The Northern District School of Nursing opened in 1950 in to address the issues around nurse recruitment, training and education that had previously been hospital based. The residential school was to provide theoretical and in-house education and practical training over three years. The students would also receive practical hands-on training in the wards of associated hospitals. The Northern District School of Nursing operated from Lister House, Rowan Street, Bendigo. It was the first independent school of nursing in Victoria and continued until it closed in 1989.Large white sheet with group of ladies in the centre top 25 in 3 rows front row kneeling middle is sitting and back row are standing. Formal clothing. List of attendees and smaller photo on bottom right hand side of four ladies.nursing history, nursing information

The 8th/13th Victorian Mounted Rifles was raised as a regiment of the Royal Australian Armoured Corps on 1 May 1948 with Headquarters in Melbourne and squadrons in Sale, Benalla/Wangaratta and Albury. In 1955 Regimental Headquarters moved to Wangaratta and a second squadron was located at Albury. The Sale squadron transferred to 4th/19th Prince of Wales’s Light Horse. In 1977 8/13 VMR Regiment was reduced to an independent squadron A Squadron 8th/13th Victorian Mounted Rifles and in 1991 was linked with 4th/19th Prince of Wales’s Light Horse forming the VMR Squadron of that regiment.Formal mess dress uniform in the colours of Royal Australian Armoured Corps (RAAC), maroon jacket and waistcoat, dark blue trousers with twin yellow stripes down legs. Victorian Mounted Rifles lapel badges and lieutenant colonel badges of rank.mess, uniform, officer, victorian mounted rifles, vmr, raac, armour

Emma Elizabeth James 1893-9/4/1959 married John Severen Barker (1892-Jan 1959) married in 1912.Black and white photograph of a group of young people. There are nine ladies and eight gentlemen all wearing formal clothes in a garden setting. The photo is glued to a dark brown cardboard. Half of the photo is missing. Part of the Barker's family collection. Date unknown. On the back in pencil Emmie James and Jack Barker.group photo, young people, garden

The family members are identified as follows: Back row (L to R): Percy Leigh with Phyllis, Robert Beckett (junior), Herbert Ingamells, Annie Leigh with Marjorie, Harry Leigh, Clara Beckett, Arnold Bear (brother of Olly Beckett), William Beckett with Edna, Ben Gray. Middle row (L to R): Robert Gray, Ethel Beckett, Polly (sister-in-law of Harry Leigh), Nelly Ingamells, Eliza Beckett with Esther Leigh, Alice Beckett with Basil, Dorothy Beckett, Olly Beckett, Emma Gray with Norman. Front row (L to R): ??? (a Leigh brother), Kate Beckett, Mabel Beckett, Cyril Ingamells, Bert Gray, Elsie Leigh with Ethel Ingamells. Robert (John Robert) Gray, Ben Gray and Norman Gray were 3 of 6 children of John Gray and Emma Beckett who married at Guildford Villa in 1888. Norman was born in 1901 and looks to be c.3 years old in this photo; the youngest in the family was Evelyn (b 1906) so this would give an approximate date for the photo of 1904. The donor, Wendy McLellan is the daughter of Minnie Caroline Beckett (1907-1998) and Francis James Renkin who married on 13 March 1934. Peter Renkin (formerly of 59 Guildford Road, Surrey Hills, now Shoreham) is her brother. Exact date photo was taken was 17 September 1904.Black and white photo at Guildford Villa, 4 Essex Road, Surrey Hills, home of the Beckett family. The family is formally posed with croquet equipment on the lawn of the substantial Victorian-style home which has 3 chimneys and a veranda on 2 sides. victorian style, croquet, percy leigh, phyllis leigh, robert beckett (junior), herbert ingamells, annie leigh, marjorie leigh, harry leigh, clara beckett, arnold bear, william beckett, edna beckett, ben gray, robert gray, ethel beckett, nelly ingamells, eliza beckett, esther leigh, alice beckett, dorothy beckett, olly beckett, basil beckett, emma gray, norman gray, kate beckett, mabel beckett, cyril ingamells, bert gray, elsie leigh, ethel ingamells

The Portland Butter Factory was formally opened in 1912. Reminder from W. Tulloh, Secretary of the Portland Butter Factory Company, Limited: that instalments for shares in Company were due, in the sum of £2.15.0. Printed letter on paper, amounts handwritten in black ink. Small hole in top middle of paper, stains and discolouration of the paper.Dear Sir, Madam, / I have to remind you that the under- / mentioned Instalments are due in respect of / your Shares in The Portland Butter Factory / Company, Limited. / As the Directors urgently need this / money to carry on the Factory, I must ask you / to let me have immediate payment. / Yours faithfully, / W.TULLOH, / Secretary, Portland.portland butter factory, administration, accounts, betty vivian collection

The Grinton Collection. The wedding of Jack Grintons younger Brother Fred and wife Lucy. Refer - Cat No. 1280 for Jacks service details.Photograph framed. Photograph - black and white photograph on paper depicting a semi-formal full-length portrait of a bride and groom. The bride is standing. Groom is seated. Background - house verandah. Frame - timber, light varnish finish, Perspex front, cardboard backing."Group 6: Life after 1919". "A. Fred Grinton and Lucy Sutherland". framed accessories, camera on the somme, ww1, 38th bn, grinton

First published in 1932 and designed to fit into an average sized pocket for easy reference, this booklet was published in response to an upswing in the popularity of old time dances and reels. The fourth edition was published in 1937 and the 7th Edition was published in 1944. Robertson and Mullens , publishing company was formed in 1922 by the merger of George Robertson and Company and Melville and Mullen. Mullen and Robertson were friends who had immigrated from Scotland together and had initially set up separate bookselling and publishing businesses. The business operated out of 107-113 Elizabeth St., Melbourne and was delisted as a public company in 1960.A photocopy of Mullens Old Time Dance Guide on white paper with black text featuring an illustration of a man and a woman dancing in formal attire. The reverse side features a description of how the dances were to be performed. The publishers of the guide were Robertson and Mullens of Melbourne.emu creek bush band, australian colonial dance, old time dance guide

Black & white photograph of a group of people, men, women & children posing in front of the Eaglehawk Town Hall. All are formally dressed. One gentleman appears to be wearing mayoral robes. Four women holding flower bouquets. May be - Eaglehawk 'Back To' 1928.person, group, eaglehawk, photograph, group in front of the eagehawk town hall, eaglehawk 'back to' 1928, glenys biggs, harry biggs

John Meikeljohn was born in 1841 in Glasgow. He was educated at Glasgow University and U. P. Theological Hall and ordained at the Glasgow City Mission in 1872. His ministries included: 1874 Kirkmairhill U. O. Lankashire; 1888 south Melbourne Dorcas St.. In 1901 he became the first Moderator General for the Assembly of Australia and was the first Principal Emmnauel College Brisbane. The Rev Dr Meikelijohn died on 28/09/1915.Sepia toned studio portrait tipped on to textured beige coloured cardboard of Rev. Dr. John Meikeljohn who dressed in his formal attire of a moderator general. He is sitting in a chair with his legs crossed with his hands resting on the arms of the chair.Printed on the front: "Mendelssohn & Co" "SALON PANEL" "80 SWANSTON ST. MELBOURNE"emmanuel college brisbane, rev. dr. john meikeljohn, presbyterian moderator general

Black and white print of Jack Prisk, SEC Driver and daughter Marg standing in front of a bluestone walled building in formal clothing. Printed on Kodak paper/ See worksheets in Reg. Item 3140 for details about Jack and his SEC driving career.On back of photograph in black ink "Jack Prisk Sec. Driver & Daughter Marg."tramways, trams, secv, drivers, esco, crews

Set of three colour prints of FOHTD Member Ian Brady and author of Prahran & Malvern Tramways Trust: Melbourne's foremost municipal tramway on 22-11-2011 formally launching his book in an presentation at the depot. Printed on Kodak Royal Digital Paper.trams, tramways, pmtt, books, fohtd

Part of the womens formal uniform for the 2002 Winter OlympicsAUSTRALIAfashion, costume, leather, sport, salt lake city

Part of the mens formal uniform for the 2002 winter OlympicsWOOLMARK MERINO SELECT PURE NEW WOOL WOOLMARK 100% MERINO WOOL DRY CLEAN ONLY WARM IRON MADE IN INDIA LIC. NO.: 5345AA97Wfashion, weaving, wool, costume, sport, salt lake city

Part of the mens formal uniform for the Winter Olympics, 2002[AQUILA] 1406 40fashion, costume, shoes, leather, sport, salt lake city

Black and white photograph of a lecture theatre with a man standing and leaning on the bench in front of numerous students. The students are sitting down at seats with long benches in front of them with notebooks open and writing content down. A small photograph of a McKesson Nargraf chart with writing on it from the Alfred Hospital has been glued to the top of the photograph and grey paint has been added around the chart, covering the original section of the photograph.•Black paper label glued on bottom front of photograph and written in white ink, captioned: A FORMAL LECTURE TO MEDICAL STUDENTS IN / THE THEATRE ADJOINING THE MUSEUM •Handwritten in black ink on reverse: Frame 13. •Handwritten in grey pencil on reverse: 15. [13 has been crossed out.]medical students, lecture, mckesson nargraf chart

This photograph is part of a donated sub-collection relating to the history of the Ladies Harbour Lights Guild and Olive Duncan who was a member.This is a photograph of social and historic significance, being part of a sub-collection of material that provides a snapshot of the type of individuals involved in the LHLG and the activities carried out by that organisation. The image is also significant as an insight into the life of Olive Duncan and illustrates the fashion of the time.Formal black and white professional photograph of Olive Hall (nee Duncan) dressed in a long sleeved, v-necked velvet dress, with leaf-shaped broach at the neck and jewelled clasp at the waist. The photograph is mounted on grey card within a grey deckled paper folder.On the back of the photograph mount written in biro is "Olive Hall (nee Duncan) daughter of David Hood Duncan."ladies harbour lights guild, olive duncan, olive hall, lillie duncan, lhlg

Framed B&W photograph titled: "TOROKINA, BOUGAINVILLE, 8 SEPTMBER 1945" Grey card window mount. . Glossy black metal frame. Title and text below image. Image features the surrender of all Japanese forces on Bougainvile during a formal ceremony.

Provides an association with an event - the reopening of the Ballarat Tramways by the BTPS in 1975. Congratulatory message from one of the first tramway museums in the world. Shows the nature of telegrams.Telegram - yellow paper, with "Australian Post Office Telegram" printed on the edges both side from the Tramway Museum Society (TMS) (Crich) to the BTPS, congratulations on the formal re-opening of the Ballarat Tramways. Date stamped 31 Jan 1975 by the Ballarat Post Office.trams, tramways, btps, reopening, celebrations, enthusiasts

The 1st Kew Scouts was one of the first Scout Troops in Victoria, being formed in 1909. From 1927 they met in a magnificent Scout Hall in Disraeli Street, Kew until it was demolished in 1993. Still operating (in 2020) from their new Scout Hall on the corner of Kilby Road and Kellett Grove, Kew.The Kew Troop was the informal title given to the 1st kew Scouts. The real photo postcard by local photographer J Earl Barnes shows the troop formally posed in uniforms in three rows with one scout reclining at front. At the centre back row is the Scout leader. "PHOTOS BY J. E. BARNES, KEW / THE KEW TROOP."1st kew scouts

Worn as part of the femal formal Winter Olympic uniform, 2002WOOLMARK MERINO SELECT PURE NEW WOOL WOOLMARK 100%MERINO WOOL DRY CLEAN ONLY WARM IRON MADE IN INDIA LIC. NO.: 5345AA97Wfashion, weaving, costume, sport, salt lake city

Formal photograph of the wedding of Daisy Rowse and Hubert Jeeves 1926.Sepia studio portrait of wedding couple standing. Bride carrying large bunch of flowers and groom carrying white gloves. hubert jeeves, daisy rowse, wedding

Donated to Sub Branch to provide historical and formal elements to Meetings.It is significant to members in as much as it provides a standard of protocol, authority and respect to formal meetings eg the Annual General Meeting.Model in polished wood of a Gavel and Plate. Plate has inscription plate "To The DViets From Mackay Vietnam vets."; gavel has on the side a badge of the Rising Sun and on the top face an insignia of TBA; the handle of the gavel has a decorative snake entwined thereon.diamond valley vietnam veterans sub branch, mackay vietnam veterans qld

Photo of an Australian soldier taken in a formal position. No identification but likely WW1.Small black and white photo of a soldier in uniform leaning against a stand and holding a baton under his arm. Photo is on the front of a postcard that had not been used.Written on the back "Lizzie Brown" Imprint on corner of photo - " Kalima", some numbers and "Bendigo".ww1, soldier, post card, photo

The pair of photographs of Mr Henry and Mrs Mary Jane Giles was made by the International Art Company, the price was 30 shillings and the choice of frame was Rosewood. It is part of the Giles Collection, which also includes a photograph of the couple's daughter Christina Giles, who died in 1899 aged seven years. There are many 19th century items of furniture, linen and crockery donated to Flagstaff Hill Maritime Village by, Vera and Aurelin Giles. The items are associated with Warrnambool and the Giles Family history. Items donated by the family have come to be known as the “Giles Collection”. Many items in the Lighthouse Keeper’s Cottage were donated by Vera and Aurelin Giles and mostly came from the home of Vera’s parents-in-law, Henry Giles and his wife Mary Jane (nee Freckleton) who married in 1880 and whose photos are on display in the parlour. Henry was born at Tower Hill in 1858, and was a labourer on the construction of the Warrnambool Breakwater before leaving in 1895 for around seven years to build bridges in NSW. Mary Jane was born in 1860 at Cooramook and she attended Mailor’s Flat State School and where she eventually was to become a student teacher. After which she became a governess at “Injemiara” where her grandfather, Francis Freckleton, had once owned land. Henry and Mary’s family consisted of six, some of the children were born at Mailor’s Flat and later some children at Wangoom. They lived with their parents at Wangoom and Purnim west, and this is where Henry died in 1933 and Mary Jane in 1940.This photograph is locally significant due to its association with a local pioneering family. The Giles family collection is of social significance at a local level, because it not only illustrates the level of material support the Warrnambool community gave to Flagstaff Hill during it’s establishment. But the Giles collection also gives us today a snapshot into what domestic life was like in early colonial times prior to Federation. The photograph itself is of added significance as we can see the faces of the family whose lives the collection represents . This photograph is a portrait mounted in an oval rosewood frame, one of a pair. This photograph is Henry Giles, dressed formally and showing a moustache and side-burns. The couple in the pair of photographs is Mr and Mrs Giles of Woodford, Victoria. The photographic studio was the International Art Company. It is part of the Giles Collection.Inscription on back of frame "International Art Company 30/-" "Rosewood"warrnambool, shipwrecked coast, flagstaff hill maritime museum, shipwreck coast, flagstaff hill maritime village, photograph late 1800s, oval wooden frame, portrait, mrs mary jane giles of woodford victoria, giles collection, henry giles, tower hill, cooramook, warrnambool breakwater, mailor’s flat, wangoom, 19th century personal effects, mary giles, christine giles

Streets and drains were the basic infrastructure problems for Kew in the 1880s. Decent streets and drains were fundamental to the quality of life of the residents. Without drainage, streets became muddy, boggy and sometimes impassable. Pools and puddles of stagnant water became smelly. The run off water, mixed with human and animal wastes, because there was no sewerage, became a health hazard. Streets and drains then became what were known as 'a nuisance'. Kew suffered from bouts of typhoid fever during the 1880s. Derrick Street was a private street on the margin of the business district of Kew and a well-used thoroughfare. We hear first about Derrick Street when the ratepayers applied to Council to have the street 'taken over' in January 1881. The Council agreed, after much debate, but ratepayers had to pay half the costs. The argument of the majority of the Council was that there was an established policy that ratepayers of private streets either had to hand over the street fully-formed or pay half the costs if Council did the work. It was felt that to make an exception for Derrick Street would create a precedent for ratepayers of other private streets. On the other hand the ratepayers, and a minority of Council, believed that there were extenuating circumstances in the case of Derrick Street. They believed that the costing by the Borough Surveyor was excessive. They felt the Council was partly responsible for the state of the street due to a channel on Bulleen Road, which deposited sand in the street. The Council had also put in some kerbing at the entrance to the street. Finally, the ratepayers believed that the street had become an important and convenient thoroughfare in Kew, and thus should be an exception to the policy on private streets. In the end a decision was delayed to allow the ratepayers to drain and form the street themselves. And there the matter stood till September 1882, when Miss Reilly complained about rubbish on a block of land in Derrick Street. So, in October 1882 the Council agreed to take over and form the street with the ratepayers paying half the costs. The ratepayers did not want to pay, so the argument continued in Council into 1883. There was a standoff for a further 18 months, until the problem could no longer be ignored. In October 1884 the Inspector of Nuisances and the Health Officer reported that Derrick Street was a health hazard as there was no drainage outlet for waste water. These reports changed the status of the problem of Derrick Street. It became an issue of public health, and thus the Council, acting as the Local Board of Health, had power to prepare plans and order the ratepayers to drain the street and pay all the costs, or let the Council do the work and charge ratepayers half the costs of the works. By April 1885, the time for ratepayers to complete the works themselves had expired, so the Council proceeded with the work and required ratepayers to pay for their share of the costs. All ratepayers had paid by the end of April except Mr Whiddycombe, who refused to pay. Mr Whiddycombe was warned to pay in October 1885. Legal action was taken against him in November. The Council lost the case on technical grounds. The Council, acting as the Local Board of Health, relaunched the legal action and won. The last we hear of Derrick Street is that seven day’s notice was given to Derrick Street ratepayers to pay for the drainage works in May 1887. We presume that Mr Whiddycombe paid. (Research: Andrew Frost)Rare and historic publication issued by the Board of Health in the Borough of Kew in 1885 to residents of Derrick street regarding the need for proper drainage for the purpose of improving public health.Printed formal notice sent by the Board of Health of the Borough of Kew to landowners in Derrick Street, Kew. The notice advised the owners that they were required to form and drain the street according to the levels and specifications approved by the Board. The letter was sent on January 23rd 1885, and signed by the Inspector of Nuisances.borough of kew -- greater melbourne (vic.), council notices -- public health, derrick street -- kew (vic.)