This piece of cloth came from the Fletcher Jones factory in Warrnambool. David Fletcher Jones (1895-1977) served in the First World War and in the 1920s set up as a travelling hawker selling drapery in the Western District of Victoria. In 1924 he leased three shops in Liebig Street, Warrnambool and in 1928 he moved to the Koroit/Liebig Streets intersection with his Man’s Shop. He manufactured men’s clothing on site. In 1931 he moved the business into a new two-storeyed building on the site. He opened a Fletcher Jones shop in Melbourne in 1946 and in 1948 a factory was established in Warrnambool. In 1951 the business of Fletcher Jones and Staff was established. The company expanded and became known Australia- wide, firstly for the production of men’s trousers and later both men’s and women’s clothing. By 2011 the Warrnambool factory was sold and the company was dissolved. This piece of material is of interest as an example of the cloth used in the Fletcher Jones factory in Warrnambool. The Fletcher Jones clothing company, known Australia-wide, was one of the important industries based in Warrnambool in the 20th and early 21st centuryThis is a bolt of check corded material in grey and blue tonings. It is stained in various places.fletcher jones clothing stores, warrnambool, history of warrnambool

The Kew Historical Society's Fashion & Design collection includes a small and representative collection of reticules, purses and handbags, purchased, inherited or collected by members of the Society. These items date from the Nineteenth and Twentieth centuries, and conform to fashions and styles popular during the period of their use. Some of the items are handmade, while others are mass-produced commercial products. Rectangular black silk art deco style evening bag with a white metal clasp set with diamentes.Label: "David Jones / Made in Italy"evening bags, women's clothing -- accessories, bags -- handbags, bags -- purses, fashion accessories

D.W. Evans was Leaseholder of The Kohinoor Gold Mining Co. on 22. 1.1870. Floats Tappit Hen Co with D Davies on 24. 7.1886 . Murray Comrie Collection. A Post Office Order made out to David Jones, payable at Glenmorganshire, NSW from a David Waid Evans.tarnagulla, post office, money, miners, mining, evans

Black and white photograph of the Rutherglen Showground, with people attending the show.At bottom of photo on left: "Rutherglen Show 1910" At bottom of photo on right: "A.J. Evans Photo, Wangaratta"rutherglen show, 22nd agricultural show, rutherglen showgrounds

Diary was owned by Captain Frank Jones, Camp 1 Hospital dentist during WW2. Diary only has a few short notes in it.HistoricalSmall black leather cover with 2 black knobs which hold the pages inside the covers. Inside are lined pages, some of which have hand writing on them.captain frank jones, camp 1 hospital, camp 1 dentist, garrison staff diary, ethel jones

Edwin James Jones No 3511, 9th reinforcements 46th Batt AIF. Refer 1367.5 for his service history. Aluminium strip with one small hole at each end and stamped name, unit etc re. EJ Jones."Pte EJ Jones 9-46 Batt A(unclear)"military equipment-identity, metalcraft-aluminium, jones

This photographs shows Doris Marshall (nee Jones), aged 25 in 1928. The caption says she is in Nowa Nowa [Victoria, near Lakes Entrance].Digital copy of black and white photograph. "2 miles out of Nowa Nowa, 25, Doris Marshall"charles marshall, world war 1

About the 1992 Barcelona Olympic Games donator Doug Pleasance wrote- During the 1980s the Australian wool industry was at its most prosperous times with record numbers of sheep producing wool receiving ever increasing values due to the success of the Reserve Price Scheme, and the overall guidance of the Australian Wool Corporation (AWC). As a humble technichian, my role was a low profile newly created position of “Controller, Technical Marketing” where wool was to be marketed on its technical properties, as distinct from the “Product Marketing Group” which exploited trhe traditional high profile approach of marketing wool;s superior fashion attributes. The Woolmark was the tool central to this approach. The 1992 Barcelona Olympic Games saw an evolutionary change in designer selection. A Declaration of Interest Form was communicated to over forty potential designers. The task and especially tight timelines that were involved deterred many aspirants, however, there remained eight designers with the potential we were seeking. These eight designers were paid $3,000 per submission and the winning designer, Wendy Powitt, was paid $15,000. For the first time the judging panel included two athletes, one male swimmer and one female basketballer, their influence was pivotal. The ensemble consisted of three elements- 1. The Official Uniform which was used for travel and all official functions. This included: a tailored blazer and trouser/skirt (all water repellent) by Fletcher Jones, pure wool olive-green faille fabric by Foster Valley, cotton PE formal shirt by Pelaco, pure wool knitwear by Spangaro, printed wool tie by TD Noone, wool nylon socks by Holeproof and footwear by Hush Puppy. 2. Opening Ceremony Uniform a lightweight wool fabric printed with floral designs that had been inspired by the work of Australian artist Margaret Preston. This included: Lightweight W/PE shorts by Fletcher Jones in Foster Valley Fabric, socks by Holeproof and footwear by Hush Puppy. 3. Village Clothing was designed to be highly visible garments to make it easy to ‘spot the Aussie’ and helped to contribute to good team spirit. This included: A pure wool shirt featuring blocks of contrasting colours, and a newly developed stretch 50:50 wool/cotton fabric by Bradmill was made into shorts and jeans by Fletcher Jones.Green button up tailored jacket with two faux pockets and a breast pocket on left hand side. Olympic logo on left breast pocket.Label 1 - Barcelona 1992 Official Uniform Supplied by Australian Wool Corporation Label 2 - Fletcher Jones Australia On breast of jacket - Australia Barcelona 19921992 barcelona olympics, uniform, jacket, fletcher jones

A Pictorial booklet of many views at the Historical Heatherlie Quarry each many tourists visit each yearWhite Cover with Blue/Green Print and colour photograph with rectangular steel structure laying on the groundHeatherlie Quarry Photography by Carol Anne Jonesstawell grampians

This tag came with the donation of two kilts. The donor's mother, Joy Newall owned these kilts. She lived on a wheat/sheep farm in the Wimmera where her husband also bred merino sheep. Joy was well known in the district for the way she dressed when out in public.Four page fold out paper tag with black and white graphics and text. Graphic on the front and back shows a full length portrait of a person wearing traditional Scottish clothing resting with their hand holding an upright rifle. A piece of string is attached through a hole in the top left corner. Printed: Authentic Clan Tartans / by Fletcher Jonesclothing, fashion, tartan, kilt, scottish, wool

Alun LEACH-JONES (1937- 24 December 2017) Born Maghull, Lancashire, United Kingdom Arrived Australia 1960 Alun Leach-Jones is recognised as one of Australia's leading abstract colour painters. He spent his childhood in the Welsh village of Glasfryn, Denbighshire. At the age of 14 he started a three year apprenticeship with the Solicitors Law Society, Liverpool illuminating manuscripts and hand copying legal documents. While working with the law society Leach-Jones studied painting and drawing in the evenings at the Liverpool College of Art between the years 1955-57. He immigrated to Australia in 1960, settling in Adelaide and attending the South Australian School of Art, after which he travelled and exhibited throughout Australia and abroad. In 1966 Leach-Jones celebrated Noumenon series was shown with Australian Galleries in Melbourne and he was immediately recognised as being part of what was then labelled as ‘the New Abstraction’ in Australian art. Later in 1968 his work was included in the influential exhibition "The Field" held at the National Gallery of Victoria. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.art, artwork, alun leach-jones, leach-jones, printmaking, screenprint

Letter on back dated Dec 30 1912 to Mrs Brewer Signed FloraBlack and white postcard showing view of Mitchell River looking east towards Eagle Point bluff and the silt Jetties and Jones' Bay small farm and buildings, hop kiln on bank opposite bluff and hop paddock. Horse and jinker on gravel road Eagle Point VictoriaMitchell River Eagle Point Bairnsdale waterways, rivers, jetties, roads and streets, transport

About the 1992 Barcelona Olympic Games donator Doug Pleasance wrote- During the 1980s the Australian wool industry was at its most prosperous times with record numbers of sheep producing wool receiving ever increasing values due to the success of the Reserve Price Scheme, and the overall guidance of the Australian Wool Corporation (AWC). As a humble technichian, my role was a low profile newly created position of “Controller, Technical Marketing” where wool was to be marketed on its technical properties, as distinct from the “Product Marketing Group” which exploited trhe traditional high profile approach of marketing wool;s superior fashion attributes. The Woolmark was the tool central to this approach. The 1992 Barcelona Olympic Games saw an evolutionary change in designer selection. A Declaration of Interest Form was communicated to over forty potential designers. The task and especially tight timelines that were involved deterred many aspirants, however, there remained eight designers with the potential we were seeking. These eight designers were paid $3,000 per submission and the winning designer, Wendy Powitt, was paid $15,000. For the first time the judging panel included two athletes, one male swimmer and one female basketballer, their influence was pivotal. The ensemble consisted of three elements- 1. The Official Uniform which was used for travel and all official functions. This included: a tailored blazer and trouser/skirt (all water repellent) by Fletcher Jones, pure wool olive-green faille fabric by Foster Valley, cotton PE formal shirt by Pelaco, pure wool knitwear by Spangaro, printed wool tie by TD Noone, wool nylon socks by Holeproof and footwear by Hush Puppy. 2. Opening Ceremony Uniform a lightweight wool fabric printed with floral designs that had been inspired by the work of Australian artist Margaret Preston. This included: Lightweight W/PE shorts by Fletcher Jones in Foster Valley Fabric, socks by Holeproof and footwear by Hush Puppy. 3. Village Clothing was designed to be highly visible garments to make it easy to ‘spot the Aussie’ and helped to contribute to good team spirit. This included: A pure wool shirt featuring blocks of contrasting colours, and a newly developed stretchGreen knee length skirt with button and zip back. Has two pockets, and two darts in both front and back.Label 1 - Barcelona 1992 Official Uniform supplied by Australian Wool Corporation Label 2 - Fletcher Jones Australia 141992 barcelona olympics, australian wool corporation, wool, olympic games official occasions

Allan "Strad" Jones was born in Stawell but lived in Wodonga from the age of two years old. He worked with several companies before establishing Strad Jones Smash Repairs in Mulqueeney Street, Wodonga. He was a courageous football player and played for the Wodonga "Bulldogs" senior team from the age of 17 years. Allan initially played as full forward, then the centre and wing positions. He suffered a serious injury playing football whilst completing National Service at Puckapunyal and was hospitalised for 5 months. Mr. Jones returned to play for Wodonga and also coached Kergunyah and junior football teams in the 1960s. He also managed the Wodonga Little Athletics Club in the 1970s. Mr. Jones was an active member of the Wodonga Historical Society until his death in 2002. He worked not only to collect historical items but to ensure they were properly preserved and displayed. Two of his interests came together when he researched the history of Australian Rules football in the Ovens & Murray League and surrounding districts from its formative years through the 1940s. This publication was titled "Football - Glory Days Gone By". Mr. Jones died in Albury on 13 July 2002.This image is dedicated to a respected member of the Wodonga community and the Wodonga Historical Society.A framed photo of Allan Jones (1935 - 2002)Beneath the image: "Allan Stradling Jones/(Strad)/1935 - 2002)/ A valued member and tireless worker for the Wodonga Historical Society"allan "strad" jones, wodonga community members, wodonga football club

Mont Park: Ernest Jones Hall. One of a collection of photographs of the original buildings at the Mont Park Hospital site. This was a combined chapel and entertainment hall, built between 1927-1930.Digital copy of 2 colour photographsmont park hospital, ernest jones hall

This item is part of the collection of items donated to Kyneton RSL by John Adams, being a relative of the Jones brothers of Kyneton who enlisted in WW1. Both Edward and Evan were in the 29 Bn.GREEN BY FOLD INC PENCIL AND DISCHARGE PAPERY.M.C.A. AUSTRALIApte evan jones, pte edward jones,

George Shirling arrived in Falls Creek in 1962. He engaged Phil Nowell to build the original Koki Alpine Lodge which opened in 1965 with 14 beds. George operated the lodge with Michael “Baldy” Blackwell as manager. He also graduated in sport psychology in 1981 and was invited to become team psychologist for the Australian Winter Olympic team which went to Albertville, France, in 1992. He later owned the Red Onion Chalet. George credited the success of Koki to “Baldy” Blackwell. “Baldy” and Phil Nowell started the Trackers Mountain Lodge in partnership during the 1980s. In 1971 George sold Koki Lodge to Sigi Doerr. Sigi was a long time resident of Falls Creek, owning and operating Koki Lodge for many years with his wife, Lee. He was Falls Creek CFA Captain from 1995 until 1998 although he served in the Fire Brigade for much longer. Sigi had many involvements in the community. In 2023 the renamed Koki Alpine resort remains a highly popular destination in Falls Creek.This item is significant because it shows an entertainment event at a well-loved Falls Creek Lodge.A framed black and white photograph of guests enjoying "Tom Jones Night" at Koki Lodge in 1968. Guests include:- Foretable - George Shirling, Geoff Henke, Gweneth Henke (Maloney) who competed in figure skating in the Oslo Winter Olympics 1952, Sigi Haberzetti, Phyllis Bridgford, Bill Bridgford (back to camera)koki lodge, george shirling, sigi doerr