Formal identification of the property to be bought as the first Melbourne Legacy residence sent to Legatee E. Russell, Chair of the Hostel Committee. The survey is hand drawn and meticulously measured.The documents demonstrate business practices in the 1940s with regard to the purchase of property, as well as being an important record of the first property to be purchased by Melbourne Legacy as a residence for children.00310.1 Letter from Dudley A. Tregent, Solicitor, dated 15 January 1943, to Legatee E. Russell, Chair of the Hostel Committee, enclosing the survey sketch plan. White paper, black letterhead and typing, two holes punched for filing 00310.2 Survey sketch plan by Meudell, Gillespie & Co, dated 13 January 1943. Black type and printing, with some red shading and writing, on white foolscap paper. 00310.3 Letter from Meudell, Gillespie & Co to Mr. D.A. Tregent, Solicitor. Quarto, black typing, red underlining, on white.00310.1 Signed by D.A. Tregent 00310.2 Signed by Percival A. Jordan 00310.3 Signed by Percival A. Jordanholmbush initial negotiations, properties, holmbush

Coloured photograph of a red brick house in a shady garden. It was the home of Mr George Walker, youngest son of E. E. Walker who ran the Australian Tesselated Tile Company.harrison street, mitcham no 14, houses, streets, walker, george

Kew achieved independence from the Boroondara Roads Board in 1860. As a new municipality, its first three leaders were designated as chairmen. On becoming a borough in 1863, its leaders were identified as mayors. The earliest photographs date from ca.1906, when the Town of Kew commissioned the noted local photographer Josiah E Barnes to produce standardised portraits of former mayors to be displayed in the Mayoral Chamber of the Town Hall. The collection also includes photographs by other well-known photographic studios such as Burlington Studios, Melba – Melbourne, Stuart Tompkins, Spencer Shier and Talma & Co. The majority of mounts identify the photographer. Eighty photographs are housed in their original frames.This portrait is one of a series of mounted and framed photographic portraits of mayors and town clerks of the former Borough, Town and City of Kew. The portraits were transferred by the City of Kew to the Kew Historical Society in March 1989. A Significance Assessment in 2018, funded by the National Library of Australia confirmed the historic, and often artistic significance of the series.Framed portrait of Cr. Henry F. Phipps, Mayor of Kew 1876-7. The mounting and framing of the photograph follows a typical layout or style in that each is framed in dark wood, glazed, and laid down on an inscribed board. The inscription identifies the name of the mayor and the year/s that he/she served.[Inscription] "Henry F. Phipps, Mayor 1876-7" [Photographer] "J. E. Barnes, Kew"mayors of kew (vic), australian photographers - josiah earl barnes, cr. henry f. phipps, kew (vic.) — municipal collection

Thelma Alto won the Trotters & Pacers Handicap at Geelong on the 11 January 1926. Thelma Alto owned, trained and driven by E Earl. One large black and white mounted photograph. Top line: Geelong / 11/1/26 Second line: Trotters & Pacers Handicap Third line: Won by Thelma Alto Fourth line: Owner, Trainer & Driver E Earl Bottom right corner: A Copley, 434a Flinders Street Near William St Melbournehorses, race, winner, driver, trainer, owner, geelong, thelma alto, e earl, 1926

Refer Cat No. 7944. Item in the collection of "Arthur E. Tranter". V50166 - VX52843 2/29th Bn. P.O.W.Hard cover book with dust cover. First Edition Book. Hard cover - cardboard, black colour buckram adhered cover. Dust cover - paper, with black print on front and spine. Cover ilustration - muted green colour tones of a tank and roadblock - "Muar Road Battle". Plastic cover - clear soft plastic - protective cover with adhesive tape. 224 pages, cut, plain white paper. Illustrated with black and white photographs and maps. A number of pages have handwritten notes in grey lead pencil and blue ink pen. P.186 has an added note on paper. Handwritten owner's name front end paper. Page 186 - note on paper, blue ink pen. "P.186/ This section by R.F. Nelson/ describes my experience/ fairly well./ I was with him throughout the whole/ term of imprisonment". Front end paper - handwritten owner's name - blue ink pen "Arthur E. Tranter/ 24-4-83".plublications, book, 2/29 battalion, ww2, arthur e tranter

Medals Miniature set, with MID also see E 151medals, ww1, army

From a box of photographs in Nancy U'REN's papers used during research for her thesis, The Early Growth and Development of Sandridge (1976) and/or her book with Noel TURNBULL, A History of Port Melbourne (1983). Jack GOULD probably created this from an earlier photograph.Black and white photograph of the premises of A E Wearne & Son, Coachbuilders.a e wearne & son, nancy u'ren nee morris

Document. Wormald Bros. Account in name of H. E. Taylor.

Plaque commemorating the support of Alfred E. Clarke. A passionate supporter of Blind Cricket for 20 years, he was taken ill whilst umpiring a match and passed away at his Middle Park home on November 28th, 1950. Mr Clarke was one of South Melbourne's best cricketers in his youth, and after retirement continued his involvement in the sport he loved through committee and various management roles. He continued to watch matches with his friend Sam Morris - a fellow South Melbourne player who have gone blind - and became involved with the Blind Cricket Association, spending most weekends umpiring matches. Source: Record (Emerald Hill), Sat 2 Dec 1950, p4 "The Final Call" http://nla.gov.au/nla.news-article164499137Metal plaque attached to woodIn Memory Of Alfred E. Clarke Obit. November 28th 1950 A True Friend of the Blindassociation for the advancement of the blind, nameplates, victorian blind cricket association

A clear drinking glass commemorating the coronation of Queen Elizabeth II. Displaying a crown, coat of arms held by a lion and a unicorn and the date of the coronation. 2nd June 1953.A clear drinking glass with a gold rim commemorating the coronation of Queen Elizabeth II. It has printed on it the royal coat of arms held by a lion and a unicorn along with the date of the Coronation. June 2 1953. E II R is painted in yellow at the top.At the top of the glass is a yellow, white, black and red crown. E II R is printed underneath it, with a lion and a unicorn holding the royal crest. At the bottom is a red and yellow medieval banner with the inscription Coronation of Queen Elizabeth II June 2nd 1953in white script.drinking glasses, glasses, coronation glass, commemmorative objects, commemmorative glassware

A metal Ballarat College badge worn on school cap featuring the school motto 'E studiis Claritudo Venit' and a belt with buckle design embossed around its outer edge. Inside the outer edge the badge is voided around the Minerva head and embossed 'Ballarat College'. A pin is attached across the rear of the badgeEmbossed around outer edge: 'E STUDIIS CLARITUDO VENIT' Embossed across centre: 'BALLARAT / COLLEGE' Inscribed on back of badge:'BRIDGLAND & KING / 358 P.O.PLACE (indistinct single mark follows)1918, 1917, badge, 1916, ballarat college, fred raynor langsford, marjory langsford

North east Victoria was a major dairy producing region in the late nineteenth century. The Wodonga Butter Factory Ltd was established in 1892. Many families living in the town or on farms also owned their own cow for family needs and produced their milk and butter. This churn is representative of the equipment they used to process their own dairy products at home. This churn was made by E. Cherry & Sons which was established in Gisborne, Victoria in 1858. Edward Cherry (1830-1910) arrived in Australia from Hertfordshire, England, in 1855. The business manufactured churns and in 1875 opened a larger factory. On his death, the business was taken over by his son and continued to operate until the 1970s.This item has strong links to the history of Wodonga and north east Victoria. It has interpretative potential in the areas of local agricultural history, and the social history of food and farming.A wooden butter churn with metal turning handle and removable lid. The wooden paddle inside is attached to the turning handle which rotates to churn the butter. The model number is T1. It was probably made by E Cherry & Sons of Gisborne although the brand is blurred.On one side in black: "T 1"butter churns, dairying industry, domestic appliances, e. cherry churns

Photos of East Ringwood Church of England Church in Patterson Street in 1960Written on back of photographs, "Christ Church, Church of England, East Ringwood - 1960", "C of E, Rwd. E." and "C of E, Rwd. E."

Black and White photograph contained with Reg. Item 1902 - Photo Album from Keith Kings to Les Denmead 1970. Photograph of the SEC Victoria tramcar monogram - photographed on Geelong Tram No. 1, 20/8/1955. Keith Kings No. P(e)1. Scanning: i - image file, p - presentation file, b - back of photograph.Stamp in top left hand corner and handwritten number with "K.S. Kings No. P(e)1, Copyright reserved". "S.E.C. / Monogram / (Geelong Tram No. 1) / 20/8/55"trams, tramways, secv, monograms, logos, geelong, tram 1

Mrs. E Pullin MBE was the President of The Ringwood Research Group for many years and was associated with many groups in the area hence she was well known by successive Mayors and Mayoresses.1. White bifold Invitation to Mrs. E. Pullin to attend luncheon at Civic Centre, Braeside Avenue, Ringwood on Wednesday 19th. March 1975, from the Mayoress Mrs. Lois Morris. 2. Bifold typed letter with City of Ringwood Crest inviting Mrs. E. Pullin to a "last supper" on Monday 28th August 1975 after the Council Meeting. 3. Inviation to Luncheon by the Mayoress Mrs. Shirley Martin to Mrs. Pullin at Braeside Avenue, Ringwood, 17th. March. 1976. 4. 24th June, 1987, letter from the Mayoress Mrs. Lillian Rosewarne to Mrs. Pullin thanking her for the photograph taken at the opening of the Poppet Head in the Ringwood Lake area. 5. Invitation to Mrs. Pullin from the Mayor, Councillor John Caffyn and the Councillors of the City of Ringwood to a "Thank you" for local community organisations at Mines Road on Thursday 19th. May 1988. 6. Invitation to Mrs. Pullin by the Mayoress Mrs. Verna Gardini to a Luncheon at the Ringwood Convention and Performing Arts Centre, Mines Road, Ringwood on Friday 17th. March 1989. 7. Inviation from The Mayor of Ringwood Councillor Margaret Cheevers to Mrs. Pullin MBE to Afternoon Tea at the Convention Centre, Mines Road, Ringwood East on 26th. October 1993.

"Charles E. Turner was an artist who exhibited at the Royal Academy in London, and specialised in landscape and marine views. Having served in the Royal Air Force in the First World War, reaching the rank of Captain, Turner worked as a war artist during 1939-45. Turner painted pictures of the Queen Mary and Queen Elizabeth for Cunard, which were made into a series of popular postcards. He also designed for Churchill Cigar Boxes, and, alongside paintings demonstrating his first-hand experience of combat, produced illustrations for Illustrated London News and Sphere magazines. Many of his oil and watercolour paintings of the two World Wars are preserved in the collection of the National Maritime Museum, London, and at the Imperial War Museum, London." (The National Archives UK)Representative and promotional example of service by MTS to the variety of ships visiting ports in the first half of the 20th C. Cardboard frontispiece of a calendar published by the Missions to Seamen. A colour painting titled "Mission Boat on her Rounds" by artist Charles E. Turner, represents an imaginary image of the mission boat with the Flying Angel flag sailing towards several ships.Written in pencil at the back: "With best wishes from the Chaplain and the LHL Guild"calendar, frontispiece, charles e. turner (1883-1965), hlg, harbour lights guild

Bendigo Advertiser ''The way we were'' from Monday, April 2, 2001. High achievers: successful students from Borung School receive merit certificates in 1919: back row: J. Perryman, J. Coghill, Mr R. Clements (head teacher), E. Perryman and D. Laidlaw. Middle row: E. Crockett, F. McAllister, A. Perryman and E. Coghill. Front row: C. Schurmann, E. Clements and C. Holland. The clip is in a foldernewspaper, bendigo advertiser, the way we were

Albert E. WILLIAMS (1899-1986) Victoria, Australia Albert E. Williams first studied art under Fred Foster after being awarded a scholarship to the Ballarat East Art School. In 1913 he became one of the first intake of 83 students to study the Merit Certificate at the newly opened Ballarat Junior Technical School. Williams was the second person to receive a certificate from that institution. He then studied under H.H. Smith for the Art Teachers’ Certificate at the Ballarat School of Mines Technical Art School between 1915 and 1920. Williams joined the staff of the Ballarat Junior Technical School in 1921, teaching sign writing, ticket writing and house decoration. He taught in other technical schools between 1923 and 1928, returning to Ballarat in that year to fill a vacancy left by John Rowell . Williams continued his teaching career at both the Ballarat School of Mines Technical Art School and the Junior Technical School until 1942. He taught in various other technical schools from 1943, retiring as Headmaster of the Brighton Technical School in 1964. Albert E. Williams continued producing artwork throughout his career, and was responsible for the education of generations of artists and art teachers. In 1937 he was living at 302 Drummond Steet South, Ballarat. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007. Unframed pencil drawing of a plaster cast of a human figure known as the Dancing Faun, a marble sculpture first recorded in 1665, when Albert Rubens listed it as in the collection of the Grand Duke of Tuscany in Florence (probably long owned by the Medici). By 1688 the sculpture was held by the Uffizi in Florence. In September 1800 the sculpture was sent to Palermo along with other treasures to avoid plunder by the French army, but it was returned to the Florence in 1803. By the 18th Century the Dancing Faun gained a reputation as one of the finest ancient sculptures in existence. A faun makes music by simultaneously playing the ‘crotala’ (similar to cymbals) in his hands and the ‘scabellum’ or ‘croupezion’ under his right foot. In Victorian Education Department examinations, this sculpture was sometimes called the "Clapping Faun".Written on the mount board below the drawing "Drawing Human Figure from the Cast. for art Teacher's Certificate 1931 by Albert E. Williams. Tech. Art School, Ballarat."art, artwork, albert e. williams, williams, ballarat technical art school, art teacher's certificate, a.e. williams, alumni, drawing from the cast, drawing from the antique, drawing the himan figure from the cast, dancing faun