The letter to Mr A Ferris was from Mr and Mrs R Ferris of Bristol U.K thanking him for the food parcel. They were not related to each other. Australians sent food parcels to the UK after WW2. This one contained meat, milk, honey, cheese and jelly powder. It was organised through the “Bristol Society of Melbourne”. The letter is in the collections relating to Alfred G Ferris 2156 AIF, refer cat No 4183.3P for his service details.Envelope, “Air Letter”, light blue colour, all type in black, hand written on the front, dated 1947.Hand written, “Mr A Ferris Pte bag, Pyramid Hill Victoria Australia”air letters, food parcels, post ww2

The Noisy Friarbird are conspicuous and active Honey-eaters mainly seen in small groups and often active in flowering plants, especially eucalyptus trees. Noisy Friarbirds are found along the east coast of Australia, from north-eastern Queensland to north-eastern Victoria. They often feed in noisy flocks, alongside other Honey-eaters such as the Red Wattlebird. This specimen has been mounted in an accurate, yet stylised fashion. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.The Noisy Friarbird has a characteristically black head which lacks plumage and has a prominent casque (bump) on the base of its strong bill. The specimen has an off-white underbody and neck, a light brown back and tail with a white tip at the end of the tail. This specimen stands upon a wooden platform and has an identification tag tied around its leg.59a / Friarbird / See Catalogue Page 18 /taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, bird, noisy friarbird, friarbird, australian birds, oz animals, wattlebird

"This is a story of coming together. The honey ants represent food and move round the frame continuously. The outer circle represents different groups all coming together for reconciliation to work as one. The large camp in the middle is where they all come to meet with the paths leading away back to our homes and family after the big get together.” – Trevor. Trevor Barker was born in Melbourne and is a descendant of the Barkindji people, through his Father, from the Western region of NSW.

This photograph depicts the road diversion on Nepean Highway that was implemented to allow construction of the railway line underneath the Nepean Highway at Moorabbin. An "Allourie" Cheese, Honey Canned Ham van is prominent on the left of the image, the railway gates are central and the old Moorabbin Station is visble. Beyond the dates, pedestrians are visible crossing the Nepean Highway. This image is part of a larger collection of images from the Public Transport Corporation displaying train stations and streetscapes in what is now the City of Kingston.In 1958 excavations began for the removal of the level crossing gates at the southern end of the Moorabbin shopping centre on Nepean Highway. The station was also lowered below ground. A diversion route was created to enable the flow of traffic in both directions along the highway.Black and white photograph of road diversion on Nepean Highway, Moorabbin to allow the construction of the railway line below the Nepean Highway at Moorabbin and also to trench the station. This image is part of a larger collection of images from the Public Transport Corporation displaying train stations and streetscapes in what is now the City of Kingston.White adhesive dot sticker: Printed black 199 Handwritten in red ink: 80% Handwritten in black ink on yellow Post-It Note: [indecipherable] 199 - Diversion for Crossing Stamped in blue ink: COPYRIGHT Public Transport Corporation, For reordering photographs, Please quote negative No m 5687, Enquiries C/- PTC Photographic Unit, Telephone switchboard 619 1111railway crossing, railway station, city of moorabbin

The queen bee cage is designed to hold a queen bee, and up to three or four escort worker bees. The design allows for adequate ventilation, and has a spot for 'queen candy' -candied honey- to block one end. The queen is placed in her new hive inside the cage, and once the queen candy has been eaten through -allowing her access to the hive- the hive has become accustomed to her smell and accept her. Bees could be sent through the post in this cage.Mesh cage stapled onto top and bottom metal bands. One metal strut running between top and bottom. Base is metal, larger than lid. Lid is wooden, with circular hole.cage, queen, bee, transport, queen bee cage, beechworth honey

Colour photograph of students : back row: Jessica Burton, Nikita Holmes, Adelaide, MacLeman, Rachael Simmonds, Elma-Jean Hosking, , Nicole Roberts, Emily Boutard, Stevie Blake, Zoe Braddy Middle row: Nono Hyett, Nathan Hunt, Logan Buck, Brendan Bourke, Chris Ohlson, Alex McLean, Ebonee Bryan, Jill Honey ( teacher) Front row : Ruby Anderson, Lyndon Barket, Jeff Lewis, Arna Packham, Kimberly Rosos, Daniel Stirling, Matthew Gordon, Joshua Clough, Trent Burchell.bendigo, education, golden square primary school year

Colour Photograph of students : back row : Alex Mclean, Sam Woodman, Cassandra Freeman, Niki Steele, Zoe Braddy, Daniel Curnow, Adrian Bourke, Mrs Jill Honey (teacher) Middle row: David Doolan, Amy Allchin, Alexander Fettling, Arna Packham, Kimberly Rosos, Aleah Hardwick, Nicole Dunn, Lyndon Barker, Gary Sullivan. Front row: Philip McLean, Rachel Guymer, Meredith O'Neil, Brittany Hercus, Leah Morris, Michael Lewis, Hannah Eames, Bianca McPherson, Joshua Boyd.bendigo, education, golden square primary school year

Coloured photograph of the Golden Square Primary School Year Staff 2001. Their names are; Back Row, L to R: Jo Bury, Tony Gundry, Ruth Dean, Merrill Harvey. Middle Row, L to R: Sheryl Argall, Lyndal McClure, Shane Rodda, Graeme Draaisma, Tanya Ruschmeyer. Front Row, L to R: Kristy Taylor, Julie Gibson, Julie Wakker, John Wakker, Ron Payne, Judi Greenslade, Jill Honey, Jenny Lovett. Absent: Jenny Mann, Jenny Miller. Oval sketch of the school on the right of the names.education, primary, golden square laurel st p.s., golden square laurel street p.s. collection - photograph - golden square primary school year staff 2001, jo bury, tony gundry, ruth dean, merrill harvey, sheryl argall, lyndal mcclure, shane rodda, graeme draaisma, tanya ruschmeyer, kristy taylor, julie gibson, julie wakker, john wakker, ron payne, judi greenslade, jill honey, jenny lovett, jenny mann, jenny miller

The design of this small disc is from the Australian Colonial period. The cedar wood desk was made in Australian by Foy & Gibson in the 1880s, most probably in the business’s works in Collingwood, Victoria. The heavy brass locks fitted into the desk drawers were made by the famous Hobbs & Co of London, mid-late 19th century. In 1860 the business changed hands but the locks were still branded Hobbs & Co. The desk is branded with the symbol of Victoria’s Public Works Department. There is currently no information on when, where and by whom this desk was used. However, a very similar desk with Hobbs & Co. locks is on site at the Point Hicks Lightstation in Victoria and was formerly used by the Point Hicks head light keeper there. Other light stations also have similar desks from the P.W.D. (see also ‘Desk, Parks Victoria – Point Hicks Lightstation, Victorian Collections’.) HOBBS & CO., LONDON Alfred Charles Hobbs, 1812-1891, was American born. He became an executive salesman in 1840 for renowned lock manufacturer Day & Newell. His technique of exposing the weaknesses of people’s current locks was very successful in generating sales. He represented Day & Newell at London’s Great Exhibition of 1851, competing with other lock makers. Through the Exhibition he became famous for picking the best trusted Bramah and Chubb locks. Hobbs’ fame led him to found his own company in 1851 then register it in 1852 as Hobbs & Co., London. Hobbs was awarded the Telford Medal by the British Institution of Civil Engineers in 1854 for his paper 'On the Principles and Construction of Locks'. In 1855 the very successful company added partners and became Hobbs, Ashley and Co. In 1860, it traded under the name of Hobbs, Hart & Co. and was based in Cheapside London, where the business remained. Hobbs then returned to America, having sold the complete company to John Mathias Hart. He briefly returned to attend the 21st anniversary celebrations of the successful business in 1872. Hobbs kept himself busy in America, inventing and manufacturing firearm ammunition, for which he held several patents. He passed away there in 1891, a month after his 70th birthday. FOY & GIBSON Mark Foy wan an Irish draper who migrated to Bendigo, Victoria in 1858, attracted by the gold rush. He lived and worked in the area, establishing a drapery business. In the 1870s he moved to Melbourne where there were better prospects for expansion. He chose a place in Smith Street, Collingwood, a suburb of Melbourne, and started his business at the rear. In 1883 Foy retired, bringing in William Gibson as a partner, and then transferred his own share of the company to his son Francis Foy. Not long afterwards Francis sold his half share to Gibson, and the business continued under the name of Foy & Gibson. Francis Foy and he and his brother Mark Foy (junior) moved to Sydney. They established a business there in 1885, named after their father, Mark Foy. Gibson added to his business by starting his own manufacturing works from 1887, producing clothing, millinery, furniture, bedding and hardware for his stores. The factories, warehouses and stores complex became one of Victoria’s largest employers. He set up branches of his stores in Perth, Brisbane and Adelaide and two more branches in Melbourne. Foy & Gibson (usually referred to as Foys) became one of Australia’s largest retail department stores. In 1931 Foy’s little house in Collingwood was still part of the entrance to Foy & Gibson Emporium. In 1955 the company was bought out by Cox Brothers. Later on the stores were sold to various businesses such as David Jones, Woolworths and Harris Scarfe. In 1968 Cox Brothers went into receivership, ending almost 100 years of the business known as Foy’s. The former Foy & Gibson Complex is registered by Heritage Council Victoria. “Designed by William Pitt, this magnificent 19th and early 20th century complex of factories, warehouses and showrooms saw the production of a remarkable range of goods for Foy & Gibson, Melbourne’s earliest department store chain”. (Quoted from the Plaque erected by the Collingwood Historical Society 2007) P.W.D. – Public Works Department, Victoria The desk is stamped “P.W.D,” signifying that it is from the Public Works Department in Victoria, which operated from 1855-1987. The department was responsible for, among other things, the design and supply of office furniture and equipment for public buildings and organisations. This desk is significant historically as it originated from Foy & Gibson, a colonial Australian company that had a positive and strong impact on employment, manufacturing and retailing in Melbourne, Victoria and Australia. The significance of Foy & Gibson to Victoria’s and Australia’s history is marked by the Collingwood Complex being registered in both Heritage Victoria Register (H0755, H0897 and H0896) and National Trust Register (B2668). This locks on this desk are significant for their connection with their manufacturer, Hobbs & Co, who invented a lock that surpassed the security of any other locks produced in the mid-19th century. Desk; Australian Colonial cedar desk, honey coloured. Desktop has a wooden border with a rolled edge and a fitted timber centrepiece. The four tapered legs are tulip turned. Two half-width drawers fit side by side and extend the full depth of the desk. The drawers have dovetail joints. Each drawer has two round wooden knob handles, a keyhole and a fitted, heavy brass lever lock. Inscriptions are on the desktop, drawers, desk leg and lock. Made in Australia circa 1880 by Foy & Gibson, lock made by Hobbs & Co, London.Impressed into timber frame of one drawer “FOY & GIBSON” Impressed into lock “HOBBS & CO / LONDON”, “MACHINE MADE”, “LEVER” Impressed along the front edge of the desktop [indecipherable] text. Impressed into the timber of right front leg “P. W. D.” below a ‘crown’ symbol Handwritten in white chalk under a drawer “206” flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, desk, cedar desk, colonial desk, 1880s desk, australian colonial furniture, furniture, office furniture, office equipment, australian made furniture, colonial furniture, colonial hardware, foy & gibson, alfred charles hobbs, hobbs & co london, hobs & co lever lock, cabinetry lock, machine made lever lock, p.w.d., public works department victoria, day & newell, great exhibition of 1851, bramah lock, chubb lock, telford medal 1854, cheapside london, mark foy, mark foy – bendigo draper, smith street collingwood, william gibson, foy & gibson emporium, foy & gibson complex, cox brothers

The queen bee cage is designed to hold a queen bee, and up to three or four escort worker bees. The design allows for adequate ventilation, and has a spot for 'queen candy' -candied honey- to block one end. The queen is placed in her new hive inside the cage, and once the queen candy has been eaten through -allowing her access to the hive- the hive has become accustomed to her smell and accept her. Bees could be sent through the post in this cage. Used by a beekeeper and provided by Mr Richard Diss (beekeeper's son). The cage is significant because it was made with metal and wood. The more contemporary cages are now plastic and of a different design and specifications.Mesh cage stapled over wooden lid with metal strut and top and bottom metal bands. Base is larger than lid. Lid has metal cap.queen cage, nursery cage, bee travelling, mailing bees, beechworth honey, beekeeping

A postcard in a series produced by the Rose Stereograph Company in Victoria, Australia as a souvenir of Marysville.A black and white photograph taken along Lady Talbot Drive, Marysville, Victoria, of the area known as the Beech Grove. The Beeches Rainforest Walk is a loop that starts at Taggerty Cascades before winding through Myrtle Beech and Mountain Ash woodland and is one of the many walking tracks in and around Marysville. It is accessible from Lady Talbot Drive which is a 24 kilometer scenic rainforest car journey which passes a number of walks and waterfalls in the Yarra Ranges National Park. Lady Talbot Drive is named after Lady Sarah Elizabeth, the wife of Sir Reginald Talbot, who was the Governor of Victoria from 25th April, 1904 to 6th July 1908. This postcard was produced by the Rose Stereograph Company as a souvenir of Marysville.POST CARD The "Rose" Set/ De Luxe A Real Photograph/ Produced in Australia Published by the Rose Stereograph Co./ Armadale, Victoria. This is just to remind you of/ Marysville - I am spending the/ weekend up here & thoroughly/ enjoying it./ Love to all of you L. McIver All best honey + thanks for/ a lovely day E. + P. F.talbot drive, marysville, victoria, beech grove, p. 2310, rose series postcard, postcard, souvenir, beeches rainforest walk, sarah elizabeth talbot, sir reginald talbot, mountain ash, myrtle beech

Roadside buildings, formerly Doney's General Store. Doney's operated from the 1880s through to the late 1960s. It was situated at the head of the present day Research shops on Main Road near the corner of Raglan Road. By the 1960s it was under new ownership. The Store had a residence at the back. Signs promote The Herald and Sun newspapers, four 'n twenty pies, coca cola and more. A public phone box is in the front of the store. Beside the store is possibly an old farm building with more signs advertising honey, Streets, Tarax and a local bottle dump. Lyn Dodkins used to work in the Store after school.Digital file onlygeneral store, research (vic.), milkbar, lyn dodkins

Percival Bird WETHERALL Regt No 6903 enlisted in the 19th reinforcements 23rd Bn on 13.1.1917 age 20 years. Prior to embarking he writes a letter to his CO asking for 5 days leave to get married and have a honey moon. Embarked for England 11.5.1917, embark for France 16.2.1918, WIA 22.3.1918 GSW shoulder severe and transferred to 1st Eastern General Hospital Cambridge, discharged to furlough 2.8.1918, embark for Aust 25.1.1919, hospital on board ship with Influenza and Cong (congealed?) Lungs, disembarked at Suez and hospitalised in 14th AGH on 8.2.1919, embark for Aust 1.4.1919 classed Debility, discharged from the AIF 6.6.1919 medically unfit.Small bible with brown cover. Front cover has "New Testament" written on it. Belonged to Percival B. Wetherall.6903 Pte. P.B. Wetherall 23rd Battalion A.I.F. Abroad 1917-1919, 1914-1918.books-religion-christian, new testament

The Stormbird was built in Southport Tasmania in 1874 and was originally a steamer registered in Hobart. 1876. It was re-registered many times with different owners: William Fergusson & S.Reeves, reg. Port Adelaide; 1878: G.McKay, C.Heath & J.Yeo; 1883: G.S.Simmonds. It made regular voyages from Port Victoria. In 1893 on November14 Stormbird sank at her wharf, near Honey Street, after being struck by the Tenterden. It was raised (29 Nov) & repaired.In 1902. It was registered to A.Le Messurier. In 1904 it was registered to J.& A.Tainsh. This certificate is the record of registration for George Tainsh, a master mariner, Alice Thompson, a widow and John Tainsh, master mariner. 1922. The Stormbird was eventually lost on a voyage Madang to Wewak with the loss of two lives. This was after 1968. It had been changed to a sailing ship with an auxiliary engine in 1938.This certificate is a useful research tool and is a valuable source of information on maritime history.A small, blue folder containing a certificate of British Registry for the ship "Stormbird". Black text with additional hand-written details in red added in 1938. The certificate gives details of size, tonnage and engine. The owners are listed and it is dated 24th May, 1922 and signed by the Registrar of Shipping, Ernest Hall.stormbird-registration tainsh

Depicted in the photograph is Newtown Bridge or the Newtown Falls Bridge, in Beechworth, Victoria. Noted for its location, detailed craftsmanship and stonemasonry by Scottish stonemasons the Newtown Bridge was built in the 19th century provincial town of Beechworth (completed in 1875). The bridge was built over Spring Creek, spanning 6.3 meters wide and 24.8 meters tall. Beechworth held a distinct role in the administrative and commercial management of Victoria's north-eastern goldfields, with many objects and structures still well preserved from the towns establishment. The bridge indicates the growth of the town, replacing a previous timber structure as well as its association to the mining activity in the area and the rapid increase in Australia's economy that led to investment and development of roads and railways. The local granite used in the construction of the single arch Newtown Bridge makes the bridge and other buildings made with the granite unique to the area, the honey-toned material distinct to Beechworth. This photograph is historically significant as it provides insight into the industrial development of Beechworth and the surrounding area, contributed to by the goldfields. The photograph further captures the representation of vernacular engineering traditions and Scottish stonemasonry.Two sepia-toned rectangular photographs featuring a bridge in the background printed on matte photographic paper mounted on card.Reverse: 97.2324/ Newtown Bridge/ Beechworthbridge, newtown beechworth, newtown bridge, newtown, beechworth, beechworth falls bridge, beechworth mining district, spring creek,

The history of Samuel Adams Utopias comes from the extreme beers of Triple Bock and Millenium that came before it. With those brews The Boston Beer Company began the exploration of aging beer in barrels for a different flavor contribution. In 2002 the first batch of Samuel Adams Utopias was introduced with a complex flavor profile unlike any other beer, and an ABV of 24-29%, making it the strongest naturally-fermented beer to date. Samuel Adams Utopias was brewed in 2003, 2005, 2007, 2009 and 2011. The beer is uncarbonated and ruby black in color with sweet flavors of honey, toffee, caramel, cocoa and vanilla balanced by distinct notes of molasses, raisins, plums and berries imparted from aging batches in a variety of barrels over the years. (http://www.samueladams.com/enjoy-our-beer/beer-detail.aspx?name=utopias) This brew is only released every two years,Gold ceramic unopened bottle containing Utopias beer vintage 2007 brewed by the Boston Beer Company. The beer is a limited 2007 edition with the number 08939. The decanter was handcrafted by Ceramarte of Brazil exclusively or the Boston Beer Company. Samuel Adams is depicted on the bottle. beer, beer awards, utopias, brazil, samuel adams

Coloured photograph of the Golden Square Primary School Year 5-6/H 1999 class and their teacher. Children are wearing school uniform. Their names are: Back Row, L to R: Jessica Burton, Nikita Holmes, Adelaide MacLeman, Rachael Simmonds, Elma-Jean Hosking, Nicole Roberts, Emily Boutard, Stevie Blake, Zoe Braddy. Middle Row, L to R: Noni Hyett, Nathan Hunt, Logan Buck, Brendan Bourke, Chris Ohlson, Alex McLean, Ebonee Bryan, Jill Honey (Teacher). Front Row, L to R: Ruby Anderson, Lyndon Barker, Jeff Lewis, Arna Packham, Kimberly Rosos, Daniel Stirling, Matthew Gordon, Joshua Clough, Trent Burchell. Oval sketch of the school on the right of the names.education, primary, golden square laurel st p.s., golden square laurel street p.s. collection - photograph - golden square primary school year 5-6/h 1999, jessica burton, nikita holmes, adelaide macleman, rachael simmonds, elma-jean hosking, nicole roberts, emily boutard, stevie blake, zoe braddy, noni hyett, nathan hunt, logan buck, brendan bourke, chris ohlson, alex mclean, ebonee bryan, jill honey (teacher), ruby anderson, lyndon barker, jeff lewis, arna packham, kimberly rosos, daniel stirling, matthew gordon, joshua clough, trent burchell

Coloured photograph of the Golden Square Primary School, Year 5-6/H 1998 class and their teacher. Children are wearing school uniform. Their names are: Back Row, L to R: Leigh Barker, Bethany Thomson, Jessica Gloster, Amy Morrison, Luke Anderson, Seb Robins, Nicole Roberts, Kim Freeman, Justin Broadbent. Middle Row, L to R: Emma Singe, Jessica Middleton, Stevie Blake, Kristy Allen, Emily Boutard, Jedd Fettling, Dearne Rice, Rod Weeks, Khylie Anderson, Megan Bourke, Jill Honey (Teacher). Front Row, L to R: Lachlan Carter, Jeffrey Lewis, Mathew Holmes, Rebecca Stemmer, Kara Braddy, Chris Ohlson, Michelle Noulton, Nathan Hunt, Joshua Clough. Oval sketch of the school on the right of the names.education, primary, golden square laurel st p.s., golden square laurel street p.s. collection - photograph - golden square primary school year 5-6/h 1998, leigh barker, bethany thomson, jessica gloster, amy morrison, luke anderson, seb robins, nicole roberts, kim freeman, justin broadbent, emma singe, jessica middleton, stevie blake, kristy allen, emily boutard, jedd fettling, dearne rice, rod weeks, khylie anderson, megan bourke, jill honey (teacher), lachlan carter, jeffrey lewis, mathew holmes, rebecca stemmer, kara braddy, chris ohlson, michelle noulton, nathan hunt, joshua clough

William and Ann Swinton came to Warrnambool in 1854. William was a carpenter and established a general store in Warrnambool in 1865. By 1888 the firm was known as William Swinton & Sons. After William died in 1901 the business was known as Swintons Pty. Ltd. After 1934 there were two branches of the business, George Swinton & Son and Swintons Pty. Ltd. These labels are of interest because Swintons stores have been of utmost importance in Warrnambool's history.Today it is one of the oldest family businesses in Australia.1 Rectangular paper label with white inner rectangle with black text surrounded by dark green, checked red and dark green gold coloured borders.It is adhered to a piece of white paper. It is damaged. .2,.3 Rectangular paper cream labels with dark green text and gold coloured decorative borders. .4 Rectangular paper white label with red text surrounded by a brown and two thin black borders. It is damaged. .5,.6,.7 Rectangular cream coloured card with red text and a sphere surrounded by a decorative border. .8 White paper rectangular label with dark blue text. It has remnants of an adhesive on the back. .1 Genuine Vinegar BOTTLED BY SWINTON & SONS Approximately 25oz. .2 SOUTH AUSTRALIAN CELEBRATED VINEGAR . Fermented Mixed Vinegar made from Wine, Sugar, and Distilled Alcohol. Free of any addition of Commercial Acetic Acid, COLOURED WITH CARAMEL. Each Bottle contains approximately 22oz. BOTTLED BY SWINTONS PTY.LTD.WARRNAMBOOL .4 PURE Extracted Honey SWINTON & SONS TIMOR STREET WARRNAMBOOL .5,.6,.7 THE UNIVERSAL MADE EXPRESSLY FOR W SWINTON & SONS, WARRNAMBOOL Size.....Price..... .8 SWINTON & SONS WARRNAMBOOL

Coloured photograph of the Golden Square Primary School Year 5-6/H 2001 class and their teacher. Their names are; Back Row, L to R: Christopher Holliday, Kyla Melville, Garon Freeman, Eleah Hardwick, Joshua Taylor, Tayla Flint, Nicole Dunn. Middle Row, L to R: Ryley Flint, Daniel McDonald, Cameron Macleman, Julia Morris, Matthew Williams, Joshua Parsons, Brock Lancaster, Mrs J Honey (Teacher). Front Row, L to R: Lisa Rosos, Alex Stewart, Melanie Donaldson, Kate Steele, Janelle Roberts, Christopher Hyett, Adam Monti, Kaylee Haylock. Sitting, L to R: Scott Owen, Dylan Holliday, Christie Harty, Luke Scoble, Hannah Apps, Rhiannon Brown, Jake Pollock. Oval sketch of the school on the right of the names.education, primary, golden square laurel st p.s., golden square laurel street p.s. collection - photograph - golden square primary school year 5-6/h 2001, christopher holliday, kyla melville, garon freeman, eleah hardwick, joshua taylor, tayla flint, nicole dunn, ryley flint, daniel mcdonald, cameron macleman, julia morris, matthew williams, joshua parsons, brock lancaster, mrs j honey (teacher), lisa rosos, alex stewart, melanie donaldson, kate steele, janelle roberts, christopher hyett, adam monti, kaylee haylock, scott owen, dylan holliday, christie harty, luke scoble, hannah apps, rhiannon brown, jake pollock

This is a photograph of two people (James Toole and Beryl Witkowski) amid celebrations for St Patrick's Day at the Burke Museum in an unknown year. St Patrick's Day is traditionally an Irish religious holiday, but has been adopted in countries such as Australia to celebrate an idea of Irish culture. These celebrations often include wearing green clothes, especially a shamrock hat, and drinking beer, all pictured here. This celebration appears to be taking place within the Burke Museum itself, with museum's iconic stained glass oval window in the background. The Museum, situated in Beechworth, holds a collection of over 30,000 individual objects - including this photograph. James Toole (left) was the 'face of the Beechworth Post Office' until his retirement in 2015, following a 45-year career in mail service. He is a Friend of the Burke Museum, volunteering on projects such as crafting the Burke Museum's float in the 2018 Beechworth Bakery and Beechworth Honey Grand Parade at the Golden Horseshoes Festival. He is known for his flamboyant character. Beryl Witkowski (right) was a historian and curator for the Burke Museum, retiring from her position in 2016. She was involved as a Friend of the Burke Museum from at least 2004.This photograph is significant to the Burke Museum and Beechworth as it depicts two prominent, contemporary members of the museum's paid and volunteer staff in the museum itself. It highlights both how the staff interacted with the museum through celebrations and how the museum itself was used in capacities other than object display. The photograph can also be used to interpret Australia's relationship to the St Patrick's Day holiday, especially given the presence of Irish immigrants to the Beechworth area in the nineteenth century.A colour, square photograph printed on rectangular photographic paper.First Card: WITKOWSKI, Beryl / TOOLE, James / BMM 3067 / Databased Second Card: Burke Museum / 3067 /burke museum, beechworth, museum staff, celebrations, st patrick's day, beer, australia, st patrick's day celebration

Framed colour photograph of mounted escort for HRH Prince Charles and Princess Diana at Hopkins Barracks, Puckapunyal, 31 October 1985. Names of men and horses are listed across to bottom margin of the photograph. Also engraved title plate at centre lower edge.On plate: "8/13 Victorian Mounted Rifles escort of Prince Charles and Princess Diana"; Roll of men and horses: "No 1 Section Cpl Walch, Tpr Wilson, L/Cpl Hodge, horses: Banjo, Rusty & Honey. No 2 Section: Cpl Floreny Tpr Hughan, Tpr Lewery, horses: Blamey, Ben & Foxy. Wheelers: Capt Morrison, Cpl Morris, horses: Posyie & Ardian. No 3 Section: Tpr Ellison, Tpr Freischmidt, Tpr Tousel, horses: Spirit, Flicka & Romel. No 4 Section: Cpl Dudley, Tpr Walsh, Tpr Hooper, horses: Annie, Magar & Kilter. 31.10,85 By Tpr Ellison"royal, charles, diana, hopkins, puckapunyal, light horse, vmr

The Yellow Wattlebird is Australia's largest Honey-eater. This species is only found in Tasmania and is also known as the Tasmanian Wattlebird. The birds are active, noisy and conspicuous especially when the birds congregate in flocks. It lays two or three pinkish white eggs with light brown speckles. This particular Wattlebird specimen has been mounted in an accurate but stylised fashion by the taxidermist. When calling, this bird throws its head backwards to such an extent that the feathers on its crown may actually touch those on the bird's back. It then suddenly jerks its head forwards while releasing the call. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.The Yellow Wattlebird's has a distinct yellow belly and yellow-orange wattles on the sides of the head. The wattlebird's chest is white streaked with brown. The head, back and wings are brown. This specimen stands upon a wooden mount and has an identification tag tied around its leg.Swing-tag: 58a. / Wattled - Honeyeater / See catalogue page 18taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, bird, yellow wattlebird, tasmanian wattlebird, anthochaera paradoxa, australian birds, wattlebird

Under 19 Carlton Football squad from 1988. Finished 4th on the competition ladder. From Roger Skien Collection. Back Row: Cameron Miller (Trainer), Rohan Bromley (Trainer), Frank Finn (Timekeeper), Peter Frawley (Assistant Manager), Colin Jones (statistician), Keith Leitch (Head Trainer), Wayne Gilbert (Property Steward), Jamie Brown (statistician) Centre Row: Mark Leitch (Trainer), Brad Ryan, Peter Mark, Andrew Greenall, Paul Whybrow, Paul Honey, Chris Leigh (Statistician) Richard Ingram (Doctor) Front Row: Brent Clayton, ,Michael Dodorico, John Markham, Ray Davis, Michael Barron-Toop, Scott Langan, Damien Munivrana, Greg Francis, Simon Lloyd, Brett Ratten, Nick Garnham Sitting on chairs: Roger Skien (Team Manager) Dean Adams, Paul McMaster, Brendan Lowther, Brendan Dixon (Captain), Ross Henshaw (Coach), Jamie Marra (Deputy Vice Captain), Sel Hunt, Andrew Cavedon, Jason Albon, Kinnear Beatson (Assistant Coach) Sitting on Ground; Ibrahim Kaakour, Mark Bouw, Nick Cox, Jamin Vella, Steven Gemmill, Darren Mays, Matt Rossin, Brad Langborne, Paul DonohueColour photograph mounted on cardboard

A paper which was delivered to the Legacy in Victoria Conference in 1980, detailing Melbourne Legacy's involvement in housing the children of Legacy widows since 1942. By 1950 Melbourne Legacy administered four houses - Holmbush, Stanhope, Blamey House and Harelands - and cared for approximately 100 children. The houses were designed to be as homely as possible, and each one was largely autonomous. Children, many of whom came from country Victoria, would go to their own homes during school holidays and the Christmas season. The stated objectives were to 'pass out into the world young men and women with high ideals of citizenship, who are self-reliant and self-supporting.' Also 'to provide affection, security and a future goal and essential discipline.' The country Clubs and Groups would send provisions such as preserved fruit, cheese, eggs, honey, citrus fruit, butter, and potatoes throughout the year to support the residences. Numbers of residents declined during the 70s, and in 1975 a Residences Committee recommended that Blamey House and Harelands should be closed, leaving only Stanhope in operation, the first Blamey House having closed in 1955 with Holmbush being renamed the second Blamey House. By 1980 the only remaining house was Stanhope with an average occupancy of 20. See Cat. No. 00785 for a first hand account of being a resident at Stanhope.Melbourne Legacy established residences to aid children of deceased servicemen complete their education, take further education and find employment. The document reveals details of the residences through the years. It shows the effort the Legatees invested in looking after Junior Legatees and how seriously they took this responsibility.White foolscap paper x 3 pages, with black type.Some pencilled ticks and bracketing, W.T. Lewis handwritten in blue biro on last page.residences, conference

Harry Stead, Snr., owned and operated Wodonga’s first taxi service. He had horse drawn cabs running between Wodonga, and Albury in 1868. He also ran a carrying business with wagons and drays. Workmen from Albury and Wodonga were carried to the construction site of the Hume Weir. Drays, although slow, were used with room for 10 or 12 paying passengers, at times. Stead’s paddocks ran back from Sydney Street (now High Street) with stable accommodation for his 70 and more horses. The Provincial Motel occupied part of the site in later years. Harry’s son, “young Harry” joined his Dad around 1892 as soon as his schooldays were over. After the horse drawn cabs, the Steads began a motorised taxi, hire car and bus services. Some of the taxis used were an A-Model Ford, 1934 Ford, Ford V8, Dodge Tourer, Hudson Six and, earlier, the 1923 Buick with dicky seat. Among the drivers were Stan Hogbin, Gerry Gerrard, Jack O’Neill, “Peggy” O’Neill, Ernie “Honey” Zeinert, Cliff Williams and Les Cole. Young Harry had four cars on the rank from 1930 to 1940 when competition for fares was fierce. He had his regulars who paid 4/- a week to go to and from Albury daily. In 1934, Harry was before the Albury Police Court, charged with having driven his taxi on a public road without a taxi licence. The Albury Municipal Council required all taxi drivers to have a NSW certificate of registration before collecting fares in NSW. The case was held as a test case and as a result the regulation was amended to enable the Council to issue public vehicle licenses to a Victorian registered vehicle as long it travelled no more than 10 miles over the border.These images are significant because they document an early transport service provided to the Wodonga community.Three black and white photos depicting Harry Stead and his Wodonga Taxi Service.harry stead wodonga, transport wodonga, wodonga services

Eva Grant was a member of the Kew Historical Society. Three albums in the collection were created by her, this one, the third created between 1964 and 1966. They were donated to the Society by her daughter in 2010. Each of the albums includes photographs and newspaper cuttings collected on her travels to historic places in South East Australia in the 1950s and 1960s. Particular structures photographed in this album include: Barnawatha (Vic.) - The Hermitage | Beveridge (Vic.) - Stone cottage where Ned Kelly was born. | Brighton - St Andrew’s Church graveyard. | Chiltern (Vic.) - lake view [missing] | Cowes (Vic.) - ‘Broadwater’ [originally home of Henty-Wilson family], demolished 1965; Bell of the Speke wreck; Edward’s tree. | Euroa (Vic.) - Habbies Howe | Fairfield (Vic.) - Dight’s Falls; John Dight. | Fernshawe (Vic.) - Queen Mary tree. | Jolimont (Vic.) - Old railway tunnel linking the first Government House (1964); Sign identifying location of first Government House. | Kew (Vic.) - Cairn at Dight’s Falls; Canoe tree, Bowyer Avenue. | Kyneton - De Grave’s Flour Mill - “C”. | Maldon (Vic.) - Chinese oven; Macarthur’s House; Maldon’s oldest resident; Chinese graves x 2; [Beehive Chimney]. | Marysville (Vic.) - Centenary cairn | Mitcham (Vic.), Mud brick house x 2, Deep Creek Road. | Melbourne (Vic.) - St Paul’s Cathedral [renovation] (1964); Wreckers at Damman’s Corner, cnr Bourke and Collins Streets (1964); Princess Gate project x 2 (1964); Colonial Storekeeper’s building on cnr King and Bourke Streets (1966); Early observatory 1861-3; the Honey Memorial. | Mt Oberon (Vic.) - [obsolete] radio telephone dish. | Seymour (Vic.) - Habres (sic) House x 3.| Swan Hill (Vic.) - Major Mitchell’s Cairn (12/1964); Headstone of Andrew Beverage AM (12/1964). | Templestowe (Vic.) - Finn’s Hotel. | Thornton (Vic.) - Eildon Station. | Werribee (Vic.) - Chirnside Memorial [Presbyterian] Church; gaslight beside church | Location unknown, but possibly Swan Hill - Brick house; Wooden bullock dray. | Location unknown - Headstone of John Furlonge 1835.Important record of significant heritage properties in Victoria, many of which have since been demolished.30 page spirex bound drawing book including photographs and newspaper articles of historic buildings in Victoria. The front cover has a picture of a steam boat. The cover is encased in plastic. A number items in the album are annotated with written commentary by Eva Grant who compiled the album. Annotations and transcriptions by Eva Grant on most imageseva grant, photograph albums, heritage places - victoria

Rohan Robinson is an artist born in Geelong, and attended “the Mill” part of Deakin University in 1980-82, studying Fine Art. In 2010-11, he was the manager of Kayili Artists Aboriginal Corporation, at Patjarr in the Gibson Desert W.A., where he oversaw the development and marketing of artworks of the corporation’s members. The community is the remotest in Australia and averaged 25 people, mostly consisting of elderly people and part of the Ngaanyatjarra region, with some members not having any consistent contact with white fellas up to the mid 1960’s. During his time it was common for all the community members to go out hunting and having a visit to important areas, where members would get some tucker of rabbits and lizards and honey ants and perhaps some “meow meow” and have a nice sleep in the shade on the warm sand. Robinson would often take his painting gear along and do some work on unstretched linen on the desert ground, he would paint for a while and then perhaps lie around with the elders or follow one of the expert hunters and observe from a distance [several meters] the skills of elderly women casually walking through some recently burned spinifex knocking cowering bunnies on the head with a steel rod. It was on one of these occasions, when this particular painting was being conceived, that after returning from the hunting mission, he was informed by some of the mob, that an elder had been spending time looking at this work in it’s infantile stage...”You know the old fella over there, he been looking at that painting of yours” It was later in the day, when returning to Patjarr, that the elder Arthur Robertson approached Robinson, and demanded/asked that Robinson paint his stories for him. Mr Robertson was suffering from Parkinson’s disease, and was having trouble painting, but had been doing some brilliant work with Posca markers. It was with a certain reluctance that Robinson agreed, as he felt this to be a “political hot potato in some quarters” but also respected a relationship between artists beyond the cultural divide. Mr Robertson demanded that they start immediately and armed with pencil and paper they created the notes for several paintings under Mr Robertson’s direction. The painting that you are viewing is signifcant in that it was the catalyst for this relationship between the two artists. Mr Arthur Robertson died later that year 2011.Gold framed blue and earth tone painting. Painting depicting four circles with mountain and sky in the background.