The compass belonged to Arthur COWLEY No 50704, RAAF. Refer Cat No 354.5 for his service details.Two Piece system. One Button is set into the other to form a Survival Compasscompass, accessory, ww2

"Joey Jones" was a member of 15th Transport Squadron, CMF. .1) Shirt, jungle greens. Two breast pockets. Six green plastic buttons in front. Above right pocket is a darker patch with stitching. A label has been removed. Each arm has cloth Sergeants stripes. .2) Trousers - jungle green, button fly, six pockets, buttons - green plastic. .3) Trousers - jungle green, button fly, six pockets, one button broken, One button missing. .4) Jumper - wool, khaki. Each arm has Sgts stripes. 1. Written inside neck is name "Jones". 2. & 3. Written inside waist line is name "Jones". uniforms, aust army, joey jones, passchendaele barracks trust

Part of Flight Lieutenant Ian A. 'Joe' Lyons MBE Collection. See Catalogue No. 5374P for details of his service record.Men's grey collarless RAAF uniform shirt with half closure two button front. Long sleeves with button cuff. Three buttonholes in neck for studs and attached collar. Manufacturer's label sewn onto inside of the neck. On manufacture's label: 'V51, Made in Australia, 1943, Size 15'. Stamped below manufacturer's label in blue: 'H (upwards arrow) E'.uniform, raaf, ian a. 'joe' lyons

Green sleeveless vest in polar fleece material with pale green bias binding around collar & sleeve openings. 5 button holes down each side of front and 2 button holes on back collar - with labelclothing

Large white cotton tray cloth. Machine made. Torchon lace border with hand embroidered button holing stitch. Leaf and flower pattern in four corners and cut out button holing pattern in centre and sides.manchester, table linen

Long sleeve button up khaki woollen jacket with four large front pockets and buttoned down shoulder epaulets. Brass buttons. Ribbon bar and service chevrons. Brass 'Rising Sun' badges on collar ends.Campaign ribbons include 1939–45 Star, 1941-42/45 Pacific Star, 1939-45 War Medal, 1939-45 Australian Service Medaloccupation, commonwealth, forces, japan, post ww2, post wwii, australia, india, uk, new zealand

These were worn by Mr Whiteman, Marjorie Burton's father, when he sang in the church choir. Marjorie Burton ( nee Whiteman), born 12 June, in Birmingham, England came to Orbost in 1995. She came from a middle-class, working, church-going family. The invention of the dickey was to make the front of a full dress shirt a separate entity in itself, like the detachable collar, so it could be laundered and starched more easily than a traditional shirt with the front attached.Cloth dickeys simulated many different styles and were often often used in marching band or choir uniforms. However they are rarely worn now. These items are examples of a menswear accessory commonly used in the first half of the 20th century. Two silk white dickeys, men' shirt fronts. 2483.29 has tapes with press studs ant the top and bottom and 2 button holes. 2483.30 has 3 button holes and is a double thickness. Both have pleats.men's-clothing accessories shirt-fronts-dickeys burton-marjorie

Frances Rigg was a local business identity in Kew, at one stage managing the local branch of the English, Scottish and Australian (ES&A) Bank at 175 High Street from c. 1920 until the 1940s. After Francis Rigg’s death, the collection of buttons and medallions was inherited by his son, Ken Rigg (1922-2014). The collection was subsequently donated to the Kew Historical Society in 2015 by Francis' grandson, Adrian Rigg, at the time of the Gallipoli & Beyond Commemoration in 2015. The collection covers a period of almost 40 years. The majority of the buttons are patriotic buttons, issued and sold during and immediately after the First World World War (1914-1918) to raise funds for national and overseas causes. The collection also includes a number of locally significant sporting event buttons and sporting club medallions, issued in the 1920s and 1930s.Patriotic and other pressed tin buttons and badges were produced in large numbers in the first decades of the twentieth century. By nature, insubstantial and ephemeral, they have not always survived. The collections of badges, buttons and medallions in the Kew Historical Society collection is homogenous and yet diverse, ranging from buttons sold to raise funds for the war efforts in 1914-18 and 1939-45, to those used at festivals and sporting events. Because of the manufacturing process, many surviving buttons and badges have been affected by inadequate storage, suffering from oxidisation and physical damage. These survivors are now historically and socially significant artefacts, revealing much about the attitudes and values of the period in which they were produced. Their widespread distribution means that they are frequently significant at a local, state, national and international level.World War I-era pressed tin fundraising button. The button features the French flag and a red cross over a starburst, against a gold background. Encircling the image is a white ring with the text ‘French Red Cross’ in blue."French Red Cross"first world war (1914-18)

The use of these buttons as a means of raising revenue through patriotic sentiment occurred soon after Australia pledged allegiance to Empire. Buttons reflected ‘public sentiment, courage, patriotism, generosity and several [un- named] virtues’ such as the martyred mother of a ‘fallen’ hero. Attention was paid to attractiveness of design, encoded symbolism and high quality of production. Expressing ‘loyalty’, they were tokens to be kept for perpetuity. Female labour was used to operate the die that compressed the tin backing, photographic print and celluloid cover together. The pin was applied by hand. Women, of all ages, entered into the spirit of voluntary sales. Often they were sold at the entry and exit points of major pedestrian thoroughfares. The women of Kew set up a kiosk in front of the Post Office and the Railway Station to solicit their round, oval and square shaped wares. Pride in salesmanship was affected by publishing the name of the woman and her fiscal achievement in the major newspapers of the dayWorld War I-era pressed tin fundraising button. The button features the French flag and a red cross over a starburst, against a gold background. Encircling the image is a white ring with the text ‘French Red Cross’ in blueFrench Red Cross

A pair of scissors known as ‘Button hole’ scissors used by Shirley Humphries and her mother and GrandmotherSmall metal scissors with a rectangle aperture at the base of the blades. Rust on surface. Buttonhole scissorsH Boker & Co on one side and Germany on the other.scissors, sewing, buttonholes, shirley humphries

Clothing. Men's cream coloured long sleeved silk shirt. Stiffened stand up collar (2 cm) with button hole at centre back and centre front. Centre front opening with placket fastened with two X one cm white buttons plus double button hole on collar with cuff link. Fabric loop at centre back below collar. Long sleeves have 7 cm turned back cuff with double button holes and white plastic cuff links. Sleeves have 18 cm openings on under side seam fastened with 1 cm button and button holes. Silk fabric has glossy self pattern of flowers and leaves.Stamped inside collar, ''15 1/2''costume, male, men's cream coloured silk shirt

H.F.Taylor, Herbert Frank A-31513 enlisted in the RAAF on 31.1.1941, discharged on 25.3. 1965 with the rank of L.A.C.Clothing designed for wet weather conditions. High neck collar and button down the front.A-31513/H.F.TAYLOR/R.A.A.F. Front Left Lower Inside Corner Stamped “V44 MADE IN AUSTRALIA/1944/A arrow up F” “O arrow up A”cape, waterproof

C.1950s Khaki Trousers, 2 buckle front ties, 4 button fly. Cloth patch stitched to inside waist of trousers with largely indescernible markings but indicating size 37 with regimental No 18

This small child’s cream, ‘Viyella’ coat is an example of the dressmaking skills of the women of the pioneer settlers families in Moorabbin Shire c1900. The material is very soft and easy to sew, wash and iron and was therefore very popular for all ages. Viyella material The original owner of the Mill, Wm. Hollins also ran the mill in Pleasley, U.K. on a rather unusually named road ‘Via Gellia’ now the A5012 near Matlock, about 20miles away. Via-Gellia later gave its name to the famous soft fabric ‘Viyella’ which Hollins & Co patented in 1893. Later Viyella was also to become the company name in 1961 after a merger. Viyella has faded into obscurity now, and in 2009 went into administration, finally being bought out by Austin Reed.A cream 'Viyella' small child's long sleeved coat, buttoned front and smocked frontclothing, moorabbin, ormond, bentleigh, dressmaking, market gardeners, early settlers, craftwork, textiles, viyella

This lady’s white cotton combination petticoat , commonly called a 'teddy', is an example of the dressmaking skills of the women of the early settlers families in Moorabbin Shire in the early 20th C . Early settlers and market gardeners established their families in Moorabbin Shire and this item shows the skill and craftsmanship of the women of these families A lady's white cotton combination underwear with a buttoned crotch and hand worked decoration on bodice clothing, crochet, brighton, moorabbin, pioneers, dressmaking, market gardeners, early settlers, craftwork, lacework, moorabbin shire, bentleigh, mckinnon, hunt ailsa, dairy farms, fruit orchards

This type of sewing equipment was widely used in many homes, in an era when hand-made clothes were the “norm.”, and clothes were mended, or ‘re-made’ into another garment.. A red velvet covered and lined container with sewing needle, button hook, file and probesewing equipment, prestige cotton, needles, threads, moorabbin, bentleigh, ormond, craftwork, dressmaking, early settlers, market gardeners

Photograph - Black and white. Portrait of a man, wearing a cravat and buttoned suit, and a unassuming moustache.Bartlett Bros. - Sandhurst.person, individual, portrait male, photograph. unknown family. portrait of a man.

Silver button hook with embossed handle & letter A engraved on cartouche, silver hallmarks unreadable.costume accessories, female, shoes, silver hallmarks not clear but is english showing the lion.

A pair of green pants with buttoned fly and adjustable waist and four pockets, some with bottons.8405-66-029-6615 - 1979clothing, mcphail collection

Issued to Sister Kathleen Heaphy of Australian Army Nursing service. Sister Heaphy was attached, for part of her service, to 28 Camp Hospital Internment camp 1.round brass button with a metal shank. Crown and map of Australia and wording around the circumference.Australian Military Forces A crown and map of Australia P. J. King Pty Ltd Melbaustralian army nursing service, sister kathleen heaphy, 28 camp hospital internment camp 1

1 Black clothing button, flat, wood, concave top with 2 small holesbuttons

Embroided Cushion Cover. Square Frilled edge. White work embroidery button closing.stawell clothing material

Worked and used by Mrs Jean Ashcroft (nee Broad)White linen oblong cloth with cut and button hole work in centre and each cornermanchester, table linen

Oval white cotton doyley with white embroidery. Scalloped edging in button hole stitch.handcrafts, needlework, manchester, table linen

Army housewife sewing kit, Vietnam period containing wool button, thread and a thimble.TW Pearce 3787383

Set of buttons for tunic (4 large, 8 small, 1 small collar button)badge/buttons, ww1, army

Black and white photo of a middle aged man playing a button accordion. Nothing on the back.photo, individual, male, peter ellis collection, man playing an accordian

The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories. This outfit was made and worn by Dorothea Fush, the mother of Thea Sartori. It is one of a number of items in the Sartori Collection.Mother and daughter, Dorothea Fush (nee Winstanley) and Thea Sartori (nee Fush) were both skilled dressmakers. One of the items donated was entered in the Royal Melbourne Show in the 1960s and won an award for home dressmaking. The donation overall dates from the 1950s and 1960s and includes dresses and hats.Gold figured satin dress and organza coat, the latter held by a large button at the neck. women's clothing, evening wear, evening dresses, cocktail dresses, evening ensembles, dorothea fush (nee winstanley), sartori collection

Owned and used by Thomas Sebire.Brass four legged seat with green velvet buttoned cushion top. The seat swivels.music stools

Wandin Thomas Sebire JP (1867-1960) learnt boot-making as a young man. In a small workshop on his property in Sebire Avenue, Wandin he made boots for family, friends & neighbours. He also repaired boots & made other small leather articles. Bootmaking is a complex process requiring a variety of tools. The leather is cut to shape, glazed & burnished (polished) with heated irons. The pieces are stretched onto, & nailed to, a wooden last to form the boot. Once attached to the insole, the boot is finished on a metal last. Uppers are stitched with waxed thread through holes made with an awl. Heels comprise pieces nailed together & neatened with a heel shave. Metal plates, short nails or hob nails driven into the sole & heel, often in a pattern, improved durability.A metal hole punch, and metal button eyelet pliers, both used for shoe-making.AMG Darholeybootmaking tools