The card was produced by the Australian Comforts Fund for Christmas and New Year 1918 - 19. The first illustration is of the Capture of Villers-Bretonneaux on 8th August 1918. This is a copy of painting by War Artist Capt. Will Longstaff. The second illustration details the capture of Hamel on 4th July 1918. A. Pearse was the War Artist who produced this scene. Part of the Robert H. Baron, No. 3596, and Cooper Collections. See Catalogue No. 1981P for details of Baron's service.Colour illustrated folded card featuring battlefield scenes and written descriptions. The first illustration features actions from Villers-Bretonneaux. Inside the second illustration features action from Hamal. Text on the card is in blue ink.Handwritten at the bottom of the back page in blue ink: 'Bob'.robert h. baron, cooper collection, australian comfort fund, ww1, villers-bretonneux, hamel

Frost pot used growers put sump oil to burn to help keep frost away frost away on young growtha tin used for a frost pot Growers would burn sump oil in frost pots to create an inversion layer and a lot of smoke to help prevent frost damage in low lying frost prone areas of the vineyard frost potfrost pot, dried fruit, grapes

Set of two views from an illustrated publication on Ballarat. 1 - Illustration - "Ballarat (Sturt Street) Victoria " of a horse tram eastbound on the south side of Sturt St. Has several horse-drawn vehicles in the image, the gardens in the central median strip, and Snow's store verandah. 2 - illustration - Sturt St Ballarat" looking west from Grenville St with a horse tram traveling westbound on the north side of Sturt St. Has the buildings on both sides of the street in the view along with Suttons Music store.Yields information about Sturt St from the Town Hall or Grenville St.Illustration cut from a magazine or publication - set of two - back to backballarat, illustrations, sturt st, horse trams, snows

World War II List of Events from September 1944 to September 1945 A book in a series of WWII books which includes maps, photographs, illustrations, order of battles, POWs in Cowra,Historical WWII record of the final campaignsAustralia in the War of 1939-1945 - The Final Campaigns Maps, Photographs, IllustrationsAustralia in the War of 1939-45 ARMY The Final Campaigns LONG Australian War Memorial.gavin long, corowa pows, bougainville, final campaigns, army, tarakan, borneo, balikpapan, slater's knoll, stretcher bearers of the 2/23rd

Photograph or illustration from a magazine or book with a photograph of a cross bench tram - tram 12 in Moorabool St. Photo taken from an elevated position and looking towards Corio Bay. Has some horse-drawn carts in the view. The chimney of the MESCo power station can be seen. On the reverse is a photo of the Geelong wharves, with some ships docked on the wharf.Yields information about the view of Moorabool St c1915.Black and white photographs from an illustration.tramways, trams, geelong, moorabool st, cross bench tram, geelong wharf, tram 12

1. Multi purpose carry pouch, khaki with over the shoulder carry strap. 2. Small metal oil bottle. 3. Multi purpose repair tool, with hammer, spanner and slide-out adjusting tools. 4. Metal container, with firing pins, springs and keys. 5. Rope barrel pull though. Each item has its own sewn-in storage pouch fitted with individual closures. On oil container; F & S LTD On metal container; TD On repair tool; NIC -passchendaele barracks trust, kit, armour's tool kit, bren gun

This artwork was painted by Charlotte Rippert who was interned in Camp 3 with her whole family. The painting was painted in camp. Charlotte Rippert was a German Lutheran Missionary in Egypt, arrested as a security risk in Cairo, 1941. Transported on Queen Elizabeth to Australia and interned at Camp 3 1941-1945.Oil painting on Board (framed) - painting is of a farm scene with a large yellow-green tree in the centre-left with four other green trees and a farm and fence - in the background are hills against the skylineBack: 'Oil painting believed to be by Charlotte Rippert. Wedding gift to Otto Lobert in Camp 3, WW2. (One of a pair C3505) DONOR: Otto Lobert, Nov. 1993' charlotte rippert, otto lobert, mrs lobert, camp 3 weddings, queen elizabeth, camp 3 artwork

The illustration looks northeast from Town Hall overlooking the intersection of Sturt and Lydiard Streets, towards Black Hill and Grenville St. Has two ESCo trams in view, both with roof-mounted destinations, Post Office, and the Grenville St shelter. C1907. Has the National Mutual building in the bottom right-hand corner advertising Commercial Unity and Doepel & Co.Yields information about the intersection of Sturt and Lydiard Streets and associated buildings.Illustration cut from a magazine or publicationballarat, illustrations, post office, sturt st, lydiard st, esco

This bottle of castor oil was used during the mid to late 1900's when there was a Hospital in the Kiewa Valley, but regarded as only for serious injuries and near death situation. For this reason many households had a "first aid" box full of items such as this bottle of castor oil. Home based remedies for non life threatening injuries and illnesses were a part of life in a semi remote rural region. True and trusted family "health" remedies were passed from generation to generation.This Castor Oil bottle is very significant to the Kiewa Valley as it demonstrates the self reliance of the early farming and grazing pioneer families. Knowledge of "first aid" was uppermost to the survival of families before the late 1900's. Naturopathic remedies such as connected with the castor oil contained in this bottle, although may not be sanctioned by medical research, does not take into account of the positive "self healing" of the human mind (if you think it is doing you good it creates a positive action). Such preservation techniques were handed down through the generations.Medical Reference material was limited to books available and read and not not from "the internet" in the latter part of the 1900's. The availability of General Practitioners increased because of the boost in the population growth (SEC Vic Hydro Electricity Scheme) in the Kiewa Valley from 1940's onward. This small indigo coloured glass bottle has a narrow neck and a screw on lid.It has an embossed manufacturer's name and contents (Castor Oil) on one side and identification marks embossed on the underside base.medicine bottles, home first aid remedies, indigo glass medicine bottles

Annie Jessup, an artist, was the youngest daughter of the well-known Australian self-taught artist, Alfred William Eustace. Like her father, Annie created some of her oil landscape paintings on gum leaves. Her older brother Sidney presented one of her paintings to the Chiltern Athenaeum together with his own timber collection.Annie Jessup, and artist, was the daughter of the well-known Australian self-taught artist Alfred William Eustace.Photograph of an oil painting on gum leaf by Annie Jessup, under glass on blue paper in a reddish plastic timber-look frame.Artist's signature on bottom right hand corner of photograph: Annie Jessup/ Myrniong Sticker on back: MADE IN/ CHINA/ FABRIQUE'AU/ CHINEannie jessup, gum leaf painting, landscape

Personal recounts of WWII RAAF service personnel supported by photographs, illustrations and cartoons. RAAF Log - The RAAF at War. Green hardcover with black text and silhouette of the head and shoulders profile of a pilot. The spine also has the same text. Inside front and back inside covers is an active illustration of RAAF members in various roles. Pictures, illustrations, photographs, poems, personal stories, paintings, printspacific front, milne bay, bismark sea battle, battle for wau, men of the mrs, catalinas, spit fires, beaufighters, malta, hudson squadrons, darwin, timor, moabiss, japanese aircraft

Illustration titled - "Sturt Street (looking west) with an ESCo tram turning from Sturt St into Lydiard St North from the Grenville St terminus. The tram has the destination box above the driver, c1907. A horse-drawn cart is in the view along with the Town Hall, the National Mutual building with the Jeweller's sign C Marks visible. On the left hand side is the Robbie Burns statue.Yields information about Sturt St and the associated buildings and ESCo operations.Illustration cut from a magazine or publicationballarat, illustrations, sturt st, esco, lydiard st, ballarat town hall, statues

This box contains maintenance equipment for a Remington typewriter. The Remington company was founded in U.S.A. and it produced the world’s first typewriter for commercial use in 1873. In 1886 the Remington family business was sold but the name was retained and typewriters with the Remington Rand brand name were sold from 1927 on. Typewriters have now been replaced by computers. This box of equipment belonged to Dr Horace Holmes who would have used a typewriter in his medical practice in Warrnambool in the first half of the 20th century and perhaps would also have used a typewriter in the activities of the many community groups with which he was associated. Horace Iles Holmes (1877-1959) was born and educated in Tasmania and he completed a medical degree at the University of Melbourne. He commenced a practice in Warrnambool in 1906 and was the honorary Medical Officer at the Warrnambool Hospital and Warrnambool’s Health Officer. His practice was at ‘Ierne’ at the corner of Spence and Kepler Streets. He was an early member of the Royal Australian College of Surgeons and was prominent in community affairs (foundation President of Warrnambool Rotary Club, a member of the Warrnambool Masonic Lodge for over 50 years, a Warrnambool Hospital Committee member, a long-term Trustee of the Warrnambool Methodist Church and President of the Lyndoch Hostel for the Aged Committee. Dr Holmes also had agricultural interests and enjoyed fishing, bowls and golf. This box of typewriter equipment is of interest as an item in the collection of Horace Iles Holmes, a doctor who was prominently associated with the professional and community life of Warrnambool for over 50 years. This is a rectangular-shaped black cardboard box with a detachable lid. The box contains eight items used for typewriter maintenance. They are a glass bottle containing typewriter oil, a round metal oil dispenser, a small metal hook, a small metal spanner, a metal wire brush, and three bristle brushes, one with a bone handle and one with a wooden handle enclosed in cellophane. The box is somewhat stained inside. On a brush: ‘Made in U.S.A. bristle’ On the glass bottle: ‘Specially refined typewriter oil, Chartres Pty Ltd 375 Collins St. Melbourne Australian Built Remington Typewriters Phone 9100 (8 lines)’ typewriters, remington, dr horace holmes, warrnambool, history of warrnambool, office equipment

Illustration titled - "Sturt and Lydiard Streets" Shows an ESCo tram with all the blinds drawn in Sturt St just to the west of Lydiard St. Has the National Mutual building with C Marks & Co jewelers, Craigs Hotel, and the Town Hall in the view. On the rear is another view of Sturt St, not the full width of the original item, with an ESCo tram at the intersection with Armstrong St. Has Snows and Shoppee's Square in the view.Yields information about Sturt St at Lydiard St and Armstrong St.Illustration cut from a magazine or publicationballarat, illustrations, sturt st, lydiard st, esco, armstrong st, town hall, national mutual, craigs hotel

This advertising material used as an ink blotter would have been given freely by salesmen, keen to sign up new buyers for their range of motorcar oils. Businesses had quickly recognized the potential for advertising on blotting paper, and began customizing sheets with company marketing. Ink blotting paper thus became a form of business card.often given away by salesman The Castrol company is headquartered in the UK. Castrol was founded by Charles “Cheers” Wakefield under the name of ‘CC Wakefield & Company’. In 1899. By 1960 it had become Castrol Ltd. This is a pictorial record of an advertising media not commonly used in the 21st century. Ink blotters remained in general use until the advent of the ball point pen, which in the period 1945 to 1960 progressively replaced the steel rib and liquid inks.A rectangular card with green and red print. It has two illustrations in red and green of plastic oil bottles with pourer tops. The underside is pink and it is designed for nse as an ink blotter. advertising-blotter castrol-motor-oils stationery

When the numerous gold mines declined in production, the eucalyptus oil industry became an important source of work. The first eucalyptus oil producer in Bendigo was a chemist called Richard Sandner who operated a plant and refinery in Bridge Street from 1876. By 1900, many other distillers operated on the northern edge of Bendigo and in the Whipstick. In 1926, the Forest Commision established a eucalyptus distillery at Gunyah in Wellsford State Forest. See the Wellsford Forest Note for more information. Today, there are just two eucalypt distilleries operating in Bendigo. Most of the world’s eucalyptus oil is now produced overseas. Peter Ellis Collection: eight slides of Whirrakee Wattle regeneration near Bagshot, Eucalyptus History museum, Ruedin's Steam Traction engine, Eucalyptus oil condensor and a Mallee roller to rip out the eucalytpus trees. Peter was a chemistry lecturer at the Bendigo Institute of technology.history, bendigo, peter ellis collection, bendigo institute of technology, b.i.t., whipstick bendigo, bendigo state forests, eucalyptus oil, malle roller, whirrakee wattle, bagshot, steam traction engine, eucalyptus oil condensor

'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink property illustration on drafting film of ? Elphin Grove, Hawthorn by Margaret Picken.? Elphin Grove, Haw - Realtor - Picken c2002. artist - margaret picken 1950-

When the numerous gold mines declined in production, the eucalyptus oil industry became an important source of work. The first eucalyptus oil producer in Bendigo was a chemist called Richard Sandner who operated a plant and refinery in Bridge Street from 1876. By 1900, many other distillers operated on the northern edge of Bendigo and in the Whipstick. In 1926, the Forest Commision established a eucalyptus distillery at Gunyah in Wellsford State Forest. See the Wellsford Forest Note for more information. Today, there are just two eucalypt distilleries operating in Bendigo. Most of the world’s eucalyptus oil is now produced overseas. SOLOMON GULLY CIRCUIT WALK - Solomon Gully Nature Conservation Reserve. Rangers say this is a great place to see heaps of Bendigo Waxflowers. A 1.5km, unsurfaced track. It is rough and steep in places, but suitable for families. Closed shoes with a good drip are recommend. The track is popular with families and runners. There is parking available off Burnside St (opposite Quarry Hill / Bendigo Lawn Cemetery).Peter Ellis Collection, t16 slides of the Whipstick and Eucalyptus Oil Production, Solomon Gully Reserve Quarry Hill, Quarry Hill Golf Course Extensions Some history of the Whipstick.history, bendigo, peter ellis collection, whipstick bendigo, bendigo state forests, eucalyptus oil, solomon gully reserve quarry hill bendigo, whipstick hotel shamrock, magetti's wallace reef wine hall, whipstick, frederick the great mine sebastian, quarry hill golf course

Austral 8 HP oil engine on 4 wheeled steel chassis with wrought iron wheels. Two double flywheels and flat belt pulley. Water cooled exhaust system at the crank end of the engine. Galvanised iron fuel tank slung under the engine. Painted green and black with red wheels.On an oval brass plate on the side of the engine :- "The Austral Oil Engine / Ronaldson Bros / Makers / No 663 / & Tippett / Ballarat Victoria"machinery ... engine ... oil ... metalwork

Set of two views from an illustrated publication on Ballarat. 1 - Illustration - "Sturt Street Ballarat to-day" looking east from the City Fire station along Sturt St with an ESCo tram eastbound. The destination sign is mounted on the dash panel indicating c1905/1906. In the view are Ballarat's Buildings, Mount Warrenheip, J Taylor Redhouse Bakery, and on the bottom edge a sign for Marshall's. 2 - Illustration - Post Office Ballarat, to-day - with an ESCo tram turning from Sturt St into Lydiard St North, with the Post Office in the view along with many pedestrians and some horse drawn vehicles. See also item 6245 for a postcard of the same view.Yields information about Ballarat and city views in 1905/1906.Illustration cut from a magazine or publication - set of two - back to backThe second image has "1912" in pencil along the bottom edge.ballarat, illustrations, sturt st, esco, post office, lydiard st nth

Illustration of an ESCo tram leaving the intersection of Grenville St. and Bridge St. and proceeding east along Bridge St. Photo taken behind junction points. Has the Nicholl & Allan building on the left side of the photo and the Bucks Head Hotel on the right. Numerous people walking around the street. Shows overhead construction in the area. Titled Bridge St (Looking East), Ballarat. Image by WTP&Co of Ballarat. See item 841 for postcards of this image. Yields information of Bridge St at Grenville St, c1905Colour Illustration cut from a journaltramways, trams, sturt st, esco, grenville st, bridge st

This try-pot is one of a set of three. Whalers used large iron pots, called try-pots to liquefy large chunks of whale blubber down into oil. Early on in the history of whaling, small whaling boats had no means to process blubber at sea and had to bring it into whaling stations for processing at shore-based try-works. Later, when bay whaling evolved and large scale vessel were utilised for hunting whales, try pots were mounted onto the top deck. This advance had its benefits as the processing facilities were mobile, whalers could move operations to follow whales and discover new whaling grounds. The deceased whale would be tied up alongside the ship, the crewmen cut away the blubber, or outer fat layer, in long strips. They hauled the strips aboard, cut them into smaller pieces, and tossed them into boiling cauldrons on deck to render the fat into oil. The whale oil was stored in barrels in the cargo hold, and brought to put for sale. The oil was much sought after as a good quality fuel tor heating, light and lubrication. Try pots were used in the whaling industry, one of the very early industries in Colonial Australia, including here on the southwest coast of Victoria. The high grade oil was a much sought after product and used for essential services such as fuelling the lights of the lighthouses. Commercial whaling ceased in Australia in 1979.Try pot, one of a set of three. A large cast-iron cauldron of about 200 gallons in capacity. Round metal container with rounded base and flat extended lip. It was used to heat whale blubber to remove the oil.flagstaff hill, warrnambool, maritime museum, shipwreck coast, try pot, trypot, cauldron, whale oil, whaling, fuel

This try-pot is one of a set of three. Whalers used large iron pots, called try-pots to liquefy large chunks of whale blubber down into oil. Early on in the history of whaling, small whaling boats had no means to process blubber at sea and had to bring it into whaling stations for processing at shore-based try-works. Later, when bay whaling evolved and large scale vessel were utilised for hunting whales, try pots were mounted onto the top deck. This advance had its benefits as the processing facilities were mobile, whalers could move operations to follow whales and discover new whaling grounds. The deceased whale would be tied up alongside the ship, the crewmen cut away the blubber, or outer fat layer, in long strips. They hauled the strips aboard, cut them into smaller pieces, and tossed them into boiling cauldrons on deck to render the fat into oil. The whale oil was stored in barrels in the cargo hold, and brought to put for sale. The oil was much sought after as a good quality fuel tor heating, light and lubrication. Try pots were used in the whaling industry, one of the very early industries in Colonial Australia, including here on the southwest coast of Victoria. The high grade oil was a much sought after product and used for essential services such as fuelling the lights of the lighthouses. Commercial whaling ceased in Australia in 1979.Try pot, one of a set of three. A large cast-iron cauldron of about 180 gallons in capacity. Round metal container with rounded base and flat extended lip. It was used to heat whale blubber to remove the oil.flagstaff hill, warrnambool, maritime museum, shipwreck coast, try pot, trypot, cauldron, whale oil, whaling, fuel

'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink property illustration on drafting film of 14 Aberdeen Street, Hawthorn by Margaret Picken.14 Aberdeen Street Hawthorn Margaret Pickenartist - margaret picken 1950-

'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink property illustration on drafting film of 3 Ardene Court, Hawthorn by Margaret Picken.3 Ardene Court, Haw, Margaret Picken '87. Woodards - Malvernartist - margaret picken 1950-

'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink property illustration on drafting film of 2 Auburn Road, Hawthorn by Margaret Picken.2 Auburn Rd, Haw, Margaret Picken '98. Woodards - C'wellartist - margaret picken 1950-

'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink property illustration on drafting film of 9 Auburn Road, Hawthorn by Margaret Picken.9 Auburn Rd, Haw E, Margaret Picken '95. Woodards - C'wellartist - margaret picken 1950-

'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink property illustration on drafting film of 37 Auburn Road, Hawthorn by Margaret Picken.37 Auburn Rd, Hawthorn, Margaret Picken '89. Woodards - C'wellartist - margaret picken 1950-

'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink property illustration on drafting film of 63 Auburn Road, Hawthorn by Margaret Picken.63 Auburn Rd, Hawthorn, Margaret Picken '90. Woodards - Hawthornartist - margaret picken 1950-

'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink property illustration on drafting film of 119 Auburn Road, Hawthorn by Margaret Picken.119 Auburn Rd, Hawthorn, Margaret Picken c2000. Gorman & Kelly Commercialartist - margaret picken 1950-