These armchairs seem to be dated from the 1960s and are seen in a photograph taken by the Melbourne Harbour Trust around 1963.3 armchairsarmchairs

Belaying pins used on the Polly Woodside, former Rona, ship now berthed on the Yarra River.The Polly Woodside was saved in the 1970s and use as a Maritime Museum until its collection was dispersed. Now one of the National Trust assets. Some Mission's volunteers were also part of the team of volunteers restoring the Polly Woodside in the 1970s.Painted: 1885 POLLY WOODSIDE 1977polly woodside, rona, yarra river, national trust, interest group

A Williamstown local, Ethel Margaret Musther nee Barber (1872-1956) was the daughter of Captain John Henry Barber (1842-1924), a sea pilot and Janet Lidell (1846-1891) Her grandfather, Captain Lidell, was also a seaman. In 1900, she married Nathan George Musther,(18..-1933) a chemist, and dentist in the Navy. They had two daughters: Rosamund Janet Musther(born 1903) and Nanoya Gwendoline Musther (born 1906). She was the principal of the Ladies' College in Footscray. She was involved in many philantropic associations especially for sailors but also during WWI and WW2. She worked for the Anzac Club, the Red Cross, She formed: 1941: the R.A.N. Friendly Union of Sailor's Wives and Mothers. 1943: the Lightkeepers Auxiliary to help the Mission raised funds. The plaque was a gift of the Lightskeeper Auxiliaire and unveiled on 30 July 1959 at the St Nicholas Chapel, by her eldest daughter, Mrs Jean McDonald.It was originally on stained and polished hardwood mount made by Mrs Murdoch (AR1959, page 24). On the day, a desk service-book was also dedicated in memory of Dr John Thompson at the request of his daughter, Mrs Sparrow.In early 1943, Ethel Margaret Musther formed the Lightkeepers' Auxiliaire and raised funds for the third building purchased for the Williamstown branch of the Victorian Seamen's Mission, the former E,S & A Bank. Thanks to her philanthropic work, she was rewarded with a Medal of the British Empire in 1953 for all her charitable work.Invitation card to the dedication of a brass plaque in memory of Ethel Margaret Mustherethel margaret musther, st nicholas' mariners' chapel, nelson place, williamstown, lightkeepers' auxiliary

A Williamstown local, Ethel Margaret Musther nee Barber (1872-1956) was the daughter of Captain John Henry Barber (1842-1924), a sea pilot and Janet Lidell (1846-1891) Her grandfather, Captain Lidell, was also a seaman. In 1900, she married Nathan George Musther,(18..-1933) a chemist, and dentist in the Navy. They had two daughters: Rosamund Janet Musther(born 1903) and Nanoya Gwendoline Musther (born 1906). She was the principal of the Ladies' College in Footscray. She was involved in many philantropic associations especially for sailors but also during WWI and WW2. She worked for the Anzac Club, the Red Cross, She formed: 1941: the R.A.N. Friendly Union of Sailor's Wives and Mothers. 1943: the Lightkeepers Auxiliary to help the Mission raised funds. The plaque was a gift of the Lightskeeper Auxiliaire and unveiled on 30 July 1959 at the St Nicholas Chapel, by her eldest daughter, Mrs Jean McDonald. It was originally on stained and polished hardwood mount made by Mrs Murdoch (AR1959, page 24). On the day, a desk service-book was also dedicated in memory of Dr John Thompson at the request of his daughter, Mrs Sparrow.In early 1943, Ethel Margaret Musther formed the Lightkeepers' Auxiliaire and raised funds for the third building purchased for the Williamstown branch of the Victorian Seamen's Mission, the former E,S & A Bank. Thanks to her philanthropic work, she was rewarded with a Medal of the British Empire in 1953 for all her charitable work.Folded booklet on creamy colour paper and black inkethel margaret musther, st nicholas' mariners' chapel, nelson place, williamstown, lightkeepers' auxiliary, dr john thompson

He served as an Anglican curate at St Stephen’s Church, Port Kembla (1941-42), and as an assistant at the Missions to Seamen, Sydney (1942). An honorary curate (1942-46) at St John’s Church, Rockdale, he married Beryl Ruth Knox, daughter of the rector, there on 3 October 1942. On 16 September he had been appointed as a temporary chaplain in the Royal Australian Navy, an event which he described as the determining factor in his future ministry. He served in HMAS Australia (1942-44) and in shore establishments before being demobilised in February 1946. In 1953 Craven-Sands joined the Missions to Seamen, Sydney, as senior chaplain, leading a team who worked for the spiritual and social welfare of seamen. Large poster with a stylised depiction of Sydney Mission to Seamen on George Street with a large flag of the Mission on a map with streets names and the port and Sydney bridge in the backgroundmissions to seamen, sydney, george street, reverend colin craven-sands (1917-1987), rawson institute, mariners' church, bethel union

He served as an Anglican curate at St Stephen’s Church, Port Kembla (1941-42), and as an assistant at the Missions to Seamen, Sydney (1942). An honorary curate (1942-46) at St John’s Church, Rockdale, he married Beryl Ruth Knox, daughter of the rector, there on 3 October 1942. On 16 September he had been appointed as a temporary chaplain in the Royal Australian Navy, an event which he described as the determining factor in his future ministry. He served in HMAS Australia (1942-44) and in shore establishments before being demobilised in February 1946. In 1953 Craven-Sands joined the Missions to Seamen, Sydney, as senior chaplain, leading a team who worked for the spiritual and social welfare of seamen. Large poster with a stylised depiction of Sydney Mission to Seamen on George Street with a large flag of the Mission on a map with streets names and the port and Sydney bridge in the backgroundmissions to seamen, sydney, george street, reverend colin craven-sands (1917-1987), rawson institute, mariners' church, bethel union

He served as an Anglican curate at St Stephen’s Church, Port Kembla (1941-42), and as an assistant at the Missions to Seamen, Sydney (1942). An honorary curate (1942-46) at St John’s Church, Rockdale, he married Beryl Ruth Knox, daughter of the rector, there on 3 October 1942. On 16 September he had been appointed as a temporary chaplain in the Royal Australian Navy, an event which he described as the determining factor in his future ministry. He served in HMAS Australia (1942-44) and in shore establishments before being demobilised in February 1946. In 1953 Craven-Sands joined the Missions to Seamen, Sydney, as senior chaplain, leading a team who worked for the spiritual and social welfare of seamen. Large poster with a stylised depiction of Sydney Mission to Seamen on George Street with a large flag of the Mission on a map with streets names and the port and Sydney bridge in the backgroundmissions to seamen, sydney, george street, reverend colin craven-sands (1917-1987), rawson institute, bethel union, mariners' church

W.H.C. Darvall was a solicitor; ha became the Honoray Secretary of the Mission in 1895. Interested in libraires and archives, he kept a scrapbook of the events organised at the Mission during his time. He also wrote an Epitomised History. Hugh Reid ws a member of the Harbour Trust, the Sailors' Home and the Mission.This letter of recommandation shows that W.H.C. Darvall was highly respected.Typewritten letter in purple ink onto creamy colour paper with The Victorian Seamen's Mission, Institute & Rests letterhead.hugh ronald reid, william henry charles darvall (1830-1906)

Small illustration by Charles George Darvall (1831-1924), cousin of William Henry Charles Darvall.Born in England in 1831, he arrived in Victoria in 1858. A watercolour artist, he travelled around the goldfields and later taught at the Sandhurst School of Arts and Design.Small ink seaside landscape found on the 1896-1902 scrapbookBottom right corner: C.G.D. 99charles georges darvall (1831-1924), william henry charles darvall (1830-1906)

After an attempt of building a Seamen's Hospital in Williamstown, the ship Emily was transformed in a floating chapel to welcome seamen for service. Captain Charles Ferguson (1813-1868) was one of the members of the committee who founded the floating church. The ship Emily may have been a convict ship sailing from England to the Van Diemen's land in 1842 and 1844. Before 1856, it was used as a "water police hulk" then transformed in an accommodation for Reverend Kerr Johnson and his large family and fitted to receive 200 attendees in the chapel.The article is significant as it describes the ship and its location: "The hulk is moored midway between Sandridge and Williamstown, and is distinguished by a blue flag flying at the mainmast with "Bethel" inscribed on it; and in one corner of the flag is the star of Bethlehem, in another a dove with an olive branch."1 column article in the Argusship emily, floating church, reverend kerr johnston, 1812-1887, hobson's bay, sandridge, captain ferguson, captain charles ferguson (1813-1868), convict ships

The Exhibition of Nautical Curios and Fancy Fair was held on the 14th of November 1901 at the Melbourne Athenaeum. It was opened by the Governor, Lord Hopetoun.Digitally enhanced copy of the flyer pasted in the 1896-1902 scrapbooknautical curios, fancy fair, melbourne athenaeum

Small sketch in blue ink published in the Jottings in 1916walter richmond butler (1864–1949)

The boat in the painting belonged to a seafarer, my Uncle Bill who used it to fish from when on shore leave.This weathered boat is a familiar image to many who walk the shorelines and ponder the question, "I wonder who the owner is?" Maritime art, Marine artpainting of the prow of a wooden boat fully mounted and with black mitred frame and glazed with perspex. Cord hanger sealed backing with labelsArtist signature at lower right corner facing in white paint uc : "BERNIE AYRE"artwork, 2013, berni ayreart, artwork-paintings, maritime art prize, anl, boat

RMS Queen Mary a retired ocean liner by 1971 that sailed primarily on the North Atlantic Ocean from 1936 to 1967 for the Cunard Line (known as Cunard-White Star Line when the vessel entered service ( Wikipedia) Maritime ArtLong framed unglazed landscape format painting predominantly depicting in foreground an ocean liner painted black hull and white superstructure with three funnel stacks painted red with black trim, under full sail against a blue sky. The back of the painting is covered with brown paper in places damaged. Hangs on a cotton cord threaded between two screw in eyelet hooks. Brown paper backingat lower right corner single uc word in white paint : "CV WRIGHT (artist symbol of crossed anchors) / 3 ? '71"marine painting, ocean liners, rms queen mary, royal mail ships, p & o steamships, ww2, artwork-paintings, hobbies, bosun, c.v. wright

"Art is the vehicule for communications far Beyond the confines of a space, while design is the aesthetic cradle in which messages are nurtured and processed." "A 586 rework of the iconic building that has withstood the redevelopment of the Melbourne Docklands and defied the odds. On display a large format print 700mm x 1400mm print. Also a limited run of smaller prints on archival paper also available to support Melbourne's first non-profit charitible organisation that is still self funded, ie. not government funded." During the Open House Melbourne 30-31 July 2011, the artist nicknamed "586" participated in one of the Norla Dome Project Space events sponsored by Bendigo Wealth. Made in Melbourne, 586 is an urban digital experimentalist who blends social narrative with found image creating messages that inspire social consciousness and free thought. Cast in a local foundry back in 1991, 586 was a number, amid hundreds of men working between the ladie and the furnace in a clock on - clock off automated industrious landscape. Legend tells of a time when correspondance to workers was addressed to their number, not their name. Disapproval spread rapidly and a revoit soon followed, eventually the power of the masses won out, but the demoralizing treatment of the worker would go on to shape 586's perception and became the catalyst for a personal protest against social imbalance. This print was on display and smaller prints were also sold to raised funds for the Mission.DigitalLarge digital print of a design that overlays various symbols ( 4 flying angels ), the sails of a sailing ship and contemporary cityscapes and seascapes. centrally features a full photograph of the Mission to seafarers building at 717 Flinders St. Melbourne. Mounted in a large black frame and glazed with perspex .mission to seafarers, flinders street, melbourne, windvane, dome, flying angel, sea, norla dome, bendigo wealth, artist 586, 2011, artwork-paintings, open house, norla dome project space

During the Open House Melbourne 2011 artist nicknamed "586" participated in one of the Norla Dome Project Space events sponsored by Bendigo Wealth. The original large print was on display and smaller prints were also sold to raised funds for the Mission. The postcard was printed as a marketing to raise awareness of the work of the Mission.The postcard llustrates the typical early 21st services such as money exchange, modems, sim cards et al and facilities such as a free bus service and collection available through the Mission. Also documents the continuity of services offered to Seafarers over 100 years in the current building at 717 Flinders St (1917-2017).Full colour promotional and information postcard featuring artwork collage print ( MTSV 0650) on one side and black on white information about the Flying Angel Club on the reverse.flying angel club, flinders street, mission to seafarers, seamen's mission, artist 586, open house, fundraising, marketing