Else Oertel was a German internee in Camp 3A from 1940-1945. The brooch was made for her by another internee in the camp. This silver daisy brooch is an example of the ingenuity of the internees in making use of anything at hand & repurposing it for much more than originally intended. Else's daughter, Else-Lore Hukins donated the item.Silver daisy brooch, made from melted down silver coins. Copper safety pin soldered to reverse to enable wearing.tatura, ww2, camp 3, internment, internee camps, costume, accessory, jewellery

Item made by an Italian POW held in Camp 13A profile of a monkey sitting with its knees bent and arms resting on the knees Hand painted in dark brown with light brown face, red lips, ears and fingernails, black eyes and nostrils. Inscriptions in White POW in front, 27-4-42 and RICORDO on sides.27-4-42, Ricordo, POWitalian pow's, camp 13 murchison, hand made objects

Item made by an Italian POW held in Camp 13Sandstone hand-carved monkey and ashtray. Monkey has decorative markings. Ashtray has a diamond shaped recess carved into the top and decorated with two brown and black painted snakes and green and white leavesAshtray: Prisoner of War on top Monkey: Ricordo on side and Ricordo POW on bottomcamp 13, murchison, pow, italian, monkey

Item made by an Italian POW held in Camp 13murchison, camp 13, pow, italian, monkey, '

Item made by an Italian POW held in Camp 13murchison, camp 13, italian, pow, monkey

Deane and Kathy Clark at home, 1990. Antiques, furniture and photographic restoration. House Nth Corner of Casey & Ross Sttatura, clark d & c, costume, female, male, domestic, items, crockery, ornaments, decorative, furniture

Made by internee at Camp 3 for Gertrude GrazePlaster bas relief of female koala with young clinging to a tree. Painted green & browntatura, domestic, items, ornaments, decorative

Swan Pool forms the southern gateway to the ‘Fairyland’ area on the western shore of Lake Wendouree, Ballarat. The new bridge was built c2013 and designed based on the form of water lily flowers. The sculptural form of the bridges enhances the ‘Fairyland’ experience for children and adults alike.white decorative steel bridge edgings

handmade from lead seals of milk cans and telephone cables on wooden base at camp 3 Tatura and found buried just beyond perimeter wiresculpted kangaroo made from lead seals of milk cans and telephone cables on carved wooden basehandcrafts, sculpture, woodcarving, domestic, items, ornaments, decorative

This is a model of the Robin Boyd-designed Tower Hill Natural History Centre, Tower Hill, near Warrnambool, Victoria (1963). It was opened shortly after Robin Boyd died in November 1971. The Archive also holds some of the original architectural drawings (item PL136-P145). This model was created for the House of Ideas exhibition, made by a University of Melbourne, Melbourne School of Design, Masters student.3D timber model of the Tower Hill landscaperobin boyd

No specific information is available for this item. However, ivory was common in early 20th century household items, which were often purchased overseas as souvenirs. Many ivory items originated from Asia. Letter openers are still used today; however, they are now made out of steel as ivory is illegal.This item is an example of the use of ivory in domestic households early in the 20th century. A long, cream-white letter opener made out of ivory with a plain blade and rounded handle.There is decorative patterning on the handle consisting of holes and circles.ivory, letter opener, letters, chiltern athenaeum museum, mail

This piece of fabric, known Fälter (butterfly), was designed by Mathilda Flögl (1893-1958), who worked in the textile department of the Wiener Werkstätte in Vienna. It is a remnant of the fabric that was used to make a bedspread for Karl and Slawa’s bed in their Vienna apartment where it lay decoratively over a gold brocade eiderdown. The purchase demonstrated Slawa’s interest in and knowledge of modern design and her commitment to the idea of enriching everyday life with beautiful objects, a principal of the Viennese Secession. Following the Duldigs removal from Vienna, the original bedspread and remnant were safeguarded and preserved by Slawa’s sister, Rella, in the basement of her Paris apartment. In 1948 the bedspread and this remnant were sent to Australia. The bedspread was a much-loved item but deteriorated over the years. In 1955 it was made into curtains, which are held in the Duldig Studio Collection. The Photographs of the bedspread in its original location are also held in the collection. The remnant is in pristine condition. The Wiener Werkstätte (Vienna Workshop) was a guild of designers and craftsmen that was founded by the architect Josef Hoffman (1879-1956) and the designer Koloman Moser (1868-1918). The firm manufactured a range of interior furnishings between 1903 and 1932. The textile department opened in 1900, and produced about 1,800 designs, mainly for printed fabrics for furnishings and apparel. The designs were characterised by simplified forms and vivid colours, and inspired by Eastern European peasant art and geometric motifs in contemporary painting. The workshop had a profound impact of European art and design, and its work is still celebrated today. Mathilde Flögl was born in the Czech Republic in 1893, and studied at the Kunstgerwerbeschule in Vienna. In 1916 she began working at the Weiner Werkstätte, and where she designed more than 120 textile patterns. This fabric Fälter or Butterfly was designed in 1924. The butterfly was a favourite motif of Flögl. In this design she plays with a variety of whimsical abstractions and arrangement of both the butterfly and the snail on a background of abstract colour stripes and blocks. Ann Carew 2016The fabric is of great aesthetic interest as an example of the work of the Viennese workshops, and the noted designer textile designer Mathilde Flögl. The original pencil drawings, pencil and gouache designs, and fabric swatches for Fälter are held in the MAK Museum in Vienna, and the Victorian and Albert Museum in London have a sample of piece of the silk fabric in an alternate colour wave. The Museum of Applied Arts in Sydney holds a swatch book of textiles from the Wiener Werkstätte, however Flögl’s work is not represented. The National Gallery of Victoria holds a similar swatch book. The remnant has an excellent provenance, is associated with a powerful personal narrative, and is significant and rare item relating to history of the Wiener Werkstätte in Vienna, and the oeuvre of Matilda Flögl.   Ann Carew 2016Remnant of a block-printed silk fabric used to make the bedspread for Karl Duldig and Slawa Horowitz-Duldig's bed in Vienna.

Karl Duldig’s ceramic bowl is a particularly interesting example of Karl’s ability to creatively respond to a new environment with a fresh visual repertoire, in this case, the flowering Eucalyptus in a design reminiscent of traditional European folk art. The bowl is an excellent example of the utilitarian and decorative studio pottery produced by Karl and his wife Slawa Horowitz-Duldig between 1944 and 1960. Clay was an important medium for Karl. When he was forced to flee Austria for Switzerland, working with clay became a convenient medium; and he continued to expand his use of clay in Singapore. In Australia his work in clay extended from domestic hand-made pottery to public sculptures and architectural reliefs. In 1944 Duldig purchased a kiln, which was installed in the garage of the family’s St. Kilda flat, soon after a pottery wheel was acquired. It was the beginning of a cottage industry that supplemented the family income during the war years and beyond. Duldig initially sold his decorative ceramic wares through a local florist in St. Kilda, and subsequently through shops such as the Chez Nous French Art Shop (Howey Place) and Light and Shade (Royal Arcade), and the Primrose Pottery shop in Collins Street. The Primrose Pottery shop was an extremely important commercial outlet, and hub, for emerging artists, potters and designers from 1929 until 1974. Its proprietors Edith and Betty MacMillan worked closely with their suppliers, commissioning and taking items on consignment. In the post war period important Melbourne studio potters such as Allan Lowe, Arthur Boyd, John Perceval and Neil Douglas exhibited and sold domestic wares in the Primrose Pottery shop. The Duldigs studio pottery provides a counterpoint to the ceramics produced at Arthur Merric Boyd Pottery in Murrumbeena, which was established in 1944 by Arthur Boyd, John Perceval and Peter Herbst. The emphasis on painterly decoration was important and the AMB potters also produced simple household wares decorated with Australian flora and wildlife, for example Neil Douglas also made small bowls decorated with the fairy wrens, lyrebirds, gumnuts and eucalypts. Ann Carew 2016The Duldig Studio’s collection of ceramics has national aesthetic and historic significance. It contains a representative sample of works of art in ceramics created by Karl Duldig during his lifetime, including small sculptures, as well as functional and novelty items for the tourist market during the 1956 Melbourne Olympic Games. The artist’s working methods and the development of his practice are comprehensively demonstrated in the collection. This in-situ collection demonstrates the philosophy of the Vienna Secession and its inheritors that handcrafted, simple functional domestic wares might enrich both the lives of the maker and the user. This bowl is part of a collection of ceramics that has national historic significance in providing a rich illustration of an immigrant and artistic experience, and touching on the themes of settlement adaptation of artistic practice. The collection is also associated with places of cultural and historical significance in Melbourne such as the Primrose Pottery Shop, and the story of Australian studio ceramics in the post-war years. Ann Carew 2016Cream earthenware bowl with flowering gum motif and sponged green background.Duldig in script incised under.

This award was presented to the Russian Welfare Society on 10 December 2003This Award is recognition of the service the Society has provided to the Victorian community.This award is a compilation of a certificate (Item no. 00006A) and a medal (Item no. 00006B). The award has a gold coloured decorative frame with a navy blue background. The medal is bronze with a small descriptive plaque beneath it. It is mounted on a blue velvet background.Certificate (00006A): "Victoria's Аward for Excellence in Multicultural Affairs - Award for Meritorious Service in the Community awarded to St John of Kronstadt Russian Welfare Society Inc" It is signed by the Hon. Steve Bracks MP, Premier of Victoria and George Lekakis, Chairman of the Victorian Multicultural Commission. Medal: "Government of Victoria Award for Excellence in Multicultural Affairs - Meritorious Service Award" Plaque: "Awarded to St John of Kronstadt Russian Welfare Society December 10, 2003"russian community, multicultural affairs, victoria

This medal was donated by past student Cyril Brown in 2012. He received the award at Speech Night 1928 for attending school for three years without missing a day. This award was not given lightly. In 1926 Mabel Molland said in her Speech Night report, ‘Lorna Banks would have gained the gold medal for three years in succession had she not become ill one week before the school closed’. This medal has historic significance as a medal awarded to a past student and kept for 84 years. It is a rare example of the 3 Years Medal, without which we would not know the physical form of the award, mentioned in a number of Speech Night reports. The Westbourne Grammar Heritage Collection also contains an oral history interview with Mr. Brown which adds to the comparative significance of this item.Small gold medal featuring a shield inside a circle with a small ring at the top which attaches to the ring bail. The front of the shield has decorative engraving of letters 'WGS'. The reverse has engraved words, '3 Years/1928/C. Brown'. There are three hallmarks stamped below the engraved words on the reverse.

Taken from a curtain panel. Australian animal.Cream Fillet Lace. Australian design of Koala Bear sitting in a gum tree, set in centre of square.domestic items, ornaments / decorative, handcrafts, lacemaking

Taken from curtain panel. Australian flowers.Cream Fillet Lace 14cm Sq. Australian Waratah Flower set in centre of sq.domestic items, ornaments / decorative, handcrafts, lacemaking

Embroidered by donor - from Weldon's pattern.Cream linen square tablecloth. Cream and brown cotton one inch. Decorative 2cm Drawn threadwork around edge.domestic items, table setting

Part of dinner set owned by donor's grandmother Martha Edwards, 42 Husband Road, Forest HillSee NA4389.1-2 for significance of makerCream crockery jug, gold rim, decorative deep handle, black key pattern and brown floral band around jug.Burleigh Ware, Burgess & Leigh, Burslam, England (4246)domestic items, crockery

From collection of Bette JonesSmall semi circular shaped cream linen egg cosy with cream crotched edge. A different embroidered flower design on each side. Padded cotton lining (separated)domestic items, ornaments / decorative, handcrafts, embroidery