ronald edwards

Arthur WARREN (1958- )
Born Yallourn, Victoria

Arthur Warren attended Gippsland Institute of Advanced Education from 1977 to 1979. He later returned as a visiting lecturer. After graduating Arthur Warren trained with Victor Greenaway for six and a half years, before establishing Amesfield Pottery in Upper Beaconsfield in 1986.

Four porcelain lace pieces

warren arthur, ceramics, jan feder memorial ceramics collection, gippsland campus, alumni, victor greenaway, amesfield pottery

Two handled plate

jan feder memorial ceramics collection, gail nicholls

Possible made by Dedang?

A ceramic satay stick. If you are able to assist with information on this artist or artwork please use the email link below.

jan feder memorial ceramics collection, dedang

Peter G. WILSON
After completing a Bachelor of Arts at Macquarie University in 1976, undertook a Graduate Diploma of Arts (Visual Arts) at Monash University Gippsland (now Federation University Australia) in 1993. In 1995 Wilson was awarded a Master of Creative Arts (Distinction) from Wollongong University, and a Doctor of Creative Arts University of Western Sydney in 2003.

jan feder memorial ceramics collection, peter wilson, rosemont pottery, peter g. wilson

Wheelthrown glazed jug

christopher headley, ceramics, jan feder memorial ceramics collection, gippsland campus

Russell Thorpe was a Diploma of Visual Art student at the Gippsland Centre for Art and Design (GCAD) from 1977 to 1979.

Woodfired Vessel

jan feder memorial ceramics collection, russell thorpe

Woodfired sculpture

jan feder memorial ceramics collection, julie terpstra, sculpture

Robert WYNNE (1959- )
Born Yarram

Robert Wynne studied a Diploma of Visual Arts at the Gippsland Institute of Advanced Education (now Federation University) from 1977 to 1979, and a Graduate Diploma of Visual Arts in 1981 majoring in Ceramics. During his final year he met visiting glass artist, Nick Mount, who had recently established a studio within Monash University. Robert was captivated by glass blowing and worked with Mount in those heady, pioneering days and carries with him many of the lessons he learned from Nick.

Rob Wynne completed a Masters Degree in Glass at the California State University and visited private glass studiost in the USA. In 1991 he established his own studio, Denizen Glass Design at Manly, New South Wales, where he produces a range of hand-blown glass including smaller production work and large, one-off sculptural pieces.

john edye, ceramics, jan feder memorial ceramics collection, gippsland

Hugh LEGGE

Hugh Legge attended the Canberra School of Art (at time of Alan Peascod) and moved to Rosedale (near Batemans Bay) back in the 1980s where he was wood firing. His work may be marked with an impressed 'HL' in a circle

Woodfired bottle with handle

hugh legge, ceramics, jan feder memorial ceramics collection, gippsland campus

Les CLOUGH

Les Clough was a Diploma Student at the Gippsland Institute of Advanced Education from 1979 to 1982.

This work is part of the Jan Feder Memorial Ceramics Collection. It was presented to the collection by Les Clough. Jan Feder was an alumna of the Gippsland Campus who studied ceramics on the campus. She passed away in the mid 1980s. Her student peers raised funds to buy ceramic works in her memory. They bought works from visiting lecturers who became leading ceramic artists around the world, as well as from many of the staff who taught there.

les clough, ceramics, artwork, artist, jan feder memorial ceramics collection, alumni

rings

jan feder memorial ceramics collection, peter corser

Copper flare

jan feder memorial ceramics collection, peter corser, ceramics

Glazed ceramic platter with crazing.

jan feder memorial ceramics collection, peter corser, ceramics

Kim Batty was a Diploma Student at the Gippsland Centre for Art and Design

Fluted glazed vessel

kim batty, jan feder memorial ceramics collection, alumni

Four blackware slabs

jan feder memorial ceramics collection, blackware, virginia jones

Nine blackware Forms

jan feder ceramics collection, blackware, virginia jones, installations

Professor Vernon PATRICK Professor Vernon Patrick was a visiting artist to the Gippsland Campus. In 2018 he was listed as an Emeritus Professor of the California State University.

vernon patrick, gippsland campus, churchill, jan feder memorial ceramics collection, stoneware

jan feder memorial ceramics collection, peter william, raku

Steven CUTHILL

Steven Cuthill was a diploma graduate from the Gippsland Centre of Art and Design (GCAD), and was later a tutor.

A salt glazed bottle with titanium slip glaze.

jan feder memorial ceramics collection, steven cuthill, salt glaze, alumni

Nankervis prefers the pre-Industrial Revolution method of firing pottery, involving heating the kiln by burning wood for five days, to the modern, quicker methods using gas or electricity. The distinctive surfacing in wood-fired ceramics is generated by the ash and volatile salts from the burning wood. "Because the wood ash and salts blush the ceramic pieces in the kiln, the finished work tends to take on the nature of the firing process," he said. "One colleague has described the process as painting with fire."(https://www.strathnairn.com.au/studios/artist-in-residence/montessa-maack-ursula-burgoyne-jen-lyall-and-vicki-grima-5ndd6, accessed 09 July 2021)

Tony NANKERVIS

Tony Nankervis taught ceramics from 1984 when the university was the Northern Rivers College of Advanced Education from 1984. before moving to Southern Cross University (SCU) in 1994. He retired from full time teaching in 2004.
Nankervis was a pioneer of the long wood-fired ceramics technique in Australia: a technique he has been practising since the late 1970s Nankervis prefers the pre-Industrial Revolution method of firing pottery, involving heating the kiln by burning wood for five days, to the modern, quicker methods using gas or electricity. The distinctive surfacing in wood-fired ceramics is generated by the ash and volatile salts from the burning wood. "Because the wood ash and salts blush the ceramic pieces in the kiln, the finished work tends to take on the nature of the firing process," he said. "One colleague has described the process as painting with fire. There are particular qualities that only come from firing in that way, he said. "If you see some of these older ceramics, particularly from Asia, the surface qualities are discernible from the surfaces generated by post-Industrial fuels." (https://www.scu.edu.au/engage/news/latest-news/2004/leading-australian-potter-who-paints-with-fire-retires-from-lecturing-at-scu-after-19-years.php, accessed 09 July 2019)

Three Lidded Woodfired Cylinders

ceramics, jan feder memorial ceramics collection, tony nankervis, tony nankervic

Linocut of a yacht and dogs.

linocut, printmaking, alumni, dog, yacht, bird, fauna, requires framing