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Ararat Gallery TAMA
Functional object, Tagane, c. 1900s
‘The Art of the Japanese Package’ was an exhibition that toured to 10 Australian and 11 New Zealand public galleries in 1979 and 1980. The touring exhibition comprised 221 objects of traditional Japanese packaging which extended from ceramics, wood and paper to woven fibre containers. At the conclusion of the tour, The Japan Foundation and the Crafts Board of the Australia Council donated the vast majority of the exhibition to the Ararat Gallery for its permanent collection. Combining the natural qualities of bamboo, paper and straw with delicate craftsmanship, these unique objects express Japanese aesthetics as applied through fibre crafts. In Japan, the qualities and traits of natural materials are exploited rather than hidden. The texture of straw, the septa of bamboo are not concealed but lovingly incorporated into the whole. In 1979 Hideyuki Oka, curator of ‘The Art of the Japanese Package’ wrote: “In no way self-conscious or assertive, these wrappings have an artless and obedient air that greatly moves the modern viewer. They are whispered evidence of the Japanese ability to create beauty from the simplest products of nature. They also teach us that wisdom and feeling are especially important in packaging because these qualities, or the lack of them, are almost immediately apparent. What is the use of a package if it shows no feeling?” The descriptions of the featured objects were written by Hideyuki Oka, curator of ‘The Art of the Japanese Package’, 1979.Gift of the Japan-Australia Foundation and the Crafts Board of the Australia Council, 1981The sembei (rice crackers) in this sturdy bag of handmade paper come from the town of Kuwana in Mie Prefecture and go by the trade name of Tagane, which derives from the name of the rice crackers offered to the Shinto gods. In fact, these sembei have a long tradition that goes back to ancient times. The silk drawstring of the bag gives it a particularly distinguished look. - Professor Hideyuki Oka, curator.japanese art, japanese packaging, tsutsumi, gift giving -
University of Melbourne, Burnley Campus Archives
Administrative record - Report, The University of Melbourne, Faculty of Land and Food Resources, The Burnley Master Plan, 2007
finance, buildings -
Port Melbourne Historical & Preservation Society
Book, Errol Chinner et al, Australia's Schoolboy Ambassadors, 2002
"Australia's Schoolboy Ambassadors" Green covered book with gold lettering. A record of the Sun-Advertising Daily News sponsored youth travel tours to Great Britain in the 1950sPresented to John May of the Port Melbourne Historical and Preservation Society on behalf of Laurence Erik (Laurie) Carlson (see page 367) and the Sun Advertiser Youth Travel Association by Professor John W Brownbill (Vice President) on 21 May 2018societies clubs unions and other organisations, laurence carlson, sun advertiser youth travel association -
Federation University Historical Collection
Booklet, Tulloch & King, Ballarat School of Mines Students' Magazine, 1925, 1925
Editorial, Personal, Answers to Correspondents, Fumes from the Lab, Trip to Newcastle, Arts & Crafts Gossip, Echoes of the Past, Professor Alfred Mica Smith, Sport, The Junior Techs.1925 Red soft covered magazine. 1925 Signed on front cover "Hessie Darby" ballarat school of mines, magazine, harold jolly, j. maude, g. roberts, e. j. mckissock, jean rodgers, f. sheehan, m. f. timmings, f. ewart, t. e. leonard, jean graham, vera jeffries,, m. conlan, j. r. pound, e. n. schache, w. g. coates, jean ronaldson, r. warrillow, v. g. anderson, j. b. robinson, f. v. middleton, professor alfred mica smith,, c. a. schache, r. s. russell, g. richmond, r. mcinnes, gordon pearson. -
Ballarat Tramway Museum
Photograph - Weston Bate launching Horse Tram No. 1, Carolyn Dean, 7/11/1992
Photograph of Horse Tram No. 1 of Professor Weston Bate, 7 November 1992 launching the horse tram. On Agfa paper. Used in the November 1992 issue of Fares Please! Yields information about the launch and the first operation of the horse tram in Wendouree Parade by the BTPS and has a strong association with those involved.Colour photo with Photographer's note on the rear.On rear "14 7.11.92, " in blue ink.horse tram no. 1, tramcars, reconstruction, btps, tram 1 -
Federation University Historical Collection
Book, Godfrey W. Himus, The Elements of Fuel Technology, 1947, 1947
Author Godfrey Himus was assistant professor in fuel technology at teh Imperial College of Science and technology, London, Formerly Chief Chemist to teh Municipal Electricity Department, Shanghai, ChinaGreen hardcovered book of 506 pages. Includes line illustrations. Signed inside front "Adrian Weeks"adrian weeks, fuel technology, godfrey w. himus -
Federation University Historical Collection
Letter, Letter from the South Australia Department of Mines to the Ballarat School of Mines, 22/08/1961
Professor F.M. Krause acted as consultant for the New Ediacara Silver Mining Co., N.L and the Ediacare Consols Silver Mining Co., N.L, both located at Beltana, South Australia.Foolscap typed letter from L.W. Parkin, Acting Directr of Mines at the South Australia Depatment of Mines to Harry E. Arblaster, Principal of the Ballarat School of Mines. The letter addresses information about former Ballarat School of Mines Professer Ferdinand M. Krause, and the hope his work may address the Ediacara Mine.ferdinand krause, south australia deparment of mines, harold arblaster, new ediacara silver mining co, beltana, greenwood's shaft, rosewarne's shaft, south australian department of mines, new ediacara silver mining co., n.l, ediacare consols silver mining co., south australia -
Tatura Irrigation & Wartime Camps Museum
Poster, POW and Internment Camps Across Australia, 2019
Poster depicts scenes of the various internment camps around Australia, including camp layouts and geographic information. Made as part of the project "Temporal Cities" led by Professor Anoma Pieris.1 laminated sheet of paper depicting POW and internment camps across Australia. 1939-1947. Is contained in a large white cylinder. Poster is in a thin black metal frame with black mat and glass.Labelled on back with copy of information in historical information.professor anoma pieris, university of melbourne, camp architecture -
City of Ballarat
Artwork, other - Public Artwork, Carlo Benzoni, The Flight From Pompeii, Circa 1885
The Flight from Pompeii was designed by Professor Carlo Benzoni and carved by Charles Francis Summers, one of five white marble statues housed in the Statuary Pavilion, Ballarat Botanical Gardens.The Pavilion and its statues were unveiled in 1888 by Premier Duncan Gillies, a former colleague of James Russell Thompson whose bequest to the City enabled the purchase, in Italy, of the statues. The Flight from Pompeii and the four accompanying statues are housed in the Statuary Pavilion in the Ballarat Botanical Gardens. The Flight from Pompeii, in the centre, was designed by Professor Carlo Benzoni and carved by Charles Francis Summers while the four accompanying statues were all designed and carved by Charles Francis Summers. The octagonal Pavilion was specially designed by T.E. Molloy in 1887 to house the statuary. The five statues and Pavilion are believed to be unique in Australia. The Flight from Pompeii, Modesty, Rebekah, Ruth and Susannah are aesthetically significant as they are a group of statues, which are a fine example of the design of Professor G.M. Benzoni [Flight from Pompeii] and the design and carving of Charles Francis Summers. The carving of the Flight from Pompeii is both sensitive and finely done and both the design and carving of Modesty, Rebekah, Ruth and Susannah is sensitive and delicate with great attention to detail. The group is historically important as it epitomises the 'beautification' of the city in the 1880s by men who made their money from gold and who wished to give to the city money for projects such the statuary Pavilion and its contents. The Flight from Pompeii group is located in the Botanical Gardens, which were then also being developed in the Victorian style. This also illustrates the social feeling of the time in which the wealthy had made their money and were wanting to develop in a most substantial way, as well as to 'beautify' the city in which they lived. The Pavilion, designed by the major Ballarat architect T.E. Molloy, is unusual for its top-lit central lantern and curved roofs. The statues are seen to their best advantage because of the provision of all-round and top natural lighting. Classified: 03/03/2003 Victorian Heritage Database.White marble statue of a male, female and baby (family) in flight.The Flight From Pompeii by Charles Summersflight, pompeii, benzoni, summers -
Clunes Museum
Document - DOCUMENTS, 2003
INCLUDED IN FOLDER - GOLD COVER BOOKLET, PROVENANCE - CELEBRATING 30 YEARS OF VICTORIAN PUBLIC RECORDS ACT. BY PROFESSOR E.W [BILL] RUSSEL. ORIGINAL ARCHIVAL RESEARCH BY CHARLIE FARRUGIA.FOLDER WITH ROYAL BLUE COVER CONTAINING COLLECTION OF REPORTS, INVITATIONS, FORMS TO BE FILLED IN FOR SEMINARS ETC., FROM DEPARTMENT OF VICTORIAN COMMUNITIESlocal history, document, report, government, state, vic. -
Ararat Gallery TAMA
Functional object, Saru - koshi Miso, c. 1900s
‘The Art of the Japanese Package’ was an exhibition that toured to 10 Australian and 11 New Zealand public galleries in 1979 and 1980. The touring exhibition comprised 221 objects of traditional Japanese packaging which extended from ceramics, wood and paper to woven fibre containers. At the conclusion of the tour, The Japan Foundation and the Crafts Board of the Australia Council donated the vast majority of the exhibition to the Ararat Gallery for its permanent collection. Combining the natural qualities of bamboo, paper and straw with delicate craftsmanship, these unique objects express Japanese aesthetics as applied through fibre crafts. In Japan, the qualities and traits of natural materials are exploited rather than hidden. The texture of straw, the septa of bamboo are not concealed but lovingly incorporated into the whole. In 1979 Hideyuki Oka, curator of ‘The Art of the Japanese Package’ wrote: “In no way self-conscious or assertive, these wrappings have an artless and obedient air that greatly moves the modern viewer. They are whispered evidence of the Japanese ability to create beauty from the simplest products of nature. They also teach us that wisdom and feeling are especially important in packaging because these qualities, or the lack of them, are almost immediately apparent. What is the use of a package if it shows no feeling?” The descriptions of the featured objects were written by Hideyuki Oka, curator of ‘The Art of the Japanese Package’, 1979. Gift of the Japan-Australia Foundation and the Crafts Board of the Australia Council, 1981Baskets of closely woven bamboo are used to package miso (soybean paste) from the city of Aizu Wakamatsu. Ordinarily, miso is sold in containers of pottery or wood, but these packages are unusual for another reason. The soup made with miso must be strained through a bamboo sieve if it is not to be lumpy, and these baskets may be used as sieves. Here two baskets are bound together to make a package of uncommon charm. - Professor Hideyuki Oka, curator.japanese art, japanese packaging, tsutsumi, gift giving -
Ararat Gallery TAMA
Functional object, Shugi - bukuro, c. 1900s
‘The Art of the Japanese Package’ was an exhibition that toured to 10 Australian and 11 New Zealand public galleries in 1979 and 1980. The touring exhibition comprised 221 objects of traditional Japanese packaging which extended from ceramics, wood and paper to woven fibre containers. At the conclusion of the tour, The Japan Foundation and the Crafts Board of the Australia Council donated the vast majority of the exhibition to the Ararat Gallery for its permanent collection. Combining the natural qualities of bamboo, paper and straw with delicate craftsmanship, these unique objects express Japanese aesthetics as applied through fibre crafts. In Japan, the qualities and traits of natural materials are exploited rather than hidden. The texture of straw, the septa of bamboo are not concealed but lovingly incorporated into the whole. In 1979 Hideyuki Oka, curator of ‘The Art of the Japanese Package’ wrote: “In no way self-conscious or assertive, these wrappings have an artless and obedient air that greatly moves the modern viewer. They are whispered evidence of the Japanese ability to create beauty from the simplest products of nature. They also teach us that wisdom and feeling are especially important in packaging because these qualities, or the lack of them, are almost immediately apparent. What is the use of a package if it shows no feeling?” The descriptions of the featured objects were written by Hideyuki Oka, curator of ‘The Art of the Japanese Package’, 1979.Gift of the Japan-Australia Foundation and the Crafts Board of the Australia Council, 1981This strikingly designed envelope, with white characters on a vivid red ground, is designed for congratulatory gifts of money. For example, by companies to employees when profits have been unusually good. The characters read o-iri, an expression originally used in theatres meaning 'full house'. The festive colour scheme and the boldness of the design strike a refreshing note in the hectic business world of today. - Professor Hideyuki Oka, curator.japanese art, japanese packaging, tsutsumi, gift giving -
Ararat Gallery TAMA
Functional object, Shugi - bukuro, c. 1900s
‘The Art of the Japanese Package’ was an exhibition that toured to 10 Australian and 11 New Zealand public galleries in 1979 and 1980. The touring exhibition comprised 221 objects of traditional Japanese packaging which extended from ceramics, wood and paper to woven fibre containers. At the conclusion of the tour, The Japan Foundation and the Crafts Board of the Australia Council donated the vast majority of the exhibition to the Ararat Gallery for its permanent collection. Combining the natural qualities of bamboo, paper and straw with delicate craftsmanship, these unique objects express Japanese aesthetics as applied through fibre crafts. In Japan, the qualities and traits of natural materials are exploited rather than hidden. The texture of straw, the septa of bamboo are not concealed but lovingly incorporated into the whole. In 1979 Hideyuki Oka, curator of ‘The Art of the Japanese Package’ wrote: “In no way self-conscious or assertive, these wrappings have an artless and obedient air that greatly moves the modern viewer. They are whispered evidence of the Japanese ability to create beauty from the simplest products of nature. They also teach us that wisdom and feeling are especially important in packaging because these qualities, or the lack of them, are almost immediately apparent. What is the use of a package if it shows no feeling?” The descriptions of the featured objects were written by Hideyuki Oka, curator of ‘The Art of the Japanese Package’, 1979.Gift of the Japan-Australia Foundation and the Crafts Board of the Australia Council, 1981This strikingly designed envelope, with white characters on a vivid red ground, is designed for congratulatory gifts of money. For example, by companies to employees when profits have been unusually good. The characters read o-iri, an expression originally used in theatres meaning 'full house'. The festive colour scheme and the boldness of the design strike a refreshing note in the hectic business world of today. - Professor Hideyuki Oka, curator.japanese art, japanese packaging, tsutsumi, gift giving -
Ararat Gallery TAMA
Functional object, Miniature rice bale, c. 1900s
‘The Art of the Japanese Package’ was an exhibition that toured to 10 Australian and 11 New Zealand public galleries in 1979 and 1980. The touring exhibition comprised 221 objects of traditional Japanese packaging which extended from ceramics, wood and paper to woven fibre containers. At the conclusion of the tour, The Japan Foundation and the Crafts Board of the Australia Council donated the vast majority of the exhibition to the Ararat Gallery for its permanent collection. Combining the natural qualities of bamboo, paper and straw with delicate craftsmanship, these unique objects express Japanese aesthetics as applied through fibre crafts. In Japan, the qualities and traits of natural materials are exploited rather than hidden. The texture of straw, the septa of bamboo are not concealed but lovingly incorporated into the whole. In 1979 Hideyuki Oka, curator of ‘The Art of the Japanese Package’ wrote: “In no way self-conscious or assertive, these wrappings have an artless and obedient air that greatly moves the modern viewer. They are whispered evidence of the Japanese ability to create beauty from the simplest products of nature. They also teach us that wisdom and feeling are especially important in packaging because these qualities, or the lack of them, are almost immediately apparent. What is the use of a package if it shows no feeling?” The descriptions of the featured objects were written by Hideyuki Oka, curator of ‘The Art of the Japanese Package’, 1979.Gift of the Japan-Australia Foundation and the Crafts Board of the Australia Council, 1981Miniature copies of old-style rice bales are fashioned of reed (and tied with the same material) to serve as packages for sweets from the city of Saidaiji, near Okayama City. The material is appropriate, for Okayama is famous as a source of reed for making the floor mats called tatami. The handsome label, made of dyed paper, is fastened to the package with mizuhiki, the cords traditionally tied around ceremonial gifts. - Professor Hideyuki Oka, curator.japanese art, japanese packaging, tsutsumi, gift giving -
Bendigo Historical Society Inc.
Book - LONG GULLY HISTORY GROUP COLLECTION: FOOTPRINTS ON THE SANDS OF TIME
Book titled Footprints on the Sands of Time: Bendigo's Citizens, the 1909 Bendigonian Annual and Community History with a grey tone cover with images of Sir John Quick, Amy Castles, Amy and Eileen Castles and Anthony Palamountain on the front and back covers. La Trobe University, Bendigo The Ninth Sir John Quick Bendigo Lecture 2 October 2002. Lecture by Professor Jeff Brownrigg, Head of Research and Outreach ScreenSound Australia, Canberra. Mentioned in the book is Sir John Quick, Some women of the early 20th Century, Bendigo's singers and opera singers and why communities all over Australia must face up to the challenges of global media by first recognizing the value of their own stories. Mentioned at the back of the book is a brief mention of Professor Jeff Brownrigg's career, John Quick's career and a list of The Sir John Quick Bendigo Lecture Series from 1994 to 2001.bendigo, history, long gully history group, the long gully history group - footprints on the sands of time, professor jeff brownrigg, research and outreach screensound australia, la trobe university bendigo, sir john quick, bendigonian annual, bendigo school of mines, british empire, alfred deakin, sir william lyne, king o'malley's commonwealth bank, telstra, sir frederick holder, robert garran, john mckay, the mirror, henry gyles turner, fischer, state library of victoria, bishop reville, bendigo evening news, bendigo independent, bendigo advertiser, melbourne university, melbourne age, richard twopenny, mr donald clarke esq, bendigo's butter factory, madame carandini, amy sherwin, nellie melba, oscar commetant, shamrock hotel, constitutional convention adelaide, frederick holder, edmund barton, catherine helen spence, elizabeth nicholls, women's christian temperance union, mary lee, rose scott, susan margery, maybanke anderson, vida goldstein, bendigonian annual, amy castles, alice crawford, edward allan bindley, joseph castles, mercy conent, freeman's journal, catholic press, therese radic melba, state library of victoria, cardinal moran, de quiros, bulletin, john norton, d headon, j brownrigg, lili sharp, eileen castles, mike sutcliffe, melbourne argus, frank cusack, david horsfall, alvin tracey, melbourne's advocate press, amy sherwin, frances saville, lalla miranda, hugo gorlitz, samuels family, louis august samuels, kate (catherina) samuels, madame benda, mathilde marchesi, emily dyason, erna (lovie) mueller, the german chapter, german heritage society bendigo, bertha rossow, hamilton hill, beatrice english, anthony palamountain, alfred bottoms, a c bartlemann, dorothy penfold, dr penfold, penfold gallery, pauline bindley, e a bindley, willie murdoch, sister mary tarcisia, sisters of mercy, peter dawson, bendigo's chinese populatin, masonic hall, ashman's dry-cleaners, walter murdoch, lily baxter, walter savage landor, robert garran, ada colley, australian journal of communication, michelle matthews -
Federation University Historical Collection
Equipment - Scientific Instruments, Flash-Point Tester, 1898, 1898
Probably used in the Ballarat School of Mines Chemisry Laboratories, at that time led by Professor Alfred Mica Smith, with lecturer Daniel Walker. From W. Watson & Sons, Block Arcade, MelbourneAn early model of a flashpoint apparatus, of mainly brass construction, heated by a spirit lamp. Complete with two mercury-in-glass tfermometers (50 degree to 70 degrees celcius x 1 degree, 10 degrees to 50 degrees celcius c 1 degree), and lamp-stand. Serial Number 1786.scientific instruments, chemistry, alfred mica smith, daniel walker, ballarat school of mines, w. watson & sons ltd, thermometer -
Tatura Irrigation & Wartime Camps Museum
Book, Research School of Physical Sciences and Engineering Annual Report 1997
Annual Report 1997 of the Research School of Physical Sciences and Engineering. Institute of Advanced Studies at the Australian National University. Professor Erich Weigold is the director. Erich was an internee in the Tatura Camp 3.184 page book. Brown cover and back page with brown binding. Picture of physics emblems on front and title in white print.erich weigold, research school of physical sciences and engineering, institute of advanced studies, australian national university, tatura camp internees -
Federation University Art Collection
Ceramic, Ned Kelly by Vernon Patrick, c1990
Professor Vernon PATRICK (1943- ) Born Havre, Montana, United States of America A lecturer at the Montana State University, Vernon Patrick was a visiting artist to the Gippsland Centre for Art and Design (GCAD).A stoneware platter with decoration featuring Ned Kelly in armour. vernon patrick, jan feder memorial ceramics collection, ceramics, gippsland campus, churchill -
Federation University Historical Collection
Book - Book - Scrapbook, University of Ballarat: Vice Chancellor's Column, "What's On"; 2002
Clippings related to the University of Ballarat, written by the Vice-Chancellor, Professor Kerry Cox. they were submitted to be printed in the press. Items appeared during the time from 16 January to 6 December 2002. White A4 two ring folder. Items in reverse order. Divided into months by coloured paper university of ballarat, ub -
Federation University Historical Collection
Book, Macmillan & Co, A Treatise on the Differential Calculus and the Elements of the Integral Calculus, 1855
Since this book was donated to the Ballarat School of Mines after the retirement of Prof. Alfred Mica Smith it can be assumed it was originally part of his original collectionBrown, hard, cloth covered book of 403 pages. Written inside cover in black ink "James Barrett. Brighton. 1859." Stamped on inside front page in purple ink "Presented to the School of Mines Ballarat by Professor A. Mica Smith, 1926 Impressed into front page " H & C. Treacher booksellers and stationers Brighton"ballarat school of mines, mica smith, alfred mica smith, professor mica smith, james barratt, mathematics, calculus, library -
Federation University Historical Collection
Document, Kim Durban, University of Ballarat Arts Academy Opening Speech, 2012, 15/06/2017
Kim Durban's speech at the opening of the Arts Academy at Camp Street Ballarat.From: Kim Durban Sent: Tuesday, 13 June 2017 3:14 PM To: Clare Gervasoni -
Ringwood and District Historical Society
Mixed media - Video, RDHS Guest Speaker Presentation - "Heritage and Social Significance" - Prof. Charles Sowerine
Digitised video (3.07GB) Duration: 50 minutes. Recorded May, 2022 (Video is available for viewing at Ringwood & District Historical Society Archives by appointment)Prof. Charles Sowerwine, Emeritus Professor at University of Melbourne, Fellow at La Trobe University and Chair of RHSV Heritage Committee, presents this talk on the subject of Heritage, both from an academic point of view and the practical appreciation of this integral part of our culture and local identification. -
Ararat Gallery TAMA
Functional object, Sandawara Ningyo, c. 1900s
‘The Art of the Japanese Package’ was an exhibition that toured to 10 Australian and 11 New Zealand public galleries in 1979 and 1980. The touring exhibition comprised 221 objects of traditional Japanese packaging which extended from ceramics, wood and paper to woven fibre containers. At the conclusion of the tour, The Japan Foundation and the Crafts Board of the Australia Council donated the vast majority of the exhibition to the Ararat Gallery for its permanent collection. Combining the natural qualities of bamboo, paper and straw with delicate craftsmanship, these unique objects express Japanese aesthetics as applied through fibre crafts. In Japan, the qualities and traits of natural materials are exploited rather than hidden. The texture of straw, the septa of bamboo are not concealed but lovingly incorporated into the whole. In 1979 Hideyuki Oka, curator of ‘The Art of the Japanese Package’ wrote: “In no way self-conscious or assertive, these wrappings have an artless and obedient air that greatly moves the modern viewer. They are whispered evidence of the Japanese ability to create beauty from the simplest products of nature. They also teach us that wisdom and feeling are especially important in packaging because these qualities, or the lack of them, are almost immediately apparent. What is the use of a package if it shows no feeling?” The descriptions of the featured objects were written by Hideyuki Oka, curator of ‘The Art of the Japanese Package’, 1979.Gift of the Japan-Australia Foundation and the Crafts Board of the Australia Council, 1981This toy is a product of Tottori City, and its only connection with traditional packaging is that it copies the mats used to close the straw bales in which rice is packed for the market. It is interesting, nevertheless, for its clever use of such a cheap and common material, and there is no denying its charm. The two dolls, made of paper and wood, represent the emperor and empress who occupy the chief places in the traditional Doll Festival display. - Professor Hideyuki Oka, curator.japanese art, japanese packaging, tsutsumi, gift giving -
Federation University Historical Collection
Booklet, Ballarat School of Mines Students' Magazine, 1934, 1934
List of Full Course Students' 1934, Editorial, Obituary, Personal Column, Professor A. Mica Smith, Fumes from the Lab, Arts & Crafts Gossip, Sport, Echoes of the Past, A Trip to England, The Junior TecsYellow, blue and green soft covered magazine of 52 pages.Signed on front cover by "H. Darby".ballarat school of mines, magazine, dr. j. r. pound, f. g. proctor, j. hopwood, h. mortimer, j. mole, j. skelton, d. shore, a. collins, a. loughton, r. warnock, l. bailey, j. graham, m. wilson, g. netherway, n. gude, mr sutherland, w. h. steane, professor a. mica smith, k. mathes, d. shore, s. hillman, a. collins, v. leigh, b. walters, e. anderson, n. jelbart, a. gray, j. mouton, d. flynn, g. berryman, j. hulse, b. mcgregor, f. longhurst, n. nimon, h. maddern, j. caddy, w. williams, j. rickard, l. bailey, m. coward, p. salter, j. collins, e. crosthwaite, a. freeman, s. wyres, b, saunders, k. windsor, j. coates, t. morton, l. fitzgerald, b. chaplin, g. george, v. shiers, c. johnson, j. skelton, n. donaldson, k. mathes, g. leviston, d. flynn, v. hunt, colin s. hunt, g. hill, a. goldby, j. o'sullivan, a. laing, s. halladay, l. angwin, g. page, m. hunt, j. sheehan, d. nolan, h. mclachlan, h. mortimer, j. ellis, n. vogel, mr king, h. anderson, j. gilbert, l. moy, m, hunt, f. capuano, m. rickey -
Royal Australian and New Zealand College of Obstetricians & Gynaecologists (RANZCOG)
Wooden RACOG crest, c. 1954
Presented to the Australian Regional Council of the RCOG in 1954 by Professor G I Strachan. It was originally displayed at 8 LaTrobe Street Melbourne premises until the College re-located to 254-260 Albert Street. Carved wooden RACOG crest. The crest features the figures of a woman and a man standing either side of a shield. The crest is painted in various colours with the text "SUPER ARDUA" inscribed on a scroll beneath. college memorabillia -
Moorabbin Air Museum
Manual (Item) - Flight Manual Nomad N22 Mk1 (Revised)
Description: 256 pages. Published by Harvard Business School - Research Division. Published in 1956. A Book by Harvard University (Business School, Research Division) Professor Neil E. Harlan Level of Importance: World. -
Robin Boyd Foundation
Letter, Peter Ryan, Melbourne University Press to Penguin, 19.05.1977
Letter from Peter Ryan, Director of Melbourne University Press, suggesting to John Hooker of Penguin, that Professor Joe Burke could be a possible author for a new foreword of the reissue of Robin Boyd's 'Australia's Home'.Photocopy plus a with compliments note -
Stawell Historical Society Inc
Book - School Book, The Austral Geography for class VI
Dulcie Baily Born Stawell 1919 Married Murris Trickey 1941 School Book Grade 6Blue Fabric, Card, paperDulcie Bailey PRICE 1/- The AUSTRAL GEOGRAPHY FOR CLASS VI. By J.W. Gregory D,Sc., F.R.S. ?? Professor of of Geology in teh University of Melbourne Melbourne Christchurch, Wellington, Durbin, ?? & London Whitcombe & Thomas Limited All Rights Reserved. J.W. Gregory D.Sc F.R.S. education, primary school -
Bendigo Military Museum
Book - BOOK KOREA, Anthony Cooper, HMAS Bataan, 1952, 2010
HMAS Bataan 1952. An Australian Warship in the Korean War. "The author explores the variety of tasks and risks undertaken by the ship and her company in circumstances that were always challenging and sometimes highly dangerous" - Professor Jeffrey Grey.Hard cardboard cover, deep blue buckram with gold print on spine. Dust cover mid blue background, sea image, dark blue & gold print on front, spine & back. Sepia photos of HMAS Bataan on front & back covers. Gun crew on front flap, men on side of fo'c'sle back flap. 294 pages, cut plain paper illustrated with black & white photos, maps & diagrams.Handwritten in black on front fly leaf: Donated by Mrs Olive Pell BENDIGO DISTRICT RSL MUSEUMbooks-military-history-navy, korea -
Federation University Historical Collection
Book, Mines and Minerals: A Guide for the Australian Miner, 1885
This book was presented to Professor Ferdinand Krause of the Ballarat School of Mines by the co-author Felix Ratte who had taught Geology at the Ballarat School of Mines. Felix Ratte became mineralogist to the Australian Museum, Sydney.Hardcovered book with brown cloth cover. 341 pages with illustrations. Chapters in the book include Geology; Rocks and their Movements; Stratified Deposits; Mineral Veins and Lodes; Dynamics of Lodes; Filling of Lodes; Irregular Deposits; Alluvial Deposits; Physical Properties of Minerals; Compsition and Determination of Minerals; Noble Mineral; Silver and Lead; Quicksilver or Mercury; Haloids and salts; Quartz and Opal; Precious stones; assays and the use of Blowpipes; Special Assays for Gold and SilverFrontise page handwritten in ink: 'Prof. Krause from F. Ratte'mining, ballarat school of mines, geology, felix ratte, minerals, ferdinand krause