A property illustration by Margret Picken Commissioned by a real estate agency for the purpose of advertising 57 Purches St., Mitcham This property is listed as having sold for $305,000 in 2001 Made by using Rotring ‘Rapidigraph’ drafting pens with Rotring ink on Rapidigraph polyester drafting film, double matte. Trained as a cartographic draftsman within the mining industry, Margaret Picken is an artist who worked producing property illustrations for real estate agencies in eastern suburbs of Victoria from 1983-2005. Retiring from the industry as technological changes favored coloured photography over illustrations, and commissioning companies over sole contractors.This artwork is of Historical Significance as a record of local domestic architecture.A black ink line drawing on drafters film by Margaret Picken, of 57 Purches St., Mitcham depicting a black and white line drawing of a two story house, the first story is brick, while the second is weatherboard. There is an attached garage on the right, at the end of driveway. In the foreground is a brick fence, and front yard.57 Purches St., Mitcham Margaret Picken © 2001 Fletchers Real Estatewhitehorse historical society, schwerkolt cottage, housing, architecture, margaret picken, house, garden, real estate, mitcham

A property illustration by Margret Picken Commissioned by the real estate agency Hocking Stuart Blackburn for the purpose of advertising 63 Vicki St., Forest Hill This property has be subdivided into two house since being sold in 2002. Made by using Rotring ‘Rapidigraph’ drafting pens with Rotring ink on Rapidigraph polyester drafting film, double matte. Trained as a cartographic draftsman within the mining industry, Margaret Picken is an artist who worked producing property illustrations for real estate agencies in eastern suburbs of Victoria from 1983-2005. Retiring from the industry as technological changes favored coloured photography over illustrations, and commissioning companies over sole contractors.This artwork is of Historical Significance as a record of local domestic architecture.A black ink line drawing on drafters film by Margaret Picken, of 63 Vicki St., Forest Hill depicting a single story brick house with steps up the concealed doorway. On the left a driveway leads to a gated garage, on the right in the foreground is a front garden.63 Vicki St., Forest Hill Margaret Picken © 2002 Hocking Stuart B/Burnwhitehorse historical society, schwerkolt cottage, housing, architecture, margaret picken, house, garden, forest hill, real estate

St. James' Anglican Church, Orbost, was conceived and built as a memorial to the men 'who served and suffered during the Great War' as noted on the foundation stone. The Right Reverend GH Cranswick, DD, Bishop of Gippsland, laid the stone on 1 October 1927. This parish newsletter was published regularly to inform church members of all the latest news, events and information.For many years the Anglican people of Orbost have enjoyed the fellowship of the church and the children, in particular, were socially and spiritually involved. This item is reminiscent of the first half of the 20th century when church-going was more common.A four page newsletter titled, Parish Messenger for Orbost, November 1933, Vol 6 -No 83. It lists the services, times, meetings and news. The rector at the time was Rev. K.E. Hamilton.st-james-anglican-church church newsletter

A property illustration by Margret Picken Commissioned by a real estate agency for the purpose of advertising 18 Simpson St., Mitcham This property is listed as having sold for $347,000 in 2002 Made by using Rotring ‘Rapidigraph’ drafting pens with Rotring ink on Rapidigraph polyester drafting film, double matte. Trained as a cartographic draftsman within the mining industry, Margaret Picken is an artist who worked producing property illustrations for real estate agencies in eastern suburbs of Victoria from 1983-2005. Retiring from the industry as technological changes favored coloured photography over illustrations, and commissioning companies over sole contractors.This artwork is of Historical Significance as a record of local domestic architecture.A black ink line drawing on drafters film by Margaret Picken, of 18 Simpson St., Mitcham depicting a black and white line drawing of a single story weatherboard house, on the left hand is a driveway leading to a separate garage. While in front of the house is a front lawn with garden beds and a large gumtree. There is a path leading from the left edge of the artwork to the front door. There are two holepunch holes on just under the upper edge 18 Simpson St., Mitcham Picken © 2002 Realtorwhitehorse historical society, schwerkolt cottage, housing, architecture, margaret picken, house, garden, real estate, mitcham

A property illustration by Margret Picken Commissioned by the real estate agency Woodards Blackburn for the purpose of advertising 2 Bennett St., Forest Hill This property built circa 1960's, is listed as having sold for $144,500 in 1994 Made by using Rotring ‘Rapidigraph’ drafting pens with Rotring ink on Rapidigraph polyester drafting film, double matte. Trained as a cartographic draftsman within the mining industry, Margaret Picken is an artist who worked producing property illustrations for real estate agencies in eastern suburbs of Victoria from 1983-2005. Retiring from the industry as technological changes favored coloured photography over illustrations, and commissioning companies over sole contractors.This artwork is of Historical Significance as a record of local domestic architecture.A black ink line drawing on drafters film by Margaret Picken, of 2 Bennett St., Forest Hill Of a two story house with a double garage in the background. Of a driveway on the left leading to a carport, with a path leading to the entrance of a one story brick house. There are two hole punch holes along the top edge.2 Bennett St., Forest Hill Margaret Picken -94 Woodards B/Burnwhitehorse historical society, schwerkolt cottage, housing, architecture, margaret picken, house, garden, forest hill

A property illustration by Margret Picken Commissioned by a real estate agency for the purpose of advertising 19 Ronald St., Mitcham. This property is listed as having sold for $230,000 in 1997 Made by using Rotring ‘Rapidigraph’ drafting pens with Rotring ink on Rapidigraph polyester drafting film, double matte. Trained as a cartographic draftsman within the mining industry, Margaret Picken is an artist who worked producing property illustrations for real estate agencies in eastern suburbs of Victoria from 1983-2005. Retiring from the industry as technological changes favored coloured photography over illustrations, and commissioning companies over sole contractors.This artwork is of Historical Significance as a record of local domestic architecture.A black ink line drawing on drafters film by Margaret Picken, of 19 Ronald St., Mitcham depicting a black and white line drawing of a single story weatherboard house with a bay window and porch with decorative facia. To the right is a driveway leading to a carport running alongside the house. In the foreground is a picket fence enclosing a front yard. There are two holepunch holes on just under the upper edge 19 Ronald St., Mitcham Margaret Picken - 97 Woodards - Boxhillwhitehorse historical society, schwerkolt cottage, housing, architecture, margaret picken, house, garden, real estate, mitcham

A certificate presented to Winifred Cassidy for being qualified to render First Aid to the Injured.Buff coloured certificate with black printing and red ornamental borders, black logo.St John Ambulance Association (Victoria). This is to certify that Winifred Cassidy has attended a course of instruction at Ringwood and has qualified to render "First Aid to the Injured." (signed) A. Christie, Secretary. 3-7-1961.

A property illustration by Margret Picken Commissioned by a real estate agency for the purpose of advertising units 1-8 Harrison St., Mitcham The property has be listed as having sold for $270,000 in 1999. Made by using Rotring ‘Rapidigraph’ drafting pens with Rotring ink on Rapidigraph polyester drafting film, double matte. Trained as a cartographic draftsman within the mining industry, Margaret Picken is an artist who worked producing property illustrations for real estate agencies in eastern suburbs of Victoria from 1983-2005. Retiring from the industry as technological changes favored coloured photography over illustrations, and commissioning companies over sole contractors.This artwork is of Historical Significance as a record of local domestic architecture.A black ink line drawing on drafters film by Margaret Picken, of Units 1-8 Harrison St., Mitcham depicting a black and white line drawing of a two story rendered house with incorporated garage on the right. Set back from a pillared wrought iron fence and landscaped front yard. There are two holepunch holes centered just under the upper edgeUnits 1-8 Harrison St., Mitcham Margaret Picken - 99 Woodards whitehorse historical society, schwerkolt cottage, housing, architecture, margaret picken, house, garden, real estate, mitcham

A property illustration by Margret Picken Commissioned by the real estate agency Woodards, Camberwell for the purpose of advertising 11 Alfred St., Burwood for sale in 1990. Made by using Rotring ‘Rapidigraph’ drafting pens with Rotring ink on Rapidigraph polyester drafting film, double matte. The suburb lines are believed to have been redrawn, making this property no longer in Burwood, but located in Glen iris. This property is listed as having sold for in 1990, Trained as a cartographic draftsman within the mining industry, Margaret Picken is an artist who worked producing property illustrations for real estate agencies in eastern suburbs of Victoria from 1983-2005. Retiring from the industry as technological changes favoured coloured photography over illustrations, and commissioning companies over sole contractors.This artwork is of Historical Significance as a record of local domestic architecture.A black ink line drawing on drafters film by Maragret Picken, of 11 Alfred St., Burwood. Depicted is a one-story weatherboard situated back from a front lawn with a large tree, and a brick driveway on the left. Bushes are planted in front of the porch, and greenery on the left and right of the image. There to two hole punches just below the upper edge. 11 Alfred St., Burwood Maragret Picken -'99 Woodards - Glen Iriswhitehorse historical society, schwerkolt cottage, housing, architecture, margaret picken, burwood, glen iris, house, garden

A property illustration by Margret Picken Commissioned by the real estate agency Woodards Blackburn for the purpose of advertising 1 Boyle St., Forest Hill This property is listed as having sold for $144,500 in 1994 Made by using Rotring ‘Rapidigraph’ drafting pens with Rotring ink on Rapidigraph polyester drafting film, double matte. Trained as a cartographic draftsman within the mining industry, Margaret Picken is an artist who worked producing property illustrations for real estate agencies in eastern suburbs of Victoria from 1983-2005. Retiring from the industry as technological changes favored coloured photography over illustrations, and commissioning companies over sole contractors.This artwork is of Historical Significance as a record of local domestic architecture.A black ink line drawing on drafters film by Margaret Picken, of 1 Boyle St., Forest Hill of a two story house with a double garage in the background. Of a driveway on the left leading to a carport, with a path leading to the entrance of a one story brick house. There are two hole punch holes along the top edge, with the punched out holes still attached.1 Boyle St., Forest Hill Margaret Picken -94 Woodards B/Burnwhitehorse historical society, schwerkolt cottage, housing, architecture, margaret picken, house, garden, forest hill

hand written on back: Queens Rd underpass, St Kilda Junction Photo filed 18.8.1968black and white matt photograph good condition unmountedQueen's Road underpass, St Kilda Junction. Photo filed 18.8.1968. H71. V 13120. Copyright. This photograph may not be reproduced without permission in writing from the Editor of "The Age". 250 Spencer Street, Melbourne and 39/41 York st, Sydney.

Photograph shows interior of the church: pews, organ pipes, altar. Location: Alma Rd St Kildablack and white photograph good condition mountedSt Kilda Presbyterian Church. May - With love from Mother Xmas 1922. St Kilda Historical Collection, 150 Carlisle st, St Kilda. Empire Portrait Studio and Sporting Photographer, 133 Chapel st, Balaclava. Ask 4 George. Ring up GEO. WALL. Phone Win 3573. Historical Society of St Kilda PO Box 142, Balaclava 3185.

Jacob Miller, St Kilda Councillor 1893Sepia photograph on card, mounted, fair conditionJacob Miller, St Kilda Councillor 1893

St Kilda Beach and piers, Christ Church on the hillblack and white lithograph, unmounted, copy, fair conditionSt Kilda on the Bay. 1862 Copy courtesy LaTrobe Library, Melbourne, from: The illustrated Melbourne Post, January 1862, p12.

A property illustration by Margret Picken Commissioned by the real estate agency Woodards, Camberwell for the purpose of advertising 10 Alfred St., Burwood for sale in 1999. Made by using Rotring ‘Rapidigraph’ drafting pens with Rotring ink on Rapidigraph polyester drafting film, double matte. The suburb lines are believed to have been redrawn, making this property no longer in Burwood, but located in Glen iris. This property is listed as having sold for in 1999 for $380,000 Trained as a cartographic draftsman within the mining industry, Margaret Picken is an artist who worked producing property illustrations for real estate agencies in eastern suburbs of Victoria from 1983-2005. Retiring from the industry as technological changes favoured coloured photography over illustrations, and commissioning companies over sole contractors.This artwork is of Historical Significance as a record of local domestic architecture.A Black ink line drawing on drafters film by Maragret Picken, of 10 Alfred St., Burwood. Depicted is a one-story brick house situated back from a front lawn with a large tree, and a driveway on the right, leading to a connected carport. There to two hole punches just below the upper edge, and a approximately 1cmx1cm tape reside mark left of centre near the bottom edge 10 Alfred St., Burwood Maragret Picken - 99 Woodards - c'wellwhitehorse historical society, schwerkolt cottage, housing, architecture, margaret picken, burwood, glen iris, house, garden

St Kilda Pier, with Esplanade hotel in background, Alfred Sq. Palais, St Moritz , boats.black and white postcard, unmounted, original, good conditionSmall Craft & Pier. St Kilda .Vic. The Rose Series P4934

Elonara, Marine Parade, St Kilda sepia and white postcard, embossed edgePost card Elonara, Marine Parade, St Kilda

hand written on back: Excavation work at St Kilda Junction during reconstruction of traffic lanes Photo filed 28.3.1967black and white matt photograph good condition unmountedExcavation work at St Kilda Junction during reconstruction of traffic lanes. Photo filed 28.3.1967. H71. L3290. Copyright. This photograph may not be reproduced without permission in writing from the Editor of "The Age". 250 Spencer Street, Melbourne and 39/41 York st, Sydney.

First St Kilda Town Hall, Cnr Grey and Barkly Sts, St Kilda, built in 1859, demolished 1930, side viewblack and white photograph, copy, fair image quality, unmountedOld Town Hall Crs Barkly & Grey St built 1859

Christian Brothers College, St Kilda, was established in 1878 as a private secondary college for boys. Since 2021, following the closure of its sister school for girls, Presentation College Windsor, it has operated as a co-educational school called St Mary's College.Pale blue square card with black printing on one sidePrinted on face: Christian Brothers' College, St. Kilda, ANNUAL CONCERT, St Kilda Town Hall, Tuesday, Dec. 17, 1918. Proceeds in aid of Christian Brothers' Training College Jubilee Fund. His Grace the Most Rev. Dr. Mannix will Preside. Row J 81 ADMIT ONE This part to be given up at the Door.st kilda town hall, st kilda schools, christian brothers college, christian brothers training college, 1918, 20th century, dr mannix, christian brothers

Imants Tillers has been identified as a quintessential postmodern artist in his use of appropriation and quotation. Since 1981 he has used his signature canvas boards to explore themes relevant to contemporary culture, from the centre/periphery debates of the 1980s to the effects of migration, displacement and diaspora. Most recently, his paintings have been concerned with place, locality and evocations of the landscape. Imants Tillers and Baldessin met on their way to the Bienal de Sao Paulo in 1975 and in the following year worked on two collaborative etching plates in Paris that were printed by Pierre Giarudon. 'Unsaid + Nameless' harks back to his experiences with Baldessin in Paris forty years ago. It is a poignant image of absence that can be read in the tradition of the momento mori. George Baldessin (1939-1978) was born in San Biagio di Callalta, in the Veneto in Northern Italy and arrived in Australia ten years later. A printmaker and sculptor he built his bluestone studio at St Andrews (Nillumbik) in 1971 with his partner Tess and the three Hails brothers, Rob, Doug and Don. Made of recycled materials the studio today contains all of George’s equipment including the large press, which he modelled himself with the help of Neil Jeffrey (Enjay Presses). George won many prizes throughout his career and is represented in many of Australia's public art collections including his famous 'Pears' sculpture in front of the National Gallery of Australia, Canberra. In 1975 he represented Australia in the Sao Paulo Biennale, before living and working in Paris until his return to St Andrews in 1977. In 1978 George was killed in a car accident aged 39 years. In 2001 Tess returned to St Andrews to reclaim the run-down studio and reconstitute it as The Baldessin Press & Studio - a printmaking retreat. It operates in George’s memory, so that artists may continue to create, perpetuating the generous spirit of George.'Unsaid + Nameless' is one of eight prints in the 'Baldessin & Friends commemorative folio. The folio was conceived by Tess Edwards as a fundraising initiative in celebration of the The Baldessin Press & Studio's fifteen year anniversary, and as a way to honour George Baldessin's memory. The Baldessin Press & Studio is a not-for-profit organisation created in memory of the late George Baldessin (1939-1978), whose original studio is now open to the public for creative use and as a practical legacy to living artists. The Studio is located in St Andrews, Nillumbik. The folio is a unique coming together of seven very different and acclaimed artists who are connected by their friendship to the missing eighth member, George Baldessin. In 1976 Baldessin and Tillers embarked on the collaborative work 'According to des Esseintes'; a post modern Surrealist game of consequences and sequences. In homage to his friendship and work, Tillers completed an unfinished Baldessin plate from 1976 inspired from their 'des Esseintes' collaboration. The addition of Odilon Redon's 'smiling spider' is indicative of Tiller's broader post-modern approach. Solar plate etching of Odilon Redon's 'Laraignee souriante' (The Smiling Spider) on an incomplete plate etched by George Baldessin in 1976 on Somerset paper. Other images include skewed perspectives of a wooden window frame, 'wooden' floor or table(?) folded sheet of paper and unknown apparatus. In pencil (handwritten): low plate: left '14/25' (edition); centre: 'Unsaid + Nameless' (title); right 'Imants Tillers' (signature); low paper: right emboss 'GB' (Baldessin Press & Studio monogram)solar plate etching, george baldessin, somerset paper, spider, line, ekphrasis2018, odilon redon, appropriation, post modern, surrealism, collaboration, paris, folio

Crowds on Beach, St Kilda. The Shelter Pavilion, Catani Gardens. The Rose Series Postcardblack and white postcard, original, good condition[front, printed] The Rose Series p. 2395; Crowds on Beach, St. Kilda [back, handwritten, pencil] 1940-60 [postcard imprint]

This certificate was issued to Mary Freitag on 6th June 1910 on completion of her three years' training at St. Vincent's Training School for Nurses. It is signed by Mary Berchmans Daly, the Mother Rectress, and by A. E. Rowden-White, the honorary lecturer. Mary Freitag registered as a nurse and then went on to join the Australian Army Nursing Service in June 1917 and was posted to the Deccan War Hospital at Poona, India, which had 1,200 beds. There she tended the wounded soldiers brought from the battlefiends of Mesopotamia (Iraq). In March 1919, Mary then served on the hospital ship Varela before leaving the nursing corps to marry in September 1919.This item is of historical significance as an example of a graduation certificate that was issued to nurses at that time. It is a record of the service of Mary Freitag and it includes the signature of the Mother Rectress, Mary Berchmans Daly.Certificate hard bound in board covered with black leather. Gold lettering and a gold border decorate the front of the cover. The cover folds out to show printed certificate inside. Certificate inside is printed with nurse's name and signatures in black fountain pen.Nurse's name handwritten in black ink on the certificate: "Nurse Mary Freitag" Certificate is signed at the bottom: "A. E. Rowden-White, Mr" Hon. lecturer and "Mary Berchmans Daly", Mother Rectress. "6th June 1910" is written on the lower left of the certificate.nursing, world war i, graduation certificates, australian army nursing service, hospital ship varela, deccan war hospital, st vincent's hospital melbourne

A short article about John James (Jack) Andrews and his service in World War 1. Jack Andrews was a founder of the Greensborough RSL.1 Page, text and colour images.world war 1 project, john james (jack) andrews

The shop was at 84 High Street, St Kilda, Victoria. The back of the premises was destroyed by fire on 30 June 1959. It was demolished by order of St Kilda City Council. It is unknown who the men and woman in the images are.The images of the shop front were taken after alterations. Black and white photographs, mounted, originals in poor conditionShops have been demolished by order of St Kilda City Council. June 30 59 back of these premises destroyed by fire. Photo of Miller Bros shops of 84 High St, St Kilda before alerations. Donated by H Miller 11 2 79.high street, automobiles, businesses, st kilda, miller bros

picture shows ramp from St Kilda Road to by-pass road filed 22.10.68black and white photographAge photo V18369 (titled 22.10.68). Trams using Wellington St by-pass for first time. Picture shows ramp from St Kilda Rd to by-pass road. Copyright. This photo may not be reproduced without permission in writing from the editorof "The Age". 250 Spencer Street, Melbourne and 39/41 York Street, Sydney.

Scene on Beach, St Kilda, pavilion in foreground, two 1920s motocylcles in front, Valentine Series Postcard, black and white postcard, gloss paper, unmounted, good condition[front, printed] Valentine Series no. 577, Scene on Beach, St. Kilda [back, handwritten, pencil] 13th October 1929 [postcard format imprint]