melbourne, Stuart Tompkins, Spencer Shier and Talma & Co. The majority of mounts identify the photographer. Eighty photographs are housed in their original frames.This portrait is one of a series of mounted and framed photographic portraits of mayors and town clerks of the former Borough, Town and City of Kew. The portraits were transferred by the City of Kew to the Kew Historical Society in March 1989. A Significance Assessment in 2018, funded by the National Library of Australia confirmed the historic, and often artistic significance of the series.Framed portrait of Cr. F.G.A. Barnard, Mayor of Kew 1920-1. The mounting and framing of the photograph follows a typical layout or style in that each is framed in dark wood, glazed, and laid down on an inscribed board. The inscription identifies the name of the mayor and the year/s that he/she served.[Inscription] "F.G.A. Barnard 1920-1"mayors of kew (vic), cr. f.g.a. barnard, kew (vic.) — municipal collection

Kew achieved independence from the Boroondara Roads Board in 1860. As a new municipality, its first three leaders were designated as chairmen. On becoming a borough in 1863, its leaders were identified as mayors. The earliest photographs date from ca.1906, when the Town of Kew commissioned the noted local photographer Josiah E Barnes to produce standardised portraits of former mayors to be displayed in the Mayoral Chamber of the Town Hall. The collection also includes photographs by other well-known photographic studios such as Burlington Studios, Melba – Melbourne, Stuart Tompkins, Spencer Shier and Talma & Co. The majority of mounts identify the photographer. Eighty photographs are housed in their original frames.This portrait is one of a series of mounted and framed photographic portraits of mayors and town clerks of the former Borough, Town and City of Kew. The portraits were transferred by the City of Kew to the Kew Historical Society in March 1989. A Significance Assessment in 2018, funded by the National Library of Australia confirmed the historic, and often artistic significance of the series.Framed portrait of Cr. H. Coleman, Mayor of Kew 1921-22 and 1929-30. The mounting and framing of the photograph follows a typical layout or style in that each is framed in dark wood, glazed, and laid down on an inscribed board. The inscription identifies the name of the mayor and the year/s that he/she served.[Inscription] "H. Coleman, Mayor 1921-22 and 1929-30" [Photographer] "Talma & Co Melbourne"mayors of kew (vic), australian photographers - tasma & co - melbourne (vic), cr. h. coleman, kew (vic.) — municipal collection

Kew achieved independence from the Boroondara Roads Board in 1860. As a new municipality, its first three leaders were designated as chairmen. On becoming a borough in 1863, its leaders were identified as mayors. The earliest photographs date from ca.1906, when the Town of Kew commissioned the noted local photographer Josiah E Barnes to produce standardised portraits of former mayors to be displayed in the Mayoral Chamber of the Town Hall. The collection also includes photographs by other well-known photographic studios such as Burlington Studios, Melba – Melbourne, Stuart Tompkins, Spencer Shier and Talma & Co. The majority of mounts identify the photographer. Eighty photographs are housed in their original frames.This portrait is one of a series of mounted and framed photographic portraits of mayors and town clerks of the former Borough, Town and City of Kew. The portraits were transferred by the City of Kew to the Kew Historical Society in March 1989. A Significance Assessment in 2018, funded by the National Library of Australia confirmed the historic, and often artistic significance of the series.Framed portrait of Cr. J.H. Woolcock, Mayor of Kew 1922-3, 1923-4. The mounting and framing of the photograph follows a typical layout or style in that each is framed in dark wood, glazed, and laid down on an inscribed board. The inscription identifies the name of the mayor and the year/s that he/she served.[Inscription] "Cr. J.H. Woolcock, Mayor 1922-24" [Photographer] "C.S. Tompkins / Camberwell"mayors of kew (vic), cr. j.h. woolcock, australian photographers - c. stuart tompkins - camberwell (vic), kew (vic.) — municipal collection

Kew achieved independence from the Boroondara Roads Board in 1860. As a new municipality, its first three leaders were designated as chairmen. On becoming a borough in 1863, its leaders were identified as mayors. The earliest photographs date from ca.1906, when the Town of Kew commissioned the noted local photographer Josiah E Barnes to produce standardised portraits of former mayors to be displayed in the Mayoral Chamber of the Town Hall. The collection also includes photographs by other well-known photographic studios such as Burlington Studios, Melba – Melbourne, Stuart Tompkins, Spencer Shier and Talma & Co. The majority of mounts identify the photographer. Eighty photographs are housed in their original frames.This portrait is one of a series of mounted and framed photographic portraits of mayors and town clerks of the former Borough, Town and City of Kew. The portraits were transferred by the City of Kew to the Kew Historical Society in March 1989. A Significance Assessment in 2018, funded by the National Library of Australia confirmed the historic, and often artistic significance of the series.Framed portrait of Cr. Geo. Ramsay, Mayor of Kew 1925-26. The mounting and framing of the photograph follows a typical layout or style in that each is framed in dark wood, glazed, and laid down on an inscribed board. The inscription identifies the name of the mayor and the year/s that he/she served.[Inscription] "Geo. Ramsay, Mayor 1925/6mayors of kew - cr. george ramsay - kew (vic), kew (vic.) — municipal collection

Kew achieved independence from the Boroondara Roads Board in 1860. As a new municipality, its first three leaders were designated as chairmen. On becoming a borough in 1863, its leaders were identified as mayors. The earliest photographs date from ca.1906, when the Town of Kew commissioned the noted local photographer Josiah E Barnes to produce standardised portraits of former mayors to be displayed in the Mayoral Chamber of the Town Hall. The collection also includes photographs by other well-known photographic studios such as Burlington Studios, Melba – Melbourne, Stuart Tompkins, Spencer Shier and Talma & Co. The majority of mounts identify the photographer. Eighty photographs are housed in their original frames.This portrait is one of a series of mounted and framed photographic portraits of mayors and town clerks of the former Borough, Town and City of Kew. The portraits were transferred by the City of Kew to the Kew Historical Society in March 1989. A Significance Assessment in 2018, funded by the National Library of Australia confirmed the historic, and often artistic significance of the series.Framed portrait of Cr. G.H. Cole, Mayor of Kew 1926-27. The mounting and framing of the photograph follows a typical layout or style in that each is framed in dark wood, glazed, and laid down on an inscribed board. The inscription identifies the name of the mayor and the year/s that he/she served.[Inscription] "G.H. Cole, Mayor 1926/7"mayors of kew (vic), cr. g.h. cole, kew (vic.) — municipal collection

Kew achieved independence from the Boroondara Roads Board in 1860. As a new municipality, its first three leaders were designated as chairmen. On becoming a borough in 1863, its leaders were identified as mayors. The earliest photographs date from ca.1906, when the Town of Kew commissioned the noted local photographer Josiah E Barnes to produce standardised portraits of former mayors to be displayed in the Mayoral Chamber of the Town Hall. The collection also includes photographs by other well-known photographic studios such as Burlington Studios, Melba – Melbourne, Stuart Tompkins, Spencer Shier and Talma & Co. The majority of mounts identify the photographer. Eighty photographs are housed in their original frames.This portrait is one of a series of mounted and framed photographic portraits of mayors and town clerks of the former Borough, Town and City of Kew. The portraits were transferred by the City of Kew to the Kew Historical Society in March 1989. A Significance Assessment in 2018, funded by the National Library of Australia confirmed the historic, and often artistic significance of the series.Framed portrait of Cr. A.J. McConchie, Mayor of Kew 1927-8, 1945-6. The mounting and framing of the photograph follows a typical layout or style in that each is framed in dark wood, glazed, and laid down on an inscribed board. The inscription identifies the name of the mayor and the year/s that he/she served.[Inscription] A.J. McConchie, Mayor 1927-8 Photographer] "Burlington / Melbourne"mayors of kew (vic), cr. a.j. mcconchie, australian photographers -burlington - melbourne (vic), kew (vic.) — municipal collection

Kew achieved independence from the Boroondara Roads Board in 1860. As a new municipality, its first three leaders were designated as chairmen. On becoming a borough in 1863, its leaders were identified as mayors. The earliest photographs date from ca.1906, when the Town of Kew commissioned the noted local photographer Josiah E Barnes to produce standardised portraits of former mayors to be displayed in the Mayoral Chamber of the Town Hall. The collection also includes photographs by other well-known photographic studios such as Burlington Studios, Melba – Melbourne, Stuart Tompkins, Spencer Shier and Talma & Co. The majority of mounts identify the photographer. Eighty photographs are housed in their original frames.This portrait is one of a series of mounted and framed photographic portraits of mayors and town clerks of the former Borough, Town and City of Kew. The portraits were transferred by the City of Kew to the Kew Historical Society in March 1989. A Significance Assessment in 2018, funded by the National Library of Australia confirmed the historic, and often artistic significance of the series.Framed portrait of Cr. P.C. Edwards, Mayor of Kew 1928-9. The mounting and framing of the photograph follows a typical layout or style in that each is framed in dark wood, glazed, and laid down on an inscribed board. The inscription identifies the name of the mayor and the year/s that he/she served.Cr. P.C. Edwards / Mayor 1928-9mayors of kew (vic), cr. percy clifton edwards, kew (vic.) — municipal collection

Kew achieved independence from the Boroondara Roads Board in 1860. As a new municipality, its first three leaders were designated as chairmen. On becoming a borough in 1863, its leaders were identified as mayors. The earliest photographs date from ca.1906, when the Town of Kew commissioned the noted local photographer Josiah E Barnes to produce standardised portraits of former mayors to be displayed in the Mayoral Chamber of the Town Hall. The collection also includes photographs by other well-known photographic studios such as Burlington Studios, Melba – Melbourne, Stuart Tompkins, Spencer Shier and Talma & Co. The majority of mounts identify the photographer. Eighty photographs are housed in their original frames.This portrait is one of a series of mounted and framed photographic portraits of mayors and town clerks of the former Borough, Town and City of Kew. The portraits were transferred by the City of Kew to the Kew Historical Society in March 1989. A Significance Assessment in 2018, funded by the National Library of Australia confirmed the historic, and often artistic significance of the series.Framed portrait of Cr. J.R. Mathers, Mayor of Kew 1930-1. The mounting and framing of the photograph follows a typical layout or style in that each is framed in dark wood, glazed, and laid down on an inscribed board. The inscription identifies the name of the mayor and the year/s that he/she served.[Inscription] "J.R. Mathers / Mayor 1930-1"cr. j.r. mathers, mayors of kew (vic), kew (vic.) — municipal collection

Kew achieved independence from the Boroondara Roads Board in 1860. As a new municipality, its first three leaders were designated as chairmen. On becoming a borough in 1863, its leaders were identified as mayors. The earliest photographs date from ca.1906, when the Town of Kew commissioned the noted local photographer Josiah E Barnes to produce standardised portraits of former mayors to be displayed in the Mayoral Chamber of the Town Hall. The collection also includes photographs by other well-known photographic studios such as Burlington Studios, Melba – Melbourne, Stuart Tompkins, Spencer Shier and Talma & Co. The majority of mounts identify the photographer. Eighty photographs are housed in their original frames.This portrait is one of a series of mounted and framed photographic portraits of mayors and town clerks of the former Borough, Town and City of Kew. The portraits were transferred by the City of Kew to the Kew Historical Society in March 1989. A Significance Assessment in 2018, funded by the National Library of Australia confirmed the historic, and often artistic significance of the series.Framed portrait of Cr. C.S. Parry, Mayor of Kew 1931-32. The mounting and framing of the photograph follows a typical layout or style in that each is framed in dark wood, glazed, and laid down on an inscribed board. The inscription identifies the name of the mayor and the year/s that he/she served.[Inscription] "C.S. Parry, Mayor 1931-32" [Photographer] "Melba / Melbourne"australian photographers - melba - melbourne, cr. c.s. parry, mayors of kew (vic), kew (vic.) — municipal collection

Kew achieved independence from the Boroondara Roads Board in 1860. As a new municipality, its first three leaders were designated as chairmen. On becoming a borough in 1863, its leaders were identified as mayors. The earliest photographs date from ca.1906, when the Town of Kew commissioned the noted local photographer Josiah E Barnes to produce standardised portraits of former mayors to be displayed in the Mayoral Chamber of the Town Hall. The collection also includes photographs by other well-known photographic studios such as Burlington Studios, Melba – Melbourne, Stuart Tompkins, Spencer Shier and Talma & Co. The majority of mounts identify the photographer. Eighty photographs are housed in their original frames.This portrait is one of a series of mounted and framed photographic portraits of mayors and town clerks of the former Borough, Town and City of Kew. The portraits were transferred by the City of Kew to the Kew Historical Society in March 1989. A Significance Assessment in 2018, funded by the National Library of Australia confirmed the historic, and often artistic significance of the series.Framed portrait of Cr. F.K. White, Mayor of Kew 1932-33, 1945-46. The mounting and framing of the photograph follows a typical layout or style in that each is framed in dark wood, glazed, and laid down on an inscribed board. The inscription identifies the name of the mayor and the year/s that he/she served.Cr. F.K. White / Mayor 1932-'33, 1945-'46 C. Stuart Tompkins / Junction / Camberwellmayors of kew (vic), australian photographers - c. stuart tompkins - junction - camberwell, cr. f.k. white, kew (vic.) — municipal collection

Kew achieved independence from the Boroondara Roads Board in 1860. As a new municipality, its first three leaders were designated as chairmen. On becoming a borough in 1863, its leaders were identified as mayors. The earliest photographs date from ca.1906, when the Town of Kew commissioned the noted local photographer Josiah E Barnes to produce standardised portraits of former mayors to be displayed in the Mayoral Chamber of the Town Hall. The collection also includes photographs by other well-known photographic studios such as Burlington Studios, Melba – Melbourne, Stuart Tompkins, Spencer Shier and Talma & Co. The majority of mounts identify the photographer. Eighty photographs are housed in their original frames.This portrait is one of a series of mounted and framed photographic portraits of mayors and town clerks of the former Borough, Town and City of Kew. The portraits were transferred by the City of Kew to the Kew Historical Society in March 1989. A Significance Assessment in 2018, funded by the National Library of Australia confirmed the historic, and often artistic significance of the series.Framed portrait of Cr. A.G. Gutteridge, Mayor of Kew 1933-34. The mounting and framing of the photograph follows a typical layout or style in that each is framed in dark wood, glazed, and laid down on an inscribed board. The inscription identifies the name of the mayor and the year/s that he/she served.Cr. A.G. Gutteridge / Mayor 1933-'34 C Stuart Tompkins / Photo / Camberwellmayors of kew (vic), australian photographers - c. stuart tompkins - camberwell (vic), kew (vic.) — municipal collection

Kew achieved independence from the Boroondara Roads Board in 1860. As a new municipality, its first three leaders were designated as chairmen. On becoming a borough in 1863, its leaders were identified as mayors. The earliest photographs date from ca.1906, when the Town of Kew commissioned the noted local photographer Josiah E Barnes to produce standardised portraits of former mayors to be displayed in the Mayoral Chamber of the Town Hall. The collection also includes photographs by other well-known photographic studios such as Burlington Studios, Melba – Melbourne, Stuart Tompkins, Spencer Shier and Talma & Co. The majority of mounts identify the photographer. Eighty photographs are housed in their original frames.This portrait is one of a series of mounted and framed photographic portraits of mayors and town clerks of the former Borough, Town and City of Kew. The portraits were transferred by the City of Kew to the Kew Historical Society in March 1989. A Significance Assessment in 2018, funded by the National Library of Australia confirmed the historic, and often artistic significance of the series.Framed portrait of Cr. H.A.A. Warner, Mayor of Kew 1935-6. The mounting and framing of the photograph follows a typical layout or style in that each is framed in dark wood, glazed, and laid down on an inscribed board. The inscription identifies the name of the mayor and the year/s that he/she served. The photographers signature is located in the lower right hand corner of the portrait.H.A.A. Warner, Mayor [of Kew] 1935-6 Spencer Shier 1938mayors of kew (vic), cr. h.a.a. warner, kew (vic.) — municipal collection

Kew achieved independence from the Boroondara Roads Board in 1860. As a new municipality, its first three leaders were designated as chairmen. On becoming a borough in 1863, its leaders were identified as mayors. The earliest photographs date from ca.1906, when the Town of Kew commissioned the noted local photographer Josiah E Barnes to produce standardised portraits of former mayors to be displayed in the Mayoral Chamber of the Town Hall. The collection also includes photographs by other well-known photographic studios such as Burlington Studios, Melba – Melbourne, Stuart Tompkins, Spencer Shier and Talma & Co. The majority of mounts identify the photographer. Eighty photographs are housed in their original frames.This portrait is one of a series of mounted and framed photographic portraits of mayors and town clerks of the former Borough, Town and City of Kew. The portraits were transferred by the City of Kew to the Kew Historical Society in March 1989. A Significance Assessment in 2018, funded by the National Library of Australia confirmed the historic, and often artistic significance of the series.Framed portrait of Cr. H.L. Morgan, Mayor of Kew 1936-7. The mounting and framing of the photograph follows a typical layout or style in that each is framed in dark wood, glazed, and laid down on an inscribed board. The inscription identifies the name of the mayor and the year/s that he/she served.H.L. Morgan / Mayor 1936-7 Melba, Melbournemayors of kew (vic), australian photographers - melba - melbourne, cr. h.l. morgan, kew (vic.) — municipal collection

Kew achieved independence from the Boroondara Roads Board in 1860. As a new municipality, its first three leaders were designated as chairmen. On becoming a borough in 1863, its leaders were identified as mayors. The earliest photographs date from ca.1906, when the Town of Kew commissioned the noted local photographer Josiah E Barnes to produce standardised portraits of former mayors to be displayed in the Mayoral Chamber of the Town Hall. The collection also includes photographs by other well-known photographic studios such as Burlington Studios, Melba – Melbourne, Stuart Tompkins, Spencer Shier and Talma & Co. The majority of mounts identify the photographer. Eighty photographs are housed in their original frames.This portrait is one of a series of mounted and framed photographic portraits of mayors and town clerks of the former Borough, Town and City of Kew. The portraits were transferred by the City of Kew to the Kew Historical Society in March 1989. A Significance Assessment in 2018, funded by the National Library of Australia confirmed the historic, and often artistic significance of the series.Framed portrait of Cr. W. D. Vaughan, Mayor [of Kew] 1937-38, 1947-48, 1961-62. [This is the second mayoral portrait of Cr. Vaughan in the collection] The mounting and framing of the photograph follows a typical layout or style in that each is framed in dark wood, glazed, and laid down on an inscribed board. The inscription identifies the name of the mayor and the year/s that he/she served.Cr. W.D. Vaughan, Mayor / 1937-38, 1947-48, 1961-62 Stuart Tompkins Studiosmayors of kew (vic), cr. w. d. vaughan, kew (vic.) — municipal collection