Lake Mulwala is a man–made reservoir created through the construction of the Yarrawonga Weir across the Murray River, is located between Bundalong and Yarrawonga in Hume region of Victoria and Mulwala in the Riverina region of New South Wales, in eastern Australia. The weir was constructed in 1939 to provide water for irrigation of the surrounding district. The weir also serves as a crossing of the Murray between the two towns. It is a popular tourist destination for boating, fishing and other water recreation.Photographs demonstrate local Kiewa Valley residents enjoying a visit to the picturesque area of Lake Mulwala. Also provides a pictorial history of 1973.3 black and white photographs mounted on buff card. Photographs of a cruise on Lake Mulwala 25th Feb. 1973 1. Photo of unidentified man standing on the shore of Lake Mulwala beside cruise launch. 2. Group photo of people standing by cruise boat as others disembark. Woman in centre holding handbag may be Clare Roper (unconfirmed) 3. Photo of 2 men aboard cruise launch looking out over Lake Mulwala1. Handwritten at bottom of photo in black ink. 'Cruise on Lake Mulwala. 25th Feb. 1973' 2. Painted sign above cruise launch- Scenic Lake Cruises 3. No markingsclare roper

From Benjamin Wigmore blog: "Completed 5 minute flash cartoon for a charity called Mission to Seafarers. The charity helps support seafarers who bring food and other goods to our shores. MTS wanted a educational cartoon for kids to show who seafarers are and what they do. Here's the cartoon..."Issue 1 of this magazine for kids explaining the work of the Mission. It's not clear if there was any more.Digital magazine for children about the work of the Mission to Seafarersbilly the boat, cartoon, marketing, children, container ships, tug boat, tilly the tug, games, bible, education, colouring

The Speke was an all steel ship of 310 feet, beam of 35 feet and weight of 2,712 tons and triple masted. She was built in 1891 at Carnarvon in Wales for a cost of 22,000 pounds. The wreck of the Speke was purchased for a mere 12 pounds after it went aground in 1906. The Speke had come from Peru to Sydney. She was then on her way to load wheat in Geelong when she ran aground on the 22 February 1906. Captain Tiltson confused a bushfire, near Cowes, for navigation lights. The ship drifted close to shore in Kitty Miller Bay and was eventually holed at 3 pm on the rocks. Life boats were immediately lowered and the ship’s crew all made it to shore except Seaman Frank Henderson, who lost his life.Black & White photograph of The Speke running aground on the south coast of Phillip Island.wreck of the speke, the speke, jack loney

For Ship To Shore newsletter published in Autumn 2004. Depicts both Reverend Dalling and Mrs Marjorie Duckett (nee McLellan) a key supporter of MTS who worked with Opportunity shop in Williamstown raising funds for the Mission to Seafarers. The house of the Duckett family of Riversdale, Hawthorn was host to seafarers for picnics and outings in the 1920s.Mrs Duckett nee Maclennan was linked to families of both names who according to membership records appear to have provided long standing support to the Mission through much of the 20th and into the 21st century. Colour photograph of Peter Seamen, his wife Robyn, Marjorie Duckett and Reverend Bill Dalling in the club of the 717 Flinders Street MissionFrom Left to right: Peter Seamen, his wife Robyn, Marjorie Duckett and Reverend Bill Dalling.chaplain, marjorie duckett nee maclennan, robin seamen, robyn seamen, peter seamen, reverend bill dalling, mission to seafarers, flinders street

The photograph was published in the Ship to Shore Autumn Edition 2004. Mrs Edith Warburton was visiting the Mission and told her story: she met her husband, Walter, at a dance in the Mission during Christmas 1942. Walter was an English gunner on the tanker, the Sepia which was docked at the Duke and Orr's dry dock at the time.Photograph depicting an older lady with white hair, holding her classes in her hands, standing in front of large black and white photographs and looking at the photographer.edith warburton, mission to seafarers, seamen's mission, walter warburton, dances, volunteers, lhlg

This Book is most interesting - Melbourne's Beginnings. The Inscription in front of this book M.G. Phillips (nee Taylor), taught school at Concongella during World War II.Soft Card cover of a green and cream colour Three Separate Panels on front cover. Top panel contains a drawing of a ship moored at shore with trees in background. Send Panel Is a Shield with curled side inside is The Title and Authors Name in Brown print. The Lower Panel is the largest contains a drawing of a river with a bridge crossing it, also a church and domed building with a clock tower in the distance. Back Cover contains a drawing of a series of books, in the shape of question mark with a Kookaburra sitting at the top.Inside front cover hand written M.G. Phillipsstawell education

The lady's clothes help us to date these images, circa early 1890s. She is standing at the steamer landing place; the first steam boat on the Lake was built in 1865 - from 1880 to 1910 the Lake was the social centre of the district, particularly on Sundays, when many people would arrive by steamer from the eastern shore. Previously unknown image of Ballarat. The set and its subjects indicate these images were produced to promote Ballarat and were perhaps aimed at tourists.Lake Wendouree, originally Yuille's Swamp, pictured from the western, or Gardens side.

Fred Negro, cartoonist from St Kilda, made drawings of guests during Stephen Cummings concert in the Mission's courtyard on 31 March 2011. Stephen Cummings gave several concerts at the Mission in 2011 and 2012. The sketch titled "Later on at the Mission After Stephen 'Cummo' Cummings" was published in the Ship to Shore Autumn 2011.A4 drawings in black ink on white paperfred negro, stephen cummings, andrea fleming, 2011, caricature, concerts, cultural events

RAF Sweetheart Brooch most likely made during WW2. The heart has possibly been made from llucite acrylic. Sweetheart badges were momentos given to loved ones by troops departing for foreign shores. Originally regimental badges worn close to the heart, they represent a close connection to a particular armed force.Clear plastic sweetheart brooch in the shape of a heart with crown above eagle with pin fastening attached to rear.raf, sweetheart brooch, trench art

The name Trireme comes from its distinct three rows of oars/oarsmen. The first tier of rowers were known as the Thranites, translating to Thrones. They were the most prestigious, and worked the hardest because their oars were furthest away from the water and therefore had to work harder. They were usually younger and they were paid one and a half drachma per day, half a drachma more than the other two tiers of rowers who were paid one drachma per day. After a few years working as Thranites, each was moved down into the second tier, the Zygites. Zygites derives from the word balance, as the second tier was balanced in the middle. After more years again, oarsmen were moved down into the third and final tier, known as the Thalamites. The Thalamites were consistently wet due to the proximity of their tier to the water. The water would leak through the gaps where the oars entered the ships despite the leather skins used to close the openings.This is a unique specimen made by D. Paraskevatos, in that it is the only one of its kind in the world that has been built to the exact specifications of the Athenian vessel. It was built in Melbourne and it also has historic and artistic valueWooden replica model ship that is an exact replica of the ancient Athenian trireme making it unique in the world since there's no other such replica made. Great care was exercised to ensure that it will include all functionality and detail of the ancient ship used to by the Athenians to fight in the Sea battle of Salamis and beyond. Mr Denis Paraskevatos constructed the Paralos Trireme over a period of eighteen months. Mr Paraskevatos relayed the history of his Trireme. The first Trireme was constructed in Greece by the shipbuilder Aminoklis in 704BC, originating from Corinth. The first four Triremes he constructed were ordered by a Poliykrates from Samos, thus the ships were known as Samines. Poliykrates realised he would be able to use the Triremes for his own benefit against invading pirates, as well as to engage in activities of piracy himself. The Athenians built 200 Triremes for the battle of Salamis, all constructed over a period of eighteen months. This was a huge feat, on average a new ship was build every second day. Triremes were primarily used in sea battles, however there were two unique Triremes, the Salaminia and the Paralos, which were considered Holy and only used for Ambassadors and Consulates on overseas trips. Mr Paraskevatos’ Trireme is the Paralos. The term Paralos derives from the Greek social class from the shores, or the merchant classes. Greece was divided into three basic social classes. The mountain region, the plateaus or fields bound to agriculture, and those from the shores. Paralia translates to from the shore. The Paralia were an important class in influencing the democracy. They were divergent group who would deliberately vote on the contrary to everyone else. This is how the Trireme was born. Every Trireme held between 20-50 soldiers, and either 170 or 174 oarsmen. Mr Paraskevatos’ Trireme is a 174 oarsmen ship. The role of the oarsmen was difficult and specialised. When engaged in sea battle and the wind was not enough, the navy would remove the masts and leave them on shore and solely use the oarsmen, leaving the deck clear. However when there were sufficient winds and both the sails and oars were in use the oarsmen had to show great skill in manoeuvrability. When the oarsmen were not needed to manoeuvre the ship they also engaged in battle. model, replica, paraskevatos, plutarch, ship, trireme, παρασκευάτος, πανομοιότυπο

The centre is at the main dock gate (Corry Road) within easy walking distance of most ships on North Shore. Facilities include a Flying Angel Centre with free Wifi & computer access, a bar and café, currency exchange, a choice of mobile phone & internet cards, pool table, chapel, gift shop, clothes shop and lounge area. Belfast is one of the many centres from the Mission to Seafarers network around the world.Mission located in the docks in Belfast North Ireland. Behind is the St Joseph's Church Sailortown.mission to seafarers, seamen's mission, mission to seamen, belfast, north ireland, ports

The Australis retains a significant place in Australian immigration history as the last ship to carry government assisted immigrants to Australian shores in 1977. She had the largest passenger capacity of any post World War II immigrant ship to regularly visit Australia and many passengers fondly remember her grandeur and remnants of Art Deco style.Mrs B SmythA framed oil painting of the migrant ship SS AustralisAustralisss australis, migrant ships

© Anna Lanyon , Carmel Wallace 2004. Apart from any fair dealing for the purposes of private study, research, criticism or review permitted under the Copyright Act, no text, image or part thereof may be reproduced, stored in a retrieval system, or transmitted in any form, without prior written permission from the authors.This suite of etchings explores the natural and social history of Fawthrop Lagoon, an ancient intertidal lagoon that lies at the heart of Portland on the far south-west coast of Victoria, Australia. The work records and interprets essential moments in the life of the lagoon, the plants, birds, insects, water-creatures and humans who have lived and continue to live around its shores. White card backing with white torn looking inner frame. Centre is a black printed overlay of a the words 'TEA TREE WALK' on top of a newspaper page taken from the Herald Sun on Saturday September 4, 2004 with the weather forecast and the tides, moon, air quality, fish, world, beach report etc. Around the outside of the centre image is hand written wording in fine black ink.4/30 'Lagoon' Page 2 : Cliff Beauglehole Carmel Wallacefawthrop lagoon, portland, victoria, australia, plants, birds, insects, water, creatures, humans

© Anna Lanyon , Carmel Wallace 2004. Apart from any fair dealing for the purposes of private study, research, criticism or review permitted under the Copyright Act, no text, image or part thereof may be reproduced, stored in a retrieval system, or transmitted in any form, without prior written permission from the authors.This suite of etchings explores the natural and social history of Fawthrop Lagoon, an ancient intertidal lagoon that lies at the heart of Portland on the far south-west coast of Victoria, Australia. The work records and interprets essential moments in the life of the lagoon, the plants, birds, insects, water-creatures and humans who have lived and continue to live around its shores. White card backing with white torn looking inner frame. Centre is a black printed overlay of a survey marker on top of a newspaper page taken from the Herald Sun on Tuesday February 3, 2004 with the weather forecast and the tides, moon, air quality, fish, world, beach report etc. Around the outside of the centre image is hand written wording in fine black ink.A/P 'Lagoon, P1, Second - State' Carmel Wallacefawthrop lagoon, portland, victoria, australia, plants, birds, insects, water, creatures, humans

© Anna Lanyon , Carmel Wallace 2004. Apart from any fair dealing for the purposes of private study, research, criticism or review permitted under the Copyright Act, no text, image or part thereof may be reproduced, stored in a retrieval system, or transmitted in any form, without prior written permission from the authors.This suite of etchings explores the natural and social history of Fawthrop Lagoon, an ancient intertidal lagoon that lies at the heart of Portland on the far south-west coast of Victoria, Australia. The work records and interprets essential moments in the life of the lagoon, the plants, birds, insects, water-creatures and humans who have lived and continue to live around its shores. White card backing with white torn looking inner frame. Centre is print of an extract taken from a survey record of the Fawthrop Lagoon Portland listing the name of the reserve, Allotment number, section number, Township, and Municipality. Markings and dates have been written in. Around the outside of the centre image is hand written wording in fine black ink and a map of the town of Portland also in black ink.4/30 Lagoon, Page 3 Carmel Wallacefawthrop lagoon, portland, victoria, australia, plants, birds, insects, water, creatures, humans

© Anna Lanyon , Carmel Wallace 2004. Apart from any fair dealing for the purposes of private study, research, criticism or review permitted under the Copyright Act, no text, image or part thereof may be reproduced, stored in a retrieval system, or transmitted in any form, without prior written permission from the authors.This suite of etchings explores the natural and social history of Fawthrop Lagoon, an ancient intertidal lagoon that lies at the heart of Portland on the far south-west coast of Victoria, Australia. The work records and interprets essential moments in the life of the lagoon, the plants, birds, insects, water-creatures and humans who have lived and continue to live around its shores. White card backing with white torn looking inner frame. Centre is print of green dragons and flowers in the background and five red stamps in the foreground with the words ' Blood of China' and Chinese characters down the left and right hand sides of the stamps. The image is surrounded by red hand writing in fine liner.A/P Lagoon Page 4 : Gold / leaf Carmel Wallacefawthrop lagoon, portland, victoria, australia, plants, birds, insects, water, creatures, humans

© Anna Lanyon , Carmel Wallace 2004. Apart from any fair dealing for the purposes of private study, research, criticism or review permitted under the Copyright Act, no text, image or part thereof may be reproduced, stored in a retrieval system, or transmitted in any form, without prior written permission from the authors.This suite of etchings explores the natural and social history of Fawthrop Lagoon, an ancient intertidal lagoon that lies at the heart of Portland on the far south-west coast of Victoria, Australia. The work records and interprets essential moments in the life of the lagoon, the plants, birds, insects, water-creatures and humans who have lived and continue to live around its shores. White card backing with white torn looking inner frame. Centre is print in the colours red and green with the word '21-ST' stamped into the print. Looks like reeds and grass in the green section and a photograph of a pillar concrete type structure with the words 'EVASSER FITTED' stamped into the leg lengthways.A/P 'Lagoon' P5 Carmel Wallacefawthrop lagoon, portland, victoria, australia, plants, birds, insects, water, creatures, humans

© Anna Lanyon , Carmel Wallace 2004. Apart from any fair dealing for the purposes of private study, research, criticism or review permitted under the Copyright Act, no text, image or part thereof may be reproduced, stored in a retrieval system, or transmitted in any form, without prior written permission from the authors.This suite of etchings explores the natural and social history of Fawthrop Lagoon, an ancient intertidal lagoon that lies at the heart of Portland on the far south-west coast of Victoria, Australia. The work records and interprets essential moments in the life of the lagoon, the plants, birds, insects, water-creatures and humans who have lived and continue to live around its shores. A suite of seven mixed media artworks each piece framed. Each piece is unique and is labelled as A/P (Artists Proof) Text: Anna Lanyon Images: Original etchings printed by Carmel Wallace at Portland Bay Press Victoria Australia 2004 Medium: Etching with chine collé Paper: Blue Lake (Australia) 100% cotton rag 600gsmfawthrop lagoon, portland, victoria, australia, plants, birds, insects, water, creatures, humans

© Anna Lanyon , Carmel Wallace 2004. Apart from any fair dealing for the purposes of private study, research, criticism or review permitted under the Copyright Act, no text, image or part thereof may be reproduced, stored in a retrieval system, or transmitted in any form, without prior written permission from the authors.This suite of etchings explores the natural and social history of Fawthrop Lagoon, an ancient intertidal lagoon that lies at the heart of Portland on the far south-west coast of Victoria, Australia. The work records and interprets essential moments in the life of the lagoon, the plants, birds, insects, water-creatures and humans who have lived and continue to live around its shores. White card backing with white torn looking inner frame. Black and white, portrait orientation, inner image is of an off white colour and is a gride of 9 images, snap shots of graffiti. Cental images are bordered by handwriting.3/30 'Lagoon' P7 Carmel Wallacefawthrop lagoon, portland, victoria, australia, plants, birds, insects, water, creatures, humans

© Anna Lanyon , Carmel Wallace 2004. Apart from any fair dealing for the purposes of private study, research, criticism or review permitted under the Copyright Act, no text, image or part thereof may be reproduced, stored in a retrieval system, or transmitted in any form, without prior written permission from the authors.This suite of etchings explores the natural and social history of Fawthrop Lagoon, an ancient intertidal lagoon that lies at the heart of Portland on the far south-west coast of Victoria, Australia. The work records and interprets essential moments in the life of the lagoon, the plants, birds, insects, water-creatures and humans who have lived and continue to live around its shores. White card backing with white torn looking inner frame. Black and white, portrait orientation, inner image of a close up of the side of a timber boat, white panelling meets a black hull, on a back drop of the ocean and sky. Dark strip with a black dot, marks the boats edge. Image is bordered by handwriting.5/30 'Lagoon' P6 Captain Fawthrop Carmel Wallacefawthrop lagoon, portland, victoria, australia, plants, birds, insects, water, creatures, humans

This edition includes a report on the Progress Association's July 1974 meeting, Children: parental property or individuals?, A tribute to Lorrie Shore, Kinder news, From the Council Chamber, Meet the natives, Land subject to fill and inundation, Stage door notes [Diamond Valle Repertory], Letter to the Editor. A digital copy of this Newsletter is available from Greensborough Historical Society.Newsletter, 24 p., illus.greenhills and north greensborough progress association, greenhills

The Ballarat School of Mines was a predecessor institition of Federation University Australia.Fifteen members of the Ballarat School of Mines Magazine Committee are photographed. Back left to right: J. Graham Hopwood (Art), H. Mortimer (Junior Tech), J. Mole (Science). Centre left to right: J. Skelton (art), D. Shore (Science), A. Collins (Science), A. Loughton (Art), R. Warnock (Art), Lorna Bailey (Art). Front left to right: J. Graham (G. Prep), M. Wilson (Science), Dr James Pound (President), G. Netherway (Editor), Nornie Gude (Art). ballarat school of mines, nornie gude, gude, hopwood, graham hopwood, mortimer, mole, skelton, shore, collins, loughton, dr pound, james pound, warnock, bailey, lorna bailey, graham, wilson, netherway, george netherway

Yields information in the form of a letter from an active tram enthusiast at the time recommending that part of the Ballarat system be retained for heritage tramway operation by the TMSV.Two typed A4 size sheets, photocopied, undated, early 1971 written by Dave Macartney of Albert Park to a number of people recommending that the TMSV establish a tramway museum in Ballarat around the shores of Lake Wendouree. Includes a map showing a possible track layout. Gives supporting cases, issues, problems, notes tourism potential, street running and other matters. Has been hand address to "Graeme". Dave Macartney advised 6/10/2007 that written November 1970, 50 copies made."Graeme" in blue ink.trams, tramways, ballarat, preservation, tmsv

Some men identifiedBlack and white print of group of eleven men seated on rocky shore near the SS Saros at Cape Everard aka Point Hicks. Image shows the ship's funnel still in place, vessel facing west. Point Hicks Victoria. Identified: Front - Jack Harbeck, Christie McNamara (white pants), Tommy Todd, Bill Todd on right. Back Row - Leo Mitchelson, Harry Bennett (somewhere). Right back - Basil Mitchelson, Second right in hat William Frederick Macneil (1st Mate) fishing industry, ships and shipping, people, shipwrecks

This mass grave is to bury 139 Vietnamese boat people (VBP) in an escape boat of MT065. They arrived at the shore of Cherang Ruku, Kelantan state of Malaysia in the late afternoon of 31 Nov 1978, with the push-back policy, the boat was not allowed to unload a number of more than 300 boat people in the small boat. They had to anchore at a distance of about 200 metre away from the shore. In the early morning of 1-Dec-1978 a storm of the monsoon season quickly swept over the area. The boat was capsized. 139 + 49 boat people were killed. Bodies of 139 VBP were washed ashore into the beach of Cherang Ruku, were collected and buried in this mass grave. The remains of another 49 VBP were collected 4 days later and buried in Balai Bachok, about 30 km away from Cherang Ruku. The 5 grave stones with a name list of 123 VBP were built by the UN HCR with the names they could find. The man who was in charge of burying these VBP was interviewed in 2010, retold the story and confirmed he buried 139 bodies, not 123.Mass grave of VBP in Cherang Ruku, Malaysia

This flare pictured is one of three lighting or signal flares. These are pyrotechnic devices used at sea, mainly as a distress signal. However, they have other meanings when used for naval purposes, such as the executive order to start a particular manoeuvre. These are usually packaged as part of a distress pack containing all necessary rockets or flares for immediate use, in any emergency, by ships and off-shore yachts.This set of three flares is significant for its connection with local history, maritime history and marine technology. Lifesaving has been an important part of the services performed from Warrnambool's very early days, supported by State and Local Government, and based on the methods and experience of Great Britain. Hundreds of shipwrecks along the coast are evidence of the rough weather and rugged coastline. Ordinary citizens, the Harbour employees, and the volunteer boat and rescue crew, saved lives in adverse circumstances. Some were recognised as heroes, others went unrecognised. In Lady Bay, Warrnambool, there were around 16 known shipwrecks between 1850 and 1905. Many lives were saved but tragically, eight lives were lost.Flare; mushroom coloured cylinder, metal base with wooden top joined to it. Base has removable cap with metal encased wooden fuse attached, which holds seven removeable pegs and rings. String threaded through top holes has a wooden peg attached. Top also has holes drilled on opposing sides through which the peg would fit. Inscriptions stamped in black on base, and impressed into cap. Stamped black: "I" Impressed into cap: ""I", "R↑L" (inside oval).flagstaff hill maritime museum and village, flagstaff hill, maritime museum, maritime village, warrnambool, great ocean road, lady bay, warrnambool harbour, port of warrnambool, shipwreck, life-saving, lifesaving, rescue crew, rescue, rocket rescue, rocket crew, lifeboat men, beach rescue, line rescue, rescue equipment, rocket firing equipment, rocket rescue equipment, maritime accidents, shipwreck victim, rocket equipment, marine technology, rescue boat, lifeboat, life saving rescue crew, lifesaving rescue crew, rocket rescue method, rocket apparatus rescue, stranded vessel, mortar, life jacket, rocket machine, rocket line, rocket set, schermuly, harbour board, government of victoria, harbour master, armband, l.s.r.c., lsrc, flare, light, safety equipment, distress signal, safety at sea, emergency signal, broad arrow, communication signal, vingage, pyrotechnic flare

Illustrated large-format book with 224 pages [36] p. of plates. : ill., maps, ports.Bibliography: p. 199-201non-fictionIn the mid-nineteenth century, Victoria’s primitive maritime infrastructure was not coping with the volume of passenger and cargo traffic arriving in and departing from the burgeoning gold-fevered colony. However, the opening of Railway Pier at Port Melbourne in 1854 greatly improved the situation. Railway Pier serviced the steamships, which plied Port Phillip Bay and the Victorian coastal waters beyond, and also offered berths for vessels on the regular runs to other Australian colonies and to overseas destinations. However, as the larger and more powerful steamships of the early twentieth century found berthing increasingly difficult at Railway Pier, the need for a more modern pier became apparent. By 1930, the new Station Pier had replaced its predecessor. Itself extended and upgraded several times including during the past decade, Station pier still offers every contemporary convenience to shipping services using its busy facilities, just as did its predecessor Railway Pier, 150 years ago. The Victorian Government commissioned Welcome & Farewell to celebrate the 150 years since the opening of the Railway Pier. In doing so, it was mindful that the story of the site is not limited to its contribution to national and state economies, or to its physical development. The Government wanted a history that would also speak to ordinary Victorians, and other Australians, of their own experiences of this significant place. For indeed the Station Pier site has played its part in almost every milestone or phase in our history: at moments of celebration and commemoration, during economic booms and depressions, during times of war and peace. It has also won a place in the hearts of ordinary individuals affected by the welcomes and farewells they have experienced there: those for visiting royalty and celebrities, for servicemen and medical personnel off to war or returning home, for migrants from distant countries and refugees from war zones, for friends and family travelling for personal, professional or cultural reasons. Welcome & Farewell thoughtfully examines Station Pier’s significance and offers a splendid visual panorama of the experiences lived out there between 1854 and 2004.port melbourne, station pier

Wal Jack collected tramway and railway items for his collection. This illustration of the first production President's Conference Committee (USA Transit operators) of 1936, built for the Brooklyn & Queens Transit Corporation. See reference for the background. The tram itself is now part of the collection of The Shore Line Trolley Museum, East Have CT. Melbourne Tram 980 was built using the PCC technology.Demonstrates a Tram that would have interested Wal Jack.Printed illustration of Brooklyn & Queens No. 1001 - the first production PCC Carletter, wal jack, pcc trams, usa, brooklyn