Unframed painting on canvas panel with cardboard backing.

Wood Panel with RAAF Crest printed thereon.ephemera, current, raaf

This artwork is part of 69Fifteen, the book published in 2013 celebrating 69 Smith Street Gallery’s 15th year in operation as an artist-run space.Oil painting and gold leaf on a birch panelnikki d'emden, 69 smith street gallery, artist-run initiative, painting, artist-run space, melbourne art galleries, nikkidemden.com

Belonged to Charles Clarence Schwerkolt and then used by his daughter Rosalie WhalenA wooden handled panel saw with four screwsCircle on handle - Trade Mark Nonpareil & elephantsaw, hand tools, schwerkolt, whalen

Sauce came in bottles bought at the local grocery store or at a large city store on a shopping expedition. The shape and embossing on the bottle changed as did the stopper used to seal it. Bottles were re cycled remaining the property of the manufacturer. History of Groves McVitty & Co. Pty. Ltd. Melbourne.Historical: Change of bottles - shape, glass, embossing, use Aesthetic: Display showing embossing and shape.Clear glass bottle with straight sides a little over half way up. These sides have 4 panels curved at the top equally spaced vertically around the sides with 1 panel seemingly missing. The panels are embossed onto the glass and have accentuated embossed sides. 1 panel is heavily embossed with print in capital letters. It has a screw top. The base is embossed. Side: 'The Property of / Groves McVitty & Co Pty Ltd Melb.' Base: 'The / Property of / Groves McVitty / & Co Pty Ltd / Melb.'sauce, glass bottle, groves mcvitty & co. pty ltd mebourne

High Street Charlton streetscape. Shows Sweatman's North Central Panel Beaters (formerly Charlton Motors Pty Ltd garage), Heather's Choice Gift Shop (in the former Bilton/Dillon building built 1889), Westpac Bank, War Memorial (built 1923)Colour photograph of High St Charlton taken near the corner of Armstrong Street looking west. Garden beds in lower LH, road signs pointing to St Arnaud and to Mildura and Donald. North Central Panel Beaters on corner. Orange car driving west, person crossing the road, man standing near white ute in front of Westpac bank on RH side of photo. Heather's Choice sign on side of building. War Memorial at the end of the road.sweatmans, north central panel beaters, heather's gift shop, bilton building, westpac, war memorial

Set of 6 digital images featured on the building on the south west corner of Barkly and Cobden Sts, the Mount Pleasant tram terminus. Taken 12/11/2020 .1 - general view .2 - view of the main panel with interpretative panels. .3 and .4 - view of the interpretative panels with credits - includes photo turned into a mural by Bob Wilson. .5 - map panel .6 - pamphlet box.trams, tramways, mount pleasant terminus, barkly st, history, heritage, interpretation

Tall clear aqua tinted glass bottle, square in section, lozenge shaped panels impressed on three sides with embossed text on two panels, fourth side a rectangular panel impressed. For stopper seal. Embossed numeral on base. Top fused to moulded glass body.On base '9'. Side 1 : 'POTTER DRUG & CHEMICAL CO'. Side 2 : 'THE CUTICURA SYSTEM OF CURING CONSTITUTIONAL HUMOURS'.cuticura system

Stained glass panel in frame, entitled: 'Battledore & Shuttlecock'. Depicts full-length neoclassical female figure holding a battledore and shuttlecock. Stained glass panel is stabilised by a panel of opaque perspex backing screwed to back of hanging frame. Materials: Glass, Metal, Paint, Woodtennis

12 apostles I researched daily temperatures taken from the Wangaratta aerodrome station -#82138- when it first operated in mid May 1987. This year is significant as the Wangaratta Art Gallery also opened in 1987. Noting the daily minimum and maximum temperatures, I drew a graph to show this information for each month on a plywood block forward for 12 months. On the reverse of each plywood block, I collected and drew a graph of the daily minimum and maximum from May 2014 backwards for 12 months. Using a steel nibbed pen with silver ink directly on the plywood block, the drawing relates the temperatures to the shape of the landscape. The title refers to the common usage, from the original classical Greek ‘apostolos’, meaning one who is sent away to convey messages- this one being the difference seen most acutely between the 2 faces of each plywood block separated by a quarter of a century in time.Wangaratta Art Gallery CollectionA contemporary sculpture made from plywood and silver ink that depicts graphs of weather readings, and a glass panel that displays the weather readings that corollate to the graph on the plywood panels.dana harris, sculpture, weather

From the estate of Jenny Lang, 11 Pearcedale Road, NunawadingBeige cotton bag, red binding and embroidered with yellow, cream and red, cross stitch panels. Green and cream running stitch leaf pattern surrounds the panels.costume accessories, female

Black and white photograph of Horse Tram No. 1, photographed at the rear of the depot about June 1989. Saloon body framing, with panels in position, no windows or internal panels.trams, tramways, horse tram no. 1, btps, tramcars, reconstruction , tram 1

John Meikeljohn was born in 1841 in Glasgow. He was educated at Glasgow University and U. P. Theological Hall and ordained at the Glasgow City Mission in 1872. His ministries included: 1874 Kirkmairhill U. O. Lankashire; 1888 south Melbourne Dorcas St.. In 1901 he became the first Moderator General for the Assembly of Australia and was the first Principal Emmnauel College Brisbane. The Rev Dr Meikelijohn died on 28/09/1915.Sepia toned studio portrait tipped on to textured beige coloured cardboard of Rev. Dr. John Meikeljohn who dressed in his formal attire of a moderator general. He is sitting in a chair with his legs crossed with his hands resting on the arms of the chair.Printed on the front: "Mendelssohn & Co" "SALON PANEL" "80 SWANSTON ST. MELBOURNE"emmanuel college brisbane, rev. dr. john meikeljohn, presbyterian moderator general

8-sided, brown, glass bottle with no stopper.On front panel: "Dexsal Reg. Trade Mark". On base: "F 337" and "M".bottles

A moulding plane is a specialised plane used for making the complex shapes found in wooden mouldings that are used to decorate furniture or other wooden object. Traditionally, moulding planes were blocks of wear resistant hardwood, often beech or maple, which were worked to the shape of the intended moulding. The blade, or iron was likewise formed to the intended moulding profile and secured in the body of the plane with a wooden wedge. A traditional cabinetmakers shop might have many, perhaps hundreds, of moulding planes for the full range of work to be performed. Large crown mouldings required planes of six or more inches in width, which demanded great strength to push and often had additional peg handles on the sides, allowing the craftsman's apprentice or other worker to pull the plane ahead of the master who guided it.A vintage tool made by an unknown maker, this item was made commercially for firms and individuals who worked in wood and needed a tool that could produce a ornamental finish to timber. These profiled planes came in various shapes and sizes to achieve a decorative finish. Although the item is marked J Dixon no reference can be found at this time for a maker of complex moulding planes J Dixon of London. The plane could have been made by an unknown maker and sold through a merchandising agent of which there was one in London at the time. It is this agent J Dixon that could have stamped his mark on the item and then sold the plane on giving the impression J Dixon was the maker, this practice was quite common in the 18th & 19th centuries. This item is still regarded as a significant tool from the mid to late 19th century that today is quite rare and sought after by collectors. It gives us a snapshot of how furniture and other decorative finishes were created on timber by the use of hand tools. Panel Plough Plane white wood, blade missing. Stamped "J Dixon London" also has the letter "B" stamped flagstaff hill, warrnambool, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, wood working, cabinet making, complex moulding plane, j dixon london, mouldings

James S Steele tool boxPlane Panel Plough type stamped S Wattflagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village

Lace belt with larger central panel. Silk backing

The Bell UH-1 Iroquiois helicopter was used extensively during the Vietnam War. Instrument panel from Bell Iroquois UH-1BDials & specificationsinstrument panel, bell uh-1 iroquois

The pictures represent the memories of Finnish migrants in Melbourne.Only one made by handNine Panels Handicrafts cross tits embroidery weaving Bordered and mounted May 2005 Margaret Vieth

Donated to the Ringwood RSL on the occasion of a visit rom British Legion members.Square wooden plaque will aluminium panel and engraved text.Eganstown and Gilfach Goch Branch British Legion "To our comrades in Australia 1982"

Portable defribulator. Possibly used in air ambulances.Grey portable defribulator with black panel and inserted paddle.TEMTECH SER NO 3212

The Fashion & Design collection of Kew Historical Society includes examples of textiles dating from the 18th, 19th and 20th centuries. Some of the textiles, were used as items of clothing, others as items of household decoration, or simply as travel souvenirs. These textiles were created both domestically and internationally. Predictably with the growth of an ethnically and culturally more diverse community in Kew after the Second World War, textiles, clothing and objects in the collection inevitably reflected this diversity. Rectangular silk panel edged with lace at either end.lace, women's clothing

George JOHNSON (18 August 1926- ) Born Nelson, New Zealand Arrived Australia 1953 George Johnson's formalised abstractions usually feature a pattern of small related geometrical shapes which give life, luminosity and fluidity to forms which might be mechanical and lifeless. Later his forms become become much larger and more architonic. The work of George Johnson debuted at the Herald Outdoor Art Show in 1953. The George Johnson Mural was commissioned by the Ballarat Teachers' College Students' Representative Council in 1965. It was purchased with funds raised by staff and students. At the unveiling of this work at the Ballarat Teachers' College Johnson's work was described at belonging to the "Hard Edged" school of abstract painters who had set themselves far above the mass of abstract painters by the vitality and artistic ability displayed in their work. Of the work John JOhnson said "We are all part of life and are growing and developing in many different ways, the process of development is often taking place without us even being aware of it. In my painting the embryo shapes appear and grow. I have tried to make the mural symbolic of life and growth. I do not thank that anything has been left to chance in the mural. Everything is working, and, I feel, working well. It has balance and harmony - and perhaps discord, as does life - one malfunction or imbalance throws everything out." This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.A painted mural in three panels, including hession collage. art, artwork, george johnson, johnson, ballarat teachers' college art collection, mural, hard edged