Showing 19399 items
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Mt Dandenong & District Historical Society Inc.
Photograph, 'O'er Hill and Dale,' Sassafras. Victoria, c1920
View of Sassafras showing many dead trees c1920s.Sepia coloured Rose Series postcard P. 153 looking down across Sassafras.On reverse REAL PHOTO POST CARD. THE "ROSE' SERIES DELUXE. PRODUCED IN AUSTRALIA. PUBLISHED BY 'THE ROSE STENOGRAPHS" Armadale. Victoriasassafras -
Ballarat Tramway Museum
Postcard - Sturt Street Ballarat, Victoria, Rose Stereograph Co, 1920s?
Photo taken from the City Fire Brigade station at the corner of Sturt and Raglan Streets, looking east towards Mount Warrenheip. Has an eastbound ESCo tram. Photo shows the overhead structures, Harry Davies & Co. Drapers Importers, Ballarat Town Hall and the general view of the city. On the rear is a large Rose symbol and publisher details.Yields information about Sturt St during 1920sPostcard - Rose Series P 1717, Sturt Street looking east. Second copy - cigarette card size - 63mm x 87mmHas an address in Macarthur St, Ballarat on rear. Second copy has in ink "To Ken from Paul Kiwi4755"ballarat, sturt st, fire watch tower, harry davies -
Linton and District Historical Society Inc
Photograph, Rose (Rosanna) Halliday
Rose (Rosanna) Megee was born at Linton in 1891, a daughter of Thomas Megee and Jane Head. She married James Halliday in 1911.Copy of original black and white photograph, which is a head and shoulders portrait of a woman wearing a dark dress and a dark hat with netting trim and a hat pin. Rose (Rosanna) Halliday, née Megee.rose (rosanna) halliday née megee -
Bendigo Historical Society Inc.
Postcard - CROQUET LAWNS AND BOWLING GREEN, BENDIGO
Postcard, black and white. Image shows players dressed in white on croquet lawns, Barnard Street, Bendigo. Bowling green in foreground is empty of people. On bottom of card ' The Rose Series P 2864, Croquet Lawns and Bowling Green, Bendigo, Vic.'The Rose Seriesbendigo, sporting clubs, croquet and bowling greens, bendigo, croquet lawns, bowling green, barnard street -
Ballarat Tramway Museum
Postcard, Rose Stereograph Co, Malop Street Geelong, post 3/1956
Photo shows Malop St Geelong after the closure of the tram system but before the removal of the tram tracks. The centre poles and overhead shown in item 9410 have been removed. In the background are the Carlton Hotel, Robbialac paints, Solomons stores, the National Bank buildings and the Grand Central Hotel,Yields information about Malop St Geelong.Rose series postcard No. P13827 - Real Photograph print.trams, tramways, geelong, malop st, tram tracks -
Melbourne Tram Museum
Photograph - Beaumaris Horse Tram Sandringham terminus, Rose Stereograph Co, c1900
Photo of a double deck horse tram, at the Sandringham - Beaumaris Tramway terminus c1900. Shows a very loaded horse tram and the company's name on the side of the tramcar.Shows a double deck horse tram on the Sandringham to Beaumaris tramway.Reproduction print of Rose Series postcard P953 on paper.trams, tramways, horse trams, sandringham, hotels, beaumaris -
Bendigo Historical Society Inc.
Postcard - CENTRAL DEBORAH MINE
Postcard: Central Deborah Mine, poppet head and buildings against red sky of sunset, cars in foreground. ( 1970's ? ) On back of card' Historical Central Deborah Mine at Sunset, Bendigo, Vic' ' Rose Series Colorview No. 888, copyright, published by the Rose Sterograph Co., Glen Waverley, Victoria'Rose Series, No. 888, copyrightbendigo, mining, central deborah mine, bendigo, central deborah mine, rose series -
Phillip Island and District Historical Society Inc.
Photograph, The Nobbies, Phillip Island, c 1926
View of The Nobbies and Seal Rocks, Phillip Island, Victoria. The Rose Series P 665The Rose Series P.665 The Nobbies and Seal Rocks, Phillip Island, Victorialocal history, postcards, the nobbies, seal rocks, phillip island, sepia photograph, ian reiher -
Bendigo Historical Society Inc.
Postcard - PALL MALL BENDIGO
Postcard, coloured, showing Pall Mall taken from Charing Cross end. Image shows cars in Pall Mall, garden in foreground. Beehive building on extreme right of photo. On back of postcard ' Post Card, The Rose Series Deluxe, produced in Australia 'Rose Seriesbendigo, streetscape, pall mall, pall mall, bendigo, beehive -
Phillip Island and District Historical Society Inc.
Photograph, Southern Coastline of Phillip Island, c 1926
Sepia Postcard of the southern coastline of Phillip Island The Rose Series P 670The Rose Series. P 670 The restless sea, Back Beach, Phillip Island, Victorialocal history, postcards, back beach, phillip island, sepia photograph, ian reiher, coastline -
Glenelg Shire Council Cultural Collection
Postcard - Postcard - Richmond Hotel, Portland, n.d
Black and white photograph of a building a verandah and striped awnings in front. A large sign above the steps leading onto the verandah reads "RICHMOND HOTEL". There is a garden with roses in front of the building.Front: THE ROSE SERIES. P. 1114/ COPYRIGHT (typed, lower left) RICHMOND HOTEL, PORTLAND (typed, lower centre)portland bay hotel, richmond henty, postcard -
The Beechworth Burke Museum
Postcard, George Rose, c.1945
The Rose Stereograph Company first began producing postcards, identified as the 'P' series (like this particular example) in 1913 and continued in this business until 1967 after which they switched to machine manufactured colour postcards printed by an external company. These were produced by Victorian-era photographer George Rose (1861-1942) often reputed as one of the best photographers in Australia during the later 19th Century and early 20th Century. Rose was born in 1861 in Clunes and began his photography business in 1880 when he founded the Rose Stereograph Company. He later switched to producing postcards after stereographs lost popularity in the early 1920s. The Mayday Hills Hospital was one of these locations photographed by George Rose and published as a postcard. Beechworth's Mayday Hills was chosen as the site of Victoria's newest asylum, at the time, due to the landscape and altitude. The hilltop atmosphere and the native fauna, it was argued, would assist in the cure of the patients kept at the hospital (Wood 1985, 122). The positioning of the hospital had a beneficial effect on the rural town. A pamphlet published by James Ingram and Son (1849) reveal that famous landmarks in Beechworth which included the Post Office, Gaol, Courthouse and Asylum "demonstrate the appreciation of Beechworth by the Government not only as as important district center, but also as a site unrivaled as a sanitarium". There were other locations in contention at the time, but ultimately Beechworth was chosen (Craig 2000,33). Prior to the creation of the Asylum in Beechworth, those charged with having mental illnesses or, as it was termed, "insanity" were unable to be properly cared for in the Gaol (which is where they were often sent). John Buckley Castieau wrote, in 1861 for the Ovens and Murray Advertiser, that the Gaol was unable to properly care for those classified then as "insane" but that they would endeavor to treat them above the other inmates (which he notes is not always the case in other establishments). Castieau wrote this in favour of supporting the building of the Mayday Hills Hospital in Beechworth. It was stated that at the time the Mayday Hills Hospital was built, there were 83 prisoners kept in the Gaol who were to be rehoused to the Hospital on the grounds of "insanity". The classification as someone as "insane", in this period of time is a reflection on the inability to cure and understand illnesses of the mind during the mid to late 1800s. Opening on the 24th of October 1867, the Mayday Hills Hospital was originally named the "Ovens Lunatic Asylum", a title which is very much a product of its time. Whilst controversial, changes to the name is part of the history of the Hospital and can provide much insight into the understanding of mental illness throughout history and the use/disuse of this term provides information into the reception/changing opinions of mental illness in society. The Hospital would later become known as the "Mayday Hills Asylum" and/or "Mayday Hills Hospital" with the latter being the most commonly used title. An article in the Ovens and Murray Advertiser notes that on the 7th of March 1865, the foundation stone of the Hospital was laid (it would officially open in 1867) and that it was such a moment of accomplishment and joy for Beechworth that a letter to the editor even suggested that there should be a holiday dedicated to the day the foundation stone as laid. This reveals an extent to which the townspeople of early Beechworth valued the construction of the Hospital in their town. It provided the town with a sense of prestige and honour. At first glance, the remains of the Mayday Hills Hospital in Beechworth, Victoria, inspire tragedy, trauma and beauty. The buildings themselves, with their Italianate style Renaissance architecture designed by J.J. Clark (Craig 2000, 49 & Smith 2016, 203) reflect a bygone period of European and Australian history. The gardens provide a sense of tranquility and beauty. The experience of those within these walls remains a valuable area of study to provide a more complete understanding. This particular hospital is considered the fourth of its like and one of three identified as the largest of their kind. The Mayday Hills Hospital is a sister to the Kew and Ararat Asylums in Melbourne which are both located in relative proximity. Understanding the role of the Mayday Hills Hospital in Beechworth history is integral to understanding the development of the goldfields town, but also for providing important information as to the history of caring for, and the reception of, mental illnesses in Australian and wider European history. Mayday Hills provides a case study which can be researched through oral history, an analysis of the grounds/buildings and through images like this postcard which portray the structure in a highly deliberate manner. Images like this depict the strong façade of the Hospital and provide a glimpse into the tranquility of the gardens. This has been done deliberately to provide a sense of comfort and healing about the building to those looking from the outside. Further research into the importance of the Hospital in Beechworth and it's connection to the town will be supported through images like these kept in the Mayday Hills photo album in the collection of the Burke Museum.Pale sepia toned rectangular postcard printed on matte card.Obverse: THE ROSE SERIES P. 4689 / COPYRIGHT / ADMINISTRATIVE OFFICES, MENTAL HOSPITAL, BEECHWORTH, VIC / Reverse: Published by the Rose Stereograph Co. / Armadale, Victoria / POST CARD / THE "ROSE" SERIES / DE LUXE / A REAL PHOTOGRAPH / PRODUCED IN AUSTRALIA /mayday hills, asylum, mental hospital, hospital, beechworth -
Melbourne Tram Museum
Postcard, Rose Stereograph Co, "Main Entrance Flinders Street railway station, Melbourne", late 1940s
Rose Series postcard No. P 2788, titled "Main Entrance Flinders Street railway station, Melbourne", during a winter's morning. Photo late 1940s.Yields information about the main entrance of Flinders St station in the late 1940s.Postcard - printed real photograph with Rose Stereograph Co. name on the rear.tramways, trams, flinders st station, flinders st, swanston st -
Port Melbourne Historical & Preservation Society
Photograph - Bay Street, Port Melbourne, Rose Stereograph Co, 1910 - 1920
Black and white photograph (taken from State Library of Victoria web site) looking South on Bay Street approx 1910-20. Shows men on horseback, horse and cart, cable tram, town hall, P SKEHAN Butcher at 363 and NewsagentRose Series P3344built environment - commercial, transport - horse, transport - tramways, p skehan, business and traders - butchers, port melbourne town hall, cable trams -
Mt Dandenong & District Historical Society Inc.
Photograph, Clovelly, c1920s
Clovelly Guest House was formerly Braco Park Guest House, owned and run by Eliza and Grace Murdoch. The original Guest House 'Clovelly' , owned by Mrs. Techow, was situated in The Crescent at Sassafras. After it burned down in 1921, Mrs. Techow purchased Braco Park and renamed it Clovelly. The site was purchased by the Education Department c1985 and is now Sherbrooke Community School. B & W Rose Series Postcard showing Front/Side view of Clovelly Guest House (formerly Braco Park) in Sassafras.The Rose Series P. 3942. "CLOVELLY" SASSAFRAS, VICclovelly, techow, murdoch, braco park, sherbrooke community school, guest house -
Melbourne Tram Museum
Postcard, Rose Stereograph Co, "Flinders Street, Railway station, Melbourne", mid 1930s
Rose Series postcard No. 63, "Flinders Street, Railway station, Melbourne" looking at platforms 9 and 10 showing track arrangements, signals and platforms with some people.Yields information about the Flinders St railway station platforms.Postcard - printed real photograph with Rose Stereograph Co. name on the rear.flinders st station, platforms, railways -
University of Melbourne, Burnley Campus Archives
Photograph - Black and white print, Students Working in the Rose Bed, 1940-1950
Black and white photograph. 6 female students tending to roses in the Rose Garden in front of the Shady Walk.. Names of roses on large labels.female students, rose bed, students working outside, labels, shady walk -
Bendigo Historical Society Inc.
Postcard - LAKE WEEROONA BOAT SHEDS, BENDIGO
Postcard black and white: image shows boat sheds on shore of Lake Weeroona. Seat in foreground on near side of lake. On bottom: 'The Rose Series P 1630, a view at Lake Weeroona, Bendigo, Vic.'Rose Series/Rose Stereograph Co., Armadale, Victoriabendigo, parks and gardens, lake weeroona, lake weeroona, boat sheds, bendigo, sport, rowing -
Melbourne Tram Museum
Photograph - Black and White photograph, Rose Stereograph Co, "Bourke Street Melbourne", late 1930's or 1940
Bourke St from just east of Swanston St looking west with two cable sets (trailer 457) in the view along with many motor cars, including a number doing hook turns. In the photo are the Leviathan, London, Buckley and Nunn and Myer stores, Helmers Showrooms. Rose Series Postcard - P4765/ see Charles Craig series for original postcard - CC81Yields information about Bourke StBlack and white photograph of a Rose Stereograph postcard.Has "51260" on the rear in ink.trams, tramways, cable trams, swanston st, bourke st, tram 457 -
Glenelg Shire Council Cultural Collection
Postcard - Postcard - Richmond Henty, Portland, n.d
Black and white photograph of a building with verandah and striped awnings. A large sign above the steps leading u the verandah reads "RICHMOND HOTEL". In the foreground is a garden with roses.Front: THE ROSE SERIES. P. 1114/ COPYRIGHT (typed, lower left) RICHMOND HOTEL, PORTLAND (typed, lower centre) Back: (no inscriptions)postcard, portland bay hotel -
Glenelg Shire Council Cultural Collection
Postcard - Postcard - Richmond Henty, Portland, n.d
Black and white photograph of a building with verandah and striped awnings. A large sign above the steps leading u the verandah reads "RICHMOND HOTEL". In the foreground is a garden with roses.Front: THE ROSE SERIES. P. 1114/ COPYRIGHT (typed, lower left) RICHMOND HOTEL, PORTLAND (typed, lower centre) Back: (no inscriptions)postcard, portland bay hotel -
Port Fairy Historical Society Museum and Archives
Postcard, The Rose Series / The Rose Stereographs, Entrance to the Gardens Port Fairy Victoria, 1926
The Port Fairy Botanical Gardens were formed in 1856 making it one of the earliest gardens in Victoria. The first curator was James Prior, he was paid fifty-two pounds per annum. He was an outstanding curator having been apprenticed to the trade in England at the age of 12, his brother Edward in later years was the Curator of the Koroit Gardens. Prior retired in 1903. During the years of his curatorship Port Fairy was said to have the best gardens outside the city of Melbourne, he was constantly in touch with Baron Von Mueller and later Guilfoyle of the Royal Botanical Gardens of Melbourne. In the early years plants from all over the world were planted here with varying rates of success many of them sent by Baron Von Mueller. In the 1930’ and 40’s the gardens were still very beautiful, and the curator was Roy Manuell. The beautiful iron gates at the entrance were destroyed in the 1946 floods and were replaced in 1989 using some of the material from the original gates. From the 1950’s on the gardens went into a state of decline, much being taken up by the caravan park until in 1986, after a public meeting ‘Friends of the Gardens’ was founded when the entrance section was restored. Black and white Photograph of the main path through the botanical Gardens with the arbour to the left and mature trees and lawn on the rightEntrance to the Gardens Port Fairy Victoriagardens - entrance, path, arbour, trees, griffith street -
Port Fairy Historical Society Museum and Archives
Postcard - Photo of postcard, A pathway in the gardens
Entrance to Gardens (1926) The Port Fairy Botanical Gardens were formed in 1856 making it one of the earliest gardens in Victoria. The first curator was James Prior, he was paid fifty-two pounds per annum. He was an outstanding curator having been apprenticed to the trade in England at the age of 12, his brother Edward in later years was the Curator of the Koroit Gardens. Prior retired in 1903. During the years of his curatorship Port Fairy was said to have the best gardens outside the city of Melbourne, he was constantly in touch with Baron Von Mueller and later Guilfoyle of the Royal Botanical Gardens of Melbourne. In the early years plants from all over the world were planted here with varying rates of success many of them sent by Baron Von Mueller. In the 1930’ and 40’s the gardens were still very beautiful, and the curator was Roy Manuell. The beautiful iron gates at the entrance were destroyed in the 1946 floods and were replaced in 1989 using some of the material from the original gates. From the 1950’s on the gardens went into a state of decline, much being taken up by the caravan park until in 1986, after a public meeting ‘Friends of the Gardens’ was founded when the entrance section was restored. Photographgardens - entrance, botanical, gipps street -
Port Fairy Historical Society Museum and Archives
Postcard, South Beach dated 1916, 1916
Black and white postcard of South Beach Bathing boxes and swingsbeach, sea, seascape, south beach, bathiing boxes, swings, pea soup -
Stawell Historical Society Inc
Book, Ruby Wharrie, My Grampian Rose, Words & Music by Ruby Wharrie, 1960's
This copy of "My Grampain Rose" belonged to Glenda Hust, who donated it to the society. Ruby Wharrie was a Stawell resident for many years. The Wharrie family built and lived in the Log Cabin, Darlington Road Stawell. During the world war II and late Forties the family manufactured the "Shirl" Dolls. at the Corner of St George St & Victoria Street, later destroyed by fire.Cover - colourful picture of Grampian's inset in a circle - with a spray of wildflowers at base"My Grampian Rose" words and Music by Ruby Wharrie 2/6stawell -
Melbourne Tram Museum
Postcard, Rose Stereograph Co, "Collins Street Looking East Melbourne", c1950
Rose Series postcard No. P 3726 titled "Collins Street Looking East Melbourne" from near Market St. Has several W2 class trams in the distance. Yields information about Collins St from near Market St looking east.Postcard - printed real photograph with Rose Stereograph Co. name on the rear. Unused.trams, tramways, w2 class, collins st. -
Marysville & District Historical Society
Postcard (item) - Black and white postcard, Rose Stereograph Company, Stevenson Falls, Marysville, Vic, 1930
A postcard in a series produced by the Rose Stereograph Company in Victoria, Australia. A black and white photograph of Steavenson Falls in Marysville in Victoria. The Steavenson Falls is named after the Victorian Assistant Commissioner of Roads and Bridges, John Steavenson, who arrived in Victoria in the early 1860s. This postcard was produced by the Rose Stereograph Company as a souvenir of Marysville.POST CARD. Correspondence Addressmarysville, victoria, waterfalls, stevenson falls, steavenson falls, southern cross series, 4990, postcard, souvenir, john steavenson -
Melbourne Tram Museum
Postcard, Rose Stereograph Co, "Looking across Princes Bridge to the City, Melbourne", mid 1940s
Rose Series postcard No. P 3506 titled "Looking across Princes Bridge to the City, Melbourne", with W2 class 352, in bound to the City. In the background is St Pauls Cathedral, Princes Bridge Station, and Yields information Princes Bridge and the city skyline, Postcard - printed real photograph with Rose Stereograph Co. name on the rear.tramways, trams, w2 class, tram 352, princes bridge, st kilda road, st paul's cathedral -
Bendigo Historical Society Inc.
Postcard - ALEXANDRA FOUNTAIN AND CENOTAPH BENDIGO
Postcard, black and white. The Alexandra fountain and cenotaph, Charing Cross, Bendigo. Image shows Alexandra Fountain on LH side, City Family Hotel on LH side behind fountain. Cenotaph on RH side. On bottom ' The Rose Series, P 1636, The Alexandra Fountain and Cenotaph, Bendigo, Vic.'The Rose Seriesbendigo, buildings, alexandra fountain, bendigo, charing cross, cenotaph, alexandra fountain -
Bendigo Historical Society Inc.
Postcard - STAE ELECTRICITY BUILDING AND TOWN HALL, BENDIGO
Postcard, black and white: image shows corner of Williamson and Hargreaves Streets, with SEC office building. Town Hall in background. On bottom : The Rose Series P 2830, State Electricity Building & Town Hall, Bendigo, Vic.Rose Series/Rose Stereograph Co., Armadale, Victoriabendigo, buildings, sec and town hall, bendigo, state electricity, town hall, hargreaves street