Photo taken at the east end of the school. 1. Head Teacher John Brown served as HT from 1889 to his death in Sept 1906. 2. 53 Girls and 42 boys - 95 - attendance figures known between 1899 and 1906. 3. Female teacher in both photohraphs is Miss Amy E Barrowclough (Oct 1900 through 1904) [150th anniversary book incorrectly identifies her as Ellen Sweeney] 4. Youth in doorway is the Monitor, Harold Gilsenan (1904) 5. Post and rail fencing along Dalton Street (seen behind John Brown) was built in the upgrade of 1903 These facts date the photographs to be c.1904-c.1905 [Harry Gilham] Ina Falkiner is top row 4th from left Gertrude Falkiner is bottom row seated 4th from left. (Identified by Gertrude's garnddaugher and Ina's great neice, Judith Vun, email 26 May 2022) John Brown died 23 Sept 1906 after a short severe illness at age 55 and is buried in Box Hill Cemetery (Evelyn Observer 28 Sep 1906 p2). The book "We did open a school in Little Eltham" incorrectly states his date of death as 16/12/1906. Title The Evelyn Observer. (1906, September 28). Evelyn Observer and Bourke East Record (Vic. : 1902 - 1917), p. 2 (MORNING.) Url http://nla.gov.au/nla.news-article61129880 Description It is with sincere regret we record the death of Mr. John Brown, State school teacher, Eltham, which sad event took place at his residence, "Pine Brae," on Sunday night last, 23rd inst. after a severe illness of some few weeks' duration. The deceased gentleman was highly respected, and always took a lively and active interest in promoting the progress and prosperity of the district, and his loss will be much felt, He was only 55 years of age, and leaves a wife and large family to mourn their loss, and much sympathy is felt for them. The remains of the deceased were interred in the Box Hill cemetery on Wednesday afternoon last. PANEL 1875-1920 Panels began to be produced around 1875, and were particularly suited, because of their larger size, for capturing family, or even larger, groups. They measured 8.5 by 6.5 inches (22 cm x 16.5 cm). - Frost, Lenore; Dating Family Photos 1850-1920; Valiant Press Pty. Ltd., Berwick, Victoria 1991marg ball collection, shillinglaw family photo album 3, class photo, eltham primary school, eltham state school no. 209, 1904, harold gilsenan, john brown, miss amy e barrowclough, state school no. 209, theodor black photographer

Entered for, and winner of, 2012 Expression: The Wool Quilt Prize. Artists statement: "Out there" refers to the wide view of the undulating land extending from our home acreage towards the escarpment and the coast. There are also the millions of small organisms that live out there. As well, out there is the vast Australian landscape which I find thrilling"Wool quilt in landscape orientation with three distinct design patterns, primarily orange/brown/red in colour. Top panel is a light brown background with paler circles inset. Middle panel is an ochre colour with horizontal uneven lines. Bottom panel is an orange colour with pale bordered square shapes. Artists panel on back bottom right corner.

This item was inherited from the donor's father, René Dupuche. John Dupuche, writes: This magnifying glass was used to remove the burrs and thorns that wool-buyers tended to get in their fingers when examining bales of wool. The open end was placed on the finger since the thorn was sometimes buried under the skin. The buyer looked through the magnifying glass and with tweezers or a pin removed the thorn which had rendered the finger inoperative. The wool-buyers needed the sensitivity of their fingers to appraise the suitability of the wool, as buyers had for centuries past, measuring the length of the staple, feeling and counting the crimps in the fibre, its finesse, softness, elasticity and strength, assessing the colour, watching for extraneous matter such as dust or seeds which would not be welcome by manufacturers half-way across the world. Their skills took years to acquire. Knowledgeable buyers were invaluable to their employers, since they were able to evaluate to the last percentage the yield of a bale. My father, René Dupuche, was the ‘principal buyer’ from 1927-1966 in Victoria, South Australia and Tasmania for the international wool company ‘Masurel Fils’ which was one of the largest wool businesses in Europe. It was based in the north of France, in Tourcoing, one of the major wool centres of the world. He was sent to Australia as a young man at the age of 23 and took part in the ‘golden era’ of wool in Australia, and the eventual replacement of hands-on appraisal by ‘core-testing’. Masurel Fils was one of the dozens of French and Belgian firms operating in Australia. These men from Flanders enjoyed a cosmopolitan society augmented by diplomats, European bankers and shipping-line executives for various countries and a handful of scientists and academics.Small black metal magnifying lens with three fold design and two hinges. One panel contains a circular glass lens, the centre panel has a circular hole, and the third panel has a square hole with three lines on each side.wool buyer, magnifying glass, magnifying lens, burrs, rené dupuche, john dupuche, migrants, masurel fils, french, belgian, flanders, working life, sheep industry, wool industry, agriculture

Originally built for a Singapore release, but order cancelled because of Asian recession. Because of exhaust emissions, the only country to accept it was New ZealandBuilt by Holden April 1995 to August 1997Burgundy coloured 4 door sedan with Statesman style grilleFront quarter panels : V6 Commodore. Rear quarter panel: Royale. Rear :LH side Holden. Boot, center Holden Logo. RHS Royale 2.5 V6.vs commodore, car, vehicle

Plane, Panel Plough with screw-arms on Fence. flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village

Plane Panel Plough type blade missing.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village

Unframed painting on canvas panel with cardboard backing.

Wood Panel with RAAF Crest printed thereon.ephemera, current, raaf

This artwork is part of 69Fifteen, the book published in 2013 celebrating 69 Smith Street Gallery’s 15th year in operation as an artist-run space.Oil painting and gold leaf on a birch panelnikki d'emden, 69 smith street gallery, artist-run initiative, painting, artist-run space, melbourne art galleries, nikkidemden.com

Belonged to Charles Clarence Schwerkolt and then used by his daughter Rosalie WhalenA wooden handled panel saw with four screwsCircle on handle - Trade Mark Nonpareil & elephantsaw, hand tools, schwerkolt, whalen

The Sanyo ‘Sensor Touch’ television was assembled in Wodonga. Sanyo was one of the international companies that set up business in Wodonga in the 1970s as part of the decentralisation of industry. It continued operation into the 1980s. The Sanyo Australia Pty. Ltd. factory in Wodonga opened in 1974 with 35 staff and production peaked in 1976-1977 when it employed 360 people. In the first ten years 350,000 televisions were assembled from Japanese parts, however by 1984 the number of staff had reduced to 112 and the factory closed in 1987. All Sanyo televisions were then imported from Japan.The Sanyo ‘Sensor Touch’ television has local, state and national significance as it is thought to have been assembled in Sanyo Australia's factory in Wodonga. Sanyo was one of the international companies that set up business in Wodonga as part of the decentralisation of industry in Australia in the 1970s-1980s.Large Sanyo 'Sensor Touch' colour television with a faux wooden veneer frame and exterior. 53 cm or 20 inch screen (diagonal measurement)."SANYO / Sensor Touch / Telecolor" on the proper left side panel. "9 / 2 / 7 /28 /10 / 3 / 1 / 0 / AV" for the channels on the proper left panel. "COLOUR / BRIGHT / ONE / BUTTON / COLOUR / PULL-ON / VOLUME" under various buttons on the proper left panel. sanyo, colour televisions, televisions, sensor touch television, wodonga, sanyo australia pty. ltd.

White cotton peaked cap with five panel and airholes. Padded front panel with red and black lettering and a black logo. Stitch detail on peak. Adjustable white velcro fastening. Padded headband. Inside front panel lined with interfacing. Nylon label.front of hat ; City of Nunawading.|Label 100% cotton; hand wash; cold water; drip dry; Made in China.costume, male headware, female headwear

Sauce came in bottles bought at the local grocery store or at a large city store on a shopping expedition. The shape and embossing on the bottle changed as did the stopper used to seal it. Bottles were re cycled remaining the property of the manufacturer. History of Groves McVitty & Co. Pty. Ltd. Melbourne.Historical: Change of bottles - shape, glass, embossing, use Aesthetic: Display showing embossing and shape.Clear glass bottle with straight sides a little over half way up. These sides have 4 panels curved at the top equally spaced vertically around the sides with 1 panel seemingly missing. The panels are embossed onto the glass and have accentuated embossed sides. 1 panel is heavily embossed with print in capital letters. It has a screw top. The base is embossed. Side: 'The Property of / Groves McVitty & Co Pty Ltd Melb.' Base: 'The / Property of / Groves McVitty / & Co Pty Ltd / Melb.'sauce, glass bottle, groves mcvitty & co. pty ltd mebourne

The Sanyo VHF colour television is thought to have been assembled in Wodonga, as Sanyo was one of the international companies that set up business in Wodonga in the 1970s as part of the de-centralisation of industry and continued operation into the 1980s. The Sanyo Australia Pty. Ltd. factory in Wodonga opened in 1974 with 35 staff and production peaked in 1976-1977 when it employed 360 people. In the first ten years 350,000 televisions were assembled from Japanese parts, however by 1984 the number of staff had reduced to 112 and the factory closed in 1987. All Sanyo televisions were then imported from Japan. The Sanyo VHF colour television has local, state and national significance as it is thought to have been assembled in Sanyo Australia's factory in Wodonga. Sanyo was one of the international companies that set up business in Wodonga as part of the decentralisation of industry in Australia in the 1970s-1980s.Cream and black plastic Sanyo VHF colour televison, with the Sanyo logo and one large circular VHF control knob for the different channels on the proper left black plastic panel, and one small off-on volume knob at the bottom of the black plastic panel. The diagonal screen measurement is 30 cm or 11 inches."VHF" / SANYO / Telecolor / AFT / OFF-ON/ VOLUME" on the proper left black plastic panel on the front of the television. "75Ω- 300Ω" on the black part of the cable attached to the two antennas. "FOR YOUR SAFETY / Install any external / aerial to AS1417.1" on the back of the television. "SERIAL NO / 30207332" on the back of the television. "SANYO / MODEL CTP 2600 / CHASSIS NO. 79P-B5ZH 01 / AC 240V~, 50Hz, 85 WATTS / SANYO ELECTRIC CO., LTD. MADE IN JAPAN / WARNING / DANGEROUS VOLTAGE INSIDE / CHASSIS LIVE / CONTACT IS DANGEROUS / 3401901 B5ZH-B" on the back of the television. "SBS TELEVISION" stickers on both sides of the television. "WODONGA ASSEMBLED TELEVISION. (underlined) / This SANYO VHF COLOUR TELEVISION / Serial number AS1417.A (AS = Australia) / Model CTP 2600 was assembled / at the Sanyo Drive, Wodonga, factory Circa 1980, from Japanese parts." printed on a paper label attached to the upper back part of the television. sanyo, sanyo colour televisions, sanyo t.v.s, vhf t.v.s, sbs, wodonga, sanyo australia pty. ltd.

High Street Charlton streetscape. Shows Sweatman's North Central Panel Beaters (formerly Charlton Motors Pty Ltd garage), Heather's Choice Gift Shop (in the former Bilton/Dillon building built 1889), Westpac Bank, War Memorial (built 1923)Colour photograph of High St Charlton taken near the corner of Armstrong Street looking west. Garden beds in lower LH, road signs pointing to St Arnaud and to Mildura and Donald. North Central Panel Beaters on corner. Orange car driving west, person crossing the road, man standing near white ute in front of Westpac bank on RH side of photo. Heather's Choice sign on side of building. War Memorial at the end of the road.sweatmans, north central panel beaters, heather's gift shop, bilton building, westpac, war memorial, charlton, business, industry

Used by manufacturer to display his goods, harness dressing.As imported and sold by Holden and Frost Ca 1900wooden box no lid with inscriptions on front and backFront panel, "world harness dressing" pictured on diagram of two horsesdressing, harness, box

Set of 6 digital images featured on the building on the south west corner of Barkly and Cobden Sts, the Mount Pleasant tram terminus. Taken 12/11/2020 .1 - general view .2 - view of the main panel with interpretative panels. .3 and .4 - view of the interpretative panels with credits - includes photo turned into a mural by Bob Wilson. .5 - map panel .6 - pamphlet box.trams, tramways, mount pleasant terminus, barkly st, history, heritage, interpretation

Tall clear aqua tinted glass bottle, square in section, lozenge shaped panels impressed on three sides with embossed text on two panels, fourth side a rectangular panel impressed. For stopper seal. Embossed numeral on base. Top fused to moulded glass body.On base '9'. Side 1 : 'POTTER DRUG & CHEMICAL CO'. Side 2 : 'THE CUTICURA SYSTEM OF CURING CONSTITUTIONAL HUMOURS'.cuticura system

Stained glass panel in frame, entitled: 'Battledore & Shuttlecock'. Depicts full-length neoclassical female figure holding a battledore and shuttlecock. Stained glass panel is stabilised by a panel of opaque perspex backing screwed to back of hanging frame. Materials: Glass, Metal, Paint, Woodtennis

12 apostles I researched daily temperatures taken from the Wangaratta aerodrome station -#82138- when it first operated in mid May 1987. This year is significant as the Wangaratta Art Gallery also opened in 1987. Noting the daily minimum and maximum temperatures, I drew a graph to show this information for each month on a plywood block forward for 12 months. On the reverse of each plywood block, I collected and drew a graph of the daily minimum and maximum from May 2014 backwards for 12 months. Using a steel nibbed pen with silver ink directly on the plywood block, the drawing relates the temperatures to the shape of the landscape. The title refers to the common usage, from the original classical Greek ‘apostolos’, meaning one who is sent away to convey messages- this one being the difference seen most acutely between the 2 faces of each plywood block separated by a quarter of a century in time.Wangaratta Art Gallery CollectionA contemporary sculpture made from plywood and silver ink that depicts graphs of weather readings, and a glass panel that displays the weather readings that corollate to the graph on the plywood panels.dana harris, sculpture, weather

From the estate of Jenny Lang, 11 Pearcedale Road, NunawadingBeige cotton bag, red binding and embroidered with yellow, cream and red, cross stitch panels. Green and cream running stitch leaf pattern surrounds the panels.costume accessories, female

Black and white photograph of Horse Tram No. 1, photographed at the rear of the depot about June 1989. Saloon body framing, with panels in position, no windows or internal panels.trams, tramways, horse tram no. 1, btps, tramcars, reconstruction , tram 1

A moulding plane is a specialised plane used for making the complex shapes found in wooden mouldings that are used to decorate furniture or other wooden object. Traditionally, moulding planes were blocks of wear resistant hardwood, often beech or maple, which were worked to the shape of the intended moulding. The blade, or iron was likewise formed to the intended moulding profile and secured in the body of the plane with a wooden wedge. A traditional cabinetmakers shop might have many, perhaps hundreds, of moulding planes for the full range of work to be performed. Large crown mouldings required planes of six or more inches in width, which demanded great strength to push and often had additional peg handles on the sides, allowing the craftsman's apprentice or other worker to pull the plane ahead of the master who guided it.A vintage tool made by an unknown maker, this item was made commercially for firms and individuals who worked in wood and needed a tool that could produce a ornamental finish to timber. These profiled planes came in various shapes and sizes to achieve a decorative finish. Although the item is marked J Dixon no reference can be found at this time for a maker of complex moulding planes J Dixon of London. The plane could have been made by an unknown maker and sold through a merchandising agent of which there was one in London at the time. It is this agent J Dixon that could have stamped his mark on the item and then sold the plane on giving the impression J Dixon was the maker, this practice was quite common in the 18th & 19th centuries. This item is still regarded as a significant tool from the mid to late 19th century that today is quite rare and sought after by collectors. It gives us a snapshot of how furniture and other decorative finishes were created on timber by the use of hand tools. Panel Plough Plane white wood, blade missing. Stamped "J Dixon London" also has the letter "B" stamped flagstaff hill, warrnambool, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, wood working, cabinet making, complex moulding plane, j dixon london, mouldings

James S Steele tool boxPlane Panel Plough type stamped S Wattflagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village

Lace belt with larger central panel. Silk backing

The Bell UH-1 Iroquiois helicopter was used extensively during the Vietnam War. Instrument panel from Bell Iroquois UH-1BDials & specificationsinstrument panel, bell uh-1 iroquois

The pictures represent the memories of Finnish migrants in Melbourne.Only one made by handNine Panels Handicrafts cross tits embroidery weaving Bordered and mounted May 2005 Margaret Vieth