Showing 570 items
matching old maps
-
Kew Historical Society Inc
Booklet, State Library of Victoria, The Public Library of Victoria, 1960s
This work forms part of the collection assembled by the historian Dorothy Rogers, that was donated to the Kew Historical Society by her son John Rogers in 2015. The manuscripts, photographs, maps, and documents were sourced by her from both family and local collections or produced as references for her print publications. Many were directly used by Rogers in writing ‘Lovely Old Homes of Kew’ (1961) and 'A History of Kew' (1973), or the numerous articles on local history that she produced for suburban newspapers. Most of the photographs in the collection include detailed annotations in her hand. The Rogers Collection provides a comprehensive insight into the working habits of a historian in the 1960s and 1970s. Together it forms the largest privately-donated collection within the archives of the Kew Historical Society.An illustrated booklet describing the history and collections of the Public (State) Library of Victoria. The word Public has been crossed out on the cover of this copy and the word State substituted by Dorothy Rogersstate library of victoria, guides -
Kew Historical Society Inc
Booklet, The Public Library of Victoria, 1960s
This work forms part of the collection assembled by the historian Dorothy Rogers, that was donated to the Kew Historical Society by her son John Rogers in 2015. The manuscripts, photographs, maps, and documents were sourced by her from both family and local collections or produced as references for her print publications. Many were directly used by Rogers in writing ‘Lovely Old Homes of Kew’ (1961) and 'A History of Kew' (1973), or the numerous articles on local history that she produced for suburban newspapers. Most of the photographs in the collection include detailed annotations in her hand. The Rogers Collection provides a comprehensive insight into the working habits of a historian in the 1960s and 1970s. Together it forms the largest privately-donated collection within the archives of the Kew Historical Society.The Public Library of Victoria. An illustrated booklet describing the history and collections of the Public (State) Library of Victoria.state library of victoria -
Kew Historical Society Inc
Pamphlet, St Paul's Methodist Church, The Methodene Vol.18 No.7., 1972
This work forms part of the collection assembled by the historian Dorothy Rogers, that was donated to the Kew Historical Society by her son John Rogers in 2015. The manuscripts, photographs, maps, and documents were sourced by her from both family and local collections or produced as references for her print publications. Many were directly used by Rogers in writing ‘Lovely Old Homes of Kew’ (1961) and 'A History of Kew' (1973), or the numerous articles on local history that she produced for suburban newspapers. Most of the photographs in the collection include detailed annotations in her hand. The Rogers Collection provides a comprehensive insight into the working habits of a historian in the 1960s and 1970s. Together it forms the largest privately-donated collection within the archives of the Kew Historical Society.A pamphlet produced for St Paul's Methodist Church Deepdene. methodist church (deepdene), the methodene -
Kew Historical Society Inc
Booklet, Kew Baptist Church, Kew Baptist Church : The Achievements and Progress during 75 years, 1960s
This work forms part of the collection assembled by the historian Dorothy Rogers, that was donated to the Kew Historical Society by her son John Rogers in 2015. The manuscripts, photographs, maps, and documents were sourced by her from both family and local collections or produced as references for her print publications. Many were directly used by Rogers in writing ‘Lovely Old Homes of Kew’ (1961) and 'A History of Kew' (1973), or the numerous articles on local history that she produced for suburban newspapers. Most of the photographs in the collection include detailed annotations in her hand.The Rogers Collection provides a comprehensive insight into the working habits of a historian in the 1960s and 1970s. Together it forms the largest privately-donated collection within the archives of the Kew Historical Society.A booklet produced to celebrate the 75th anniversary of the Kew Baptist Church in Highbury Grove. The 24-page booklet includes a history of the church and its groups. Photographs of the buildings, office bearers and members are includedbaptist church (kew), churches -- kew (vic) -
Kew Historical Society Inc
Booklet, Spectator Publishing, The Melbourne General Cemetery : Centenary Souvenir, 1952
This work forms part of the collection assembled by the historian Dorothy Rogers, that was donated to the Kew Historical Society by her son John Rogers in 2015. The manuscripts, photographs, maps, and documents were sourced by her from both family and local collections or produced as references for her print publications. Many were directly used by Rogers in writing ‘Lovely Old Homes of Kew’ (1961) and 'A History of Kew' (1973), or the numerous articles on local history that she produced for suburban newspapers. Most of the photographs in the collection include detailed annotations in her hand. The Rogers Collection provides a comprehensive insight into the working habits of a historian in the 1960s and 1970s. Together it forms the largest privately-donated collection within the archives of the Kew Historical Society.Sixteen page booklet published to commemorate the founding of the Melbourne General Cemetery. Melbourne : Spectator Publishing, [19--] [16] p. : ill. ; 20 cm. melbourne general cemetery, cemeteries -- history -
Kew Historical Society Inc
Programme, Baptist Union of Victoria, Great Baptist Rally, 1938
This work forms part of the collection assembled by the historian Dorothy Rogers, that was donated to the Kew Historical Society by her son John Rogers in 2015. The manuscripts, photographs, maps, and documents were sourced by her from both family and local collections or produced as references for her print publications. Many were directly used by Rogers in writing ‘Lovely Old Homes of Kew’ (1961) and 'A History of Kew' (1973), or the numerous articles on local history that she produced for suburban newspapers. Most of the photographs in the collection include detailed annotations in her hand. The Rogers Collection provides a comprehensive insight into the working habits of a historian in the 1960s and 1970s. Together it forms the largest privately-donated collection within the archives of the Kew Historical Society.A programme of service for the Great Baptist Rally held in the Melbourne Town Hall on 12 October 1938great baptist rally, baptist union of victoria, religious rallies -- melbourne (vic.) -
Kew Historical Society Inc
Pamphlet, National Trust of Australia (Victoria), An introduction to the National Trust of Australia (Victoria), 1960-1973
This work forms part of the collection assembled by the historian Dorothy Rogers, that was donated to the Kew Historical Society by her son John Rogers in 2015. The manuscripts, photographs, maps, and documents were sourced by her from both family and local collections or produced as references for her print publications. Many were directly used by Rogers in writing ‘Lovely Old Homes of Kew’ (1961) and 'A History of Kew' (1973), or the numerous articles on local history that she produced for suburban newspapers. Most of the photographs in the collection include detailed annotations in her hand. The Rogers Collection provides a comprehensive insight into the working habits of a historian in the 1960s and 1970s. Together it forms the largest privately-donated collection within the archives of the Kew Historical Society.Four-page folded A4 size brochure on the activities of the National Trust of Australia (Victoria)national trust of australia (victoria) -
Kew Historical Society Inc
Document, Borough of Kew, Borough of Kew By-Law No.45 : Alexandra Gardens, 1908
... significant items donated included old maps, including those issued ...The ‘Alexandra Gardens’ in Cotham Road were designed and laid out by George and Thomas Pockett. The Governor of Victoria officially opened them in 1908. A report of the opening stated that “…the gardens have been laid out in large sloping lawns, divided by wide graveled paths, and dotted with tastefully arranged flower beds, which are now bright with autumn bloom”. The massed beds of shrubs and flowers included beds of chrysanthemums, a specialty of George Pockett, the Garden’s first curator. A large rotunda was constructed in 1910 to mark the Jubilee of Kew. A plaque memorialising the contribution of George Pockett, was attached to the original rotunda after his death in 1922. By 1911, electric lighting was installed to allow the public to access the Gardens, and the concerts that were held within them on summer nights. The Gardens were later to include the Jubilee Fountain, moved from the front of the Kew Post Office in 1925. The Kew Council commissioned the substantial bluestone entrance gates in 1933.The Kew Historical Society is fortunate that the City Engineer, Mr Poulter, donated a number of items held by the City of Kew to the Society for safekeeping, rather than identifying them for destruction. The most significant items donated included old maps, including those issued by the Board of Works. Other items included photographs of public works undertaken by the Department. The By-laws are part of that donation and tell us lots about the social values of the period.The Mayor, Councillors and Burgesses of the Borough of Kew published By-Law No.45 in 1908 to regulate the “Conduct of Persons whilst at or Within the Gardens known as the Alexandra Gardens”. The By-Law also set a charge for “Persons Using or Entering in or upon the said Gardens”. The 17 by-laws included predictable prohibitions on expectorating, using indecent language, interfering with the floral displays, or indeed with the caretaker gardeners. Other acts prohibited included a warning that “Children under the age of ten years not being under the control of some competent person may be removed from said gardens”. The Alexandra Gardens were at one stage surrounded by a picket fence. This might explain the prohibition on climbing upon or getting through over or under any fence at or within the gardens. The financial penalty for breaching the By-Law was determined as “…not exceeding Ten pounds and not less than Five shillings”. This original copy of the By-Law was donated to the Kew Historical Society by the City of Kew.alexandra gardens (cotham road, kew), city of kew -
Whitehorse Historical Society Inc.
Document - Correspondence, Letter and Map Schwerkolt houses, 9/11/1993
Letter to W. Gray, Nunawading Historical Society from Glyn France enclosing map of Schwerkolt property and rough plan of old stone house drawn by Arthur Schwerkolt [map filed at A-SP 120]. Gives information about dates of building 'old' and 'new' houses.schwerkolt, arthur, schwerkolt, myra, france glyn, schwerkolt cottage -
Ringwood and District Historical Society
Map, Allotments - Township of Ringwood - Parish of Ringwood - County of Mornington - 1886, 1886
[Page 3, Horse Shoes to High Heels - Richard Carter] ... "(In the year 1882) the railway was extended from Hawthorn through Ringwood to Lilydale and later to Ferntree Gully." Linen-backed map of Ringwood area lithographed at the Department of Lands and Survey, Melbourne, 5th November, 1886.old lilydale road, new lilydale road, victoria brick and tile co., ringwood brick co., federal brick co. -
Federation University Historical Collection
Photograph - Black and White, Former Ballarat Library, c1960
First known development on this site was the establishment of the Government Camp from the early 1850s. It was established to accommodate officials, troopers and police who were needed to administer the goldfields. Some permanent buildings were constructed. Lack of materials and bad weather prolonged the building of more permanent buildings and most men were still living in tents. Area was known as Camp Reserve. In 1864 a subdivision map shows the reserve be used for Public Buildings. Library applied for land on corner of Sturt and Camp Streets in 1878. 1880s plans show section of the reserve be used for a Free Library and Reading Room. Lease was granted and the old mining boardroom was initially used. Land for additional building to house a Museum and Art Gallery sought and agreement reached in 1882-3. Compensation paid to owners and library granted the land. Plans for a new library building with tower and lantern roof abandoned due to lack of funds. It wasn't until 1895 that a solution to funding was found and the library was able to begin constructing the complex of buildings on the Free Library Reserve. A number of changes have occurred since 1910s - the Classical Revival facade replaced with an angled facade in a stripped Classical style with Art Deco features and high parapet. Building is now part of Federation UniversityPhotograph of former library. Shows a two-storey rendered brick building in a Classical style. Some Art Deco features. Central pair of double windows with single window either side. High parapet above.government camp, goldfields, camp reserve, free library, reading room, sturt street, camp street, museum, art gallery, troopers, police, barracks, camp street -
Orbost & District Historical Society
book, Our First 50 Years, 1985
This is a souvenir edition - a reproduction of a section of an old three volume geographic encyclopaedia of Australia and New Zealand published in 1885.This book is a useful reference tool for the early history of Victory.A reproduction of a book first published in 1885. The soft cover is brown, a paler brown background and gold coloured text - Victorian Souvenir Edition Our First 50 Years. 1835 1885 is inside 50. There is a sketch of the "Lady Nelson" entering Port Phillip. It has 162 pp which are sepia toned in double columns with illustrations and maps throughout the book .history-victory book -
Orbost & District Historical Society
plan, December 1968
Brodribb floodplain regularly inundated in the late 1800s and early 1900s. Works included: clearing the river channel and blocking ‘gulches’. The meander was cut-off in 1931, as part of the Orbost East Drainage Scheme and further developed after 1934 floods and again in the early 1950s when levee banks and a regulator were constructed. (ref. East Gippsland Catchment Management)This is a useful reference tool.A hand-drawn plan of the layout of the levee banks of the Old Brodribb River.brodribb-river map plan-levee-banks -
Orbost & District Historical Society
letter book, James Yeates & Sons (Printing) Pty Ltd, 1977
This book was prepared for the Buchan School centenary. In the Buchan District itinerant teaching was conducted in buildings with log walls and a bark roof typical of the mid 19th century. Not until 1878 was the first State school built on the same general site as the present school, on the Orbost Rd, ⅓ of a mile from the bridge over the Buchan River. This original school building must have been constructed from high quality timber, because it still serves as the shelter pavilion. On 11th of July 1878 William Scott opened the first school of approximately 40 pupils ranging from Grade 1 - 8. A larger weatherboard school was erected in 1914. A residence was provided for the HT in 1934 and in 1956 a second classroom erected and attached to the 1914 building. Unfortunately, all records of the Committee were lost in a fire when the homestead of Alex Cameron, then serving as Committee Secretary, was burnt to the ground, but it is well known to local citizens that Frank Moon, local prospector, explorer and discoverer of the famous Buchan Limestone Caves, attended school at SS1905 Buchan. (ref SCHOOLS EAST GIPPSLAND - John Phillips)This book is a useful research tool on the history of Buchan.Two copies of a 273 pp paper covered booklet. The cover is white with the title in black print. On the front is a sketch of an old school building. On the back is a black/white photograph of children running downhill. A book on the history of the Buchan school no.1905. Includes photographs, maps and lists of school students and staff.book buchan-history buchan-school -
Orbost & District Historical Society
program, 1797
"The theatre itself was located in a barn close to the village pond. Its location is indicated on the attached 1827 map of Hampton Wick and the Swan arrowed where tickets were to be had. The picture of Ye Swan around 1900 is probably not too dissimilar to how it would have looked in 1797. One of the regular patrons at the theatre is believed to have been William, Duke of Clarence (later King William IV, uncle of Queen Victoria). The Duke lived in Bushy House about a mile away from the village and was a known devotee of theatrical entertainments. The theatre had disappeared by 1865. It would have been a touring company who were playing on the night of 3 October 1797." ( information from Ray Elmitt, historian of Hampton Wick ) The doors were to be opened at 6 to begin precisely at 7 o'clock,. Boxes were 3 shillings, Pit seats were 2 shillings and seats in the gallery were 1 shilling. Tickets could be bought at the printing office in Kingston or from Mr Ansel of Adam and Eve in Kingston or from Mr Pattenden of the Swan in Hampton Wick. "First Love" is a 1795 sentimental comedy play by the British playwright Richard Cumberland. It was first performed at the Drury Lane Theatre in May 1795. Frederick Mowbray becomes the protector of Sabrina Rosny after her abandoment by Lord Sensitive. The Agreeable Surprise is a 1781 comic opera to music by Samuel Arnold and a libretto by John O'Keeffe. The work in two acts was first performed at the Theatre Royal, Haymarket (London), on 3 September 1781. It was one of the most performed works of its kind in London in the last quarter of the 18th century. In England the 18th century saw the flourishing of theatre as a popular pastime. Many theatres were enlarged and new playhouses built in London and the provinces. This item was kept as a souvenir / memento and brought to Australia by an early settler.A very old program from the Richmond Company at the Theatre Hampton-Wick. It is white with black print. There are two performances - First Love and The Agreeable Surprise. There is a cast list for each. theatre hampton-wick-richmond-company -
Federation University Historical Collection
Book, Northern Territory of South Australia Report Resulting from the Explorations by the Government Geologist, 1906
Pale blue soft covered geological and general report. It includes a chapter of Bathurst Island and Melville Island, Primitive Methhods of Chinese Mining, Early Days of Mining in the Northern Territory Images include sandbank at low tide, Douglas River, Granite at Union Hill, Night Cliff, East Point, union hill, zapopan gold mine Brook's Creek, Blow Gold Mine Yam Creek, Daly River Copper Mine, Mount Ellison Copper Mine, Point Charles Lighthouse, Blacks Camp near Point Charles Lighthouse, The Venture Stranded on a Daly River Sandbank, Hyland Bay Natives, Boabab Trees at Blunder Bay, The Wai Hoi, Mouth of Fitzmaurice River, Point Blaze Natives, Fort Hill and Old Gulnare Jetty Port Darwin, Large Anthill, Daly RIver Natives, Wargie Natives, L.C.E. Gee, H.Y.L. Brown, H. Basedow. F.J. Williamson, Aboriginal crew (Pedro, Peter, Tobatchie, Bubs, Loman), Henry Roberts, Schollert's Grave It also includes a large folder Geological Map of the North-Western District Northern Territory of South Australia. northern territory of south australia, geology, l. o'loughlin, douglas river, bathurst island, melville island, apsley straight, chinese, aboriginal -
Warrnambool and District Historical Society Inc.
Frame Fragment, Frame Fragment from 1860 J Wilder, Late 19th century
Joseph Wilder, a professional photographer, came to Warrnambool in 1860 and took a series of photographs, two of which survive today. One was of the local Volunteer Corps and the other was a series of photographs taken from Cannon Hill showing Merri Street and the town and buildings beyond. It seems that copies of these last-mentioned photographs were framed to produce a large panoramic view of 1860 Warrnambool and one of these was given to the old Warrnambool Museum in the 1880s by James Astley Bromfield. He had established a chemist’s shop in Warrnambool in 1854 and showed his interest in the history of the young town by producing a map in 1856 showing the first landowners, a seminal resource today for historians. He again demonstrated this interest when he included the names of the people and places in the 1860 photograph he gave to the museum in the 1880s. The frame fragment was found amongst the collection of items from the old Museum at Flagstaff Hill Maritime Museum and brought to the Historical Society to accompany the original series of photographs. Bromfield went to live in Melbourne in the 1880s. It is presumed that the plastic cover has been placed on the frame fragment at a much later date than the 1880s.This frame fragment is interesting and very important for several reasons:- 1. It is one demonstration of the interest that James Astley Bromfield had in local history 2. It came from the old Warrnambool Museum and shows how that institution kept items of historical interest 3. It gives us the names of the people and places in the Joseph Wilder photographs of 1860 that placed together form a panorama that reveals what a major section of Warrnambool looked like only 13 years after its foundation. The list enables us to correctly identify the early places and people and so is invaluable for research purposes 4. It links a Museum exhibit of the 1880s with the original 1860 photographs which are held by the Historical Society This is a piece of wood broken from a frame containing a photograph. It has jagged edges. It contains the list of people and places depicted in the Joseph Wilder panorama photograph of Warrnambool in 1860. The list is handwritten in ink on paper which has been attached to the frame with a piece of plastic. Warrnambool in 1860 Photographed by Wilder. Showing children of the late Andrew Semple etc In red pencil – ‘Keep’, in ink, ‘Keep’ On separate piece of paper - Presented to Warrnambool Mechanics’ Muzeum by James Astley Bromfield, August 3rd 1886 joseph wilder 1860, panorama of warrnambool -
Warrnambool and District Historical Society Inc.
Mao, Borough of Warrnambool, County of Villiers, 1873
... Marfell to the old Warrnambool Museum This map of early ...This is an early map of the Borough of Warrnambool (1872/3) showing the central town area of Warrnambool and the surrounding district. Reserves, public buildings and some businesses are marked. The map was photolithographed by John Noone, a Melbourne artist and photographer who claimed in 1858 to have the oldest-existing photographic studio in Melbourne. Photolithography was a process first developed in Melbourne. For several years Noone was the official photographer for the Victorian Crown Lands Office and for the Victorian Public Library and Museum. The map has the stamp of the seller of the map – Charles Hider, the well-known stationer and bookseller in Timor Street, Warrnambool. The owner of the map, Henry George Marfell, (1883-1962) was the son of John and Mary Ann Marfell. The Marfells were well-known in Warrnambool as grain merchants and managers of the Warrnambool Co-Operative Milling Company. It is surmised from the writing on the Marfell label that this map was at some stage given by Henry Marfell to the old Warrnambool MuseumThis map of early Warrnambool is of considerable significance, firstly because its original state and early date (1873) make it of antiquarian and historical interest. Also the connection with the names, Charles Hider and Henry Marfell and the old Museum gives it added provenance and interest.This is a wax paper map mounted on cloth. At the top it is attached by nails to a piece of wood and at the top it has a cloth ring for hanging the map. The map is in black shadings on a yellow background. The map is badly creased and coming away from the cloth at the edges and at other various points. There is some red or pink marking or staining on the township area of the map (originally the sold lands on this map were coloured in brown and the reserves, buildings, etc in pink). On the left hand corner there is a piece of paper glued on with some handwriting in ink (Marfell). There is also the stamp of the seller of the map – Charles Hider, stationer and bookseller, of Timor Street Warrnambool‘Early Map of W’bool, H.G. Marfell’ history of warrnambool, charles hider, henry marfell -
Bendigo Military Museum
Manual - Ilford Manual of Photography, Ilford Limited, Henry Greenwood &Co. Ltd. & Percy Lund, Humphries & Co. Ltd, First Published in October 1942
Manual describing all facets of photography using Ilford Cameras and includes developing and printing of photographs. The map making production at the Army Survey Regiment, Bendigo, made extensive use of photographic processes.A5 sized book, Hard Covers front and back. 470 numbered glossy pages.Inside front cover - "L33", stamp - "EXPENDABLE STORES" (twice), "Unreadable signature - QM 30/7/82", Stamp- "AHQ Survey Regiment, Royal Australian Survey Corps" Handwritten - Accession No 167 (and then crossed out), Stamp "29" First Page "15/-", Stamp "2 Topo Svy Coy, Powlett Street Training Depot (partly crossed out), Stamp Technical Book and Magazine Co, 295 -299 Swanston St. Opp Old Melbourne Hospital cert 2041, Melbourne. Title Page - "Accession No16, stamp 2 Topo Svy Coy Powlett Street Training Depot, East Melbourne" Stamp - "AHQ Survey Regiment, Royal Australian Survey Corps" - Accession No 167 (faded). Back Cover - Stamp - "AHQ Survey Regiment, Royal Australian Survey Corps"royal australian survey corps, rasvy, fortuna, army survey regiment, army svy regt, asr -
Bendigo Military Museum
Booklet - HANDBOOK & ROAD MAP, April 1940
Sold by Ringarts Bookshop, Haifa1. This is a small pocket book, grey cover, black ink printing. It has words and phrases of colloquial Arabic and/or Hebrew. 32 pages. It is for Australian Imperial Forces in the Middle East. 2. Palestine Road Map. It has cardboard cover and opens out to a road map, scale 1:500,000. It has a drawing of the old section of Jerusalem on front cover.passchendaele barracks trust, 1. nr9430t, 2.9431t, ww2 -
Eltham District Historical Society Inc
Postcard - Photograph postcard, The Rapids, Devils' Bank, Eltham, 1907
Devils' Bank was situated some two miles from Eltham. It is probably the section along the Yarra River where there are a series of rapids stretching past Petty's Orchard to Griffiths Park and the confluence with the Diamond Creek. Only three properties existed in this area in 1945 aerial maps, Worlingworth and the adjoining property on the bank of the Diamond Creek in Banoon Road and No. 2 Kent Hughes Road. Devils' Bank. The death of Ann Edwards, 77 years, an old resident of the district was reported who lived in an old hut at Devil's Bank who had been found dead in her bed on 13 May 1897 FOUND DEAD IN BED. (1897, May 28). Evelyn Observer, and South and East Bourke Record (Vic. : 1882 - 1902), p. 2 (MORNING.). Retrieved September 3, 2022, from http://nla.gov.au/nla.news-article60696388 A very similar view was published in the Leader paper in January 1908 - Devil's Bank Falls, Eltham VIEWS ON THE UPPER YARRA. (1908, January 11). Leader (Melbourne, Vic. : 1862 - 1918, 1935), p. 28. Retrieved September 3, 2022, from http://nla.gov.au/nla.news-article198106006 On the reverse of the postcard it appears to be postmarked Eltham, Dec 27, 1907 addressed to Mrs Christie Millmoss of Bull Street, Bendigo "Arrived here 10.45 am - ? ? raining cause of ? - ? till evenings it is lovely - but quite fresh after the (rain - crossed out) great ? - I may assume it all go well"Digital file only Postcards scanned from the collection of Michael Aitken on loan to EDHS, 2 Sep. 2022michael aitken collection, devils bank, eltham, postcards, rapids, yarra river -
Otway Districts Historical Society
Book, Not a bad place, the Bay, 1987
An Apollo Bay oral history project converted into a written work, it covers the lives of ten older residents and their times in Apollo Bay.Not a bad place, the Bay. Old residents of Apollo Bay talk to local primary school children and members of the community. Jackie Price (ed.). Nadia Wheatley (ed.) Apollo Bay (Vic); The Killala Road Publishing Co.; 1987. 160 p.; illus, map. Hard cover. ISBN 0 9587872 0 4not a bad place, the bay; apollo bay; jackie price (ed.); nadia wheatley (ed.); interviews; social life and customs; history; -
Otway Districts Historical Society
Book, Government Printer, The Victorian Readers, 1986
These eight books that make up The Victorian Readers, one for each of the grades that then comprised the primary school, were first published by the Victorian Education Department between 1928 and 1930. Second editions of all but the First Book, with a few changes in content, appeared some ten years later. One-quarter of the content was required to be Australian with the remainder from Britain, the United States and Europe. Beginning in the 1950s new Departmental publications gradually replaced the old books with the exception of the Fifth and Sixth books which survived until the late 1960s, when commercially-produced reading material finally took over in schools. The Victorian Readers: Books 1 to 8. Facsimile reprint. Ministry of Education (Schools Division); Melbourne (Vic); 1986. Various p.; illus; maps. Soft cover. ISBN 0 7306 0859 Xvictoria; education department; readers; primary education; -
Otway Districts Historical Society
Photograph, Knox Collection, Sale of the Ditchley Park Estate, Beech Forest, 1908
Commercial realities and bushfires caused the Beech Forest community to re-establish itself around the railway station, away from Gardner Hill. This caused John W. Gardner to subdivide his land on the north side of the railway station. One subdivision was created near the Ditchley railway station on the old racecourse site, and another of 25 allotments forming what became Southorn Street. There were very few takers for these lots nor any buyers for the Ditchley subdivision.Photocopy. 260mm x 159mm. An advertisement for the sale of the Ditchley Park Estate, Beech Forest. Under instructions from Mr. J.W. Gardner Dalgety & Co. Ltd. will sell the subdivision of the Ditchley Park Estate on Tuesday, March 30, 1909, at 2 o'clock. A map of Beech Forest township and the Ditchley Park Estate is attached, as are the terms of sale and a description of the area.. beech forest; ditchley park; land sale; advertisment; -
Eltham District Historical Society Inc
Slide - Photograph, Eltham Shire Council, Plan of subdivision of Part of Crown Portion 2, Parish of Nillumbik, County of Evelyn, 1969
35mm colour positive transparency blue Agfacolour Service plastic mountC4, Warton, Panorama and Beleura, 4 August 1969infrastructure, map, planning, subdivison lots, beleura grove, old eltham road -
Eltham District Historical Society Inc
Slide - Photograph, Eltham Shire Council, Tentative Plan of Subdivision, Part of Crown Portion 2, Parish of Nillumbik, County of Evelyn, 1969
35mm colour positive transparency blue Agfacolour Service plastic mountB4, Fisher subdivision, Old Eltham Road and Main Road, 4 August 1969infrastructure, map, planning, subdivison lots, main road, old eltham road -
Eltham District Historical Society Inc
Negative - Photograph, J.A. McDonald, Eltham-Diamond Creek Road, 21 Sep 1959
Bridge construction Eltham-Diamond Creek road over the Diamond Creek (Wattletree Road), Eltham, September 1959 After some delay in receiving funds, work started on the bridge approaches in early September 1959. Traffic was still using the old bridge upstream. On Sunday, 20 September 1959, heavy flooding occurred in the stream and at 3:53 pm the old bridge was washed out. This photo was taken the day after. To the left is the Diamond Creek side abutment for the new Wattletree Road bridge under construction. Where the trucks are parked is near the present-day intersection with Progress Road. At the time Progress Road did not exist and was merely a road reserve on the map. The bridge was originally built as a replacement for an older private bridge built by a man named Foley around 1880. In 1911 Heidelberg and Eltham agreed to share the costs to build a new bridge. Construction began in June 1915 and it was officially opened by Cr. Taylor on Cup Day, November 1915.Record of various Shire of Eltham infrastructure works undertaken during the period of 1952-1962 involving bridge and road reconstruction projects, sometimes with Eltham Shire Council Project Reference numbers quoted. It was during this period that a number of significant improvements were made to roads and new bridges constructed within the shire that remain in place as of present day (2022). In many situations, the photos provide a tangible visible record of infrastructure that existed throughout the early days of the Shire. The album was put together by or under the direction of the Shire Engineer, J.A. McDonald.infrastructure, shire of eltham, bridge construction, bridge, diamond creek (creek), eltham, eltham north, glen park bridge, 1959-09-21, flood damage, wattletree road bridge -
Eltham District Historical Society Inc
Slide - Photograph, Army Map, Yan Yean (Part, 1934), c.Aug. 1990
Part of a presentation, "Roads and Byways of the Shire of Eltham", by Russell Yeoman to the 12 September 1990 Society meeting. Slides shown included copies of old photos and recent images ranging from the suburban streets of Eltham and Montmorency to the mountain roads of Kinglake. In the byways category are views of some iof the Shire's bicycle paths including then recently completed sections of the Main Yarra Trail at Lower Plenty.35mm colour positive transparency (1 of 37) Mount - Agfachrome Agfa CS System black 8 dotsinfrastructure, roads, map, shire of eltham -
Eltham District Historical Society Inc
Slide - Photograph, Old map of Diamond Creek catchment, c.Sep. 1989
... Old map of Diamond Creek catchment... melbourne Photograph Slide Old map of Diamond Creek catchment 35mm ...Part of a slide show presentation "Bridges & Waterways of the Shire" by Russell Yeoman to the 13 September 1989 Society meeting. The presentation included slides of historic photos from the Shire of Eltham Pioneers collections as well as several recent views.35mm colour positive transparency (1 of 33) Mount - Agfa CS System grey 8 dotsProcess Date Sep 1989diamond creek catchment, map -
Eltham District Historical Society Inc
Photograph, Mary Owen, granddaughter of Walter Withers, unveiling the commemorative plaque on Walter Withers Rock at the corner of Bible and Arthur Streets, Eltham, 13 Oct 1990, 13/10/1990
[from EDHS Newsletter No. 75, November 1990:] WALTER WITHERS PLAQUE At long last we have unveiled our plaque in the Walter Withers Reserve. The function was attended by a number of members and friends of the Society and descendants of the Withers family. Following the unveiling, the group proceeded to the Eltham Shire Office for afternoon tea and a small exhibition of Withers' paintings arranged by Andrew Mackenzie. The unveiling was performed by Mary Owen, a grand-daughter of Walter Withers. Her speech provided an interesting personal perspective on Withers and is repeated in full here: I feel somewhat overwhelmed by the responsibility of paying tribute to the man you have all come to honour today. I have the feeling that most of you probably know more about him and his work than I do. Walter Withers died nearly seven years before I was born and so I never knew him. Sadly, although other members of his family inherited some of his talent, I was not among them and I know very little about art. This is doubly hard to bear because my husband had some ability to draw and my second daughter also has some talent in this direction. My children are all artistic - mostly in the field of music inherited partly from their father - a Welshman who sang like a Welshman - and partly from my grandmother, Fanny Withers who, I believe was no mean pianist. However all this talent gave me a miss and for many years I felt a complete ignoramus in the fields of the arts. It was not until I was nearly fifty years old that I walked into a gallery in Brisbane and, as I wandered around the room, suddenly one picture leapt at me and I knew instantly that it had been painted by my grandfather. I had never seen the picture before and it gave me quite a shock to find that I had recognized the style of painting. I realized then that I had absorbed more than I realized simply by living with pictures and with people who painted them and talked about their painting and the painting of others. When I was a child I sometimes spent school holidays with my Aunt Margery Withers and her husband, Richard McCann. Aunt Marge painted me several times but I'm afraid I was a restless subject and used to sit reading a book and look up grudgingly when she wanted to paint my eyes. During the September holidays my aunt and uncle were busy preparing paintings far the annual exhibition of the Melbourne Twenty Painters, to which they both belonged. I remember how important I used to feel when they took me along to the Athenaeum Gallery on the Friday night before the opening to help hang their pictures. There were many artists there but the two I remember are perhaps surprisingly both women: Miss Bale and Miss Tweddle. I remember how cold it used to be up in that gallery at night. They used to heat water on a gas ring to make tea and Aunt Marge used to bring sandwiches and fruit for our evening meal. Everyone seemed to be poor in those days and no-one dreamed of going out for a meal. It was a case of make-do - even to cutting down frames to fit pictures or cutting pictures to fit the frames. They had to use the same frames from year to year if the pictures didn't sell. The opening was an exciting event for me. I felt I was privileged to meet important people - people who knew a lot more than I - and Uncle Dick would get quite merry after a couple of the tiny sweet sherries which were always distributed. I realise now that quite a lot of "art talk" rubbed off on me during my visits to the Athenaeum and during my stays with my aunt and uncle. I suspect that much of our most useful learning comes this way and those of us who have had the privilege of associating with artists, writers, philosophers and other thinkers have a richness in our lives of which we may be unaware. Walter Withers was a prolific painter and, although he painted for love of it, I suspect that the need to provide for his family drove him, like Mozart, to greater efforts than he might otherwise have achieved. Reading old letters and articles about the Heidelberg artists, I have come to realize something of the constant strain placed on many of them - particularly Withers and McCubbin - by poverty and the need to make ends meet. Withers was ever conscious of the need to provide for his wife and his five children and there are touching letters to his wife, regretting that he was not able to earn more for them. In addition to his painting, he worked hard at teaching and illustrating and, as he grew older, the strain began to tell and his health deteriorated. He seems never to have had a very strong constitution and suffered from rheumatism, which must have made painting quite painful at times. His eldest daughter, Gladys, was eventually confined to a wheelchair with rheumatoid arthritis and I have a tendency to arthritis myself, so I am particularly aware of what this could have meant to him. Recently I found a short letter written by my mother to her mother, Fanny Withers on the anniversary of her father's birthday in 1919, in which she said: "Poor old Dad, I often think now what a lot he must have suffered. His life was too hard and too strenuous for him. He had too many chick-a-biddies, I think. He wasn't equal to so much town life and train journeys with so many delicacies as he had. Since I have been ill, I have realised what he must have felt like.” He certainly drove himself to produce. He travelled all over Victoria by train, buggy, bicycle and on foot and for a time he travelled from Eltham to Melbourne every day by train, although later he lived in Melbourne during the week and only returned to Eltham for the weekends. My mother died seven years after her father's death, when my twin sisters were 10 days old and I was 16 months. So I never knew my mother or my grandfather. But my two aunts, Gladys and Margery, sometimes took me to stay with Gan Withers at Southernwood in Bolton Street . No cars in those days and it seemed a very long hot and dusty walk from the Station. Three memories remain with me of Southernwood. One is the well at the back which I found quite terrifying; the second is Gan killing a snake - even more terrifying. She was a formidable woman, my grandmother and a great ally and support to her husband. I think she was the business end of the partnership. The third memory of Southernwood is my grandfather's studio – down what seemed like a toy staircase inside the room. This and the big walk-in fireplace stayed in my mind from the age of about six until I saw them again about forty years later when the house was being used as a Sunday School. I just wish that money could be found to purchase this old house for the City of Eltham so that a permanent museum could be established in memory of a man who did so much to put Eltham on the map of art history. Recently I have become interested in family history and spent some time in England, Ireland and Wales looking for traces of my ancestors. I realized then how important it is to have records of people who have contributed to our society. We forget so soon and it is amazing how often, within two generations, names, dates and many details are forgotten. We are fortunate that so many of Walter Withers' works have been bought by galleries and that people like Andrew Mackenzie have taken the trouble to search out people who knew him and to write about him and his work. And I am very grateful to the Historical Society of Eltham for recognizing the importance of having a permanent tribute in Eltham to the contribution made by Walter Withers, who loved Eltham so much and who has assured this lovely district a place in the annals of history. I am indebted to Kathleen Mangan; the daughter of another famous Australian painter , Fred McCubbin, - featured in The Age this morning (thanks again to Andrew Mackenzie) for the most apt tribute to Walter Withers. Kathleen is not well and she rang me a couple of days ago, regretting that she could not be present today “to pay tribute” as she said, “to Walter Withers for I always think Walter Withers is the spirit of Eltham.” Thank you, Kathleen. And now I have much pleasure in unveiling the plaque commissioned by the Eltham Historical Society from Bob McLellan of Charmac Industries to commemorate the life and work of Walter Withers, the spirit of Eltham. Mary Owen, 13 October 1990.Three colour photographswalter withers rock, walter withers reserve, mary owen