Murray Comrie Collection. Shire of Bet Bet Proclaimed Sept 20, 1864 Re-defined Feb 10, 1891 Tarnagulla Borough united Oct 1915 Dunolly Borough united Nov 1, 1921 Re subdivision from 5 to 3 ridings Oct 1952Monochrome photograph of a group of men assembled in rows for a photograph. Accompanied by a handwritten note (catalogued separately as a Research Note) with three of the subjects' names. Text from accompanying note (handwriting difficult to decipher): With compliments A. Green (Pres) 3 I know: Geo F., J.B. Reid Don Calder tarnagulla, council, bet bet shire, local government, councillors, mayor, shire, reid, calder

Murray Comrie Collection. Copy of an 1866 photograph by Aimé Marchand. Victoria Hotel and Theatre is the stone building at centre right. On the immediate left is Pierce's Southern Cross Store, later to be incorporated into the flour mill complex. The gentleman in the white hat in the group on the left is George Thomson. In June 1866, Aimé Marchand (1846-1910) made a series of fourteen photographs which were submitted to the 1866-67 Melbourne Intercolonial Exhibition, where they earned a 1st Class Honorable Mention. This is one of those fourteen images. Of French or Belgian origin and possibly formerly an assayer in California, Marchand appears to have begun his practice of photography in Tarnagulla around 1865 as an assistant to A.B. Clay. By the following year he had settled in Portland, where he opened the Royal Photographic Studio in Gawler Street. From his base in Portland he toured surrounding districts, offering portrait and view services. Little else is known about his life. He appears to have left Australia in 1878. A misprint of his name in a local directory as Annie Marchand created the misconception that he was one of only a few named women photographers in the colonies. Monochrome photograph looking south down Commercial Road, Tarnagulla from near the Victoria Hotel and Theatre, at northern end of Commercial Road.tarnagulla, views, victoria hotel and theatre, commercial road, local people, residents, aimé marchand, photographers

Murray Comrie Collection. Murray Comrie's information about Tarnagulla hotels to be added. Reference to 'self' on back may relate to Murray Comrie? Looks like a young man similar in appearance to him at that age. This photograph is an original print.Monochrome photograph of the Golden Age Hotel in Tarnagulla, A young man is standing next to a horse drawn cart and another man standing on the cart.On reverse (handwritten): 'J. Caldwell' and 'Golden Age after being painted. Allan Snow in cart, self talking to him'. Printed on reverse 'Bock Print'.tarnagulla, hotels, golden age hotel, businesses, commercial road, bock print, allan snow, murray comrie

Murray Comrie Collection. This photograph is a reasonable copy created from an older original. Copy probably made by Murray Comrie in the late 1960s.Monochrome photograph of the Golden Age Hotel in Tarnagulla, A young man is standing next to a horse drawn cart and another man standing on the cart. tarnagulla, hotels, golden age hotel, businesses, commercial road, bock print, allan snow, murray comrie

Murray Comrie Collection. This photograph is a reasonable copy created from an older original. Copy probably made by Murray Comrie in the late 1960s.Monochrome photograph of the Golden Age Hotel in Tarnagulla, A young man is standing next to a horse drawn cart and another man standing on the cart. tarnagulla, hotels, golden age hotel, businesses, commercial road, bock print, allan snow, murray comrie

Murray Comrie Collection. This photograph is an original print.Monochrome photograph mounted on yellow card. Depicts 13 people, including children, standing in a row in front of the Golden Age Hotel in Tarnagulla. tarnagulla, hotels, golden age hotel, businesses, commercial road, bock print, allan snow, murray comrie

Murray Comrie Collection. This photograph is a poor, indistinct copy created from an original photograph.Monochrome photograph depicting members of Tarnagulla Brass Band standing with instruments near a picket fence. A girl is standing near gate in background.tarnagulla, band, brass band, music, musicians

Murray Comrie Collection. May be members of the Comrie family. Monochrome photograph depicting people with golf clubs, probably at Tarnagulla This photograph is a fair copy of an older original, probably made in the late 1960s. tarnagulla, people, sport, golf

Murray Comrie Collection. These are a reasonable copies of older originals. Copies probably made by Murray Comrie in the 1960s. Monochrome two-part photograph depicting (1) David Renshaw in academic or mayoral robes and (2) Renshaw's Manchester House Store, Tarnagullatarnagulla, stores, businesses, draper, commerce, renshaw, people

Murray Comrie Collection. A monochrome photograph, image depicting a family group. This is a fairly dark copy of an older original. Copy probably made by Murray Comrie in the 1960s.Note on reverse identifies subjects as: L to R Back row: Mrs Geo. White (nee Flo Crossley, Jack & Tut's daughter) (3rd Gen), Sylvia, Jack & Florence Crossley (2nd Gen) Front row: Elderly couple are M and Mrs Joseph Crossley (1st Gen), children are Valerie and Graeme White (4th Gen)newbridge, people, children, crossley, white

The photograph was taken after 1910 when the chapel, on the left, was built.This is a rare photograph of the Central Institute built in 1907 replaced by the Flinders Street Institute in 1917. The two buildings coexisted for many years until the this one was demolished (date still unknown).Small monochrome photograph at 45 degree angle depicting a horse carriage passing in front of the Siddeley Street mission, known as the Central Seamen Institute.In pencil: 137seamen institute, siddeley street, brick, huddard company, australian wharf, horse carriage, smoke, flag, chapel, walter richmond butler (1864–1949), goldsmith album

Seafarers and LHLG members photographed during their zoo outing on New year's day, 1907Small monochrome outdoor photograph, depicting a large gathering of men and women grouped in a rough semi-circle, quite formally dressed, posing to be photographedzoo, 1907, mr dudley le souef, picnic, lhlg, ladies harbour lights guild, sailors, seamen, seafarers, gardens, parks, new year, umbrella

Zoo outing on Boxing Day 1905, depicting a large group of men seated around a number of makeshift tables on barres for a mealSmall monochrome outdoor photograph, depicting a large group of men seated at makeshift tables under a group of trees. Fading to top half of photograph zoo, boxing day, 1905, goldsmith album, picnics, lhlg, entertainments, social events, seamen, sailors, seafarers, barrels

Typical light-hearted festivities on a picnic out of town organised by the mission, in this case Cup Day, 1907 Small monochrome outdoor photograph, depicting a fencing competition between a child and a seafarer. To even up the game the seafarer has taken to his knees cup day, 1907, sword, fencing, child, orchard house, malvern, george higgins, beatrice elizabeth higgins (nee shuter), charles shuter, goldsmith album, picnics, entertainments, social events

Donald Clark Collection. A monochrome photograph depicting Commercial Road, Tarnagulla after 1962. View is from opposite Golden Age Hotel looking north. Copy photograph.

David Gordon Collection. Monochrome photograph of Tarnagulla Soldiers Memorial, mounted onto yellow card backing with handwritten text 'Lest We Forget' and 'War Memorial Tarnagulla'.war, military, service, commemoration, ww1, wwi

This is an example of Melbourne Legacy promotional material that was issued to inform the public on the work of Legacy in 1971. It includes 'What is Legacy' and 'What kind of help does Legacy provide'. An example of promotional material issued by Legacy in 1971.Brochure x 4 pages to promote Legacy in 1971 printed monochrome in maroon and white including photo of a widow getting advice from a legatee.legacy promotion, fundraising

A 123-page book by R.W.H. Miller with a monochrome coloured cover featuring the British Channel Mission's signal flags and the Bristol Channel Mission Cutter Eirene. non-fictionInstitutional foundation stories have a tendency to change and develop with the passage of time and much repetition. Maritime social historian R.W.H. Miller here explores the life of The Rev. John Ashley and his association with the foundation storyof the Mission to Seafarers, the work of which society is much admired by its present Patron, HRH the Princess Royal. The traditional story is that Ashley's son, out walking by the Bristol Channel with his father, in the early 1830s, asked how the islanders could go to church. Ashley went to see, and from the islands of Flat Holm and Steep Holm seeing large fleets of wind bound ships, asked himself the same question. He used his own money (deriving mainly from the trade of sugar and slaves) to build a schooner, which he sailed in all weathers to provide an answer, in the process creating for himself a place in the ancestry of several Anglican and Catholic societies, of which the Mission to Seafarers, the Royal National Mission to Deep Sea Fishermen, and the Apostleship of the Sea, continue to provide seafarers with a valued and often heroic service.cutter, eirene, shipping, r.w.h. miller, mission to seamen, seafarers welfare, reverend john ashley (1801-1886)

This work forms part of the collection assembled by the historian Dorothy Rogers (1905-1973), donated to the Kew Historical Society by her son in 2015. The manuscripts, photographs, maps, and documents were sourced by her from both family and local collections or produced as references for her print publications. Many were directly used by Rogers in writing ‘Lovely Old Homes of Kew’ (1961) and 'A History of Kew' (1973), or the numerous articles on local history that she produced for suburban newspapers. Most of the photographs in the collection include detailed annotations in her hand. The Rogers Collection provides a comprehensive insight into the working habits of a historian from the 1960s to the 1970s. Original monochrome photograph of the exterior of a polychrome brick Victorian villa in Pakington Street, Kew. The villa has a slate roof, two bay windows and a verandah.Inscribed verso: "ca. 1860 home of the 1st state school master (back of house only seen from Peel Street now)".dorothy rogers, houses -- pakington street (kew)

The Kew Historical Society's postcard collection includes views of Kew, Melbourne and Greater Melbourne as well as those including overseas scenes sent or received from Europe or the Middle East. They date from the 1890s to the 2000s. These postcards may or may not include the name of the publisher or printer. A number of the cards were published as parts of popular series. A way of dating early postcards is to identify whether the reverse was divided by a central line which became the norm after 1902 in the United Kingdom. However, other postcards produced after this date do not always conform to this print layout.Polychrome postcard of High Street, Kew looking west towards Kew Junction. The photograph was also printed in monochrome format by the publishers, with different names and additions.Reverse - (to) Miss __. J. Thompson, "Dry Lake", Kerang (from) Very sorry indeed to hear of your Mother's illness. Sincerely hope all quite well ere this. Still going about very tired waiting __ being away. Love to all M.B.L.high street -- kew (vic.), postcards -- kew (vic.), horse tram -- kew (vic.)

One of a number of 'real photo' and commercial postcards created by or owned by members of the Christian and Washfold families of Kew. The postcards are part of a larger collection of photographs, postcards and publications donated to the collection in May 2021.Monochrome postcard of view of the north bank of the Yarra River between Flinders and Russell Streets. Scene shows palm trees, boats and stores under embankmentThe Rose Series P. 2808yarra river, city of melbourne, postcards -- melbourne, christian-washfold collection

Donald Clark Collection. A monochrome photograph of a horse dressed to resemble an elephant during the Back To Tarnagulla 1931 parade. Also depicts Dick Yates dressed as a clown. Copy photograph.

Donald Clark Collection. A monochrome photograph of a horse dressed to resemble an elephant during the Back To Tarnagulla 1931 parade. Also depicts Dick Yates dressed as a clown. Copy photograph.