Photographic reproduction of the original Coat of Arms of the City of Geelong and the city motto "By the right use of God's gifts", used from 1849 to 1981.On rear in ink "(7),", "WFS Collection", a "William Scott" address label. In writing "1849 to 1981" / The original coast of arms for Geelong. William F. Scott Collection / Geelong Historical Centre".trams, tramways, crests, coat of arms, city of ballaarat, city of ballarat

This medallion is a proof of that found on the Nillumbik Shire Mayoral Chain. Silver round medallion, depicting a shield with coat of arms containing clockwise from left: a bull, a vase of flowers, a ram and a bunch of grapes. Two pin holes at 12 and 6.matcham skipper, medallion, silver, jewellery, coat of arms

Part of the Cooper Collection.1. & 2. Two rank Insignia patches featuring the Australian Coat of Arms in green and gold. Background is dark khaki with cut edges.cooper collections, rank insignia, warrant officer class 1.

A blue coloured cardboard cover with information in black. There is the Austrlian Coat of Arms with the title of the booklet under this. The booklet is held together with a blue binding.australia - armed forces - service manuals, infantry training, infantry platoon weapons, 66mm light anti-tank weapon - m72

In 1895 artist Gordon Coutts was commissioned by Elizabeth Harding (Mrs. Silas Harding), a wealthy pastoralist, to paint this portrait of Prince Albert. The portrait was completed by 1896 and is a copy of an original by German artist Franz Xaver Winterhalter (1805-1873). In 1843 Winterhalter was commissioned to paint matching portraits of Queen Victoria and Albert, the Prince Consort. These originals hang in the Garter Throne Room at Windsor Castle and are part of the UK Royal Collection. Queen Victoria’s appreciation of Winterhalter began after she saw portraits by him of other European monarchs. Accordingly, between 1842 and 1861 he made fifteen visits to England and painted over 100 portraits of Her Majesty, the royal family and other friends and dignitaries. There are a number of notable differences in the original Winterhalter work and this painting. The local artist Coutts has changed the colour of the Prince’s cloak from deep blue/black to red (perhaps as a result of working from a black and white photograph). Other differences include extra satin shoulder ribbons, a simplification of the furnishings, notably the floor, and an inexact representation of the medallions worn; collars of the Order of the Garter, Bath, and the Golden Fleece. The painting is framed to match the official copy portrait of Queen Victoria, with the coat of arms of Prince Albert of Saxe-Coburg and Gotha, fixed atop the frame in place of the royal crown.Framed portrait, oil on cotton, of Prince Albert. The Prince Consort wears the robes of the Order of the Garter, holds a Field-Marshal’s baton, and is posed in front of a curtain and colonnade. Timber frame with a layer of gesso and decorative composition ornaments. There are rose, scotch thistle, clover leaf and Acanthus ornaments. The coat of arms that sits on top of the frame is a combination of carved timber and composition elements.Signed lower right corner in red brushpoint: ‘after Winterhalter / By Gordon Coutts / 1896’.albert, prince consort of victoria, queen of great britain, 1819-1861, winterhalter, franz xaver, 1805-1873, coutts, gordon (1865-1938)

This passport was issued to Allan Quinn in 1949, by the Australian Consulate General, in New York, U.S.A. It expired on the 14th of September 1954. The passport contains information about Allan, such as his date of birth in N.S.W, his hair colour as brown and eye colour as blue. Several of the pages have been stamped.This passport belonged to Allan Charles Quinn and is part of a collection of letters and photograph depicting aspects of life at sea for a young man in the era immediately following World War II. It details the places Allan visited in the fifteen years it was valid.A black covered Australian passport with sixteen pages, issued in 1949. The top left hand corner of the back cover has been cut off. Front: AUSTRALIAN / PASSPORT printed in faded gold/yellow ink. Below this is the Australian coat of arms, printed in the same colour.allan-quinn, passport, 1949-1954, quinn collection, allan charles quinn, seamen, seafarers, sailors

badgeAustralian coat of arms, munitions worker, Australia, issued by Department of Defence (reverse),Stokes and Sons Melbourne (reverse), 357munitions worker badge, metal

In 1912 there was a Military Relay Despatch Ride through South Australia, Victoria and New South Wales. The purpose of the ride was to deliver a despatch in the quickest possible time by road through the three states mentioned. The ride was carried out under the auspices of the Dunlop Rubber Company and involved cyclists, motor cyclists and motorists.This is an original program of the event that was carried out in 1912. The program details the list of participants, a map of the route taken and statements of appreciation from the Military and the Promoters', there is also a message of greeting from the Military Commandant, South Australia to the Military Commandant, New South Wales.A cardboard cover program with white thick pages inside.On the front cover a Coat of Arms, a red stripe with souviner written in the stripe and Dunlop Military Relay ... Despatch Ride - 1912.military relay, 1912, despatch ride, dunlop rubber company

Édouard de Reszke was born into a well-to-do and cultured Polish family in Warsaw, where he first learned to sing. He spent four years in Italy, studying singing first with Stella and Alba in Milan and later the retired baritone Filippo Coletti. He later went to Paris to study with Giovanni Sbriglia, who was also his brother's teacher. Initially, he did not want to become an operatic performer but at the urging of his younger sister, Josephine (Józefina), he accepted an engagement with the Paris Opera. He was chosen by the composer Giuseppe Verdi to make his debut in the first Paris performance of Aida on April the 22nd 1876, appearing under the composer's baton as the King of Egypt. De Reszke's older brother was the renowned lyric dramatic tenor Jean de Reszke (1850–1925), with whom he would sing often in Paris, London and New York City during the next two decades. In 1887, for example, the brothers performed together in the 500th performance of Gounod's Faust at the Paris Opera. Josephine, Eduardo and Jean's sister, also embarked on a career as an opera singer in Paris but she retired early from the stage after marrying an aristocrat while at the height of her powers. Between the start of 1880 and the end of 1900, Édouard de Reszke appeared on more than 300 occasions at the Royal Opera House, Covent Garden, performing a wide range of roles in French, German and Italian operas, including works by Wagner, Verdi, Rossini, Bellini, Donizetti, Ponchielli, Verdi, Rossini, Bellini, Donizetti and Mozart. He was a huge favourite, too, with audiences at New York's Metropolitan Opera during the same era. He also sang in Chicago in 1891 and, in 1879–1881, at La Scala, Milan. In 1903, he retired from the stage after his once superlative voice developed technical difficulties and went into a swift decline. De Reszke taught singing for a while in London before returning to his estate in Poland, where he was adversely affected by the outbreak of World War I in 1914. He was cut off from his brother by the fighting, and died on 25 May 1917 at a house in Garnek, near Częstochowa, Poland. Édouard de Reszke, was a Polish bass singer from Warsaw, born with an impressive natural voice and equipped with compelling histrionic skills, he became one of the most illustrious opera singers active in Europe and America during the late-Victorian era. De Reszke cigarettes are named after Édouard de Reszke and were advertised as ‘the Aristocrat of Cigarettes’. They were produced by J Millhoff, a Russian cigarette maker living in London. He created a special blend of tobacco that it was believed would not damage the famous singer's voice. In gratitude, Millhoff was allowed to sell the blend as 'De Reszke' cigarettes. Cigarette tin, small square, pale aqua color.Marked on lid with two coats of arms in gold, and text in dark blue underneath. 'De Reszke Virginia ‘The Aristocrat of Cigarettes'.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, aristocrat of cigarettes, j millhoff, opera singer

Believed presented to a relative of the donor on a visit to Rutherglen Scotland in 1974.Small folded card with a black and white photograph of the Rutherglen Scotland Town Hall on the front and a printed Christmas Greeting on a folded paper sheet inside the card. Message is headed "Christmas 1962" with the coat of arms of the Royal Burgh of Rutherglen in the center, and is from the "Provost & Mrs. J.F. MacKay".rutherglen scotland, royal burgh of rutherglen

Object. Brass coloured medal with 1.5 mm hole drilled near top edge. Obverse:Australian Coat of Arms. Kangaroo and emu have their heads turned. Engraved around edge. ''Promote Federation & Prosperity'', Underneath Coat of Arms ''1899''. Reverse: Laurel leaves around the edge. Map of Australia in the centre with ''1899''. Engraved around map ''Australia's Commonwealth''.numismatics, badges-commemorative, promote federation medal1899

The Union commenced as the Australian Tramway Employees Association in 1910. Changed its name in 1934 to the "Aust Tramway & Motor Omnibus Employees Association" so as to incorporate bus drivers of motor omnibuses. Union members were issued with badges to indicate their membership. They were permitted to be worn on their uniforms. See item 5943 for another example. Wearing of Union badges in Brisbane Tramways was a major source of industrial action in 2012 - see "One American too many" by David Burke, published 2012 by the Queensland Museum.Demonstrates a badge issued to members of the ATEABadge - Australian Tramway Employees Association (Tramways Union) badge. Badge made on a brass backing with words "Australian Tramway Employees Association" on outer edge of badge with a royal blue enamel background. In centre of badge has the Australian coat of arms with a railway type spoke wheel above the logo and underneath the coat of arms the words "Federated Australia" in a banner. tramways, trams, badges, personnel, unions, employees, atea

The plaque depicts the Coat of Arms of the Australian Artillery Association. English meaning of the Latin Motto is "Whither right and glory lead".Metal and Timber Plaque.Metal shield of Dark Blue with light blue and red lightning flashes. Central depiction of a cannon with crown above. Inscribed "UBIQUE" with "QUO FAS ET GLORIA DUCUNT". Gold Bar under with inscription " III AD BTY (LT) RAA".

Item in the collection re Ron Bollard VX 14150, refer Cat No 5919P for his service details.Plate round ceramic, floral arrangement around outside, centre has a Coat of Arms with scrolls around with text, at bottom are years, "1945 - 1995"In Dutch, "Vit Dankbaardheid Voor 50 Jaar Vriheid" Meaning "out of gratitude for 50 years of Freedom"souvenirs, dutch, freedom, ceramic

Light Khaki short sleeved shirt with badge of rank (coat-of-arms - Warrant Officer, Class I) sewn on sleeves; two breast pocketsInside collar: "SIZE 18"

Green woollen peaked cap with the Ballarat School of Mines coat of arms embroidered on the front. The Junior Technical School was a division of the Ballarat School of Mines. ballarat technical school, ballarat junior technical school, cap, costume

Solid metal badge or insignia in a shield shape. Rusted and decoration largely indiscernable. Remants of a coat of arms, 2 five pointed stars are visible.bendigo, gold mining, qc binks, qc binks, america

Khaki long sleeved shirt with patches, Australian Coat of Arms 14 cms from top of sleeve, two pockets on front. No buttons missing.I.T. Sheddick. AGCG Vic 1978. Size 42/84 S405-65-088-7109. Service No. Name. Do not boil or wring, machine washable. Drip Dry, Iron lightly with warm iron.clothing, army

Medallion issued by the Borough of Wangaratta to local citizens in recognition of their service during World War 2. This medallion was awarded to 127869 LAC RAMAGE W A - Wilfred Allen Born 29/1/1925. Served in the RAAF between 1943- 1946 then transferred to the RAN. Died on 3/1/2004 and buried at Wangaratta.Medallion issued by the Borough of Wangaratta to local citizens in appreciation of their service during WW2Circular silver metal medallion - obverse side has coat of arms above image of woman in a field - rear side embossed with laurel wreath.Borough of Wangaratta Incorporated 1863 In Grateful Appreciation 127869 LAC Ramage W A World War 1939-1945medallion, borough of wangaratta, ww2, w a ramage, raaf, ran

Indicative of mementoes issued at time of important occasionSmall round badge with Coat of Arms and City of Nunawading on a cream background which is mounted on a brass button. Has a brass pin and fastener attached.City of Nunawadingcivic mementoes, souvenirs, numismatics, medals - civic

Oblong wooden block to which metal plate nailed. Metal plate bearing Coat of Arms of the three services: Army, Navy and Air Force.trades, printing

The right honourable Lieutenant-Colonel Arthur Tennyson Somers Cocks, was born in Herefordshire. Served with distinction in the Army and was twice decorated with bravery, before being appointed as Governor of Victoria. This portrait of Lord Somers is the only one in which a Grand Master is not in masonic regalia. Lord Somers insisted he not be seen dressed in a manner which could give offence to any other organization, with which he was associated in Public Life or Private Life. He was deeply involved in the Scouting Movement and was Chief Scout in Victoria and succeeded Baden-Powell as Chief Scout of the British Commonwealth.The portrait of Lord Somers holds great significance as it is the only painting within the Library and Museum collection of a Grand Master without his masonic regalia. Lord Somers stands beside his hat and is in uniform, no apron or other freemason regalia. Freemason Victoria coat of arms in upper left corner.Framed oil painting on canvas with stretcher/strainer. Wood/metal composite brackets used to fix painting to wall. 'Compo' ornamented gilt frame with running designs. Metal placque with two screws holding it to frame. portrait, painting, freemasons victoria, freemasonry, victoria, grand master

In an era when drinking beer was considered safer than drinking water, pubs were prolific and the centre of social and commercial life in Bendigo. (Bridgfoot,J. Taverns to Temperance: Pubs in Bendigo). While the Cohn Brothers and their 'tied hotels' and were one of the most successful brewers in the district, many smaller brewers also existed and the industry was a major source of employment. C.J. Glover or Charles Runting appear to have been in one of those.Oval beer bottle label. Multi coloured print featuring images of hops, a glass of ail, the Bendigo Coat of Arms and various font styles.Glover & Runting / Tonic Ale / Manufacturers / Chapel St / Bendigo / Vic Australiamaking a nation, city of bendigo commerce

Invitation issued to Miss Hewitt of the National Council of Women, Victoria to attend a morning tea at St Kilda Town Hall on 3 March 1958 during the 1958 visit by Queen Elizabeth, The Queen Mother. The event was hosted by the Government of Victoria in association with the Women's Organizations of Victoria. The Queen Mother was in Australia over the period 14 February – 7 March 1958 to attend the British Empire Service League Conference in Canberra and visit Brisbane, Sydney, Melbourne, Tasmania, Adelaide and Perth, and various provincial and country areas. White coloured card, discoloured with age, printed and edged in gold, with a blue Victorian Coat of Arms. Annotated in handwriting, in blue ink, with the name of the invitee.Miss Hewittroyal visits, queen elizabeth the queen mother, queen mother, national council of women of victoria