The 'Black Saturday' bushfires were a series of bushfires that ignited across the Australian state of Victoria on and around Saturday, 7 February 2009. It was Australia's worst ever natural disaster. The fires occurred during extreme bushfire-weather conditions and resulted in Australia's highest ever loss of life from a bushfire: 173 people died and 414 were injured as a result of the fires.This work is by a local contemporary artist with a national and international reputation for figurative and portrait works. The 'Black Saturday' series is a powerful investigation of emotion and grief as experienced by many Nillumbik residents during the 2009 'Black Saturday' bushfires. A cluster of bronze figurines either stand alone or embrace in groups. Their expressions and gestures of despair are made more pertinent with the raw like application and surface treatment of the material used. The 'Black Saturday' series is a challenging work, but one that encourages healing, connection and empathy. Solitary male figure wrapped in a blanket, clutched to his chest and over his head. Surface treatment is textured. Metallic brown colour with base starting to turn a green patina. Sticker underside of sculpture 'WEGNER THE BLANKET AG205642'wegner, bronze, figurine, black saturday, sculpture

Michael Leunig is an Australian cartoonist, poet and cultural commentator. His best known works include The Adventures of Vasco Pyjama and the Curly Flats series. Leunig was declared one of Australian Living Treasures by the National Trust of Australia in 1999. George Baldessin (1939-1978) was a printmaker and sculptor who built his bluestone studio at St Andrews (Nillumbik) in 1971 with his partner Tess and the three Hails brothers, Rob, Doug and Don. Made of recycled materials the studio today contains all of George’s equipment including the large press, which he modelled himself with the help of Neil Jeffrey (Enjay Presses). George won many prizes throughout his career and is represented in many of Australia's public art collections including his famous 'Pears' sculpture in front of the National Gallery of Australia, Canberra. In 1975 he represented Australia in the Sao Paulo Biennale, before living and working in Paris until his return to St Andrews in 1977. In 1978 George was killed in a car accident aged 39 years. In 2001 Tess returned to St Andrews to reclaim the run-down studio and reconstitute it as The Baldessin Press & Studio - a printmaking retreat. It operates in George’s memory, so that artists may continue to create, perpetuating the generous spirit of George.one colour (yellow) etching on Somerset paper. Thick lines weave in and out to produce a figure reminiscent of his 'curly flat' characters holding a long stem flower/vine. ekphrasis2018, pilgrim, baldessin, leunig

Colour print reproduction of a watercolour by Francis Day of female figure holding a tennis racquet and seated on a fence in rural setting. Materials: Ink, Paper, Wood, Paint, Adhesive labeltennis

Shane JONES (1955- ) Born Melbourne Shane Jones is a graduate with a Masters in Fine Arts from Monash University, He practices art 'en plein air' and in the studio. Shane Jones' realist works feature the trompe l’oeil (trick the eye) tradition and he is considered one of Australia's foremost artists in this technique. The hyper-realist style of art creates an illusion that the objects depicted are the real thing while not being photographic. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.A painting of a long white cloth being held by a white and a black hand. The identity of the subject is hidden, and the figure is absent. The unknown rather than the anonymity inhibits Shane Jones' imagery. art, artwork, shane jones, oil, oil on canvas, visual arts

This medallion was awarded to Mirth Marfell for swimming. The award was given to students in Victorian schools for advanced prowess in swimming and lifesaving. Mirth Marfell was a student at Warrnambool High School in 1935 when she received the medallion. Warrnambool High School was established as an Agricultural High School in 1907 and, after a merger with Warrnambool North Technical School, it is known today as Warrnamboool College. Mirth Marfell, the daughter of Henry and Helena Marfell, was born in Warrnambool in 1919. Her grandfather, John Marfell, a Warrnambool hay and corn dealer and miller connected to the Warrnambool Co-operative Milling Company, was prominent in community and civic affairs in the town. Mirth Marfell completed her nursing training at the Warrnambool Base Hospital and served in the Australian Army Nursing Service in World War Two for five years. She then became the first Australian nursing organizer for the Victorian Royal College of Nursing. This medallion is of interest, firstly as an example of the medallion given to students for swimming achievements in the 1930s in Victorian schools and secondly because it was awarded to Mirth Marfell, a Warrnambool person who had a distinguished nursing career.Circular metal medallion . Obverse features raised semi naked figure holding a cloth across the lower torso with one hand and a palm like branch in the other hand, an oval shield with text and decorative sprays of leaves. The reverse features the back of a naked female figure with long hair and a trident holding the hand of a child half immersed in the sea, another child"s head is raised above the sea. A lighthouse is featured on the distant shore. MIRTH MARFELL 1933. 34 on rim EDUCATION DEPARTMENT VICTORIA SWIMMING AND LIFE SAVINGmirth marfell, warrnambool co-operative milling company, australian army nursing service, history of warrnambool

Tan coloured wooden frame with glass cover cardboard backing with plywood support. Attached black & white photograph of 19 men in uniform with rifles, centre front figure is holding a bugle.Label on bottom left cover: "WILLIAM HENRY WATERMAN, Top Row 2nd from left"photography-photographs, frame accessories, trades - carpentry, passchendaele barracks trust

One of 23 photographs from the Jessie Smith Collection. Donated by Stan McFee. This is the current Cowes Foreshore Tourist Park 2020Black & White photograph of a Shelter Shed at the Council Camp Beach. A figure of a person standing behind a fence and another person between the two buildings. Trees in the background. Footbridge and garden in the foreground.On back: "Shelter Shed at Council Camp beach - Mr. McKenzie owned it."council camp beach, phillip island, jessie smith collection, stan mcfee, camping, cowes west

This religious almanac with biblical imagery listed the Churches of Christ in Australasia and scripture readings for a calendar year of 1892. The almanac was produced and updated annually to reflect current information. The Churches of Christ in Australia is a Reformed Restorationist denomination. Congregations in South Australia, Victoria and New South Wales were established by individuals who travelled to these colonies to pursue employment opportunities, elsewhere in Australia Churches of Christ congregations were established as missionary initiatives. Churches of Christ in Victoria began with the arrival of the Ingram and Picton families from England who established regular meetings in Prahran and officially constituted a congregation in 1855. In Warrnambool plans were drawn up in 1883 for the erection of a Church of Christ at 12 Spence Street. The church was opened in 1885 with visiting pastors until a resident minister, A. J. Fisher, was appointed in 1915. This church was closed early in the 21st century when a new church, Gateway Church of Christ, was opened in Ragland Parade in Warrnambool. A rare survival of social and spiritual ephemera related to the Christian worship throughout Australia during the late nineteenth century. Portrait of a religious female figure wearing a simple dress with a crucifix around her neck. On the rear of the frame is an 1892 Australasian Church of Christ Almanac for suggested scripture readings. One of a pair.flagstaff hill, warrnambool, maritime museum, 1892, almanac, scripture readings, australiasian church of christ, church, religion, christianity

Postcard, WW1, B&W image of Butte de Warlencourt. Sand and scrub covered hill with 3 crosses and a loan figure on the summit. Wire fence in the foreground. One copy A6postcard, ww1, butte de warlencourt, france

Sprague Sporting Trophy inscribed and dated 1889Colour Photogaph of A Trophy along side a small cruet set on a blue background. Trophy has a figure of a footballer on the top and has two handles. Trophy size is about 14 Inches.Inscribed on one Side Sprague Junior Challange Cup Won By The Warriors On the Other Side Presented to J.Carr Capt Stawell 1889 The Trophy is about 14" high ohoto taken alongside small cruet ste give an Idea of size.sport

Round gold coloured medal in plastic container with 'running figure with Little Aths' on one side and 'Shield Winners 1984-85' on the other side. Medal comes with a long red cord,

John Gartner was a fine printer and publisher, an author, a noted philatelist, and also collector of Australian banknotes and coins. He was born on 16 July 1914 and was largely self-educated, leaving school at fourteen for work following the death of his father. Gartner developed a strong interest in the history of typography and printing and was apprenticed at the Advocate where his father had been a linotype operator. Aged 17, Gartner bought a hand press and some fonts of type, and in 1937 acquired a platen press from which he set and printed his private press books, published under the imprint of The Hawthorn Press. Gartner had a strong collection of Australian bookplates. He also looked at the work of artists overseas and commissioned personal plates. He subsequently built an international collection with preference for artists who printed from wood. His initial searches were in Belgium and Holland.(http://www3.slv.vic.gov.au/latrobejournal/issue/latrobe-84/t1-g-t7.html) Figure in robes, possibly an old man, reading and facing a cabinet with items including an hour glass on top. The cabinet is recessed within a brick-arched alcove. The scene has a black frame. J. Oliveira - 234 - 1990keith wingrove memorial trust, australian bookplate design awards, printmaking

Jade figure of a seated lion-like mythical creature baring teeth sitting upon a wooden table with a ball under one foot. Similar to 310.2 but a lighter shade of green and slightly smaller. "PMA 0206/1" " ¥ 180.00" on base: "PMA 0206/4" "726"

Reverend Weller succeeded the senior chaplain role after Rev Gurney Goldsmith in the mid 1920s until the end of the decade. He was a keen photographer himself. Freda Kathleen Oxley (1882-1969) pictured here holding a camera took pictures during a voyage to Melbourne on S.S. Persic via Cape Town in 1925. An album of 126 photographs is now held at the National Library of Australia in Canberra., containing views of the Mission to Seamen, Melbourne, with visiting sailors and clergy; family groups, gardens, ships, church picnics, a wedding, some views of Portsea. She seems to have been a childhood friend of Mrs Weller as she was like her born in Windsor, UK. She lived in the chaplaincy for 3 years and became a volunteer; she can be seen in a few photographs of picnics. She left in 1929 shortly after the Wellers (see Jottings Easter 1929) and went back to the UK.Provides early 20th C. records of MTS senior personnel and images of LHLG supporters and members.small black and white photograph mounted on an album page depicting clerically dressed male figure flanked by two females in 1920s dress posed in front of a large palm tree. on page 12On album page handwritten: "Reverend JR Weller, Mrs Weller, Mrs Orley (holding a Kodak Brownie camera)"alexina weller (nee caley), reverend john reginald weller, finhaven, kew, mr john inerrarity buchan, cup day, freda oxley, 1928, ss persic, fan album, annie alexandrina caley (known as alexina) 1885-1934, freda kathleen oxley 1882-1969

This religious almanac with biblical imagery listed the Churches of Christ in Australasia and scripture readings for a calendar year of 1892. The almanac was produced and updated annually to reflect current information. The Churches of Christ in Australia is a Reformed Restorationist denomination. Congregations in South Australia, Victoria and New South Wales were established by individuals who travelled to these colonies to pursue employment opportunities, elsewhere in Australia Churches of Christ congregations were established as missionary initiatives. Churches of Christ in Victoria began with the arrival of the Ingram and Picton families from England who established regular meetings in Prahran and officially constituted a congregation in 1855. In Warrnambool plans were drawn up in 1883 for the erection of a Church of Christ at 12 Spence Street. The church was opened in 1885 with visiting pastors until a resident minister, A. J. Fisher, was appointed in 1915. This church was closed early in the 21st century when a new church, Gateway Church of Christ, was opened in Ragland Parade in Warrnambool. A rare survival of social and spiritual ephemera related to the Christian worship throughout Australia during the late nineteenth century. Portrait of a religious female figure wearing a naval type of coat and pendent around her neck. On the rear of the frame is an 1892 Australasian Church of Christ Almanac for suggested scripture readings. One of a pair.flagstaff hill, warrnambool, maritime museum, 1892, almanac, scripture readings, australiasian church of christ, church, religion, christianity

Clothing. Light blue nylon woman's panties with gusset and straight legs with 3 cm hem. Printed on lower leg on LHS, ''Sunday'' with heart shape and figure of Cupid. Ribbed elastic waistband.Tag on inside seam. ''Patolaine Lingerie Guanteed Quality Pbl'', ''Made from Ceylanese Yarn '' ''Trade Mark'' '' SW''.costume, female underwear, cream coloured nylon panties

Trophy, rectangular marble base with gold figure of table tennis player on top. Written on plaque on base :’ Table Tennis Club Doubles B.N.P.S.’ On front of marble base ‘ 1981 Mt. Gambier’.bendigo, education, bendigo north primary school

Digital photograph showing the World War I and World War II war memorial gates and arch at Murtoa located beside the lake and the football ground. A figure of a solider stands atop the arch.war memorial, murtoa, arch, wwi, wwii, world war

Colour photograph. Level one corridor facing towards women's space and Lonsdale street of the QVWC building. Figure of a person in the women's space room faces west. Taken during a renovation inspection. building construction, historic buildings, cultural structures and establishments

The Memorial Cross was unveiled by the Governor of Victoria, the Earl of Stradbroke on 11 September 1921. Norman Carter took many photos of Surrey Hills and Mont Albert from the 1920s, in particular of events and activities associated with the Church of England. Black and white photo of a crowd gathered around a central figure dressed in a morning suit and top coat and identified as the Governor of Victoria, the Earl of Stradbroke. Mature trees, part of the Surrey Gardens, are in the background.surrey gardens, monuments and memorials, governors, memorial cross, earl of stradbroke

This wine was produced as part of the celebration of the 150th Anniversary of Buninyong, held in 1987.A green tinged glass 750ml wine bottle with narrow neck. A '12' is pressed in glass base. White paper label printed in dark green text with a cartoon figure possibly of De Soza (?).'12' pressed into glass base. 'P15554' moulded on lower side of bottle.buninyong, 150th anniversary, wine

Portland Town Council. Opalotype or opaltype is an early technique of photography. Opalotypes were printed on sheets of opaque, translucent white glass; early opalotypes were sometimes hand-tinted with colors to enhance their effect. The effect of opalotype has been compared "to watercolor or even pastel in its softer coloring and tender mood."[1] "Opalotype portraits...for beauty and delicacy of detail, are equal to ivory miniatures."[2] The basic opalotype technique, involving wet collodion and silver gelatin, was patented in 1857 by Glover and Bold of Liverpool. Opalotypes exploited two basic techniques, using either the transfer of a carbon print onto glass, or the exposure of light-sensitive emulsion on the glass surface to the negative. Opalotype photography, never common, was practiced in various forms until it waned and disappeared in the 1930s. "Milk glass positive" is another alternative term for an opalotype. Opalotype is one of a number of early photographic techniques now generally consigned to historical status, including ambrotype, autochrome, cyanotype, daguerrotype, ivorytype, kallitype, orotone, and tintype. This and many other historical photographic methods are now considered alternative photographic techniques and are practised by a small number of dedicated artists.Monochrome portrait photograph of a man in a three piece suit. He has a patterned tie on and wears a medallion on his right lapel. He is clean shaven. Yellowish halo around the figure. Opalotype.Front: Br _______/Melb. (Signature, pencil, lower right)mr sutton, sutton, opalotype, portland town council

Alice McGREGOR Born: 1908; unknown parents. Possibly adopted by the Salter family? Electoral Roll 1936: Highland Terrace Kangaroo Flat. Alice Mary Salter and William Robert Salter living together; presumed to be sister and brother. William Robert Salter was killed in a MVA in Bendigo in 1937 aged 26. In Victoria in 1938, Alice Mary Salter married James Thomas McGregor (born Victoria 1917, died Victoria 1983, buried Fawkner Cemetery) Lived: 1968; 22 Wade Street Golden Square Alice McGregor Died: 1999 aged 91 at Anne Caudle Centre, Bendigo Buried: Kangaroo Flat Cemetery See additional research. Postcard Album of Alice McGregor contained 86 post cards.Postcard Album of Alice McGregor containing 86 postcards. See 1400 Colour photo of The Aquarium, Back Beach, Sorrento, Victoria Rock structure at the water's edge. Lone figure in white at the RHS Addressed to Miss A. Stapleton, Bendigo Arcade, Bendigo Sender - Sybil, Hotel Continental, Sorrento Stamp dated Feb 2 1906 postcard, collector, alice mcgregor

Cyril Smith was a popular figure amongst his contemporaries and this has been recognised by the plaque from those who new him. Appreciation of fellow Legatees to a comrade. The plaque has sentimental value, the words, the time and effort to make it by fellow Legatees shows the high regard in which Cyril was held. Caricature and signatures on a piece of 3 ply wood, front varnished, rectangular shape. Hole drilled top centre.Handwritten message in black ink "Our Cyril.,Heres from every cobber who wore the old chapeau". A caricature of Cyril Smith engraved (burnt) into the timber. Signatures of many Legatees, signed in ink. Reverse side, "Cyril - From all old cobbers of Melbourne Legacy Club with happy memories Legacy. 1938." Handwritten in black ink "Mrs Cyril Smith gave me this plaque which I in turn now pass onto Legacy Comradeship for safekeeping. Frank Doolan June 1962"comradeship, cyril smith

Ex-president's Certificate from the Australian Natives' Association with details of recipient's details in central circle - an Australian emblem on the top - female figure on one side of circle holding flag in one hand and male figure on other side / symbolising bushman? Smaller circle underneath encloses star with map of Australia in centre and six state emblems in points. Scenes either side depict native Australian first fleet and Canberra Parliament House. All decorated with wattle and in a wooden frame.Certificate reads: Branch No 311 / EX PRESIDENT'S / CERTIFICATE / This is to certify that / J.W. Read / occupied the position of President of / this branch from 20.11.45 / to 25.2.47 / faded signature of President / faded signature of Secretary. australian natives' association, j.w. read

Rick Amor was a good friend of three times Archibald Prize winner Clifton Pugh, living and working at Pugh's artist colony Dunmoochin, (Cottles Bridge) during the 1980-1990s. Amor made frequent outdoor painting trips with Pugh. His studies of Williamstown and areas around the port fuelled a period of sustained painting in his studio at Dunmoochin. Amor is an artist of national significance who had lived locally in Dunmoochin (Cottles Bridge) during the time of this work's making. This painting was exhibited/entered into the 1993 Shire of Eltham Art Awards. The work is representative of Amor's style and interest in seascapes as subject matter. Oil on linen, seascape painting. A solitary and motionless male figure in an overcoat stands at the edge of a dock/jetty with his hands in his pockets looking out to sea with his back towards the viewer. A motorised boat is moored close by and a white house with a blue roof can be seen in the distance. The figure is engulfed by the landscape and a resounding sense of desolation. A storm is brewing; the mood forecast by dark, heavy and thick ominous clouds, alternately darkening with the approach of night, a polluted haze and rough seas. In red paint, lower right, signed 'RICK AMOR '93'amor, seascape, painting, personal, boat, dramatic, atmospheric, ekphrasis 2015, dunmoochin

Long Gully History Group Collection: Interchurch Athletics League Cricket Trophy A metal cricket trophy in the form of a cup with two handles. The cup has a fitted lid topped with an ornament that has been broken off and damaged. The ornament is in the form of a classical figure. The figure is missing its feet and one hand. Inscription on the front reads 'Interchurch Athletic League, Long Gully Methodist Cricket Club, Outright Winners, Seasons 1923-24, 24-25, 25-26,26-27.bendigo cricket, cricket trophy, long gully methodist cricket club