The Trustees of the Australian Ex-Prisoners of War Memorial have defined a Prisoner of War to be a person who was captured by a common enemy and/or interned in a neutral or non-combatant country. To be defined an Australian Prisoner of War, the person needs to be either an Australian Born person serving in the Uniform of an Australian Service; or in the Uniform of a friendly country, or Born Elsewhere and serving in the Uniform of an Australian Service. A Prisoner is a person who has lost personal privileges, suffers deprivation of liberty or is unable to return home or dies in captivity.Colour photograph of a War Memorial designed by Peter Blizzard. The granite wall of the Australian Ex-Prisoners of War Memorial features a listing the names of Australian Prisoners and was opened on the 6th February 2004 by General Peter Cosgrove AM MC to recognise and remember over 36,000 Australians who became Prisoners of War during the Wars of the 20th Century. In 2008 the Memorial became the First Military Memorial of National Significance outside Canberra. The Memorial which was designed by Peter Blizzard OAM, symbolises that all Australian prisoners embarked on a journey to serve away from their homeland and acknowledges the hardship, deprivation, brutality, starvation and disease endured by Prisoners of War during their capture and the scars that many continued to endure upon their repatriation to Australia. Heritage Victoria describes the memorial in the following way" "A JOURNEY OF HONOUR, REMEMBRANCE AND HEALING - The Australian Ex-Prisoners of War Memorial is a dramatic and highly symbolic tribute to the sacrifice made by more than 35,000 young Australian service men and women in four theatres of war. At the heart of the monument is a stark, 130 metre long, highly polished black granite wall, engraved with the names of all Australian prisoners of war. The names on this 'honour roll' are listed in historical order from the Boer War in 1899, through to the Korean War in 1953. It is a testament to the contribution made by so many. Standing sentinel at the centre of the Memorial are six huge basalt obelisks, etched with the names of all the countries where Australians were held prisoner of war. The obelisks stand in a large reflective pool, set back from the central pathway, symbolising the distance that separated Australia's prisoners of war from their homes and their loved ones. Opposite the pool is a larger obelisk flanked by flagpoles and a ceremonial stone on which to lay wreaths. The central pathway is itself symbolic, with each of the paving stones cut in the shape of a railway sleeper. The pathway defines 'the journey' taken by the prisoners of war and the journey visitors take around the monument. At the end of the granite wall where the pathway ends, visitors face a large stone engraved simply 'Lest We Forget'. Water flows from beneath the stone, along the base of the granite wall and into the reflection pool in which the obelisks stand. This cycle of flowing water, symbolising spirituality, healing, cleansing, birth and rebirth, guides visitors on their journey through the Memorial." ballarat, ballarat botanical gardens, peter blizzard, ballarat north gardens, war memorial, prisoner of war, prisoners of war

DESCRIPTIONColour photograph of a War Memorial designed by Peter Blizzard. The granite wall of the Australian Ex-Prisoners of War Memorial features a listing the names of Australian Prisoners and was opened on the 6th February 2004 by General Peter Cosgrove AM MC to recognise and remember over 36,000 Australians who became Prisoners of War during the Wars of the 20th Century. In 2008 the Memorial became the First Military Memorial of National Significance outside Canberra. The Memorial which was designed by Peter Blizzard OAM, symbolises that all Australian prisoners embarked on a journey to serve away from their homeland and acknowledges the hardship, deprivation, brutality, starvation and disease endured by Prisoners of War during their capture and the scars that many continued to endure upon their repatriation to Australia. Heritage Victoria describes the memorial in the following way" "A JOURNEY OF HONOUR, REMEMBRANCE AND HEALING - The Australian Ex-Prisoners of War Memorial is a dramatic and highly symbolic tribute to the sacrifice made by more than 35,000 young Australian service men and women in four theatres of war. At the heart of the monument is a stark, 130 metre long, highly polished black granite wall, engraved with the names of all Australian prisoners of war. The names on this 'honour roll' are listed in historical order from the Boer War in 1899, through to the Korean War in 1953. It is a testament to the contribution made by so many. Standing sentinel at the centre of the Memorial are six huge basalt obelisks, etched with the names of all the countries where Australians were held prisoner of war. The obelisks stand in a large reflective pool, set back from the central pathway, symbolising the distance that separated Australia's prisoners of war from their homes and their loved ones. Opposite the pool is a larger obelisk flanked by flagpoles and a ceremonial stone on which to lay wreaths. The central pathway is itself symbolic, with each of the paving stones cut in the shape of a railway sleeper. The pathway defines 'the journey' taken by the prisoners of war and the journey visitors take around the monument. At the end of the granite wall where the pathway ends, visitors face a large stone engraved simply 'Lest We Forget'. Water flows from beneath the stone, along the base of the granite wall and into the reflection pool in which the obelisks stand. This cycle of flowing water, symbolising spirituality, healing, cleansing, birth and rebirth, guides visitors on their journey through the Memorial."australian ex-prisoner of war memorial, peter blizzard, prisoner of war, ballarat north gardens

DESCRIPTIONColour photograph of a War Memorial designed by Peter Blizzard. The granite wall of the Australian Ex-Prisoners of War Memorial features a listing the names of Australian Prisoners and was opened on the 6th February 2004 by General Peter Cosgrove AM MC to recognise and remember over 36,000 Australians who became Prisoners of War during the Wars of the 20th Century. In 2008 the Memorial became the First Military Memorial of National Significance outside Canberra. The Memorial which was designed by Peter Blizzard OAM, symbolises that all Australian prisoners embarked on a journey to serve away from their homeland and acknowledges the hardship, deprivation, brutality, starvation and disease endured by Prisoners of War during their capture and the scars that many continued to endure upon their repatriation to Australia. Heritage Victoria describes the memorial in the following way" "A JOURNEY OF HONOUR, REMEMBRANCE AND HEALING - The Australian Ex-Prisoners of War Memorial is a dramatic and highly symbolic tribute to the sacrifice made by more than 35,000 young Australian service men and women in four theatres of war. At the heart of the monument is a stark, 130 metre long, highly polished black granite wall, engraved with the names of all Australian prisoners of war. The names on this 'honour roll' are listed in historical order from the Boer War in 1899, through to the Korean War in 1953. It is a testament to the contribution made by so many. Standing sentinel at the centre of the Memorial are six huge basalt obelisks, etched with the names of all the countries where Australians were held prisoner of war. The obelisks stand in a large reflective pool, set back from the central pathway, symbolising the distance that separated Australia's prisoners of war from their homes and their loved ones. Opposite the pool is a larger obelisk flanked by flagpoles and a ceremonial stone on which to lay wreaths. The central pathway is itself symbolic, with each of the paving stones cut in the shape of a railway sleeper. The pathway defines 'the journey' taken by the prisoners of war and the journey visitors take around the monument. At the end of the granite wall where the pathway ends, visitors face a large stone engraved simply 'Lest We Forget'. Water flows from beneath the stone, along the base of the granite wall and into the reflection pool in which the obelisks stand. This cycle of flowing water, symbolising spirituality, healing, cleansing, birth and rebirth, guides visitors on their journey through the Memorial."australian ex-prisoner of war memorial, prisoner of war, ballarat north gardens, peter blizzard

Cuthbert House, erected in 1959 as a display house for the famous Ballarat begonias. It replaced the earlier Keel House. The conservatory was not open to the public, but the flowers could be viewed through the windows. It was replaced in 1995 with the current Robert Clark Conservatory. The former Lakeside Hospital can be seen in the background. Mrs Bon Strange and her husband Bert were well known Ballarat residents. When Mrs Strange died some years ago, her extensive slide collection was sorted through and those relevant to Ballarat were gifted to the Ballarat Library. greenhouse, botanical gardens, lake wendouree, lakeside hospital, hothouse, ballarat, conservatory, begonias

Sturt Street looking north east. You can see the shade frames over the seats in the median strip, spear iron fences enclose the garden beds and a drinking fountain. An open ended tram travels along the length of Sturt Street.sturt street, ballarat, tram, gardens

A property illustration by Margret Picken Commissioned by the real estate agency Fletchers for the purpose of advertising 6 Donald St., Burwood in 2003. Made by using Rotring ‘Rapidigraph’ drafting pens with Rotring ink on Rapidigraph polyester drafting film, double matte. This property is listed as having sold for in 2003 $560,000 Trained as a cartographic draftsman within the mining industry, Margaret Picken is an artist who worked producing property illustrations for real estate agencies in eastern suburbs of Victoria from 1983-2005. Retiring from the industry as technological changes favored coloured photography over illustrations, and commissioning companies over sole contractors.This artwork is of Historical Significance as a record of local domestic architecture.A black ink line drawing on drafters film by Margaret Picken, of 6 Donald St., Burwood. A two story weatherboard house set back from a picket fence and and open gate on the right for the driveway.6 Donald St., Burwood Margaret Picken © 2003 Fletchers whitehorse historical society, schwerkolt cottage, housing, architecture, margaret picken, burwood, house, garden

A property illustration by Margret Picken Commissioned by the real estate agency Fletchers for the purpose of advertising 10 Donald Rd., Burwood in 2001. Made by using Rotring ‘Rapidigraph’ drafting pens with Rotring ink on Rapidigraph polyester drafting film, double matte. Trained as a cartographic draftsman within the mining industry, Margaret Picken is an artist who worked producing property illustrations for real estate agencies in eastern suburbs of Victoria from 1983-2005. Retiring from the industry as technological changes favored coloured photography over illustrations, and commissioning companies over sole contractors.This artwork is of Historical Significance as a record of local domestic architecture.A black ink line drawing on drafters film by Margaret Picken, of 6 Donald St., Burwood. A two story weatherboard house set back from a picket fence and and open gate on the right for the driveway.10 Donald Rd., Burwood Margaret Picken © 2001 Fletchers Real Estatewhitehorse historical society, schwerkolt cottage, housing, architecture, margaret picken, burwood, house, garden

A property illustration by Margret Picken Commissioned by the real estate agency Woodards Camberwell for the purpose of advertising 15 Donald St., Burwood in 1995. Made by using Rotring ‘Rapidigraph’ drafting pens with Rotring ink on Rapidigraph polyester drafting film, double matte. This property is listed as having sold for $190,00 in 1995 Trained as a cartographic draftsman within the mining industry, Margaret Picken is an artist who worked producing property illustrations for real estate agencies in eastern suburbs of Victoria from 1983-2005. Retiring from the industry as technological changes favored coloured photography over illustrations, and commissioning companies over sole contractors.This artwork is of Historical Significance as a record of local domestic architecture.A black ink line drawing on drafters film by Margaret Picken, of 15 Donald St., Burwood. A two story weatherboard house set back from a picket fence and and open gate on the right for the driveway. There are two hole punches near the upper edge.15 Donald St., Burwood Margaret Picken - 95 Woodards - c'well whitehorse historical society, schwerkolt cottage, housing, architecture, margaret picken, burwood, house, garden

A property illustration by Margret Picken Commissioned by the real estate agency Fletchers Real Estate for the purpose of advertising 7 Alfred Rd, Burwood in 2000 Made by using Rotring ‘Rapidigraph’ drafting pens with Rotring ink on Rapidigraph polyester drafting film, double matte. This property is listed as having had unit 10 sell for $404,000 in 2000 Trained as a cartographic draftsman within the mining industry, Margaret Picken is an artist who worked producing property illustrations for real estate agencies in eastern suburbs of Victoria from 1983-2005. Retiring from the industry as technological changes favored coloured photography over illustrations, and commissioning companies over sole contractors.This artwork is of Historical Significance as a record of local domestic architecture.A black ink line drawing on drafters film by Margaret Picken, of 9 Tainton St., Burwood. A single story brick bungalow, with roofed porch wrapping around the font left corner of the house. A Picket and brick fence borders the front yard, and opens to a brick driveway on the left. Shrubbery growing in front of house and along the fence.7 Alfred Rd., Burwood Margaret Picken © 2000 Fletchers Real Estatewhitehorse historical society, schwerkolt cottage, housing, architecture, margaret picken, burwood, house, garden

Kinkuna Amusement Park was opened 19 December 1987, closed 2002, building demolished or removed, land sold and subdivided into residential allotments.Copy colour photographic print showing Kinkuna Amusement Park on Princes Highway, owned by Joe and Shirley Walters. Photo shows main building and restaurant, mini golf, long taboggan on hill, garden and other attractions. Lakes Entrance Victoriaentertainment, recreation

Fundraisng for the hall by the community started at the end of World War 1 taking 46 years for the hall to be completed and officially opened in January 1962.Colour photograph of the Lake Tyers Beach Road Memorial Hall, showing a flat-roofed hardiplank small building. Main entry in centre of front, small window on each side on each side, narrow gardens on each side of entry enclosed with bollard and chain fence. Toorloo Arm Primary School in background. Toorloo Arm Victoriahouses

Original business opened November 1987, building extension 1993.Colour photograph of Tourist Information Centre, shows forecourt and garden. Building extension completed April 1993. Lakes Entrance Victoriaaboriginals

Before the Shire of Bulla built permanent offices in Macedon Street, the council used to meet in the Memorial Hall and had rooms there to conduct regular business. Some cottages were demolished to build the new offices which were completed and opened in 1966. Over the years as the shire's population increased, further additions were added. After Sunbury became part of Hume City Council, the former council building was occupied by Wester Water and Vic Roads.Apart from the former Shire of Bulla Roads Board office built in Sunbury in the 1860s, the 1966 building is the first council building to be built in Sunbury.A black and white photograph of a single storey office building and the surrounding garden. There is a light pole in the foreground.shire of bulla, council offices

The mural of the artist's image of early Sunbury was painted on the garage wall of the Sunbury Presbytery. It could be viewed from the former court house garden. The first businesses opened in Sunbury in Macedon Street between Jacksons Creek and Jackson Street. The view in the mural is looking east towards Jacksons Creek.When the railway service reached Sunbury in 1859, the business area then relocated from Macedon Street to the Evans and O'Shanassy Streets precinct. Some businesses still exist at the original Macedon Street site.A coloured scanned photograph of a mural which was painted on a brick wall.murals, early sunbury, macedon street

Finlay Currie is seated on a wooden garden bench set beside a rock-edged path up to Belgrave House. He is wearing a hat, an open-necked shirt, waistcoat and trousers, and has his legs crossed. Another man stands further up the path, posed with his right foot on the rock edging. The dog sits at his feet.

Set of five digital images of the removal of track in Bridge St Ballarat as part of the redevelopment of the area and its reopening to motor car traffic July 2023. See also August 2023 issue of Fares Please! page 15 for other photos and page 4 for a short item. Photos by Paul McConville and Richard Gilbert.Yields information about the redevelopment of Bridge St Ballarat from a Mall back to an open road.Set of five digital images showing the removal of the track in Bridge St Ballarat.tramways, ballarat, bridge st, track removal

Digital image of an item in the 9-7-2020 issue of Ballaarat Times, titled "Museum's plans see Trams back on track" about the planning to re-open the museum following the lifting of restrictions due to Covid-19. Includes notes on the operation of the trams from the depot only and limitations. But these came to naught when the plan to lift restrictions did not go ahead and there was a further lockdown in the Melbourne area. Has a photo of Peter Waugh standing on a step of No. 13 with a limitation sign on it.btm, closure, covid-19

Yields information about the tram services in Victoria St and things that can go wrong or different in a photo.Kodachrome white cardboard mount 35mm slides - dated August 1967 taken by Les Fordham of No 14 in Victoria St, eastbound. A truck with an open back is passing when the photo was taken. The tram has a Twin Lakes sign.tramways, trams, victoria st, tram 14

Yields information about the corner of Mair and Lydiard St soon after the Ballarat Electric Tramway opened.Digital Image of and ESCo tram north bound in Lydiard St North, at the intersection with Mair St. Shows the Ballarat Litho and Printing Co Propy Ltd building on the corner. Note the centre poles and the pole in the middle of the intersection. Has a number of horse drawn vehicles. Photo taken soon after opening as the destination sign is on the dash panel. From the Facebook group of old time photographs of yesterday. Titled "Lydiard St Ballarat Victoria"trams, tramways, mair st, lydiard st north, esco, postcards

Yields information about the corner of Sturt St and Lydiard St soon after the Ballarat Electric Tramway opened.Digital Image of and ESCo tram north bound in Lydiard St North, at the intersection with Sturt St. Shows the Ballarat Post Office and other buildings in Lydiard St. Note the centre poles the new tram tracks. Photo taken soon after opening as the destination sign is on the dash panel. There are a number of lines of dark brown piles of earth? Work still being undertaken. Titled "Post Office Ballarat". From the Facebook group of old time photographs of yesterday.trams, tramways, sturt st, lydiard st north, esco, postcards

Yields information about the corner of the Victoria St terminus at the Orphanage and the relationship to the tramway.Digital Image of the Ballarat Orphan Asylum and Victoria St looking west with a tram at the terminus and the tramway overhead poles. Titled "Ballarat Orphan Asylum and Victoria St" From the Facebook group of old time photographs of yesterday. Probably taken soon after the tramway opened in 1905.trams, tramways, victoria st, orphanage, esco, postcards, tram 1 ?

Digital image of a Melbourne and Metropolitan Tramways Board MMTB No. 15 truck or bogie photographed at Preston Workshops. Note the motor suspension bearing oil caps are opened. Marked for possible use under No. 1 end of tram 747.trams, tramways, bogies, trucks, mmtb, preston workshops

Yields information about the appearance of an ESCo Ballarat tram late 1920's.Black and white photograph of Ballarat ESCo No. 10 at the corner of Sturt and Lydiard St with the Town Hall and the National Mutual building in the background. The tram has the open compartment completely covered. Has a Sutton's roof advertisement. Dated 8/6/1928. Track brakes have been removed. Photo Lee A Ratten - see related document and Reg Item 7185.On rear in pencil (very faint) - "Ballarat Car 10, 4 wheel comb, Sturt St, 8/6/1928.trams, tramways, esco, sturt st, tram 10

Black and White - set of two photographs taken at the Lydiard St level crossing with the gates. Taken by A T Miles 30/1/1968. 1 - tram 26 (Gregory St), north bound passing as the gates were opened. 2 - tram 14 (City), passing south bound through the crossing. Tram has a Cinzano roof advert.Yields information about the Lydiard St level crossing.Set of two Photographs - black and white print with notes on rear. A T Miles stamp and location and date notes.tramways, trams, lydiard st north, level crossing, gregory st., tram 26, tram 14

Photograph - looking east along Sturt Street between Doveton and Armstrong Streets, shows an ESCo tram eastbound. On the right is the Shoppee Square "market" place with awnings open. Wal Jack's note: "Part of the old type trams on the "up" track or north side of Sturt St from Doveton St. Date about 1914-16 period. Iron railings have long disappeared"Yields information about the streetscape of Sturt St and Lydiard Streets c1915.Postcard black and white, divided back, used, REM SeriesSee image 2 for Wal Jack's notes on the image. tramways, trams, esco, sturt st, shoppee's square

Yields information about the SEC Wendouree Parade depot and the activities at the depot after closure.Set of two Colour 27 x 27 mm slides in Fuji film, processed by Hanimex white cardboard mounts. .1 - view of the SEC depot front with three and four roads doors, shows the sign and the small personnel door open. .2 - No. 30 towing a bogie tram with the trolley poles and lifeguards removed (possibly No. 37 but looks more like an ex HTT car) onto Wendouree Parade to be loaded. Photo from the collection of Lilian Butler.ballarat, tramways, trams, sec depot, depot, wendouree parade, closure, tramcars, loading trams, scrubber, tram 37