Girls black leather school shoes with cut outs on toe vanda and strap across tongue area. Heel and sole are raised.Paddleshoe, footwear, girls, school-shoe

Ladies black leather sandal with wide strap across foot and supporting leather around ankle. Leather has reptile-skin type pattern. Shoes are joined together by elastic and still have Rubi label on them Rubi 39shoes, footwear, ladies, sandals, leather

Black leather school shoes for girls. Silver-edged rectangular eyelets for lacesPaddleshoes, footwear, children, school shoes

Black leather school shoes for girls. Raised heel. Round silver-edged eyelets for black laces. Stored in a Charlie Brown shoe-boxCharlie Brown Ariella 8 1/2shoes, footwear, children's school shoes, black leather

The 20th Light Horse (Victorian Mounted Rifles) was raised in 1920 as part of the 3rd Cavalry Brigade, 2nd Cavalry Division, Citizen Military Forces, with Headquarters at Seymour and depots along the Goulburn Valley from Mansfield to Tocumwal in southern NSW. In December 1941, 20th Light Horse (Victorian Mounted Rifles) converted from horse to mechanised, initially as 20th Motor Regiment. In 1943 the Regiment was deployed to Merauke, Dutch New Guinea. Upon its return in April 1945, the Regiment was redesignated 20th Pioneer Battalion. It was disbanded following the end of the war. 20th Light Horse was the only light horse regiment to serve overseas in WWII.This is one of a collection of photographs featuring a Light Horse regiment drawn from rural and regional Victoria in the period immediately prior to mobilisation for World War 2 (1939-1945).Black and white photograph of 25 soldiers and one Officer of the 20th Motor Regiment (Victorian Mounted Rifles). Officer is wearing peaked cap, Sam Browne Belt and shoes; men are wearing slouch hats, boots and web anklets. 20th Motor Regiment colour patches are evident.Cross over head of one soldier in rear rank.20th motor regiment, wwii, world war two

Farriers were an important element in maintaining the regiment's horses. The 20th Light Horse (Victorian Mounted Rifles) was raised in 1920 as part of the 3rd Cavalry Brigade, 2nd Cavalry Division, Citizen Military Forces, with Headquarters at Seymour and depots along the Goulburn Valley from Mansfield to Tocumwal in southern NSW. In December 1941, 20th Light Horse (Victorian Mounted Rifles) converted from horse to mechanised, initially as 20th Motor Regiment. In 1943 the Regiment was deployed to Merauke, Dutch New Guinea. Upon its return in April 1945, the Regiment was redesignated 20th Pioneer Battalion. It was disbanded following the end of the war. 20th Light Horse was the only light horse regiment to serve overseas in WWII. This is one of a collection of photographs featuring a Light Horse regiment drawn from rural and regional Victoria in the period immediately prior to mobilisation for World War 2 (1939-1945).Black and white photograph of farriers at work in Blacksmith Shop. Part of 20th Light Horse collection.Across bottom of photo " Blacksmith Shop Vetinary ( sic ) Lines Torquay Camp ( L ) Gil Anderson 3rd left Jack Catlin."military, farrier, horse shoe, 20th, light horse, torquay

B&W photo shows three men in a muddy field, possibly a sports ground. A white fence with uprights and a top rail edges the field behind them, and the land beyond the fence is heavily treed. The man on the left is wearing a hat, possibly a fedora, white dress shirt and bowtie, a black tuxedo waistcoat, dark boxer shorts or shorts, socks and shoes or laceup boots. He appears to have dark glasses and a moustache. The man in the middle also has a hat, a white shirt and shorts, and what appears to be a large dark bowtie or cravat. He is wearing long socks with suspenders, and laceup boots or shoes. He is bent forwards as if catching or throwing something. The man on the right has a peaked cap, a long dark coat over a shirt and trousers, and either dress shoes or boots. He is holding a stick and other items. dated c.1950s.

Black and white photo showing a group of people on the spillway of Belgrave Reservoir (at the time in the Belgrave Autocamp which is now called Belgrave Lake Park). The photo is taken from a person in a boat, the prow of which is visible at the bottom of the image. Three older boys are crouched to the left of the image. All are wearing shorts, shirts, and shoes with long socks, and two have pullovers. In the middle of the photo is a man with three children. The man is crouching. The children are in a huddle. To the right of the image are two adults standing on the spillway. The person on the right is male but the other's gender is uncertain. Between them and the children is what looks like a large portable radio. Behind the group is a heavily treed area which includes three or more white-trunked trees close to the spillway. In the distance is a white house with a verandah running across the front. This house belonged to Laura (surname unknown) before WW2. The house appears to be (now) 30 Judkins Ave.The photo has a white border and on the back is printed '1627'. It probably dates to the 1940s and is part of a collection of family photos donated by Pam Harris, Shire of Sherbrooke President, 1982-3 & 1987-1988.

Yields information about the use of the trams in Bridge St - the major shopping strip at the time in Ballarat, shows the nature of the strip at the Grenville St end, the motor cars in use at the time and of the some of the shops.Black and White photograph mounted on heavy cardboard backing. Photo of Ballarat No. 26 outward bound to Victoria St, entering the west end of Bridge St. Tram has destination of "Victoria St." Has Dickins, Faull's Shoes and Big W (Woolworths) buildings in image.. Taken by John Phillips late 1960's or early 1970's. Has 6 Velcro dots on rear and marks where mounting devices have been removed on the rear. Note image scanned in two runs through a scanner, resulting in the shading in the image file. .1 - ditto same image, has five Velcro dots mounted on rear.trams, tramways, bridge st, victoria st, tram 26

Photo of SEC Bendigo No. 6 crossing Mitchell St, north bound for North Bendigo, while a bogie tram waits to depart Charing Cross, east bound for Quarry Hill. Three SEC crew members standing by the front of the bogie tram and an inspector crossing the road near No. 6. Has part of the fountain in the view. Also in the photo are The Beehive building, and advertisement for Dewars whiskey and a shop front for "Ezywalkin" shoes. The bogie tram has a SEC roof advertisement "Electricity Best for cooking". Kodak cardboard mount slide, taken by Peter Moses, Jan. 1969.On the rear of the slide "Jan. 1969 Bendigo:" in blue ink, "P. Moses" in black ink and other side of the slide in red ink “22”.tramways, trams, bendigo, charing cross, tram 6

Yields information Bridge Street and the buildings at the junction with Main and Victoria St / Stones corner. Tram parked for some particular reason - see 3807.1 to .3 for a similar set of photographs. Shows shops and cars.Black and White photograph, No. 17 at Stone Corner, intersection of Bridge and Main Streets Ballarat. Parked just past the junction points - reason unknown, see also Reg Item 3803, 3807.1 to 3807.3 - for other photographs of the tram at the same location. Photo late 1950's or early 1960. Also has a number of interesting motor vehicles in the background. In the background a Ricksha Paints (pronounced Rickshaw), Allen's Vernal Cake Shop, Junction Shoes. Roddas, ANZ and the English Scottish Bank of Australia buildings in the view. tramways, trams, bridge st, stones corner, tram 17

Yields information Bridge Street and the buildings at the junction with Main and Victoria St / Stones corner. Tram parked for some particular reason - see 3807.1 to .3 for a similar set of photographs. Shows shops and cars.Black and White photograph, No. 17 at Stone Corner, intersection of Bridge and Main Streets Ballarat. Parked just past the junction points - reason unknown, see also Reg Item 3802, 3807.1 to 3807.3 - for other photographs of the tram at the same location. Photo late 1950's or early 1960. In the background a Ricksha Paints (pronounced Rickshaw), Allen's Verna Cake Shop, Junction Shoes. Roddas, ANZ and the English Scottish Bank of Australia buildings in the view. Also the signal for incoming trams from Main St, on the post with the tram stop. tramways, trams, bridge st, signals, stones corner, tram 17

Yields information about Sturt Street east end in the late 1920's or early 1930's with motor cars and people.Black and White photograph mounted on heavy cardboard backing. Image titled "Sturt Street Ballarat", with a view from the median strip looking east with an ESCo tram at the bottom of the street. Has a number of motor vehicles in the photo, probably late 1920's early 1930's. Prominent in the photo is the store, Suttons store along with and "Indian Store", Alf Dawson - ironmonger, The Courier , and Seidel Bros shoes and boots. Has 7 Velcro dots on rear and marks where mounting devices have been removed on the rear. Note image scanned in two runs through a scanner, resulting in the shading in the image file. trams, tramways, sturt st, suttons, esco

Black and white postcard of Charing Cross Bendigo, early 1950's or late 1940's. Rose Series postcard P13585, of a bogie tram heading to Eaglehawk behind the fountain and a single trucker heading for Golden Square hidden behind a pole. A number of motor cars in the scene along with people in summer clothing. In the background is the Beehive building, Mobilgas advertisement on top of the Beehive building and "Melba Frocks" shop on the corner, later Ezywalkin shoes. The postcard has the title underneath of "Looking north from Charing Cross Bendigo Vic". Divided back type with Rose Postcard Rose logo and that it was published by the Rose Stereograph Co. Armadale Victoria. Has not been used.trams, tramways, bendigo, charing cross, rose postcards

No. 21 in bound to the City terminus at Dawson St. Tram has the destination of City. Photograph dated 22/3/1962. Tram has an advertisement for The Age newspaper and Mutual Homes on the rear drivers dash panel. In the background is a shoe repair shop.Yields information about the appearance of the No. 21 in March 1962.Black and white photograph with photographer's stamp on rear.On rear is Douglas A Colquhoun photo stamp, giving details of the photograph - see image i2.trams, tramways, sturt st, dawson st, tram 21

Yields information about the appearance of SEC trams early 1960's at the Railway level crossing and the streetscape.Black and white photograph of Ballarat tram 28 crossing the level crossing. Dated 21/3/1962. Printed on Agfa Gevaert paper in a postcard format. Tram has the destination of Grey St Sebastopol, roof adverts for Castrol Oils and footrest shoes from Pittards of Ballarat and a front panel advert for SEC Briquettes. In the background are Ballarat "B" signal box and Victoria House accommodation facility. Photo by Lloyd Rogers.In ink "Car 28 on railway crossing - Lydiard St Ballarat 21/3/1962" and "7/42" and in pencil "ex M113".trams, tramways, level crossings, lydiard st, tram 28

Yields information about Bridge St Ballarat and its associated shopping strip.Digital image, black and white, two images, of No. 30 in Bridge St. 4605.1 - at Stones Corner, enroute to Mt Pleasant with Rodda's, Gill & O'Keffe, C.W. Pennan, ANZ Bank and other shops in the background. Note the signal lamps on the right hand side of the photo above the tram stop sign and how the overhead was arranged at this junction. 4605.2 - at Grenville St end, with Faulls Shoes, Suttons HMV and other shops in the background. Photo taken by Peter Bruce 1970's and 1971, prior to the closure of the Ballarat tramway system. Peter's Title of image: "No.30 Bridge and Main" and "No. 30 Bridge St up end".trams, tramways, bridge st, mt pleasant, tram 30

Black and White print contained within the Wal Jack Bendigo and Geelong Album, see Reg Item 5003 for more details. Photo of Geelong No. 8 to Newtown, in Aphrasia St at Talbot St. Newtown. Photo by Wal Jack 23-6-1949. Tram has the destination of Newtown. Has a church in the background - possibly now part of the Geelong College - (Google Earth) i1 - scan of print in the album i2 - rear of image i3 - scan of negative at 3200dpi added 18/6/2020. On rear in ink "SEC Geelong No. 8 to Newtown in Aphrasia St from Talbot St. 11.31am Newtown 23-6-49" Has the Wal Jack copyright stamp in the top right hand corner with the number "T284" written in.., Negs contained within a shoe box received from Keith Kings.trams, tramways, geelong, newtown, aphrasia st, tram 8

Photograph black & white, Bert Graham Collection, Annual Club Picnic 1961, Lake Jubilee, Daylesford. A Mother's & Daughters race and looking for their shoes. 2 menlooking from the left, and another two and a young boy near the mothers.bendigo, clubs, bendigo east swimming club

Series of Black & White Images depicting life for the Hill Family and Friends During 1922 Post War Boom. Total 5 Photos. Ladies Day Out: Alma, Kitty, Lorna Claire & Eileen, all the ladies are dressed in white, lady at front wears dark stockings others are wearing white stockings and shoes, first two are standing on the steps and the others are on the verandah, two stone pillars with garden pots on them, Window of house to the left and curtains hanging inside, 'The Ranche' March 1922. (Aunt Mabel) Sister M. Alphonsus, dressed in dark habit with rosary hanging from her waist, arms crossed, standing in archway covered with vine, to right a spire can be seen. Uncle Percy in South America with Fox Terrier, holding a gun in his left hand, garden setting with palm trees. Frank, dressed in black suit white shirt and dark tie with his hands around a Hound Dog enjoying some R&R. Ken with his tennis racquet, in his dark coloured uniform white shirt and dark tie, standing between two chairs holding a tennis racquet and ball, both chairs have a white cloth backing, left chair with object on seat and large vase on the ground, trellis to the right, weatherboard to the left and shrub.Hilda Hill Personal Collectionaustralia, history, post war life

Black & white photo of four boys working at workbench repairing shoes. there are two copies.bendigo, institutions, sandhurst boys centre, sandhurst boys centre; occupations; shoe repairs

When Thomas Bent, politician and land speculator, was appointed Speaker of the Victorian Legislative Assembly in 1892, a number of local Brighton constituents and supporters raised money to present him with an oil portrait. Bent had been a member for Brighton for 21 years, and the painting was seen as a way of showing their appreciation of his services to the Brighton constituency, as well as congratulating him to his new position as Speaker. In June 1892, British/Australian landscape and portrait artist Charles E. Gordon-Frazer was given the commission to paint the portrait. Thomas Bent is depicted as standing in his Speaker's robe on the dais beneath the canopy in the Legislative Assembly Chamber in the act of addressing the House. He wears the traditional Speaker’s dress of a black silk and gold laced robe over a three-piece black suit, lace jabot and cuffs, buckled shoes and a ceremonial long wig. The top of the gold parliamentary mace sits on the right of the work near the frame's edge.sir thomas bent, thomas bent, speaker, mayor, premier, brighton, moorabbin, land speculator, local government, councillor, official, member of lower house, portrait, parliament, ceremonial robes, legislative assembly, jabot, wig, mace

Light tan colour, brown text, one page advertising flyer for J.H. Abbott & Co., Tanners and Curriers, Manufacturers of Boots, Shoes and Uppers, belting, saddlery, harness, collars, leggings, neatsfoot oil. J.H. Abbott & co., also at High Street, Echuca, Market Square, Bendigo and Sheepwash Creek, Strathfieldsaye.. On rear of document, special hard wear boots are advertised with a black line image of an elephant endeavouring to pull apart one of 'Abbott's' boots.j.h. abbott & co., shoes, tanners and curriers, boots, market square, bendigo, echuca, manufacturing

Black & White photograph of Charing Cross Bendigo with two bogie trams waiting by fountain. (No. 18 for Eaglehawk and No. 17 for Quarry Hill) with single trucker in background. The Beehive building and Ezywalkin shoes building in background. Taken Queens Birthday weekend, 1967.On rear in blue ink 'Charing Cross, Bendigo, Monday am June Weekend 1967'trams, tramways, bendigo, charing cross , tram 17, 18

The extensive fashion and design collection of the Kew Historical Society has been assembled over a number of decades. One subsection of this collection is shoes, designed and manufactured for Australian women by Australian and European designers. Many of the shoes, while often mass-produced, were generally constructed by skilled artisans using traditional shoe-making techniques. The shoes date from the 1890s to the 1980s. These shoes were owned, worn and donated to the collection by Dione McIntyre.The McIntyre Collection of clothing and clothing accessories forms one of the largest single donations to our Fashion & Design collection. It includes clothing and clothing accessories worn by four women in the Cohen and McIntyre families across three generations. The items worn by Melbourne architect, and Kew resident, Dione McIntyre date from the 1960s and 1970s, and include evening wear, day wear, hats and shoes. As Dione McIntyre often accompanied her husband, fellow architect Peter McIntyre, to formal events, there are a number of pieces of evening wear among the items. The McIntyre Collection also includes items worn by women of an earlier generation: by Lilian Cohen, Dione McIntyre's mother, and by her mother-in-law, the wife of the architect Robert McIntyre. At the other end of the chronological spectrum are a number of outfits belonging to, worn and donated by Annie McIntyre. These include outfits created by notable late 20th century Australian and/or international fashion designers. The McIntyre Collection is significant historically and artistically as it includes examples of design that demonstrate changing tastes in fashion over an 80-year period. The collection is also significant in that it includes the work of a large number of Melbourne designers from the 1960s to the 1990s. Pair of black rubber overshoes, owned and worn by Dione McIntyre. The Flarta shoes protected vulnerable shoes from mud or rain. footwear, shoes, overshoes, flarta shoes, mcintyre collection

The extensive fashion and design collection of the Kew Historical Society has been assembled over a number of decades. One subsection of this collection is shoes, designed and manufactured for Australian women by Australian and European designers. Many of the shoes, while often mass-produced, were generally constructed by skilled artisans using traditional shoe-making techniques. The shoes date from the 1890s to the 1980s. Pair of black suede evening shoes by Paragon. The brown leather insole is embossed with the name Para[gon].PARAGON 5 Cparagon shoes, women's shoes, footwear

The extensive fashion and design collection of the Kew Historical Society has been assembled over a number of decades. One subsection of this collection is shoes, designed and manufactured for Australian women by Australian and European designers. Many of the shoes, while often mass-produced, were generally constructed by skilled artisans using traditional shoe-making techniques. The shoes date from the 1890s to the 1980s. Pair of black suede (sic) women’s designed by Bally, England and retailed expressly for Georges, Collins Street, MelbourneBALLY / England / Expressly for Georges, Collins Street, Melbournefootwear, women's shoes, bally -- england (uk)

The extensive fashion and design collection of the Kew Historical Society has been assembled over a number of decades. One subsection of this collection is shoes, designed and manufactured for Australian women by Australian and European designers. Many of the shoes, while often mass-produced, were generally constructed by skilled artisans using traditional shoe-making techniques. The shoes date from the 1890s to the 1980s. Pair of black suede women’s court shoes with a cream leather lining on which is stamped in gold lettering Bruno Magli. The Italian designed shoes were retailed by retailed by M.C. Hermann.BRUNO MAGLI / Made in Italy / Exclusive for M.C. Hermann bruno magli, women's shoes, footwear, italian shoes, m. c. hermann

The extensive fashion and design collection of the Kew Historical Society has been assembled over a number of decades. One subsection of this collection is shoes, designed and manufactured for Australian women by Australian and European designers. Many of the shoes, while often mass-produced, were generally constructed by skilled artisans using traditional shoe-making techniques. The shoes date from the 1890s to the 1980s.Pair of leather women’s court shoes, manufactured by Mario Valentino of Italy. The yellow leather shoes have a cream leather insole and decorative white leather bows with black polka dots.Label: "MARIO VALENTINO / MADE IN ITALY"international fashion, women's shoes, court shoes, mario valentino

Ann Austin of Melbourne was the name of a Melbourne millinery house. Thelma Prentice was one of the partners in the house, and the chief designer/milliner. Very little information about the millinery house and the milliner are available online but there is an interesting article, published in the Brisbane Courier Mail on 8 October 1949 which describes the influence of French style on fashion and design in Australia. The article by Lucy Gough recounts the views of Thelma Prentice who had just returned from the Paris fashion shows. "Australian millinery toes line with Paris From LUCY GOUGH LONDON, October 7 (Special) Australian hats can compare very favourably with those designed in Paris, and are considerably cheaper, says Miss Thelma Prentice, partner in a well-known Melbourne millinery firm, who has just completed six months' visit to England and the Continent. An ordinary hat, Miss Prentice said, would cost at least £15 from any of the top Paris houses. Australia could achieve the same effect for a lot less money. Miss Prentice went to all the Important dress shows as well as the millinery houses in Paris, because she believes that millinery is an accessory to fashion and to obtain the best idea of new trends hats must be shown with frocks to get a complete follow-through and tie-up between the two. At their packed shows, with standing room only, Path and Dior were selling hats they designed, faster than many well known Paris millinery houses, Fath's favourite line was the becoming 'wing treatment,' which he achieved by a profile flattering side swing of material jutting out almost 10 inches from the face. This was completely different to the side drape already seen in Australia. Dior, as a direct contrast, was specialising in skull hats, which almost followed the hair line, to show very little hair at the back of the head. His cocktail hats were heavily sequinned and beaded. Every model was designed exclusively for short hair, and Miss Prentice, whose own hair is beautifully short cut by a Paris hairdresser, said that French mannequins' hair was so abbreviated at the back it was almost a semi-shingle. Hats generally she found were plain, with sharply angled self trimming, and black one of the most popular colours." The hat was donated by Kathleen Gervasoni, a resident of Kew, and during the 1970s a Mayoress of the former City of Kew. The Kew Historical Society’s fashion and design collection is comprised of costumes, hats, shoes and personal accessories. Many of these items were purchased or handmade in Victoria; some locally in Kew. The extensive hat collection comprises items dating from the 1860s to the 1970s. While most of the hats in the collection were created by milliners for women, there are a number of early and important men’s hats in the collection. The headwear collection is particularly significant in that it includes the work of notable Australian and international milliners.High crowned hat made of burgundy felt with decorative pink jersey turban folds attached to the side by clusters of pink beads. The hat was designed by Thelma Prentice of the ' Austin of Melbourne' millinery house. Label, inside centre crown, woven in black on white polyester: *ann austin / OF MELBOURNEmilliners, hats, ann austin of melbourne, thelma prentice, australian fashion - 1960s, kathleen gervasoni