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Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, Ward Bros
The womens dresses have plain skirts, bodices have pleating and tucking, finished at neck with standup collar ribbons and broaches. Sleeves full at upper arm, narrow forearm, hair softly curledSepia toned photograph of Walter Grant and wife Frances Mary nee Bowran and daughters Alice aged seventeen and Ethel aged fourteen taken in photographic studio Bairnsdale Victoriagenealogy, fashion -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, 1903 September
Returned to Australia after wedding to live in Metung VictoriaBlack and white photograph of Ada Julia Grant nee Gummoe taken after her marriage to Edward Grant in Cornwall Englandfashion, genealogy -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, 2010 c
Funeral directors records show Alice Stocks nee Grant buried Lakes Entrance Cemetary which is incorrect as those who attended can attestColour photograph of headstone and iron fence at grave of George and Sarah Grant and daughter Alice Stocks in Bumberrah cemetery Victoriagenealogy, fashion -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, 1993
Colour photograph Miss Victoria entrant Narelle Carr, with Leonie Butcher Miss Australia entrant. Lakes Entrance Victoriabeauty competition, fashion -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, 1993
Black and white photograph Nola Mills and Alana Guillot at Miss Australia fundraising event supporting Leonie Butcher. Lakes Entrance Victoriabeauty competition, fashion -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, 1990
Transmitter purchased with support of Bairnsdale and Tambo Shire Councils and Bairnsdale Town CouncilBlack and white photograph Gary Lewis of Radio East Gippsland also known as REG, with new transmitter to service the Bairnsdale area. Lakes Entrance Victoriafashion, volunteering -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, Lakes Post Newspaper, 1991
Black and white photograph Primary School students Sarah Stapleton, Sarah Warren and Kim Nicholls during LEPS broadcast at Radio East Gippsland studio at Lakes Entrance Community Health Centre. Lakes Entrance Victoriabeauty competition, fashion -
Warrnambool and District Historical Society Inc.
Documents (Bruce Morris), OfficeWorks Ltd Australia, distributors, 2018 (folders)
These folders contain the historical notes written by Bruce Morris in regard to the life story and achievements of George Lance. These notes were used by Bruce Morris to write a great number of historical articles on George Lance and these were mostly published in the Warrnambool Standard. Bruce Morris (1903-1986) was the editor of the Warrnambool Standard from 1946 to 1968. During that time he was prominent in community activities in Warrnambool and was well-known for the great number of historical articles he published in his paper, making him one of Warrnambool’s most important historians. George Lance, the subject of the notes in these folders, was Bruce Morris’ grandfather. George Lance (1933-1901) was a plumber particularly associated with the development and use of gas power in Warrnambool and the inventor of the Eureka Pump and the Lance Patent Cess Pan. He was also a writer of historical articles, a musician with the Warrnambool Artillery Band and an important artist in the town, with some of his works of art in the Warrnambool Art Gallery today. He is regarded as the person most responsible for the establishment of the Warrnambool Art Gallery in the 1880s. Bruce Morris’ notes include material on George Lance’s involvement with the Warrnambool Bowls Club, the School of Arts, the Mechanics’ Institute, the Baptist Church and the Manchester Unity Independent Order of Oddfellows.These folders are of considerable importance as they contain the historical notes of Bruce Morris regarding his grandfather, George Lance. Both Bruce Morris and George Lance are significant in Warrnambool’s history, the former as an important historian and newspaper editor and the latter as an inventor, writer, artist, musician and a person regarded as the 19th century founder of the Warrnambool Art Gallery .1 This is a lime-green rectangular-shaped folder made of stiffened cardboard with a black plastic handle on the top with a black plastic catch on the side. Inside the folder are paper inserts that fold up in concertina fashion. In the inserts are twelve blue plastic folders that contain handwritten and typed material. .2 This is a purple rectangular-shaped folder made of stiffened cardboard similar to .1 above. It has a black plastic handle on the top and a black plastic catch on the side. Inside the folder are paper inserts that fold up in concertina fashion. In the inserts are twelve blue plastic folders that contain handwritten and typed material. George Lance Folders. Bruce Morrisbruce morris, warrnambool, george lance, warrnambool, history of warrnambool -
Bendigo Military Museum
Memorabilia - PURSE & CONTENTS
Items collected by Horace Eli Hambly No 794 AIF. Refer 2325.2 for his service history..1) Pouch, black leather containing 18 foreign coins. .2) & .3) Pair of metal cuff links. .4) Small key for winding a clock or machine. .5) Image of WWI digger fashioned from a 6d (sixpence) & brass set of bars.personal effects - money containers, numismatics - coins - french / german, costume accessories - male jewellery, military history - trench art -
Hume City Civic Collection
Photograph, Late 19th century
It is a portrait of a person assumed to be a distant relative of the Evans family. The photo has been handed down through four generations to the donor, Jane Ireland.A framed copy of an oval type photograph of a lady. The frame is made up of a brown stained timber on the outside with a gold surround in the middle and a red velvet inner surround. The head and shoulders portrait shows a lady dressed according to the fashion of the late Victorian era.evans, anne, holden, anne, emu bottom homestead, settlers, george evans collection -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, 1995
Date made 11 May 1995Colour photograph of the front windows of Arceris Supermarket, fronting Esplanade, after closing down after almost twenty years trading, windows lined with white paper. Also in view Post Office, Lakes Fashions, and Glenara Motel. Lakes Entrance Victoriaretail trade, postal services -
Tennis Australia
Photograph Album, Circa 1900
A photograph album with molded metal cover featuring a young female figure in c1900 fashion playing tennis. Cloth spine. Internal pages are printed with decorative borders and slip-in windows for photographs. Contains no photographs. Materials: Metal, Paper, Ink, Cardboard, Clothtennis -
Australian Lace Guild - Victorian Branch
Textile - Maltese lace, Late 19th Century
Use: Fashion accessoryBobbin lace edged handkerchief. -
Australian Lace Guild - Victorian Branch
Textile - Maltese lace, Late 19th Century
Use: Fashion accessoryBobbin lace edged handkerchief -
Australian Lace Guild - Victorian Branch
Textile - Knitted lace
Use: Domestic. FashionLeft hand fingerless mitten -
Australian Lace Guild - Victorian Branch
Textile - Milanese or Flemish lace, 1700-1750
Use: Domestic. FashionBobbin lace flounce -
Australian Lace Guild - Victorian Branch
Textile - Valenciennes lace, 1750-1800
Use: Domestic. FashionBobbin lace collar -
Australian Lace Guild - Victorian Branch
Textile - Machine Blonde lace, 1800-1900
Use: Domestic. FashionMachine lace bonnet veil -
Australian Lace Guild - Victorian Branch
Textile - Flemish lace, 1700-1730
Use: Domestic. FashionBobbin lace cap back -
Australian Lace Guild - Victorian Branch
Textile - Machine Muslin appliqué lace, 1850-1900
Use: Domestic. FashionMachine lace bonnet veil -
Australian Lace Guild - Victorian Branch
Textile - Mechlin lace, 1840-1860
Use: Domestic. FashionBobbin lace shawl -
Australian Lace Guild - Victorian Branch
Textile - Machine Embroidered net lace, 1900-1950
Use: Domestic. FashionMachine made embroidered net -
Australian Lace Guild - Victorian Branch
Textile - Honiton lace, 1900-1950
Use: Domestic. FashionLace stole -
Australian Lace Guild - Victorian Branch
Textile - Antwerp Potten kant lace
Use: Domestic. FashionBobbin lace bonnet -
Australian Lace Guild - Victorian Branch
Textile - Bedfordshire Maltese lace, 1800-1900
Use: Domestic. FashionBobbin lace cap and lappets -
Australian Lace Guild - Victorian Branch
Textile - Tape Lace, 1880-1920
Use: Domestic. FashionTape lace collar -
Australian Lace Guild - Victorian Branch
Textile - Carrickmacross lace, 1850-1900
Use: Domestic. FashionApplique lace cuffs -
Australian Lace Guild - Victorian Branch
Textile - Bobbin lace
Use: Domestic. FashionBobbin lace collar -
Australian Lace Guild - Victorian Branch
Textile - Machine lace
Use: Domestic. FashionMachine lace cuff -
Australian Lace Guild - Victorian Branch
Textile - Machine or Bobbin lace, 1900-2000
Use: Domestic. FashionMachine lace insertion