These child's skis which were made by Tyrolia. The Tyrolia company was founded in the state of Vienna in 1847 as Wiener Metallwaren-, Schnallen- und Maschinen- Fabrik GmbH. Tyrolia produced a variety of products out of metal and timber but didn't enter the binding business until 1949. They are accompanied by a set of bamboo stocks which have leather straps.This item is significant because it demonstrates developments is ski technology. A set of wooden skis which were originally painted white and a pair of bamboo stocks with leather straps.tyrolia, children's skis, bamboo ski stocks

Hand-painted Irish Belleek desert plate one of a set of six. 1st period black mark to underside with overglaze printed armorial for Bishop Moore of Ballarat on facing side.

In 1934 the Trustees of the Marie Krecklow Estate donated 500 pounds to furnish and equip an empty Ward in the Melbourne District Nursing Society After-Care Hospital in the memory of Mrs. Marie Krecklow. This image shows the furnishings in the Ward of the Hospital at 45 Victoria Parade, Collingwood. The boys in this image are receiving nursing care before returning home following their recuperation. Many children were nursed at the hospital, some long term during the Polio epidemic. The Society were pioneers in recognizing the need for premises where patients too ill to be in their own home, but not ill enough to go to hospital, was needed, and the Society built, then opened, the Melbourne District Nursing Society After-Care Home in 1926, (from 1934 called After-Care Hospital), for these patients, and patients from Melbourne Hospitals who required recuperation before returning home. Many children were nursed there, some long term during the Polio epidemic and the Society employed two School Teachers. The Society now ran two divisions, the After-Care with its own Trained nurses and the District division. The Society were the first in Melbourne, in early 1928, to recognize some patients leaving the After-Care, and many at home, needed further social care and they set up ‘Almoners’ from their committee to visit these patients and be intermediaries in getting them social assistance. It was late the following year before the first training of Almoners took place in Melbourne. In 1930 the Society employed a full time kindergarten teacher to visit poor children in their homes. That year the Society were pioneers in opening an Ante-Natal Clinic at the After-Care, setting a high standard with equipment, keeping records and providing leaflets with instructions in how to keep healthy during pregnancy, what complications to look for and what to do when labour commenced. In 1934 the Society were pioneers again when they opened the first Women’s Welfare Clinic in Melbourne giving advice on birth-control, at first attended by their own patients, but then accepting patients from public hospitals until their own clinics were opened.A trained Almoner was employed at the hospital but left after twelve months due to the volume of work. Unable to employ another trained Almoner due to a shortage of them, a Social Service Officer was employed at the After-Care who successfully gained better housing from the Housing Commission for families living under unsuitable conditions. In the 1950s the Hospital and Charities Commission decided to take over the After-Care Hospital, so the Melbourne District Nursing Society and After-Care Hospital separated and the Melbourne District Nursing Service was formed, setting up Headquarters at 452 St. Kilda Road. In 1966, following Royal patronage the name was changed to Royal District Nursing Service (RDNS).Digital mage showing the 'Marie Krecklow Ward' in the Melbourne District Nursing Society After-Care Hospital. The image shows five iron hospital beds along the left hand side and five iron hospital beds along the right hand side of the ward. Eight young boys, most with short dark hair and one with short blonde hair, are leaning against pillows sitting up in the beds. Some pillows are propped against an iron support which slopes from the headrest. Three sets of windows can be seen on either side of the ward which is painted grey and a wide floral border to the picture rails, then white paint above the picture rail which continues over the ceiling. A white table with vases of flowers is in the centre rear of the image. A Sister, wearing a white uniform and veil and a dark cape stands at the rear left hand side of the image, and two nurses wearing white aprons over dark uniforms and white caps stand half way down the ward, one on either side. mdns, melbourne district nursing society, after- care hospital, after-care home, rdns, royal district nursing service, mrs marie krecklow

The forty-two navigational flags appear to be a complete set. Their purpose-built, grey painted wooden locker is divided into forty-two pigeonholes, each holding one of the rolled up flags. It is simply built and stands on short legs and was originally open-fronted, but has since been covered with a protective clear Perspex panel. The set of alphabetic and numeric visual signalling flags (including substitute and answering pennants) are made of wool in various colour combination designs, with canvas sewn to one end that is threaded with hemp rope. Some of the flags have metal clips attached to the rope. The flags were used for communicating messages to passing ships. Knowledge of visual signalling was mandatory for all lightkeepers and all stations maintained a set of flags. Although used for centuries, visual flag signalling formally developed in the nineteenth century and was published internationally as a system in 1857. By the early twentieth century it had developed into an effective means of conveying all kinds of short range visual messages. Most flags are in good condition and their first level significance is enhanced by their completeness and integrity as a set still housed in their original locker, and by the signal charts that remain in the museum collection which offer further insights into visual signalling.1 - 42. Navigational flag set of 42 individual flags. Coloured linen with canvas sewn to one end which has hemp rope threaded through it. Some flags have metal clips attached to the ends of the hemp rope. 43. Wooden cupboard divided into sections with wooden divides. Used to house the 42 flags. • 1. navy & white. 2. navy & yellow. 3. navy & white. 4. white. 5. red & yellow. 6. yellow & navy. 7. yellow & navy. 8.red. 9.red & white. 10. white & navy. 11. red & navy & white. 12.yellow & navy & & red. 13.navy & white. 14. navy & white. 14. navy & white. 15.navy & white. 16. navy & yellow. 17. yellow & white. 18. white & red. 19. white & red. 20. yellow & red. 21. white & navy. 22. yellow & navy. 23. navy & white. 24. white & navy. 25.red & white. 26. navy & white. 27.red & white. 28.red & white. 29. red & navy. 30. white & navy. 31. yellow. 32.red 7 navy. 33. red. 34 navy,white,red & yellow.35. red & blue. 36. white & red. 37. navy & yellow. 38.red, yellow & white. 39. white. 40. white & red. 41. yellow & red. 42.navy. 43.custom built wooden open cupboard divided into sections to house flags.Yes

From Robyn Johnston12 piece blue and orange floral Royal Staffordshire tea set with gold trim. Pieces included - four teacups, four saucers, one round lidded teapot, one hanging plate one oval lidded water kettle. All pieces are numbered on the base. Gold painted crown with Staffordshire name below. All pieces have 7500 number on base.tea sets

These eggcups were used by the family for breakfast. A set of four vintage badly crackled white painted wooden egg cups with a dark green stripe around the rim and base of the footed stems. There are two plastic white eggs for decoration.objects, domestic objects, functional objects, eggcups, tableware

This item is part of the Dodgson Collection, which was bequeathed to Queen's College in 1892 by the Rev. James Dodgson. The collection was created by Aquila Dodgson, brother of James. Aquila Dodgson was a friend of the English Egyptologist Flinders Petrie, and it was through this friendship the Aquila was able to acquire ancient Egyptian artefacts. A detailed study of the collection was made by Christine Elias "Discovering Egypt: Egyptian Antiquities at the University of Melbourne", M.A. thesis 2010.Crudely made figure of a cat set into a modern wooden base.The number 13 inscribed in white painted on front of base. cat figurine, james dodgson, aquila dodgson, flinders petrie

The 41 alphabetic and numeric visual signalling flags (including substitute and answering pennants) have either square or pointed ends. They are made of bunting, a coarse fabric of worsted (open yarn wool) in various colour combinations. Some of the flags are marked with inscriptions, for example “B”. Attachments to the flags include hemp rope and metal clips. Each flag has its own galvanised canister and lid, each of which is painted grey and marked with a letter, number or word. The flags were used for communicating messages to passing ships. Knowledge of visual signalling was mandatory for all lightkeepers and all lightstations maintained a set of flags. Although used for centuries, visual flag signalling formally developed in the nineteenth century and was published internationally as a system in 1857. By the early twentieth century it had developed into an effective means of conveying all kinds of short range visual messages. The signal flags and canisters at Gabo Island form a complete set and are not historically linked to the lightstation and their provenance is unknown. It is known however that they originate from a lightstation in Victoria and for some years were on loan from AMSA to the Queenscliff Maritime Museum, where they were held in storage and not displayed. Three of the six lightstations that Parks Victoria manages have sets of signal flags in their collections. Forty navigational signal alphabet flags & numeral pennants. Flags are made of wool.

The 41 alphabetic and numeric visual signalling flags (including substitute and answering pennants) have either square or pointed ends. They are made of bunting, a coarse fabric of worsted (open yarn wool) in various colour combinations. Some of the flags are marked with inscriptions, for example “B”. Attachments to the flags include hemp rope and metal clips. Each flag has its own galvanised canister and lid, each of which is painted grey and marked with a letter, number or word. The flags were used for communicating messages to passing ships. Knowledge of visual signalling was mandatory for all lightkeepers and all lightstations maintained a set of flags. Although used for centuries, visual flag signalling formally developed in the nineteenth century and was published internationally as a system in 1857. By the early twentieth century it had developed into an effective means of conveying all kinds of short range visual messages. The signal flags and canisters at Gabo Island form a complete set and are not historically linked to the lightstation and their provenance is unknown. It is known however that they originate from a lightstation in Victoria and for some years were on loan from AMSA to the Queenscliff Maritime Museum, where they were held in storage and not displayed. In three of the six lightstations that Parks Victoria manages have sets of signal flags in their collections. Forty-one galvanised canisters with separate lids. The canisters are painted a grey/white colour and have either numbers, letters or words painted on the lid and on the cannister in black paint. There are variations in the style of canister and in the style of the inscriptions.

Probably used in the past to house the Signal Flag set at the lightstation. Appears to have been stored in the old stables for a number of years.The rectangular wooden cabinet has the distinctive features of a flag locker, comprising numerous open compartments of the same size each for storing a signal flag of a unique design. It has three internal shelves and a bench top, and is painted grey, a colour that is used for many of the wooden utilitarian furnishings in the six lightstations Parks Victoria manages. The cabinet, without its flag contents, was found in storage in the old stone stable building and is highly likely to be original to the lightstation. A wooden flag locker is held at Wilsons Promontory Lightstation. A wooden locker comprising two sections of 16 pigeon holes and four cupboard doors is held at Cape Otway The two flag lockers at Cape Nelson Lightstation are included in Victorian Heritage Register for contributing to the significance of the lightstation. The Nelson, Otway and Promontory lockers have associated sets of flags which are original to the lightstations. The Gabo Island cabinet has second level contributory significance for its provenance to the lightstation.Timber cabinet painted grey, partitioned with numerous open compartments of the same size .

Round tray, tea pot, sugar bowl with lid, milk jug, 2 cups, 2 saucers. Gold trim, purple daisy, green leaf hand painted design.toy tea sets, toy tableware, toy dinnerware

Late 19th centuryPainted floral china moustache cup and saucer with handle and gold edging.P9129 in ink on base of cup and saucercup, saucer and plate sets, cups and saucers, drinking cups

This device was improvised to prepare herbs for cooking, It could chop bundles of herbs efficiently whilst also ensuring the users fingers were kept clear of the blades. The user held onto the handle and rolled the blades across the herbs to be cut. This item has typical of kitchenware improvised to complete tasks when more food preparation was completed in the home.A device with two sets of sharp metal rollers attached to a metal frame with a handle, The wooden handle is painted in green. domestic appliances, kitchen utensils

These types of metal and glass railway signalling lamps were used for communication, safety and lighting by train guards, shunters and signalmen, as well as station staff in the late 1880s to the early 1900s. They were hand operated and used fuel such as kerosene.The three railway signalling lamps have local significance as a set donated by a resident of Wodonga who worked for the Victorian Railways, as well as national significance as examples of the communication and safety equipment used by the railways in Australia in the late 19th century and early 20th century.Set of three painted black metal and glass railway signal lamps used for various purposes during train journeys. The largest signal lamp has circular blue and red glass filters and a turning mechanism on the top under the handle. "A y" on a small copper plate on one side of the largest signal lamp - Lamp 1.railway lamps, signalling lamp, train signal lamps

Metal and glass railway signalling lamps were used for communication, safety and lighting by train guards, shunters and signalmen, as well as station staff in the late 1880s to the early 1900s. They were hand operated and used fuel such as kerosene.The railway signal lamp has local significance as part of a set of three lamps donated by a resident of Wodonga who worked for the Victorian Railways. It also has national significance as an example of communication and safety equipment used by the railways in Australia in the late 19th century and early 20th century.Exterior casing of a black painted metal railway signal lamp with circular blue and red glass filters and a turning mechanism on the top under a circular handle. Small copper plate with the letters "A y" stamped on it, on one side of the lamp. "A y"railway lamps, signalling lamp, train signal lamps

Metal and glass railway signalling lamps were used for communication, safety and lighting by train guards, shunters and signalmen, as well as station staff in the late 1880s to the early 1900s. They were hand operated and used fuel such as kerosene.The railway signal lamp has local significance as part of a set of three lamps donated by a resident of Wodonga who worked for the Victorian Railways. It also has national significance as an example of communication and safety equipment used by the railways in Australia in the late 19th century and early 20th century.Black painted metal signal lamp with a circular metal cover over a clear glass disk at the front and an elongated oval shaped handle at the back. The circular metal cover has a vertical slit in it. There is an inscription on the top of the lamp with the date 1917 and the company name "Eli Griffiths & Sons, Birmingham"."ELI GRIFFITHS & SONS / 1917 / BIRMINGHAM"railway lamps, signalling lamp, train signal lamps, railway equipment

These types of metal and glass railway signal lamps were used for communication, safety and lighting by train guards, shunters and signalmen, as well as station staff in the late 1880s to the early 1900s. They were hand operated and used fuel such as kerosene.The railway signal lamp has local significance as part of a set of three lamps donated by a resident of Wodonga who worked for the Victorian Railways. It also has national significance as an example of communication and safety equipment used by the railways in Australia in the late 19th century and early 20th century.Black painted metal signal lamp with a clear glass lens secured at the front and one thin elongated oval shaped handle showing at the back. The metal appears to be tin plated iron under the black paint layer. There is an oval plate with an embossed inscription on the proper left side of the lamp that is partly covered by the door at the front which holds the clear glass lens. The inscription includes the date 1901."...NARIPPINGILLE STOVE / CO LTD 1901 / PATENT...S & / ...NUFACTURERS / RMINGHAM" on an oval shaped plate on the proper left side, which is partly covered by the door with the clear glass lens.railways wodonga, victorian railways

The set of seven imperial weights were used in the Post Office in Wodonga. The first Post Office in Wodonga opened on the 6th June 1856, and a second Post Office was built in 1874 on the corner of Sydney Road which became High St. and South St. In 1878 there were three staff at the Wodonga Post Office, including the Postmaster/Telegraph Manager and two Office-Keepers/Messengers. The mail service in 1878 included delivery four times a day from the Railway Station to the Post Office in Wodonga, and to and from the Wodonga Post Office to Albury twice a day.The set of seven imperial weights has local and state significance as it was used in the Wodonga Post Office in North East Victoria before decimal currency was introduced in Australia in 1966. The weights also have national significance as examples of the equipment used in post offices in Australia pre 1966.Set of seven cast iron and lead weights with imperial measurements '4 oz, 8oz, 1 lb, 2 lb, 3 lb, 4 lb, and 7 lb' The exterior circular black painted cast iron encases the heavy inner grey lead component, which is visible from the underside. "4 oz.", "8 / oz.", 1 lb.", "1 lb.", "2 lb.", "3 lb.", 4 lb.", MERCURY / 7 LB." on the top of the weights in raised numbers and letters.wodonga post office, post office, victoria post offices, wodonga, north eastern victoria post offices, victorian mail service

The mark on these items indicate that they are Gouda pottery. Gouda is a style of Dutch pottery named after the city of Gouda, where it was historically manufactured. Gouda pottery gained worldwide prominence in the early 20th century and remains highly desirable to collectors today. Gouda pottery is diverse and visually distinctive in appearance, typically illustrated with colourful and highly decorated Art Nouveau or Art Deco designs. Pieces were mass produced but painted by hand by many individual artists. The dating mark system used and the small house represent the pottery of Plateelbakkerij Zuid Holland (PZH). This is a simplification of the "Lazarus-poort" (the Lazarus Gate). It stands for a building in the town of Gouda that dates back to 1609 where they assisted people who suffered from leprosy. The PZH produced pottery from as early as 1898 until 1965.This item is from Raper Collection donated to the Wodonga Historical Society by Mrs. Jean Raper. Hand painted pottery cup and bowl in art deco designs. These items are examples of Gouda pottery.Underneath cup : "LQ4/HENLY/A.R.J.T/HOLLAND" with 2 Vertical diamonds representing 1923 and house which is stylised image of the Gate of Lazurus. Underneath Bowl: "401/PEGGY/2 Vertical Diamonds 3 W v V/HOLLAND"domestic items, gouda pottery, ceramics

The green holder for the weights was hand made by cutting recesses out of a single piece of wood. The wood was painted green. Between 1960 and 1988 Australia gradually adopted the SI units (Standard International) or metric units. In 1970 the Australian parliament passed the metric conversion act, and the Australian building trades made it the standard in 1974. This information helps to date the set of weights to C. 1970s.These weights have local and social significance to indicate the weights used in many homes or small businesses in the 1970s.Set of 5 small metric weights in wooden holder. Measurements are difficult to decipher but "Gram" can be identified around the edge of some weights. Holder has been created by cutting round recesses into a block of wood.metric system, weights and measures australia

N/AThe Churchill Island collection includes several artworks, both original and printed, from the late 1800s. The collection is presented in sets and series, of which this painting belongs to the Artworks series.Late nineteeth centuryPainted scene of a rowboat at sea with a low sky in shades of pink and a full moon above. In large elaborate faded gold gilt frame and is orginal.churchill island, oil painting

The Tudor Blocks sets included new blocks that were interchangeable with the other Lott's bricks, but had with one profiled surface with a single colour of paint on the raised surface, which gave the appearance of the panels of a wood-framed Tudor building, or of leaded windowsLarge cardboard box containing many blocks & four "trees". A book of illustrations of models. The Tudor Blocks sets included new blocks that were interchangeable with the other Lott's bricks, but had with one profiled surface with a single colour of paint on the raised surface, which gave the appearance of the panels of a wood-framed Tudor building, or of leaded windows.Lott's Tudor Blocks new series illustrations of models. Boxes 1-6, price1/6, Lotts Bricks Ltd, Watford England. Note: Price 1/6 means one pound 6 shillingstoys, lotts tudor blocks, building blocks

Built late 1970's or early 1980's by Roger Simpson, cabinet maker. Internal space originally had large banquet hall in centre, surrounded by kitchen and utilities, bedrooms upstairs overlooking hall. It has since been modified.Colour photograph of a mock Tudor dwelling at Colqhuoun Road. Corrugated iron gable roof across building. Gable roofed projection centre front. Dark painted lathes on outer walls add to Tudor effects. Set well back from road with established garden. Lakes Entrance Victoriahouses, architecture

Opened 2 May 1895 on site of old hall / school, Mechanics Hall 1930's, supper room added to rear.Colour photograph of a late Victorian style brick hall painted burgundy with pink trim around the windows, oculus ventilator set in facade. Side walls and front angles are buttressed. Hall set on south side of Princes Highway at Swan Reach, Victoria.halls, historic buildings

The building is the Soldiers Memorial Institute Pall Mall Bendigo. The period of the painting is between the years 2008 and 2016 after the remodeling of the Forecourt and the major renovations to the building 2016 - 18. This is the first of 3 water colours by Stan Thomas. The building was the HQ of the Bendigo RSL now known as the Bendigo Military Museum. Refer Cat No's 8000.2, 8222, 8224 for the building history.Painting, water colour, timber gold frame, painting is set in two white insets, painting shows a large building greyish colour with a dome on top by artist Stan Thomas.Hand painted on, "RSL Hall Bendigo", "Stan Thomas"brsl, smirsl, painting, rsl hall

The building is the 3rd in a series of 3 water colours by Stan Thomas. The building is the HQ of the Kangaroo Flat RSL Sub Branch. The Sub Branch was formed on December 18th 1951. Refer Cat No 8231 for the series.Painting, water colour, gold timber frame, painting set in two white card insets showing a brick building with white double doors and a flag out the front with 4 large pot plants, by artist Stan Thomas.On top of the building, "Kangaroo Flat RSL", hand painted on "Stan Thomas"brsl, smirsl, painting, water colour, kangaroo flat

This building was the HQ of the Eaglehawk RSL Sub Branch. It is the 2nd in a series of 3 water colours by Stan Thomas. For all items relating to Eaglehawk RSL type in the letters ehrsl in search. Refer Cat No 8231 for the 3 in the series.Painting, water colour, gold timber frame, painting is set in two white insets, shows a long building with a round roof with a brick front by artist Stan Thomas.Hand painted on, "Stan Thomas"brsl, smirsl, ehrsl, painting, eaglehawk

Black and white photograph set in a timber frame with gold paint Royal Mint (bottom left corner)historic building, historic photograph, former royal mint