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Mt Dandenong & District Historical Society Inc.
Photograph, Looking Down Falls Road
Edward John Price was a son of early settler Edward Joseph Price. Edward Joseph was the first settler in the Village Settlement when he took out Lot 1, Section 1. He built a small home of slabs and brought his family up in 1896. From the outset the Price family ran a store from their home.This picture, taken 1914, shows Edward John Price on his pony delivering papers from his parent's newsagency that was opposite 'Mountjoy' guesthouse on Ridge Road. He was taking them to Lily Badenhop's post office in Blythe's Road. The section of road he is on was called Main Road and is now Falls Road.Black and white photograph showing a man on horseback in the centre of an unmade road that is running into the distance.Trees, a fence and houses can be seen with hills in the background. Reverse of photograph has handwritten description by John Lundy-Clarke.On Front MAIN ROAD On Reverse Looking down Falls Road then the main road in 1914. Before Frank Craig built The Fron (1918). Dunbar’s house Halcyon on left of road. The hall on its right with Keogh’s sheds showing further in the trees. The horseman is Edward John Price who delivered the daily papers to Lil Badenhop’s shop. The bag he carried them in can be seen hanging from the saddle pommel. The first road formation can be seen on the bank to the right. The road seen was constructed 1905 by Bill McGivern.edward john price, edward joseph price, lily badenhop, post office, falls road, main road, mountjoy, frank craig, bill mcgivern, dunbar, halcyon, keogh, farndons hall -
Mt Dandenong & District Historical Society Inc.
Photograph
The Wenborn family acquired Ferguson's Lot 19 of the Village Settlement where the original Mount Dandenong School was opened in a shed. WH Collom owned the land after Ferguson and then it passes to the Wenborns. This photograph shows Jim Wenborn with his wife Ivy and daughter Mary. The Wenborns had another daughter, Joan. Both children attended Mt Dandenong State School. John Lundy-Clarke grew up in the Kalorama/Mt Dandenong area and later in life (1972-74) began to write a comprehensive history of the area working from an original settlement map in an effort to cover all areas.Black and white photograph showing a man and woman seated in a garden. The woman is holding a small baby. Handwritten inscription on reverse by John Lundy-ClarkeJim Wenborn and family.wenborn, jim wenborn, ivy wenborn, mary wenborn, joan wenborn, ferguson, wh collom, mt dandenong school -
Mt Dandenong & District Historical Society Inc.
Photograph, View From Corner of Doughty's Road and Barbers Road 1913
John Lundy-Clarke grew up in the Kalorama/Mt Dandenong area and later in life (1972-74) began to write a comprehensive history of the area working from an original settlement map in an effort to cover all areas. Taken c1913, this photograph gives a clear indication of where significant buildings were located in relation to one another. Barbers Road is running through the picture with the guest house 'Kia-Ora' , built by George Barber in the centre. High on the skyline on the left is the 'Mountjoy' guesthouse, indicating the location of The Gap, or FiveWays. The small 'boxy' house above 'Kia-Ora' is 'Iona' built by the Paynter family who also built 'Mountjoy'. The Jeeves property 'Kalorama' is to the right of 'Iona' and this is the area you now look to from the FiveWays Lookout. The man in the photo is wearing a trilby hat so is probably a Rose Series employee - a feature in many Rose Series postcards.Black and white photograph that is a copy of Rose Series Postcard # 156. A man can be seen walking down an unmade road with haystacks to his right. Buildings and crops can be seen on the hillsides. Handwritten inscription on reverse by John Lundy-ClarkeView from corner of Doughty’s and Barbers Road 1913. “Kia Ora” in centre Paynter’s “Iona” near center skyline above “Kia Ora” with “Kalorama” on its right and Peter’s hut of the time below it among orchard trees. “Mountjoy” is on left skyline. W. Haye’s home is centre left. Hay paddock is Barbers Lot 25 Village Settlement.kia-ora, iona, kalorama, mountjoy, guesthouse, guest house, barbers road, doughty's road, paynter, jeeves, george barber -
Mt Dandenong & District Historical Society Inc.
Photograph
Jim Keogh owned Lot 7 of the Village Settlement. When the new CRB road went through c1920 his block was cut through leaving a small triangle of land on the high side of the CRB road. He built a shop on this piece of land. The store burned down 31/12/1939. The woman on the step in this photo is Win Woodcock.Sepia image of a woman standing in front of a wooden store. Handwritten inscription on reverse by John Lundy-ClarkeJim Keogh's shop on the north west corner of Falls and Main Roads. Opposite diagonally from St Michael's Church of England. photo Nov 1926.jim keogh, keogh, store, shop, crb road, win woodcock -
Mt Dandenong & District Historical Society Inc.
Photograph
The Keoghs took up Lot 7 in the Village Settlement in 1905. John Keogh was a big Irishman and cleared many of the giant trees on his Lot 7. They had little water for their crops so grew gooseberries and red currants rather than the more valuable strawberries. Mrs Keogh (nee Cleary) inherited money in 1906 and they built a new weatherboard house. The original bush hut remained as the kitchen. Son James (Jimmie) married Mary Walsh, a teacher at the local school. Jimmie built the small shop on the triangle of land cut off when the CRB road went through. Jimmie and his wife left the district when he joined Victoria Police. Jimmie came back to the area and finally sold the land of Lot 7 to Rimington's Nurseries. He moved his family to Kilsyth. In 1939 the shop was moved across the road to be used as an office by the road builders. It burned down that year.Black and white photograph of a man, woman and young male standing outside a wooden hut. There are crop remnants in the foreground and a wooden paling fence behind the hut. A label on the front reads A SETTLER'S HUT. Reverse of photograph has handwritten description by John Lundy-Clarke.Front: A SETTLER'S HUT Reverse: 1905 Keogh's hut on Falls Road then Main Road. This was later the kitchen of their extended home as described in the narrative "Mountain of Struggle". The figures are - Mrs Keogh. John Keogh settler. Son James Keogh.keogh, john keogh, james keogh, jimmie keogh, mary walsh, cleary, shop, store, gooseberries, rimington's nursery -
Mt Dandenong & District Historical Society Inc.
Photograph
The people pictured are all members of the CHILD family and related to Francis Matthew Child, one of the earliest settlers. L-R back: L - R back – Bert (Hubert Child b. Lilydale 1913), Len (Leonard Child b. Lilydale 1915,), Ethel (Ethel May Child nee Madden married Ted Child), Marie (Marie Child nee Madden married Bert Child), Bert (Hubert Matthew Child b. 1882 Lilydale), John (Jack) (John Arthur Child b. Lilydale 1911). L - R front - Bernard (Bernie son of Ethel Madden before she married Ted Child), Percy (Charles Percival Child b. 1889 Lilydale he married Dorothea Lucas in 1917). The house pictured in the background belonged to Eva and Bert Court. Eva (May Eva Child b, 1880) married Bert (Bertram Court) in 1917. Black and white photograph showing six males and two females posed on a fence in front of a small, wooden house.On back: Taken Court's Eva and Bert. House in background. Child's Road Kalorama. Between 1925 - 1935.john child, percy child, bert child, len child, ethel child, marie madden, marie child, hubert matthew child, hubert child, bernie child, bernard child, charles percival child, eva court, bert court, bertram court, eva child, may eva child, ethel madden -
Mt Dandenong & District Historical Society Inc.
Photograph, Kalorama Gap Under Snow 1921, 1921
View of Kalorama Gap under snow taken in 1921. Mountjoy Guest House is at top right and Beulah Tea Rooms is in the centre. This photograph has a detailed inscription on the back handwritten by John Lundy-Clarke in 1974.Kalorama Gap under snow 1921 The leafless elm trees are low in the centre and the dual nature of the nearer one can be clearly seen, two small suckers of the older farther tree being twisted together in 1898 by Fred Jeeves. The older tree was planted 1880. Mrs Hands shop can be clearly seen, which was the Mount Dandenong North Post Office. The old Main Road runs up the centre of the picture and turns to the right and disappears behind “Mountjoy” the big guest house built by Paynters in 1905 and sold to Ellis Jeeves 1908, whose family ran it till 1943. At the bend of the road behind the big pine tree and the dark blackwood can be seen faintly the gable of Price’s house that contained the first shop on the mount. Above it is H Walker’s cottage on Ridge Road that still exists, his homestead is on the left of the picture on the same level. Below this house and to the left can be seen Ted Prices hay and corn store. The present estate agency lies between these two buildings, on the road which had recently been built. This can be seen winding from the lower left corner of picture to the left of the elms. The CRB had recently fenced the road and this is clearly seen as it circles behind trees in the left centre. Barber’s Road crosses CRB Road to the left of the dray under the leafless elm and the Coach Road dives down to the right just behind the pair of blackwoods to right of the elms. The picture was taken from just above the boundary of Isaac Jeeves’s selection Crown Allotment “C” (Jeeves Saddle) which stretched across the Gap to the other side of Mrs Hand’s shop, monopolising the gap from 1871 to 1879. Price’s house remains partly as the small house – “Mirra Laken”. kalorama gap, fiveways, post office, mountjoy, guest house, snow -
Mt Dandenong & District Historical Society Inc.
Photograph, Isaac Jeeves First Home On Running Creek 1917, 1917
Enlargement of photograph taken by Norman Rowse in 1917 that shows the first home of Isaac Jeeves built at the Running (Olinda) Creek. This photograph has a detailed inscription on the back handwritten by John Lundy-Clarke in 1974.Enlargement of photo taken by Norman Rowse in 1917 of the group of buildings erected as his first home by Isaac Jeeves at the 800° contour on the Running (Olinda) Creek on Crown Allotment 925A. The small building on the right behind the pony and the fowls was Isaac’s first substantial home and was occupied in 1858 he having lived in camp on the creek as a miner since 1855. The tall building on left was barn built in the sixties and the large roof behind was the five roomed house with a tree fern floor. This last building was of blackwood entirely above the floor and was built in the early sixties. The two old homes were pulled down by the Rowses in 1918 and the tree fern floor was pulled up by Len Childs in 1933.norman rowse, isaac jeeves, len childs, running creek -
Mt Dandenong & District Historical Society Inc.
Photograph, The Busy Corner, 1907
View of Jeeves Saddle in 1907 showing everyday life and including important people and businesses from early settlement - Dodd's grocery and meat cutting carts; Beulah tea Rooms/Post Office; Mrs Hand, Fred Jeeves, Theo Hand.This photograph has a detailed inscription on the back handwritten by John Lundy-Clarke in 1974.“Jeeves Saddle” in 1907. Isaac Jeeves special strip of land Crown Allotment “C” 7 chains wide, lay between the sledge load of pea stalks and the far end of the verandah on Mrs Hand’s “Beulah Tea Rooms” which soon afterwards became the Mt Dandenong North Post Office. The coach road came up from the right behind the tall stump. The big woman in black was Mrs Hand. The wagon at the shop was Dodd’s grocery cart. The nearer wagon was the first coach on the mountain which had belonged to Briarty. The small cart was Dodd’s meat cutting cart. The elm trees are in the centre of the picture and above them is Price’s sign advertising their shop and newsagency. The big house is “Mountjoy” burnt 1975. Walker’s house is among the big trees left centre. Boy at horse’s head is Fred Jeeves. Boy on sledge is Theo Hand. The horse is “Blossom”. Barbers Road goes to the left from behind the elm trees.jeeves, theo hand, fred jeeves, isaac jeeves, barbers road, beulah tea rooms, post office, mount dandenong north, mt dandenong north, kalorama, coach, mountjoy -
Mt Dandenong & District Historical Society Inc.
Photograph, The Busy Corner, 1907
View of Kalorama gap taken in 1907 showing Eliza Hand outside Beulah Tea Rooms, Briartys Coach, Dodd's Grocery cart and Meat Cutting cart. In foreground Fred Jeeves is standing and Theo Hand on hay. Mountjoy is in the background.This photograph has a detailed inscription on the back handwritten by John Lundy-Clarke in 1974.The Kalorama Gap in 1907. The coach road comes from right behind old stump. The shop was Hand's Beulah Tea Rooms soon to become the Mt Dandenong North Post Office. Big woman in black was Mrs Hand. wagon was Dodd's Grocery cart. "Mountjoy" on hilltop. The wagon with man was the first coach on the mount (Briartys). Small cart was Dodd's meat cutting cart. Horse at sledge was "Blossom" boy at her head was Fred Jeeves. Boy on sledge was Theo hand. Elm trees in centre of picture with Prices sign advertising shop and newsagency above them.mountjoy, beulah tea rooms, fred jeeves, theo hand, dodd's grocery cart, cart, coach, briartys -
Mt Dandenong & District Historical Society Inc.
Photograph, Maypole Dance at Olinda, c1911
Olinda girls practising the Maypole Dance under the tuition of Vera Devine in the grounds of 'Hillcrest', the home of Devine in 1911. Starting with the small girl left of centre pole and going in an anti clockwise direction the names are: Amy Allen, Jessie Ebbels, Faith Beatty, Vera Devine, Maggie Schneider, Vera Watson, Hope Barrow, Jessie Wyles, Dolly Witt (obscured), Lois Lyons, Edie Jackson, Beth Barrow, Phyllis Murray. This photograph has a detailed inscription on the back handwritten by John Lundy-Clarke in c1974.Olinda girls practising the maypole dance under the tuition of Vera Devine in the grounds of 'Hillcrest', the home of Devine in 1911. Girls, starting from left and circling across the front then round the back to finish at the left are - 1. Lois Lyons 2. Edie Jackson 3. Beth Barrow 4. Phyllis Murray 5. Amy Allen 6. Jessie Ebbels 7. Faith Barrow 8. Vera Devine 9. Maggie Schneider 10. Vera Watson 11. Hope Barrow 12. Jessie Wyles 13. Dolly Witt barely seen, the tallest there.lois lyons, edie jackson, beth barrow, phyllis murray, amy allen, jessie ebbels, faith beatty, vera devine, maggie schneider, vera watson, hope barrow, jessie wyles, dolly witt, olinda, maypole, hillcrest, john lundy-clarke -
Birregurra Historical Society
Postcard, C1917
World War 1 1917 embroidered postcard from nephew of Jim Purcell to his aunt and uncle.Embroidered post card from 1917 WW1 'Home Sweet Home'. Additional small Christmas card included in an inside pocket.To Mr John Purcell / Clearview / Birregurra / Victoria / Australia All well from your ever loving nep (sic) (nephew) Christmas card reads A Merry Xmas to all Jim postcard, world war 1, birregurra -
Kew Historical Society Inc
Photograph, J E & B L Rogers, Lady Rylah's Funeral, Holy Trinity Church, 1969
This work forms part of the collection assembled by the historian Dorothy Rogers, that was donated to the Kew Historical Society by her son John Rogers in 2015. The manuscripts, photographs, maps, and documents were sourced by her from both family and local collections or produced as references for her print publications. Many were directly used by Rogers in writing ‘Lovely Old Homes of Kew’ (1961) and 'A History of Kew' (1973), or the numerous articles on local history that she produced for suburban newspapers. Most of the photographs in the collection include detailed annotations in her handThe Rogers Collection provides a comprehensive insight into the working habits of a historian in the 1960s and 1970s. Together it forms the largest privately-donated collection within the archives of the Kew Historical Society.Ann Flora Froude Flashman (Lady Rylah), (1911-1969) was an Australian veterinarian. The wife of Sir Arthur Rylah she died in 1969. The small black and white photograph shows the hearse and casket outside Holy Trinity Church."Lady Rylah's Funeral, Holy Trinity Church"funerals -- holy trinity church -- kew (vic), churches -- kew (vic.), lady rylah -
Kew Historical Society Inc
Photograph, J E & B L Rogers, Cussen Memorial, Boroondara General (Kew) Cemetery, 1950s
This work forms part of the collection assembled by the historian Dorothy Rogers, that was donated to the Kew Historical Society by her son John Rogers in 2015. The manuscripts, photographs, maps, and documents were sourced by her from both family and local collections or produced as references for her print publications. Many were directly used by Rogers in writing ‘Lovely Old Homes of Kew’ (1961) and 'A History of Kew' (1973), or the numerous articles on local history that she produced for suburban newspapers. Most of the photographs in the collection include detailed annotations in her hand.The Rogers Collection provides a comprehensive insight into the working habits of a historian in the 1960s and 1970s. Together it forms the largest privately-donated collection within the archives of the Kew Historical Society.Small black and white snapshot of the Cussen Memorial in the Boroondara General Cemetery. The memorial was commissioned by Sir Leo Cussen, a judge of the Victorian Supreme Court as a memorial to his son, Hubert. The chapel is designed in the Gothic Revival style."Cussen Memorial"funerary monumnets, crypts, boroondara general (kew) cemetery, leo cussen -
Kew Historical Society Inc
Photograph, J E & B L Rogers, Mr Twiss's House, Pakington Street, 1950s
This work forms part of the collection assembled by the historian Dorothy Rogers, that was donated to the Kew Historical Society by her son John Rogers in 2015. The manuscripts, photographs, maps, and documents were sourced by her from both family and local collections or produced as references for her print publications. Many were directly used by Rogers in writing ‘Lovely Old Homes of Kew’ (1961) and 'A History of Kew' (1973), or the numerous articles on local history that she produced for suburban newspapers. Most of the photographs in the collection include detailed annotations in her hand.The Rogers Collection provides a comprehensive insight into the working habits of a historian in the 1960s and 1970s. Together it forms the largest privately-donated collection within the archives of the Kew Historical Society.Small black and white snapshot of a cottage in Pakington Street, Kew."Mr Twiss's house ' Pakington St / Was F Bartons House / This part was the show stop"houses -- pakington street -- kew (vic.), f barton -- bootmaker, mr twiss -
Kew Historical Society Inc
Photograph, Mural, Ballroom, 'South Esk', 1960s
This work forms part of the collection assembled by the historian Dorothy Rogers, that was donated to the Kew Historical Society by her son John Rogers in 2015. The manuscripts, photographs, maps, and documents were sourced by her from both family and local collections or produced as references for her print publications. Many were directly used by Rogers in writing ‘Lovely Old Homes of Kew’ (1961) and 'A History of Kew' (1973), or the numerous articles on local history that she produced for suburban newspapers. Most of the photographs in the collection include detailed annotations in her hand.The Rogers Collection provides a comprehensive insight into the working habits of a historian in the 1960s and 1970s. Together it forms the largest privately-donated collection within the archives of the Kew Historical Society.Small, very faded colour photo of a section of the ballroom ceiling at Southesk (formerly Ordsall)southesk, ordsall, historic houses -- cotham road -- kew (vic.) -
Kew Historical Society Inc
Photograph, Mural, Ballroom, 'South Esk', 1960s
This work forms part of the collection assembled by the historian Dorothy Rogers, that was donated to the Kew Historical Society by her son John Rogers in 2015. The manuscripts, photographs, maps, and documents were sourced by her from both family and local collections or produced as references for her print publications. Many were directly used by Rogers in writing ‘Lovely Old Homes of Kew’ (1961) and 'A History of Kew' (1973), or the numerous articles on local history that she produced for suburban newspapers. Most of the photographs in the collection include detailed annotations in her hand.The Rogers Collection provides a comprehensive insight into the working habits of a historian in the 1960s and 1970s. Together it forms the largest privately-donated collection within the archives of the Kew Historical Society.Small, very faded colour photo of a section of the ballroom ceiling at Southesk (formerly Ordsall)southesk, ordsall, historic houses -- cotham road -- kew (vic.) -
Kew Historical Society Inc
Photograph, Mural, Ballroom, 'South Esk', 1960s
This work forms part of the collection assembled by the historian Dorothy Rogers, that was donated to the Kew Historical Society by her son John Rogers in 2015. The manuscripts, photographs, maps, and documents were sourced by her from both family and local collections or produced as references for her print publications. Many were directly used by Rogers in writing ‘Lovely Old Homes of Kew’ (1961) and 'A History of Kew' (1973), or the numerous articles on local history that she produced for suburban newspapers. Most of the photographs in the collection include detailed annotations in her hand.The Rogers Collection provides a comprehensive insight into the working habits of a historian in the 1960s and 1970s. Together it forms the largest privately-donated collection within the archives of the Kew Historical Society.Small, very faded colour photo of a section of the ballroom ceiling at Southesk (formerly Ordsall)southesk, ordsall, historic houses -- cotham road -- kew (vic.) -
Kew Historical Society Inc
Photograph, Mural, Dining Room, 'South Esk', 1960s
This work forms part of the collection assembled by the historian Dorothy Rogers, that was donated to the Kew Historical Society by her son John Rogers in 2015. The manuscripts, photographs, maps, and documents were sourced by her from both family and local collections or produced as references for her print publications. Many were directly used by Rogers in writing ‘Lovely Old Homes of Kew’ (1961) and 'A History of Kew' (1973), or the numerous articles on local history that she produced for suburban newspapers. Most of the photographs in the collection include detailed annotations in her hand.The Rogers Collection provides a comprehensive insight into the working habits of a historian in the 1960s and 1970s. Together it forms the largest privately-donated collection within the archives of the Kew Historical Society.Small, very faded colour photo of a section of the dining room ceiling at Southesk (formerly Ordsall)southesk, ordsall, historic houses -- cotham road -- kew (vic.) -
Kew Historical Society Inc
Photograph, Cottage, Derby Street, 1950s
This work forms part of the collection assembled by the historian Dorothy Rogers, that was donated to the Kew Historical Society by her son John Rogers in 2015. The manuscripts, photographs, maps, and documents were sourced by her from both family and local collections or produced as references for her print publications. Many were directly used by Rogers in writing ‘Lovely Old Homes of Kew’ (1961) and 'A History of Kew' (1973), or the numerous articles on local history that she produced for suburban newspapers. Most of the photographs in the collection include detailed annotations in her hand.The Rogers Collection provides a comprehensive insight into the working habits of a historian in the 1960s and 1970s. Together it forms the largest privately-donated collection within the archives of the Kew Historical Society.Small black and white snapshot of a single-fronted weatherboard cottage in Derby Street, Kew."Derby S. Lady lived at Fairyland as a child"houses -- kew (vic), houses -- derby street -- kew (vic.) -
Kew Historical Society Inc
Photograph, 'Gladstonville', Gladstone Street, 1960
This work forms part of the collection assembled by the historian Dorothy Rogers, that was donated to the Kew Historical Society by her son John Rogers in 2015. The manuscripts, photographs, maps, and documents were sourced by her from both family and local collections or produced as references for her print publications. Many were directly used by Rogers in writing ‘Lovely Old Homes of Kew’ (1961) and 'A History of Kew' (1973), or the numerous articles on local history that she produced for suburban newspapers. Most of the photographs in the collection include detailed annotations in her hand.The Rogers Collection provides a comprehensive insight into the working habits of a historian in the 1960s and 1970s. Together it forms the largest privately-donated collection within the archives of the Kew Historical Society.Small, black and white photo of a double-fronted weatherboard house in Gladstone Street, Kew."Gladstonville. Built 1904 / 7 / Photo 1960 / I was born there 1905"gladstonville, houses - gladstone street -- kew (vic.) -
Kew Historical Society Inc
Photograph, 'D'Estaville', 7 Barry Street, c.1960
This work forms part of the collection assembled by the historian Dorothy Rogers, that was donated to the Kew Historical Society by her son John Rogers in 2015. The manuscripts, photographs, maps, and documents were sourced by her from both family and local collections or produced as references for her print publications. Many were directly used by Rogers in writing ‘Lovely Old Homes of Kew’ (1961) and 'A History of Kew' (1973), or the numerous articles on local history that she produced for suburban newspapers. Most of the photographs in the collection include detailed annotations in her hand.The Rogers Collection provides a comprehensive insight into the working habits of a historian in the 1960s and 1970s. Together it forms the largest privately-donated collection within the archives of the Kew Historical Society.Small, black and white photo of Sir William Stawell's 'D'Estaville', 7 Barry Street, Kew."Sir William Foster Stawell / Built 1857 / D'Estavilled'estaville -- 7 barry street -- kew (vic.), sir william foster stawell -
Kew Historical Society Inc
Photograph, J E & B L Rogers, 'Fairyland Cottage', 57 Malmsbury Street, c.1960
This work forms part of the collection assembled by the historian Dorothy Rogers, that was donated to the Kew Historical Society by her son John Rogers in 2015. The manuscripts, photographs, maps, and documents were sourced by her from both family and local collections or produced as references for her print publications. Many were directly used by Rogers in writing ‘Lovely Old Homes of Kew’ (1961) and 'A History of Kew' (1973), or the numerous articles on local history that she produced for suburban newspapers. Most of the photographs in the collection include detailed annotations in her hand.The Rogers Collection provides a comprehensive insight into the working habits of a historian in the 1960s and 1970s. Together it forms the largest privately-donated collection within the archives of the Kew Historical Society.Small, black and white photo of 57 Malmsbury Street, Kew. Originally the home of the grandparents of the historian Dorothy Rogers, it was later known as Fairyland when owned by Jim and Grace Tabulo."Fairyland Cottage. Built c.1860. This was grandma's home in 1866. Mother and father were married in the right hand room in 1884 by Martin Hosking (see marriage lines). / I would like this in my family story."fairyland -- 57 malmsbury street -- kew (vic.), weatherboard cottages -- kew (vic), houses -- malmsbury street -- kew (vic) -
Kew Historical Society Inc
Photograph, J E & B L Rogers, Kew Post Office, 1967
This work forms part of the collection assembled by the historian Dorothy Rogers, that was donated to the Kew Historical Society by her son John Rogers in 2015. The manuscripts, photographs, maps, and documents were sourced by her from both family and local collections or produced as references for her print publications. Many were directly used by Rogers in writing ‘Lovely Old Homes of Kew’ (1961) and 'A History of Kew' (1973), or the numerous articles on local history that she produced for suburban newspapers. Most of the photographs in the collection include detailed annotations in her hand.The Rogers Collection provides a comprehensive insight into the working habits of a historian in the 1960s and 1970s. Together it forms the largest privately-donated collection within the archives of the Kew Historical Society.Small, black and white photo of Kew Post Office in 1967."1967 / Kew Post Office / Commissioned in 1887; completed 1888 at a cost of 10,000 [pounds]. Court House is seen at extreme left. (See other picture for Police Station & residence)."kew post office, public buildings -- kew (vic.) -
Kew Historical Society Inc
Photograph, J E & B L Rogers, 'Fernhurst', c.1959
This work forms part of the collection assembled by the historian Dorothy Rogers, that was donated to the Kew Historical Society by her son John Rogers in 2015. The manuscripts, photographs, maps, and documents were sourced by her from both family and local collections or produced as references for her print publications. Many were directly used by Rogers in writing ‘Lovely Old Homes of Kew’ (1961) and 'A History of Kew' (1973), or the numerous articles on local history that she produced for suburban newspapers. Most of the photographs in the collection include detailed annotations in her hand.The Rogers Collection provides a comprehensive insight into the working habits of a historian in the 1960s and 1970s. Together it forms the largest privately-donated collection within the archives of the Kew Historical Society.Small, black and white photo of Fernhurst in Kew, built for the architect and surveyor George Wharton. (Now demolished)"Probably built in 1860s / Fernhurst"fernhurst -- kew (vic), historical houses -- kew (vic), kew mansions -
Kew Historical Society Inc
Photograph, J E & B L Rogers, Pillar Box, High Street, 1950s
This work forms part of the collection assembled by the historian Dorothy Rogers, that was donated to the Kew Historical Society by her son John Rogers in 2015. The manuscripts, photographs, maps, and documents were sourced by her from both family and local collections or produced as references for her print publications. Many were directly used by Rogers in writing ‘Lovely Old Homes of Kew’ (1961) and 'A History of Kew' (1973), or the numerous articles on local history that she produced for suburban newspapers. Most of the photographs in the collection include detailed annotations in her hand.The Rogers Collection provides a comprehensive insight into the working habits of a historian in the 1960s and 1970s. Together it forms the largest privately-donated collection within the archives of the Kew Historical Society.Small, black and white photo of a pillar box in High Street, Kew, outside the Boroondara General (Kew) Cemetery. "Pillar Box / Old shop / Kew Cemetery"pillar boxes -- kew (vic.), high street -- kew (vic.) -
Kew Historical Society Inc
Photograph, J E & B L Rogers, 'Turinville', Barnard Grove, 1950s
This work forms part of the collection assembled by the historian Dorothy Rogers, that was donated to the Kew Historical Society by her son John Rogers in 2015. The manuscripts, photographs, maps, and documents were sourced by her from both family and local collections or produced as references for her print publications. Many were directly used by Rogers in writing ‘Lovely Old Homes of Kew’ (1961) and 'A History of Kew' (1973), or the numerous articles on local history that she produced for suburban newspapers. Most of the photographs in the collection include detailed annotations in her hand.The Rogers Collection provides a comprehensive insight into the working habits of a historian in the 1960s and 1970s. Together it forms the largest privately-donated collection within the archives of the Kew Historical Society.Small, black and white photo of the front of 'Turinville' in Barnard Grove, Kew. "Turinville / Note new addition on right / 11"turinville -- barnard grove -- kew (vic), historic houses -- kew (vic) -
Kew Historical Society Inc
Photograph, J E & B L Rogers, German Plaques, 'Roseneath', Pakington Street, 1950s
This work forms part of the collection assembled by the historian Dorothy Rogers, that was donated to the Kew Historical Society by her son John Rogers in 2015. The manuscripts, photographs, maps, and documents were sourced by her from both family and local collections or produced as references for her print publications. Many were directly used by Rogers in writing ‘Lovely Old Homes of Kew’ (1961) and 'A History of Kew' (1973), or the numerous articles on local history that she produced for suburban newspapers. Most of the photographs in the collection include detailed annotations in her hand.The Rogers Collection provides a comprehensive insight into the working habits of a historian in the 1960s and 1970s. Together it forms the largest privately-donated collection within the archives of the Kew Historical Society.Small, black and white photo of the front of 'Turinville' in Barnard Grove, Kew. "German Plaques. Back wall of Roseneath. 30"roseneath -- pakington street -- kew (vic.), historic houses -- kew (vic) -
Kew Historical Society Inc
Photograph, J E & B L Rogers, 'Campion Hall', Studley Park Road, 1950s
This work forms part of the collection assembled by the historian Dorothy Rogers, that was donated to the Kew Historical Society by her son John Rogers in 2015. The manuscripts, photographs, maps, and documents were sourced by her from both family and local collections or produced as references for her print publications. Many were directly used by Rogers in writing ‘Lovely Old Homes of Kew’ (1961) and 'A History of Kew' (1973), or the numerous articles on local history that she produced for suburban newspapers. Most of the photographs in the collection include detailed annotations in her hand.The Rogers Collection provides a comprehensive insight into the working habits of a historian in the 1960s and 1970s. Together it forms the largest privately-donated collection within the archives of the Kew Historical Society.Small, black and white photo of the front of 'Campion Hall' [formerly Dalsraith], 99 Studley Park Road, Kew. It was designed by Architects Ussher and Kemp. It was built in 1906 as a home for S.W. Gibson of the firm Foy and Gibson, Drapers, of Melbourne. "Chap 76 / Campion Hall / Dalswraith (Gibsons) / Built about 1906 / 19"dalsraith -- dalswraith, campion house -- campion hall, glendalough -
Kew Historical Society Inc
Photograph, J E & B L Rogers, High Street, Looking to Junction, 1960s
This work forms part of the collection assembled by the historian Dorothy Rogers, that was donated to the Kew Historical Society by her son John Rogers in 2015. The manuscripts, photographs, maps, and documents were sourced by her from both family and local collections or produced as references for her print publications. Many were directly used by Rogers in writing ‘Lovely Old Homes of Kew’ (1961) and 'A History of Kew' (1973), or the numerous articles on local history that she produced for suburban newspapers. Most of the photographs in the collection include detailed annotations in her hand.The Rogers Collection provides a comprehensive insight into the working habits of a historian in the 1960s and 1970s. Together it forms the largest privately-donated collection within the archives of the Kew Historical Society.Small, black and white photo of High Street, Kew, looking west towards Kew Junction."High St / Looking towards Junction / Jim's / 4high street -- kew (vic.), shopping strips -- melbourne