Testimonial dinner given by the Citizens of Ringwood under the auspices of the Ringwood Jaycees. They convened a public testimonial dinner recognising the public service rendered by Mr James W. Manson who held the seat of Ringwood in the Victorian State Parliament from 1958 until 1973. Held at Dorset Gardens Hotel, Croydon.Menu and programme for a Testimonial Dinner. Cream coloured folded light cardboard with blue printing. For Manson, James W.WEG (William Ernest Green) drew a caricature of Jim Manson in the programme.

2 copies black and white photograph. Students seated and standing in the Gardens with E. B. Littlejohn, Principal. Photograph order list for this one and others, attached, and a receipt. On reverse, "Photograph by Information Branch Victorian Department Of Agriculture Ref. No. 1977(462-17)."students, e b littlejohn, principal, 1977 year group

Black and white photograph. Members of the Student Representative Council 1977 seated and standing in the Gardens. Photograph used as part of a display. Includes negatives.student representative council, 1977

Laurie Eager, author of "Our man Arty: in praise of a practical gardener," 1994 Staff 1959-60. Cert of Competency in Hort 1931. M Strickland 1931Black and white photograph. 3 students seated on the lawn. 1922-23. "Laurie Eager" kneeling between "Mary Strickland and Chisolm"students, burnley, laurie eager, chisholm, mary strickland

A black and white photograph of Bendigo Teachers' College students on a visit to Ballarat Teachers' College in 1927. The unnamed staff and students are seated at a main entrance with formal iron fence and pillars. In the foreground on the right is a garden and trees which are along the iron fence which runs up a hill to a fence and more garden the background. Also in the background is a building with ornate features. The men are all in suits with white collar and tie and some wear formal hats. The women are also in formal attire and most wear fashionable hats. See 3320.100bendigo, education, bendigo teachers' college, la trobe university bendigo collection, collection, bendigo, education, tertiary education, teacher training, photo, photograph, photographs, photography, ballarat teachers' college, bendigo teachers' college, costume, fashion, attire, clothing, history, miss j.c. burnett, mr. geoff. pryor, place

Alfred E. Bennett was one of the first students to graduate with a Diploma. He wrote the book after he graduated in 1894. (1) Photographs of photographs, etc. in A.E. Bennett book, "Prize Essays." (i) Acknowledgement for photographs. (ii) p. 101 Appendix. (iii) Diseases of. (iv) Apples. (v) Pioneer timber cottage man and children. (vi) Farm view. (vii) "School of Mines Maryborough. (viii) Group Staff and Students. (ix) "Railway Station Maryborough." (x) "High Street Maryborough." (xi) Maryborough. (xii) Church, Maryborough. (xiii) Maryborough? (xiv) Students and staff seated on horse-drawn cart. (xv, xvi) Distillery equipment. (2) 2 sets of proofs of all photographs in the book. (3) Negatives. Probably taken by A.P. Winzenried for "Green Grows Our Garden." (GGOG). Images used for Media are from B25.0005 as they are the complete collection. Photographs used in GGOG: 26. p9, 11. p10, 25. p12, 5. p22, 19. p29, 15. p32, 27. p 21. The original book is stored with the Burnley Rare Book Collection at the Baillieu Librarya.e. bennett, prize essay, diseases, apples, timber cottage, farm view, school of mines, maryborough, staff, students, railway station, maryborough, church, horse-drawn cart, distillery equipment, a.p. winzenried, green grows our garden, students working outside, orchard, spraying equipment, pruning, planting, orchard gates, entrance gates, neilsons cottage, principal's residence, horticultural board of advice, pavilion, wheelbarrows, californian redwood, sequoia sempervirens, excursion

non-fictionballarat, horticulture, art nouveau, ballarat horticultural society, pansies

Garden which closes Derham Street at Farrell Street, Port Melbourne. Derham Street has been closed for some time with the garden established in the early 2000s to beautify the area.Curved seat in City of Port Phillip garden, Farrell Street at Derham Street, Port Melbournederham street, farrell street

From 5827 Book. The George Seaman story Page 5 Mee Young Lowe migrated from Canton China in 1870's and Married Mary Sue Wong also migrated from Chinna Age 12. in Brighton. The Lowes established a market garden in Stawell in O'Callaghan Street in 1911 living opposite.Asian Heritage lady in black dress seated in chair surrounded by three boysL/R Daniel, Samuel , William and Mary Lowe. Stawellchinese

Collection of colour photographs donated by FOBG (Friends of Burnley Gardens) member Wendy Hansen. (1) Field Station looking through wire fence. (2) Wendy Hansen seated on bench beside Luffmann Ponds. (3, 4) Orchard Border. (5) Luffmann Ponds and resident heron. (6) Sunken Garden. (7) Rose Garden. (8, 9) Kath Deery Native Garden. (10) Sunken Garden.fobg, wendy hansen, field station, luffmann ponds, orchard border, sunken garden, rose garden, kath deery native garden, friends of burnley gardens, lily ponds

Black and white photograph of a photograph pasted on to paper.. Student group with typed names pasted on original photograph seated and standing in the Gardens.. On reverse, "Backhousia Volume 1 September, 1990" (School magazine).students, backhousia, 1990, school magazine, 1990 year group

The house in Grantley Street, Linton, is believed to have been the first home of William and Elizabeth Todd and family. The land was held under a miner's right. Original photograph is in an album donated by Stella Surman (nee Todd). Inscription across bottom of original photograph: "Dad / Will / Mum / Aunt Mill / Arthur under tree / Milton standing / Jack on bike / Aunty Mill with Susan / Mum with Charlie". Charlie Todd is a baby in this photograph. His birth year, 1893, was used to date it.Sepia photograph of a family group - three adults, five children and a baby - posed in the front garden outside a cottage. One of the children is seated on a tricycle. The photograph has been mounted on beige-coloured card.todd family, william todd, elizabeth todd, william (billy) todd [william todd jnr], arthur (paddy) todd, milton todd, john (jack) todd, susie todd, charlie todd, millie bennett

The Garfield Picture Theatre was built in 1924 for Martin Donohue, and according to Mr H. Arnold, who wrote a history of the theatre, it was leased to J. Taylor. It was said to have seated 800 people, and dances were held on Friday evenings with pictures shown on Saturday nights. The theatre was one of the many movie-viewing venues constructed during the Australia-wide boom in cinema building in the 1920s. The Garfield Picture Theatre was Cardinia Shire’s first cinema in the region, followed by Kooweerup’s Wattle Theatre and Pakenham’s King’s Picture Theatre which opened in mid to late 1927. The theatre is significant to the area as it’s one of the few picture theatre buildings remaining in the shire. The Garfield Picture Theatre was not only the main entertainment hub for the area, but it was the town’s first source of electricity. The theatre closed in 1962 and reopened in the 1980s as the Garfield Trading Centre, owned by Sam Jensen, who used to sell used furniture, bric-a-brac and antiques. The theatre stayed that way until 2001, when renovations began by owners Fred and Susan Perez. The theatre was in need of some serious repair and improvement. Fred and Susan spent 17 years relaying and polishing the original floorboards, installing roof insulation, as well as building a commercial kitchen, inside toilets with a disable toilet, upstairs living quarters, full verandah, and drainage and decking around the whole outer edge of the theatre. ​The theatre is a well-preserved and gabled red brick building, with internal renovations creating a grander experience than the original. The front facade still has its original raised cement letters `Garfield Picture Theatre' and sits above a deep cantilever street verandah which extends the front of the building. The Garfield Picture Theatre made a triumphant return as an entertainment venue on Sunday 03 July 2016, and now hosts various music events and is a great venue for weddings, corporate events and dances. The theatre seats 250 and has a lovely outside area with beautiful gardens including piano. Colour photographs of the Garfield Picture Theatre.garfield, garfield theatre

The Boroondara General Cemetery is registered by Heritage Victoria. The Henty's were some of the earliest settlers in Victoria.From Heritage Victoria Statement of Significance Last updated on - December 15, 2005 What is significant? Boroondara Cemetery, established in 1858, is within an unusual triangular reserve bounded by High Street, Park Hill Road and Victoria Park, Kew. The caretaker's lodge and administrative office (1860 designed by Charles Vickers, additions, 1866-1899 by Albert Purchas) form a picturesque two-storey brick structure with a slate roof and clock tower. A rotunda or shelter (1890, Albert Purchas) is located in the centre of the cemetery: this has an octagonal hipped roof with fish scale slates and a decorative brick base with a tessellated floor and timber seating. The cemetery is surrounded by a 2.7 metre high ornamental red brick wall (1895-96, Albert Purchas) with some sections of vertical iron palisades between brick pillars. Albert Purchas was a prominent Melbourne architect who was the Secretary of the Melbourne General Cemetery from 1852 to 1907 and Chairman of the Boroondara Cemetery Board of Trustees from 1867 to 1909. He made a significant contribution to the design of the Boroondara Cemetery Boroondara Cemetery is an outstanding example of the Victorian Garden Cemetery movement in Victoria, retaining key elements of the style, despite overdevelopment which has obscured some of the paths and driveways. Elements of the style represented at Boroondara include an ornamental boundary fence, a system of curving paths which are kerbed and follow the site's natural contours, defined views, recreational facilities such as the rotunda, a landscaped park like setting, sectarian divisions for burials, impressive monuments, wrought and cast iron grave surrounds and exotic symbolic plantings. In the 1850s cemeteries were located on the periphery of populated areas because of concerns about diseases like cholera. They were designed to be attractive places for mourners and visitors to walk and contemplate. Typically cemeteries were arranged to keep religions separated and this tended to maintain links to places of origin, reflecting a migrant society. Other developments included cast iron entrance gates, built in 1889 to a design by Albert Purchas; a cemetery shelter or rotunda, built in 1890, which is a replica of one constructed in the Melbourne General Cemetery in the same year; an ornamental brick fence erected in 1896-99(?); the construction and operation of a terminus for a horse tram at the cemetery gates during 1887-1915; and the Springthorpe Memorial built between 1897 and 1907. A brick cremation wall and a memorial rose garden were constructed near the entrance in the mid- twentieth century(c.1955-57) and a mausoleum completed in 2001.The maintenance shed/depot close to High Street was constructed in 1987. The original entrance was altered in 2000 and the original cast iron gates moved to the eastern entrance of the Mausoleum. The Springthorpe Memorial (VHR 522) set at the entrance to the burial ground commemorates Annie Springthorpe, and was erected between 1897 and 1907 by her husband Dr John Springthorpe. It was the work of the sculptor Bertram Mackennal, architect Harold Desbrowe Annear, landscape designer and Director of the Melbourne Bortanic Gardens, W.R. Guilfoyle, with considerable input from Dr Springthorpe The memorial is in the form of a small temple in a primitive Doric style. It was designed by Harold Desbrowe Annear and includes Bertram Mackennal sculptures in Carrara marble. Twelve columns of deep green granite from Scotland support a Harcourt granite superstructure. The roof by Brooks Robinson is a coloured glass dome, which sits within the rectangular form and behind the pediments. The sculptural group raised on a dais, consists of the deceased woman lying on a sarcophagus with an attending angel and mourner. The figure of Grief crouches at the foot of the bier and an angel places a wreath over Annie's head, symbolising the triumph of immortal life over death. The body of the deceased was placed in a vault below. The bronze work is by Marriots of Melbourne. Professor Tucker of the University of Melbourne composed appropriate inscriptions in English and archaic Greek lettering.. The floor is a geometric mosaic and the glass dome roof is of Tiffany style lead lighting in hues of reds and pinks in a radiating pattern. The memorial originally stood in a landscape triangular garden of about one acre near the entrance to the cemetery. However, after Dr Springthorpe's death in 1933 it was found that transactions for the land had not been fully completed so most of it was regained by the cemetery. A sundial and seat remain. The building is almost completely intact. The only alteration has been the removal of a glass canopy over the statuary and missing chains between posts. The Argus (26 March 1933) considered the memorial to be the most beautiful work of its kind in Australia. No comparable buildings are known. The Syme Memorial (1908) is a memorial to David Syme, political economist and publisher of the Melbourne Age newspaper. The Egyptian memorial designed by architect Arthur Peck is one of the most finely designed and executed pieces of monumental design in Melbourne. It has a temple like form with each column having a different capital detail. These support a cornice that curves both inwards and outwards. The tomb also has balustradings set between granite piers which create porch spaces leading to the entrance ways. Two variegated Port Jackson Figs are planted at either end. The Cussen Memorial (VHR 2036) was constructed in 1912-13 by Sir Leo Cussen in memory of his young son Hubert. Sir Leo Finn Bernard Cussen (1859-1933), judge and member of the Victorian Supreme Court in 1906. was buried here. The family memorial is one of the larger and more impressive memorials in the cemetery and is an interesting example of the 1930s Gothic Revival style architecture. It takes the form of a small chapel with carvings, diamond shaped roof tiles and decorated ridge embellishing the exterior. By the 1890s, the Boroondara Cemetery was a popular destination for visitors and locals admiring the beauty of the grounds and the splendid monuments. The edge of suburban settlement had reached the cemetery in the previous decade. Its Victorian garden design with sweeping curved drives, hill top views and high maintenance made it attractive. In its Victorian Garden Cemetery design, Boroondara was following an international trend. The picturesque Romanticism of the Pere la Chaise garden cemetery established in Paris in 1804 provided a prototype for great metropolitan cemeteries such as Kensal Green (1883) and Highgate (1839) in London and the Glasgow Necropolis (1831). Boroondara Cemetery was important in establishing this trend in Australia. The cemetery's beauty peaked with the progressive completion of the spectacular Springthorpe Memorial between 1899 and 1907. From about the turn of the century, the trustees encroached on the original design, having repeatedly failed in attempts to gain more land. The wide plantations around road boundaries, grassy verges around clusters of graves in each denomination, and most of the landscaped surround to the Springthorpe memorial are now gone. Some of the original road and path space were resumed for burial purposes. The post war period saw an increased use of the Cemetery by newer migrant groups. The mid- to late- twentieth century monuments were often placed on the grassed edges of the various sections and encroached on the roadways as the cemetery had reached the potential foreseen by its design. These were well tended in comparison with Victorian monuments which have generally been left to fall into a state of neglect. The Boroondara Cemetery features many plants, mostly conifers and shrubs of funerary symbolism, which line the boundaries, road and pathways, and frame the cemetery monuments or are planted on graves. The major plantings include an impressive row of Bhutan Cypress (Cupressus torulosa), interplanted with Sweet Pittosporum (Pittosporum undulatum), and a few Pittosporum crassifolium, along the High Street and Parkhill Street, where the planting is dominated by Sweet Pittosporum. Planting within the cemetery includes rows and specimen trees of Bhutan Cypress and Italian Cypress (Cupressus sempervirens), including a row with alternate plantings of both species. The planting includes an unusual "squat" form of an Italian Cypress. More of these trees probably lined the cemetery roads and paths. Also dominating the cemetery landscape near the Rotunda is a stand of 3 Canary Island Pines (Pinus canariensis), a Bunya Bunya Pine (Araucaria bidwillii) and a Weeping Elm (Ulmus glabra 'Camperdownii') Amongst the planting are the following notable conifers: a towering Bunya Bunya Pine (Araucaria bidwillii), a Coast Redwood (Sequoia sempervirens), a rare Golden Funeral Cypress (Chamaecyparis funebris 'Aurea'), two large Funeral Cypress (Chamaecyparis funebris), and the only known Queensland Kauri (Agathis robusta) in a cemetery in Victoria. The Cemetery records, including historical plans of the cemetery from 1859, are held by the administration and their retention enhances the historical significance of the Cemetery. How is it significant? Boroondara Cemetery is of aesthetic, architectural, scientific (botanical) and historical significance to the State of Victoria. Why is it significant? The Boroondara Cemetery is of historical and aesthetic significance as an outstanding example of a Victorian garden cemetery. The Boroondara Cemetery is of historical significance as a record of Victorian life from the 1850s, and the early settlement of Kew. It is also significant for its ability to demonstrate, through the design and location of the cemetery, attitudes towards burial, health concerns and the importance placed on religion, at the time of its establishment. The Boroondara Cemetery is of architectural significance for the design of the gatehouse or sexton's lodge and cemetery office (built in stages from 1860 to 1899), the ornamental brick perimeter fence and elegant cemetery shelter to the design of prominent Melbourne architects, Charles Vickers (for the original 1860 cottage) and Albert Purchas, cemetery architect and secretary from 1864 to his death in 1907. The Boroondara Cemetery has considerable aesthetic significance which is principally derived from its tranquil, picturesque setting; its impressive memorials and monuments; its landmark features such as the prominent clocktower of the sexton's lodge and office, the mature exotic plantings, the decorative brick fence and the entrance gates; its defined views; and its curving paths. The Springthorpe Memorial (VHR 522), the Syme Memorial and the Cussen Memorial (VHR 2036), all contained within the Boroondara Cemetery, are of aesthetic and architectural significance for their creative and artistic achievement. The Boroondara Cemetery is of scientific (botanical) significance for its collection of rare mature exotic plantings. The Golden Funeral Cypress, (Chamaecyparis funebris 'Aurea') is the only known example in Victoria. The Boroondara Cemetery is of historical significance for the graves, monuments and epitaphs of a number of individuals whose activities have played a major part in Australia's history. They include the Henty family, artists Louis Buvelot and Charles Nuttall, businessmen John Halfey and publisher David Syme, artist and diarist Georgiana McCrae, actress Nellie Stewart and architect and designer of the Boroondara and Melbourne General Cemeteries, Albert Purchas.Digital imagescemetery, boroondara, kew, gatehouse, clock, tower, clocktower, heritage, memorial, henty, james henty

Black and white photograph of The Tree on Merrangbaur Hill. This dead iron bark tree covered with vine, was for many years a landmark for vessels at sea. View of sand hummocks and Cunninghame Arm in background. Lady seated on deckchair in Merrangbaur House garden, Lakes Entrance Victoria.guesthouses, topography, coast, local history

All donated by Ella Chalmers (nee Fry) (1928).(1) Sepia photograph and Newspaper Cutting. Photograph of an illustration from a Newspaper article in the Sun-News Pictorial, Tuesday, September, 27, 1927, "Back from the sweet fragrance of the bush with armfuls of wildflowers for the exhibition of wildflowers to be opened by Lady Somers at St. Kilda Town Hall today. These girls had a happy time at Ringwood yesterday." (2) B/w photograph cut from a journal with the caption, "Students of the Burnley Horticultural College (who started the new term last Tuesday) with Mr. Russ (Practical Demonstrator), Mr. A. Jessep (Principal) and Mr. Harrison (Science Master)." and, "1927." Group of students standing, seated on benches and seated on the lawn in the Ornamental Garden.ella chalmers (née fry), burnley horticultural college, george russ, a.w. jessep, principal, mr. harrison, science master, student group, lady somers, st kilda town hall, exhibition of wildflowers, students, wildflowers, newspaper cutting

Seated - Frederick Brown (known as Fred) (1860-1959) and Alexander Brown (known as Alex) (1863 - 1940), are the sons of Hugh Brown, a pioneer of the district. Hugh Brown (1830-1930), born in Ireland, arrived in Adelaide in 1855 and in the Mordialloc district in 1856. Mr Brown brought land in 1866 and built his farmhouse “Pine Vale” in 1870 near the site of the present Mordialloc Secondary College (then part of the property) and extended his property when the swampland was made open for selection in 1871. The property was a market garden and orchard. Hugh Brown married Zillah Baxter (1866) and they had six sons, five living to adulthood. The Brown family increased their land holding until they held a major part of the farmland between Mordialloc Creek to almost the Aspendale Railway Station. The property was a market garden and orchard. Mr Brown took an active interest in the public life of the community, a Justice of the Peace; Councillor of Dandenong Shire for over 30 years, was twice Shire President; and a founding member of the Mordialloc Mechanics Institute. Sepia studio photo of five men, three younger men standing behind two sitting.hugh brown, mordialloc, pioneer, zillah brown, zillah baxter, pine vale, alex brown, alexander brown, fred brown, frederick brown

Colour photograph of members of Tambo Nicholson River Management Group seated at round table discussion Charles Hogan Alan Somerville Margaret Gardener Jeanette Severs Rex Candy Kevin Dean Robin Minter and Bill Wilson East Gippsland Victoriaenvironment, fish, waterways

Also a second photograph showing Peter Healy planting Nan Frasers new garden with Pope the dog helping at Rowe Street 05333.1 10 x 15 cm in album.Colour photograph showing Gwen Healy cutting cake and Nan Fraser seated both residents of units in Rowe Street Lakes Entrance people

The photograph is associated with Harry Holmes who was a member of the Australian Imperial Force based in Egypt at the time. Egypt was a major base for the AIF from December 1914. A number of campaigns were fought in this theatre. There were two campaigns involving the AIF. Note that not all the fighting was actually geographically in Egypt. (http://www.aif.adfa.edu.au:8888/about3.html) Four postcards of Nouza Gardens, alexandria, Eygpt. .1) Two English soldiers walk down a tree lined avenue at Nouza gardens .2) Garden setting with fernery building on the right. .3) Gardens with towered building in the centre of the photograph .4) Three Egyptian boys who acted as guide to Australian Soldiers Harry Holmes and his friends sit on a seat in front of a fernery building. .1) Aveue at entrance to Nouza gardens, Two tommies in the foreground. .2) View at gardens. Nouza .3) View taken at Nouza Gardens, Alexandria. .4) The fernery at Nouza Gardens. Very pretty inside. the three boys we picked up and they acted as our guides. chatham family archive, chatham, holmes, world war, world war 1, world war i, world war one, harry holmes, nouza gardens, alexandria, egypt

Colour photograph of the kiosk on the hummocks. It shows the kiosk with enlarged dining room, garden with rustic picnic tables and seats and three open colored sun umbrellas. Lakes Entrance Victoria waterfront, restaurant, business, beach

The man photographed is Nick Paizis, who was well known in the Ithacan community as 'The Poet'. He recited poems at various social events in the Ithacan community. The identity of the young girl is unknown.A black and white photograph, with a white border, of a man seated at a table in a garden with a little girl standing beside him. They are listening to music being played on a portable wind-up gramophone.

Pictured l-r are Bill Florence (Vasilis Florias) playing violin, Peter (Pano) Vlass, Joyce Mason and Stathis Raftopoulos playing banjo. They are continuing the celebrations the day after Pano's and Joyce's wedding. The photo is taken in the back garden of the Golden Key Cafe in Red Cliffs which was operated by Pano's father Demetrios Vlassopoulos (Kopela). Stathi, Bill and Pano were all first cousins.The photograph reflects maintenance of family traditions and celebrations in their adopted country and the love of music. A black and white photograph of a lady and men relaxing outside a weatherboard house. The lady is seated in front of the men. A man on the LHS is playing a violin and the other on the RHS is playing the banjo. A corrugated iron water tank is behind the group. The photograph has been scanned from an original photograph. kopella, mildura

The man in the foreground is Nicholas Paizis. The garden is typical of the vegetable gardens of Greek families. A black and white photograph of two men in a garden. One is holding a hen while the older man is seated in the background.On the back F 8.

Toula Black (Mavrokefalou) is seated with her 2 year old daughter Rita on her knee. Her older daughter, Nina, is crouched down beside her. Toula's brother, John Raftopoulos, is standing behind them. John came from America and eventually settled in Brisbane.A black and white photograph of a man and lady with two little girls. They are in a garden and the man is standing behind the seated group.

The group were gathered together for a Varigos family reunion some time in the 1980s. The families are all descendants of Ioannis and Giannoula Varvarigos who migrated to Melbourne from Ithaca in 1914. Family ties are very important in Ithacan culture and the links across the generations are very strong.A coloured photograph of a large group of people gathered in a large garden. Most of the group are gathered around two older menthe are seated on chairs in front of the group.

The photo is of toddler Olga Varvarigos and possibly her mother Giannoula Varvarigos. A black and white photograph of a lady and a little child sitting on a seat in a garden.

Pictured are Ekaterini Varvarigos and her younger sister Olga. Ekaterini was born in in Ithaca in 1910 and came to Australia in 1926 to reunite with her parents. Her younger sister Olga was born in Melbourne in 1925.A black and white photograph with a white border of a young girl wearing school uniform and a little child. They are sitting on a seat in a garden.