Laminated screenprint of high tension electricity towers on top of coastline. The foreground shows the ocean with white rocks and the cliffs of the coastline in gold and various shades of green. The electricity towers are black and gold and printed on a purple and blue background.

sepia copy of original. Image shows two people in canoe on dam. Notation : Cliff Binks and Inez Oliver canoeing on the Blue Mine Dam. Roughly at back of where Mitre 10 store is located today. 1938person, individual, blue mine dam, bendigo, binks, blue mine dam

Black and white photo of Pastor Doug Nicholls, MBE, showing boomerangs to a female Japanese tourist at Bill Onus's shop, Aboriginal Enterprises, in Belgrave, 1966. Photo taken by Cliff Bottomley, Australian News and Information Bureau.

ANZAC Day - Tuesday 25th April 1944 Memo from Dist Traffic Supt SS to Mr Cliff, Glenhuntly Depot, regarding tram arrangements for ANZAC Day. (single page only, subsequent pages missing)"Run 3 specials at 8.7 8.17 & 8.27am" "returns to city & depot" written in penciltrams, tramways, instructions, anzac day, glenhuntly depot

Pencil drawing of Cape Bridgewater. Green cliffs in the background surrounded by coastline. In the foreground grassy sand with grass tussocks. white mount, black wooden frame, reflective glass, hanging wire across width of frame, on backFront: 'Cape Bridgewater near Portland' hand written black ink bottom right hand corner 'KJ 5.9.46' hand written black ink bottom right hand edge of drawing Back: black stamp 'KWD Jack P/L P.O.Box 1, Doreen Vic 3754' centre '60' - pencil, bottom left hand corner

Postcards collected by R.H. Baron while on leave in England during WW1. Part of the "Robert H. Baron" (No. 3596) and Cooper Collections. See Catalogue No. 1981P for details of Baron's service. 1. Coloured coastal scene featuring yachts, beach goers and cliffs. People are standing on a pebbled beach. 2. Coloured coastal scene featuring cliffs and ocean. 3. Coloured coastal scene featuring beach, bathing machines, cliffs and town buildings. 4. Coloured coastal scene featuring beach with boats and town buildings. 5. Sepia toned photograph featuring houses. Stream running in front of house. Footpath between stream and house. 6. Coloured street scene featuring houses fronting a gravel road. 7. Black and white photograph of a street scene featuring buildings, pedestrians and horse drawn transport. 8. Sepia toned photograph of a street scene. Right side lined with houses. Single pedestrian on footpath. 9. Coloured scene featuring standing stones. 10. Coloured photograph of a ruined building overgrown with vegetation.1. Ladram Bay. 2. Ladram Bay. 3. Budleigh Salterton from East. 4. Budleigh Salterton from West. 5. Budleigh Salterton, Cottages at the Granery, 6. Budleigh Salterton, West Terrace. 7. High St. Budleigh Salterton. 8. Budleigh Salterton, Station Road. 9. Stonehenge. 10. Abbey Ruins, Waverley. robert h. baron, cooper collection, postcards, ww1

Repairing land-slip at Windy-Point, showing cables that secured the face of the cliff. These cables ends are cut off and a concrete slab placed over the plate. Working machine below on the G.O.R. and workman holding stop/go sign.land-slip 1971: windy-point; cable-locks. concrete securing blocks. maintenance equipment

Newspaper Clipping 09 April 1987 Bendigo Advertiser Historian Mr Cliff Binks descendant of some of the original Bendigo Pioneers calls for a monument to honour and remember those who were buried in The Old Sandhurst Burial Grounds.bendigo, history, old bendigo cemetery

Photograph - black and white. A photograph of a Junior Fire Brigade, Bendigo Easter Fair, 1937. 'First Prize - Section 10'. Cliff Hughes is the gentleman in the centre of the back row and Bruce Heider is fourth from the left of the sitting row.organization, public utility, fire brigade, bendigo east junior fire brigade. bendigo easter fair 1937. cliff hughes. bruce heider.

B/W Photograph of W.E. Coward Carpenter & Joiner shop with O. Anderson Welding Shop next door - Jack & Cliff Earle & Pop & Fred Coward 1935-1936 - Scotland Place. Young man in background with a pushbike. streetscape

Black and white postcard taken from elevation on Jemmys Point, showing Reeves Channel, Gippsland Lakes, including Kalimna Jetty and Sawmill Flat at entrance to Maringa Creek, timbered cliffs above lake. Lakes Entrance VictoriaKalimna at Lakes Entrancetourism, boats and boating, jetties, waterways

Malcolm Moore No. 1015 One of a Batch of 92 such rail tractors built. Builders Number 1015. Built for the Australian Army in 1943 Built for the Australian army - delivered to Army on the 3 March 1944 and was sold to the State Rivers and Water Supply Commission at Red Cliffs, Victoria. - used at the Red Cliffs Power station to haul briquettes from the rail siding Red Cliffs to the Red Cliffs Power Station and also used for shunting and some haulage from the Red Cliffs siding.. This rail tractor was originally powered by a Ford side valve V8 petrol engine. It arrived at the Museum from Red Cliffs in 1977 and is operational. Originally equipped with a Ford side valve V8 Later replaced by a Fordson Major diesel tractor engine.Historic - Narrow Gauge Industrial Railway - used by the Australian Army, and the State Rivers and Water Supply Commission at Redcliffs, Victoria, AustraliaMalcolm Moore No.1015 - Malcolm Moore Rail Tractor 0-4-0 Malcolm Moore Rail Tractor - Steel (Painted)Malcolm Moore Rail Tractor 0-4-0 Malcolm Moore 2' Gauge 1015puffing billy, malcolm moore, ford v8, rail tractor, fordson, australian army, state rivers and water supply commission, 2' gauge, industrial narrow gauge railway

Contents: • Next meeting, guest speaker: Cliff Green; A dramatist’s approach to history. • Annual General Meeting Agenda • Cliff Green • Victoria’s 150th Anniversary • Heritage Week The Shire of Eltham Historical Society was formed in October 1967. The first newsletter of the Society was issued May 1978 and has been published continuously ever since on a bi-monthly basis. With the cessation of the Shire of Eltham in late 1994, the Society's name was revised to Eltham District Historical Society and this name first appeared with issue No. 103, July 1995. The collection of the Society's newsletters provides a valuable resource on the history of the Society's activities, office bearers and committee members, guest speakers and subjects of historical interest pertinent to the former Shire of Eltham and the Eltham District.A4 photocopied newsletter distributed to membersnewsletter, eltham district historical society, shire of eltham historical society

Black and white large format postcard of Kalimna Jetty Gippsland Lakes. It shows the shed on the approach to the jetty and landing, Rigby Island and Entrance in background, steep cliffs at eastern edge of lake. Pioneer Dredge in channel. Lakes Entrance VictoriaKalimna and Entrancejetties, boats and boating, navigation

also identical print, poor quality 7 x 8.5|also black and white 10 x 12.5|also copy sepia tone 10 x 15|also poor quality black and white 12.5 x 17.5Black and white small format postcard of three jetties at Kalimna Gippsland Lakes Victoria. It shows tents of campers on lake edge, steep cliffs in background, small boats at jetties, person fishing from jetty. Lakes Entrance VictoriaKalimna Lakes Entranceislands, jetties, waterways, ships and shipping

Original in possession of descendant of Arthur Seagrove, teacher at Johnsonville School 1920c.Black and white photograph of Reeves Channel, Gippsland Lakes, showing a launch in the Narrows below Jemmys Point, Rigby Island and a distant view of Fraser Island and Flannagan Island opposite the steep cliffs of the mainland shore. Lakes Entrance Victoria'To Rit with love from Arthur' on backislands, waterways, topography

Strampp lived and worked at Clifton Pugh's artist colony Dunmoochin from 1980 to 1985. 'Into the Night' is Strampps' "own marriage painting". The wedding dress and horse, "a symbol of virility and passion" represents Strampp and the background landscape was inspired by her stay in Somerset, England. The cliff edge on the left symbolises "an audacious step into the future." The painting "is of a bride, passionate yet absent, about to embark upon a new journey in life, and of the voyage ahead. It is about acknowledging the past, and having the courage to move forward. To take risks". Strampp was largely influenced by both the new German Neo-Expressionists of the time and by English artist John Walker, which is evident in this painting. Her work took on popular stylistic trends and themes of the time, which included a painterly aesthetic and an energetic application of the medium, which transferred to an emotional and or personal connection to subject matter that was communicated symbolically. Strampp is an artist of national significance. This work encompasses themes and a style of painting (Neo - Expressionism) that was prevalent during the time of its making in the eighties. This work represents a transition from Strampp's highly regarded early paintings of heroic horses in the mid to late 1980’s to her highly regarded paintings of contemporary wedding and/or armour-like bodices dresses of the 1990s. Both the 'horse' and 'dress' were often set in empty backgrounds or dreamy/foreboding landscapes. Painted in oil on linen (x2) in a 'Neo-Expressionist' style, 'Into the Night' depicts a ghostly white horse to the right of the painting looking away from a ghostly white wedding dress to the left of the painting. The dress has sprouted white wings and is adorned with bows on the bottom edge of the dress and roses on the sleeves. The dress seems full bodied although there is no figure. The dress and horse are placed in the foreground on a stage like platform with a white curtain framing the picture to the right, and a black ladder and brown cliff edge framing the picture to the left. The background depicts a foreboding and dark cloudy sky and seascape with a firery red landscape burning on the horizon. Signed low right (1988.7b VA) with brush in purple (light) 'Adriane Strampp 87'. into the night, neo expressionism, wedding dress, horse, symbolism, painting, seascape, dramatic, emotional, poetic, strampp

Black and white photograph of Kalimna Jetty, showing jetty, storage shed, boat shed, navigation light on end of jetty, and a launch slipped beside boathouse, steep cliffs bordering shoreline, sign on jetty for Kalimna Hotel, Lakes Entrance Victoriawaterways, township