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Mission to Seafarers Victoria
Book, Sir James Bisset, Tramps and Ladies, My Early Years in Steamers by Sir James Bisset, 1959
315 pages, black and white photographs, dust jacket with book cover.non-fictionjames bisset, ww2, howard timbury, first fleet fellowship victoria, interest group -
Mission to Seafarers Victoria
Book, Sir James Bisset, Sail Ho! My Early Years, 1958
288 pages, black and white photographs, no dust jacket but with book cover.non-fictionjames bisset, ww2 -
Mission to Seafarers Victoria
Flyer, Sensory Experiments, 2019
Melbourne Design Week: 14-24 March 2019 Sat 16 Mar 19, 2pm–10pm Norla Dome The Mission to Seafarers Victoria 717 Flinders St Docklands Indulge in a fleshy live experience. Reconnect with your primal being through a progression of sensorial confrontations. Recalibrate your connection to the world around you – the future depends on it. Sensory Experiments is a call for change – a Manifesto for Sensory Intelligence. Part social experiment, part philosophical inquiry and a fully immersive performance piece, this innovative project is forged from a collaboration between two of the city’s (and, indeed, the world’s) most progressive and inquiring minds. An eclectic cohort of creative contributors has been assembled to design a provocative experience intended to awaken the senses. Allow internationally renowned chef Justin James (Executive Chef of Vue de monde and Iki Jime and previously of Eleven Madison Park & Noma Copenhagen) to reignite your sense of taste. Avail yourself to floral artist Hattie Molloy’s interrogation of sensual perception with her reckoning of the Sublime. Absorb and participate in live-choreographed performances, and be aurally challenged by the masters behind the Sydney Opera House’s iconic acoustics. Come, bear witness, bring curiosity. Immerse yourself in this never-before seen collective. Guided by Sense Whisperers, you’ll wander through a series of live, uniquely designed corporeal experiences. Your emotional and physical responses will leave a digital imprint as the results of Sensory Experiments are transmitted in real time. Connect to self, connect to others, and connect to nature – and leave your mark on a living, breathing manifesto for living. Project Partners Matt Tambellini, More Studio and Mr. Kyle Mac, Design and Web Amara Speechley, Curated by, Marketing, PR & Partnerships Damien Boecasse and Erika Hirzinger, Event Production & Project Management Event Partners Justin James, Edibles Hattie Molloy and Emma Proudfoot, Flower Art Mihan Aromatics, Scent Design Chelsea Kate Evans, Performance Direction Samantha Iliov and Holly Simpson, Ensemble Studio, Costume Rachelle Austin, Olivia Reddan and Holly White, Set Stylists Isabel Johnson, Ed Supreme, Messaging and Copy Arup, Soundscape Design Hayden Sommerville, Videography Belle Nowak, Social Media Pord, Wine Tasting Noomi, Seating Website inscapesprojects.com Instagram: @inscapesprojectsA4 size flyer on creamy colour papercultural events, sensory experiments, ngv, national gallery of victoria, melbourne design week, 2019, community, norla dome, incas projects -
Mission to Seafarers Victoria
Photograph, Bill Doyle (Reverend C.J. Eldridge-Doyle), Men playing table tennis, 1950-1960
The photograph is part of a serie likely to have been taken by Bill Doyle (Reverend C.J. Eldridge-Doyle), who was a keen photographer like many of the chaplains as he often uses the Ilford paper to print his images. It demonstrates one of the activities on offer at the Mission and documents how common indoor smoking was at the time.The photograph depicts the activities offered to seafarers while on shore leave at the Mission during the 1950s-60sBlack and white photograph depicting two men standing by a table tennis table. One is smoking while the other is holding a table tennis paddle. There is a poster visible in the background.Reverse: ILFORD in repeat 1940: stamped in redtable tennis, ping pong, sports, games, flying angel, mission to seamen, flinders street, seamen's mission, seamen, seafarers, sailors, smoking, claude james eldridge-doyle, reverend c.j. eldridge-doyle -
Greensborough Historical Society
Article - Memoir, Life at Willis Vale, 2011
The Partington family farmed the property known as Willis Vale in the early 20th century. In this article Faye Fort (nee Partington) recalls life in Greensborough.Historical reference to the property 'Willis Vale' and its eventual destruction. Describes family relationships within the Partington family.3 page history of the Partington family's life at 'Willis Vale' homestead in Greensborough during the early 20th Century. Includes black &white photos. Includes Partington family photoswillis vale, faye fort, sarah price, plenty river, greensborough, partington family, whatmough family, william james partington, annie may partington, gary partington, cordner family, methodist church -
Greensborough Historical Society
Book, Angus & Robertson Ltd, Official History of Australia in the War of 1914-18; by C. E. W. Bean. 8th edition, 1938_
The official history of Australia in WW1 written by C. E. W. Bean12 volumes. Hard cover, dark red binding. Maps and black and white illustrationsPresented to James Gordon Saunders Longfellow St Norman Park Q July 1950c e w bean, world war i, australia army, gallipoli -
Greensborough Historical Society
Genealogical document, Descendants of James Iredale, 1822o
Family history of Iredale & Ely familyIredale's and Ely's were a pioneer family in Greensborough3 pages. Black & white computer generated document listing the descendants of James IredaleIn pen on front page: Val Wilsoniredale family, ely family, family trees -
Greensborough Historical Society
Booklet, James Salisbury, Born with the century, by James Salisbury, 1979_
Reminiscences of James Salisbury, who emigrated to Victoria with his family in 1908, covering life in Kinglake, Collingwood, Fitzroy and Melbourne.Paperback, black and white text and photographs, 43 p. 2 copies"To Mrs Taller, in appreciation of help given, 1982"kinglake, collingwood, fitzroy, melbourne, james salisbury -
Greensborough Historical Society
Photograph - Digital image, Charles and Ellen Partington with James and Robert, 31/01/1857
Studio photograph of Charles and Ellen (nee Whatmough) Partington and sons James and Robert, taken on arrival in Melbourne. This photograph can be dated accurately as baby Robert died shortly after the family's arrival in Melbourne [ie Robert died on 1/2/1857].Digital copy of black and white studio photograph.charles partington, ellen whatmough, ellen partington, partington family -
Greensborough Historical Society
Photograph - Digital image, James Partington cropped from family portrait], 31/01/1857
... Plenty Lower Plenty melbourne Portraits of James Partington ...Portraits of James Partington cropped from family photograph. Charles Partington and family came to Melbourne in the 1857 and moved to Greensborough where they farmed along the Plenty River. Descendants still live in Greensborough. A pioneer Greensborough family.Digital copy of cropped sections of black and white studio photograph.james partington, charles partington -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Portland Lifeboat, n.d
Built in 1858 at the Port and Harbour Master's yard in Williamstown Victoria, the Portland Lifeboat was overseen by Harbour Master Charles Ferguson. It is understood to have been constructed from the same moulds used to build the Port Fairy Lifeboat, designed by William White, in 1857. Both boats are similar to the lifeboats designed in England by James Peake and adopted by the Royal National Lifeboat Institution (RNLI) in the UK. The Portland Lifeboat's 9.14 m (30 ft) long hull is double diagonally planked in New Zealand kauri, and many of the planks run from gunwale to gunwale in one piece under the inner keel section. Eucalyptus and oregon were used elsewhere and the local blacksmith made the iron work. The fastenings are copper. There are two flotation or buoyancy tanks at either end, with prominent whaleback style decking. Under the thwarts is a deck with scuppers so that the craft is both buoyant and self draining whenever large waves are taken aboard in rough conditions. The lifeboat was oar-powered with a sailing rig. The original rig was a lug mainsail, but this was replaced with a lug and headsail rig taken from a fishing boat in 1903. The lifeboat was manned by volunteer crews, mostly local fishermen from Portland. They maintained this service until 1915 when the boat was replaced with a new motorised craft. The lifeboat's most outstanding service was to the steamer ADMELLA in 1859 when the ship grounded on a reef off Cape Banks in South Australia, 150 km to the west of Portland. Survivors clung to the rigging in heavy seas for over a week and 89 people lost their lives in the shipwreck. Taken to the scene by the steamer LADY BIRD, the Portland Lifeboat was unable to assist until eight days after the ADMELLA's grounding when the seas abated enough for the lifeboat to manoeuvre close to the ship and rescue the last 19 survivors. Since its retirement in 1915 the lifeboat has been a memorial to those who manned it and those it rescued. For a long period it was on display in the Portland Gardens, first in the open and then under a canopy. In 2008 it was on display inside the Portland Maritime Discovery Centre, still in original condition complete with the rig from 1915. It is one of the oldest vessels of its type in Australia, and the world.Portland LifeboatPhotograph showing the Portland Lifeboatphotography, portland lifeboat, admella -
Glenelg Shire Council Cultural Collection
Souvenir - Plate - Bicentenary of Australia, c. 1970
Ironstone is a porous earthenware, made of clay mixed with feldspar. Patented in 1813 by Charles James Mason in Staffordshire, England, it was an immediate success, and ironstone blanks were decorated with transfer patterns or hand painting to imitate Chinese porcelain.Alpine white English ironstone Wood & Sons, plate commemorating bicentenary of Australia, 1770-1970. Black and white depiction of HMS 'ENDEAVOUR', Capt. James Cook, Coats of Arms for states of Australia, Australian Coat of Arms; background of state floral emblems.Front: 'To commemorate the Bi-Centenary of the Discovery of Australia 1770-1970' - black, around inner rim Back: Short history of James Cook's voyage to Australia. History of HMB 'Endeavour'. Makers mark.celebration, souvenir, australian souvenir, 1970, 1770, bicentenary, ironstone, english ironstone -
Glenelg Shire Council Cultural Collection
Postcard, Looking to Whalers Point, Portland, 1930s
Formerly owned by James and Ada Brimblecombe, Heywood, then by Merle Lewis, Mt. GambierBlack and white photographic image printed on card, depicting a beach and grassy dunes with people in foreground, and cliffs and a lighthouse in background.Front: LOOKING TO WHALER'S POINT, PORTLAND (printed, lower centre)landscape photography, coastal scene, whalers point -
Glenelg Shire Council Cultural Collection
Postcard - Postcard - Portland Harbour, 1930s
Owned by James and Ada Brimblecomber, Heywood, and then by Merle Lewis, Mt. Gambier.Black and white photographic image of a harbour with two long piers running into it and a shorter jetty with a building on it and a circular jetting protruding from it. In the foreground are trees, a dirt road with an RACV sign bridging it to the right and a railway track visible between the trees.Front: THE HARBOUR, PORTLAND (printed, lower centre) -
Glenelg Shire Council Cultural Collection
Postcard, "Burswood": The old home of the Henty's, Portland, 1930s
Owned by James and Ada Brimblecomber, Heywood. later owned by Merle Lewis, Mt. Gambier.Black and white photographic image of a large house (Burswood) with vines growing up the right side of the building, and an enclosed front verandah with white steps leading up to it on the left.Front: "Burswood": The old home of the Henty'sburswood, western district, henty, squattocracy -
Glenelg Shire Council Cultural Collection
Book, Vanda Savill, 'Tha' She Blows -Old ships, Old salts & Old Days of Whaling & Sealing', 1980
White plastic bound book, front and back covers made from marine blue card, silver whales and text on front cover, silver seals and text on back cover. Text of book handwritten. -
Glenelg Shire Council Cultural Collection
Photograph - Reproduction painting, James Trangmar, n.d
... . Mauve background. White hair and beard. James Trangmar ...Photo of Painting (Painting removed for storage). Male in Navy uniform, white belt, white cuffs, sword, white epaulettes on shoulders, white sash and buttons, pointed helmet, white badge, on stand, 3 books on stand. Mauve background. White hair and beard. -
Greensborough Historical Society
Photograph - Digital image, James William Poulter [as soldier], 1916_
... (Pte) James William Poulter, 22nd Battalion. A driver from ...Studio portrait of 5078 Private (Pte) James William Poulter, 22nd Battalion. A driver from Greensborough, Vic prior to enlistment, Pte Poulter embarked with the 13th Reinforcements from Melbourne on HMAT Ayrshire on 3 July 1916. After being twice wounded in action, he was killed in action on 4 October 1918, aged 19 and was buried in the Prospect Hill Cemetery, Gouy, FranceGreensborough pioneer familyDigital copy of black and white studio photograph.james william poulter -
Greensborough Historical Society
Photograph - Digital image, James W. Medhurst, 1915c
... mcphee Digital copy of black and white studio photograph. James W ...Photograph of James William Partington (born 1900) in uniform. He enlisted in Sydney in 1917 as John McPhee because he was underage. James was the son of David Medhurst (1855-1939) and wife Martha Ruston Medhurst (1860-1943).who moved to Greensborough around 1898 and ran a store in Grimshaw Street. Digital copy of black and white studio photograph.james partington, james william partington, john mcphee -
Greensborough Historical Society
Photograph - Digital image, Marble Hall, 1930-1940
Photograph of "Marble Hall", Greensborough. The Marble Hotel, Greensborough was located at the corner of Main Street and Para Road. The first licensed hotel in Greensborough and one of the earliest brick buildings was built by James Chapman in the early 1850s as a hotel and lodging house to cater for wood carters and those trying their luck at the gold fields but served many functions over the years including post office, general store, public hall, butchers, bakers, surgery, private dwelling and baby health care centre. It got its name due to its white washed exterior. This photo is from the Lorraine Coates Collection.Photograph of early Greensborough building, now demolished.Digital copy of black and white photograph.marble hotel greensborough, james chapman, marble hall greensborough -
Greensborough Historical Society
Photograph - Digital image, Farmers Arms Hotel Greensborough, 1924c
The Farmers Arms Hotel was built on the corner of Main and Hailes Street Greensborough in 1864 by James Iredale to cater for the ever increasing number of wood carters and other hauliers carting their wares between Melbourne timber mills and the gold fields. The Farmers Arms Hotel site is currently occupied by the Greensborough Hotel. The proprietor, Mr Monaghan, demolished the Farmers Arms to make way, in 1925 for the new Greensborough Hotel. [It is said that the demolished materials were used to construct the Masonic Hall further up Main Street - at the same time].Digital copy of black and white photograph.greensborough hotel, farmers arms hotel, james iredale -
Greensborough Historical Society
Photograph - Digital image, Iredale Family 1 [man and woman], 1890c
Photograph of members of the Iredale family - George Iredale and Anna Marie [nee Gilding]. In 1858, James Iredale owned the General Store in Main Street Greensborough, when it became the Town’s Post Office. The Farmers Arms Hotel was built on the corner of Main and Hailes Street in 1864 by George Iredale to cater for the ever increasing number of wood carters and other hauliers carting their wares between Melbourne, timber mills and the gold fields. The Farmers Arms Hotel is currently the site of the Greensborough Hotel. Digital copy of black and white studio photograph.james iredale, george iredale, farmers arms hotel -
Greensborough Historical Society
Photograph - Digital image, George Iredale, 1890c
Cropped photograph of male Iredale. In 1858, James Iredale owned the General Store in Main Street Greensborough, when it became the Town’s Post Office. The Farmers Arms Hotel was built on the corner of Main and Hailes Street in 1864 by George Iredale to cater for the ever increasing number of wood carters and other hauliers carting their wares between Melbourne, timber mills and the gold fields. The Farmers Arms Hotel is currently the site of the Greensborough Hotel. Cropped section of black and white studio photograph.george arthur iredale, james iredale, farmers arms hotel -
Greensborough Historical Society
Photograph - Digital image, Iredale family [?], 1915c
Part of a collection of photographs of the Iredale family, descendants of James Iredale (arrived Greensborough c1858) and his son George (arrived 1873). The people in the photograph have not been (positively) identified. It would seem likely the central two persons are George and Anna Marie Iredale.Digital copy of black and white studio photograph.iredale family -
Greensborough Historical Society
Photograph - Digital image, Tom Iredale, 1945c
Part of a collection of photographs of the Iredale family, descendants of James Iredale (arrived Greensborough c1858) and his son George (arrived 1873). The man in this photograph has not been identified. Note: The (new looking) Rechabite Hall Roof in the background. In the 1906 Sands Directory, listed as the caretaker as being Arthur Iredale. The Iredales lived between the Rechabite Hall and The Farmers Arms Hotel. On 26/7/2018 Ian Gilbert identified 'the man' as Thomas Iredale; son of George.Digital copy of black and white photograph.iredale family -
Greensborough Historical Society
Photograph - Digital image, Iredale 1 [man and house], 1930c
Part of a collection of photographs of the Iredale family, descendants of James Iredale (arrived Greensborough c1858) and his son George (arrived 1873). The man in this photograph has not been identified.Digital copy of black and white photograph.iredale family -
Greensborough Historical Society
Photograph - Digital image, Iredale 2 [man and two women], 1930c
Part of a collection of photographs of the Iredale family, descendants of James Iredale (arrived Greensborough c1858) and his son George (arrived 1873). The people in this photograph have not been identified.Digital copy of black and white photograph.iredale family -
Greensborough Historical Society
Photograph - Digital image, Iredale 3 [woman and dog], 1940c
Part of a collection of photographs of the Iredale family, descendants of James Iredale (arrived Greensborough c1858) and his son George (arrived 1873). The woman in this photograph has not been identified.Digital copy of black and white photograph.iredale family -
Greensborough Historical Society
Photograph - Digital image, Iredale family group 1, 1940c
Part of a collection of photographs of the Iredale family, descendants of James Iredale (arrived Greensborough c1858) and his son George (arrived 1873). The women in this photograph have not been identified.Digital copy of black and white photograph.iredale family -
Greensborough Historical Society
Photograph - Digital image, Iredale family group 2, 1930c
Part of a collection of photographs of the Iredale family, descendants of James Iredale (arrived Greensborough c1858) and his son George (arrived 1873). The adults in this photograph have not been identified. [Caption by Bruce McDowell: The two children in front are Johnny Iredale & Marjie Chapple (cousins).]Digital copy of black and white photograph.iredale family