Long emerald green gown with long sleeves and a semi circular skirt. The material is jersey. Bodice - Gathering of material under the bust with a deep V neck. The dress has a straight semi fitted mid riff. ball gown, reid family

This dress is from the estate of James Cameron who was one of the first Snowy River councillors for the Tambo Shire. He selected land at Lochiel in 1892. From 1902-1920 he was the Assembly member for East Gippsland.Long black silk dress with long sleeves. It is hand-made - machine stitched. There is black beading around the neck and collar. The belt is also beaded. There are small black buttons on the belt and sleeves. It has a black underskirt.costum -female cameron

Frank Wright was a renown resident of Smeaton, where he was born. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia.Black and white photograph of two men dressed in suits and a woman dressed in a skirt and long sleeved top. They are standing beside a very high stone wall. The man on the right is Frank Wright and his companions are elderly.frank wright, conductor, stone wall

Bought to wear to donor's son's wedding and then didn't use the garment for the occasion. Wore it only two or three times since.1982 Three piece Jade ensemble in acetate and polyamide fabric. Summer weight French Spangaro label. Top has scalloped edging on neck and cap sleeves. Long sleeved jacket has clear buttons.costume, female

1860 Black silk taffeta coat with long sleeves. Black lace around collar, fronts and hem. Appears to be fastened with large hook. Gored shaped coat and knee length. Worn over a wide skirt.costume, female

1. Field shirt / jacket. Long sleeves. Patch pockets on each side. Five buttons on jacket and buttons on cuffs. 2. Combat trousers. Patch pockets on each upper thigh. Drawstrings at each ankle.Commando Field shirt / jacketmitcham rsl, vietnam war

The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories.Tailored pink raw silk jacket and dress. The long sleeve jacket has a peaked collar and double pockets at front. The jacket is fastened with buttons of the same fabric and colour. The buttoned skirt has soft pleats.women's clothing, fashion -- 1960s, suits

Sheer black silk chiffon dress with black beaded front detail and pin tucked front skirt. Long pointed beaded collar. Long sleeves with nine rows of horizontal pin tucking on lower edge.

Mary Ann Cameron, a daughter of /Ewen and Marion Cameron was born at Linton in 1864. She married Albert William Dainty in 1897, and died at Lang Lang in 1917. Photograph is part of Old Lintonian collection ; No. 123.Sepia photograph of a young woman wearing embroidered high necked gown with long sleeves and brooch at throat with hair piled on top of head, standing with left arm resting across waist, holding embroidered fan(?)"Mary Cameron (Mrs Dainty)".mary cameron, mary dainty, old lintonian collection, albert william dainty

Elizabeth Mercer, born 23/8/1873 at Spring Hill, married David Brown of Chepstowe. She died at Skipton on 19/1/1940.Black and white copy of original photograph of a lady standing outside in front of a fence and a tree. She is wearing a dark coloured long sleeved dress with a light coloured tie at the neckline and two round buttons on the lapel."Bessie Brown nee Mercer 1938"elizabeth (bessie) brown, elizabeth (bessie) mercer

Grace and Millie were daughters of William Garnsworthy Bennett and Susan Bennett née Williams. Grace Bennett (1875-1960) married Neil Wishart in 1898. Millie Bennett (1872-1948) married William Charles Allen in 1901.Sepia photograph of two young ladies in long, long sleeved waisted summer gowns, one on left of photo standing behind lattice leaning on left arm, one on right seated with hands together on lap."Grace and Mill Miss Grace and Amelia Bennett".grace (louisa grace) bennett, amelia (millie) bennett, surman collection

Part of Old Lintonian collection ; No. 107.Sepia photograph of a woman with hair drawn back off face, wearing long sleeved high necked long gown with bustle, seated with left hand resting on book on side table, right arm on lap.mrs c. smith, old lintonian collection

Jumper - garment part of a Women's Service Dress Uniform. Possibly issued to "BALAAM" Service No. F320519. Refer also Cat No. 9616.Jumper - light green wool blend ribbed knitwear with polo neck and nylon and metal zipper at back of neck. Long sleeves. Two manufacturers labels sewn to right side seam. White cotton fabric.MANUFACTURER'S INFORMATION - BLACK INK PRINT. First label (folded) "ELEGANT KNITTING CO/ NSW ^ 1981/ 8410-66-096-4840/ SIZE 12 BUST 85 CM/ NAME/ SERVICE NO" On back - details re "LAUNDERING INSTRUCTIONS" Second label - "WARNING/ THIS GARMENT SHOULD/ NOT BE DRIED IN/ DIRECT SUNLIGHT"passchendaele barracks trust, uniform, female jumper, army, balaam

Dark blue blazer, I Battalion Royal Aust. Regiment Badge embroidered on left breast pocket. Two brass buttons featuring 1 Battalion crest on right. Two hip pockets, long sleeves.1 rar association, blazer, passchendaele barracks trust

Wedding dress was made and worn by donor's mother, Jean Margaret Mathie, school teacher, who married John Caldwell Wells, farmer of Burwood N.S.W. On 17 December 1954, her daughter, Margaret Eleanor Wells, married Kevin William Mayes and wore the late mother's wedding outfit1929 Cream satin wedding dress; V-neckline, dropped waist, skirt cut on cross, draped long sleeves, long train at back. See also NA3485.1.2 - Gloves; NA3484.1+2 - Headdress + veil; NA3488 - Framed photo of Bride; NA3487 - Photo of Daughter in bridal dress (1954 wedding)costume, female

Norma Tullo began her dressmaking business in 1956. At the age of 20, she rented a small shop in the Metropole Arcade, initiating a career that included manufacturing, designing and retailing. In 1965, she became the first Australian to be selected by Butterick Company Inclusive to join their pattern making company. The stylish Tullo ‘look’ in the first half of the 1960s was young, colourful, feminine and most importantly had a strong American appeal. The patterns were distributed worldwide except to Russia and Germany. In the second half of the 1960s, she developed a new design range, influenced by the American 'hippie' style, featuring floor length dresses with long narrow sleeves, high round collars, and ruffles on the hems and at the cuffs. Patterns and colours became brighter to match prevailing tastes. Patricia Desmarchelier, the donor, purchased this and two other items of evening wear by Norma Tullo in a Brisbane CBD boutique fashion store during 1967/8 for her personal use. At the time, she was an undergraduate student who saved earnestly to buy the outfits to wear to college formals and balls that were popular during those years.Aesthetically significant and rare example of a couture range by Norma Tullo.Long red cotton evening dress with overall white polka-dots, designed by Norma Tullo. The floor length dress has a high rounded collar, long sleeves with ruffles at the cuffs and on the hem. The light-weight cotton outer layer is supported by a thick cotton underlayer. Atypically, the dress has a label stating it is an example of 'Tullo Couture'. Dimensions: Shoulder width 40cm Bust: 92cm Waist: 72cmLabel: TULLO COUTUREaustralian fashion, fashion designers, norma tullo, fashion -- 1960s, hippie style, evening wear, evening dresses, dresses, melbourne fashion houses, tullo couture

This is a wool/polyester blue jumper. It has blue drill material on each shoulder, The jumper has a V neck - no buton. It has a blue drill material on the elbows, with long sleeves which are turned back 6 cms.air force cadets, uniform, jumper

Part of Flight Lieutenant Ian A. 'Joe' Lyons MBE Collection. See Catalogue No. 5374P for details of his service record.Men's grey collarless RAAF uniform shirt with half closure two button front. Long sleeves with button cuff. Three buttonholes in neck for studs and attached collar. Manufacturer's label sewn onto inside of the neck. On manufacture's label: 'V51, Made in Australia, 1943, Size 15'. Stamped below manufacturer's label in blue: 'H (upwards arrow) E'.uniform, raaf, ian a. 'joe' lyons

Part of Flight lieutenant Ian A. 'Joe' Lyons MBE Collection. See Catalogue No. 5374P for details of his service record..1) and .2) Collarless light blue RAAF shirt with full button front and long sleeves. Buttonhole on neck for attaching a removable starched collar. Two labels attached to inside neck, one removable and one permanent..1) and .2) On removable label: '766883 2235, SIZE 15 1/2, SHIRT OFFs, Blue Grey COAT TYPE, RAAF TOTTEN Melb.' .1) and .2) On permanent label: 'C.G.C.F., 1962, A (upwards arrow) F, SIZE 15 1/2 / L4/1290, ALL SIZE L4/1296'.uniform, raaf, ian a. 'joe' lyons

Uniform re Lt/Col Murray Metherall Army Education Corp, refer Cat No 590.2 for service details..1) Coat polyester Kahki colour complete with belt, metal buttons, rank, corp insignia badges RAAEC and 3 service ribbons 2 being Vietnam. .2) Shirt polyester Kahki colour with long sleeves.uniform, service dress

This handmade women’s nightgown features hand-worked Broderie Anglaise yoke and trim. It is one of seven handmade items of white cotton underwear, all made with beautiful needlework and embroidery skill. The lingerie once belonged to the donor’s great-grandmother’s family, the Paton family of ‘Trefnant’, Yangery, in southwest Victoria. This design of nightgown was worn by females in the 19th century and is still worn today.The collection of women’s late-19th-century undergarments is an example of clothing that women would include in their wardrobes. The garments add to the study of the evolution of women's fashions and practicality for the early Australian settlers. The fine linen fabric and the careful needlework in these handmade garments and hand-worked lace trims reflect the maker’s dedication to making even serviceable garments beautiful to look at and wear. Women's long straight nightgown, white cotton, with long sleeves gathered at the cuff, stand-up lace collar, and a small catch closure on the bodice's centre opening. Hand-worked Broderie Anglaise yoke and sleeve tips.flagstaff hill maritime museum and village, maritime museum, maritime village, warrnambool, great ocean road, southwest victoria, victorian era, nightie, nightgown, women’s nightwear, sleepwear, night dress, women’s clothing, women’s fashion, lingerie, 19th century, handmade clothing, broderie anglaise, hand-made broderie anglaise, paton family, trefnant, yangery, nightdress

Carte de Visite Photographed by Chevalier, Pall Mall Sandhurst. B & W Photograph of a woman with her hand resting on th eback of a chair. She is wearing a full length dark coloured dress with long sleeves.Chevalier

Wangaratta Base Hospital staff early 1900s.wangaratta, hospital, nurses, men, women

Worn by female patients at the Sunbury AsylumInmate's dress of (?) heavy cotton with blue stripe. back opens to thigh, fastened with three pairs of brass-ringed eyelets. Bodice and skirt pleated into waistband. round neck with reinforcing panels front and back. long sleeves.costume, sunbury asylum, george evans collection

Portrait of David Scallan & his Wife. David Scallan was a mining broker. David was also the first Shire President 1864 - 65. In 1864 he was a member of the Roads Board. Also, the first Committee of Management of Central Park. One of the main Stawell inner streets is Scallan St.Photograph of a woman and gentleman standing in a studio setting. Womans frock has a frilled skirt with long sleeves. Gentleman had light coloured trousers with a long dark coat buttoned at the neck. c 1865 - 70'sstawell

Made by donor for her children in the 1950sA cream viyella coat with Peter Pan collar, smocking on either side of press-stud opening with buttons. Smocking in cream with pink and blue rosebuds below yoke. Long sleeves have shaping darts and smocking at wrist.costume, infants'

Small booklet with patterns for socks, stockings, garters, spiral stockings (navy), balaclava, long sleeved pullover, sleeveless pullover, scarf, mittens, cap. airmen's neck muff,airmen's woolen glove used on active service.Australian Comforts Fundbooks, technical, handcrafts, knitting