Showing 2893 items
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Ringwood and District Historical Society
Photograph, Ruth Swan's Entertainment - undated
Large group on stage (adults and children) in costumeCatalogue card reads, "Ruth Swan's Entertainment - undated". -
National Vietnam Veterans Museum (NVVM)
Film - Film, DVD, Australian Entertainers, Luscombe Bowl, Nui Dat - Vietnam, 1968-1969
Actual footage of some 'entertainers' performing on stage.entertainers - vietnam war, luscombe bowl -
Tatura Irrigation & Wartime Camps Museum
Photograph, RSL Hall Murchison, 1941-1946
Hans Walter von Gruenewaldt was a German POW who used his artistic ability to paint several large mural caricatures while he was held at Camp 13 at Murchison. The technique he used was colourful house paint, painted directly onto the walls of the German mess hut, reading room and recreation hall in compound 13D. The paintings were completed over a duration of six years (1941-1946). Colour photo of stage of the RSL Hall Murchison.hans walter von gruenewalt, german pow's, camp 13 murchison, pow camps, caricatures -
Stawell Historical Society Inc
Memorabilia - Realia, 1995
Certificate of First Stage of Museum Accreditation Certificatestawell -
Vision Australia
Photograph - Image, Free Lending Library of the Blind building opening, 1919
In 1894 the Victorian Braille Writers Association was established in order to create a braille lending library. Such an endeavor also meant a need of space for storage. At first the library was accommodated in the home of Mrs May Harrison before moving to the home of Mrs Dickinson two years later. Eventually, with the help of donors, a space was rented in the Block Arcade to house the 1300+ volumes it held and the yearly increase produced by its braille transcribers. Fortunately in 1918 the Trustees of the Edward Wilson Estate provided 4000 pounds to pay for a new building in Commercial Road. Despite some misgivings from the RVIB at the time, this building was home to both braille volumes and talking books (albums and cassettes) for many years.1 b/w photograph of people on a stageFree Lending Library for the Blind. Senator G. Fairbairn, on behalf of the Edward Wilson Trust, presenting the key of the building to Miss Aston, a Braille reader, representing the Braille Writer’s Association. 26th April 1919. (Label on mount board)tilly aston, braille and talking book library -
Bendigo Historical Society Inc.
Photograph - PETER ELLIS COLLECTION: MUSICIANS ON STAGE
Colour photograph. Musicians on stage. Other people sitting on chairs in front of stage facing audience. Piano accordion. Lute. Violin. Harmonica. Mouth organ.entertainment, music, bush band -
Moorabbin Air Museum
Document (item) - CAC Collection - Technical Informations ATAR 09B And 09 C Turbojet Engines
Compressor Rotor Improvement Of The Operational Behaviour On Compressor Rotor 3rd Stage Blades -
Federation University Historical Collection
Photograph - Black and White, Bill Durant (probably), Mount Helen Campus, 1970, c1970
This photograph was most probably taken by lecturer Bill Durant who was a staff member on the Mount Helen Campus from 1970Views of the Stage one buildings on the Mount Helen Campusfederation university, federation university australia, feduni, ballarat institute of advanced education, durant -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Reclamation, n.d
Port of Portland Authority Archivesport of portland archives, reclamation -
Port Melbourne Historical & Preservation Society
Plan - Stage & Foundations, Port Melbourne Town Hall, Port Melbourne City Council, 1916
Plan - details of stage and foundations for the 1915 Town Hall.port melbourne town hall, built environment - civic, city of port melbourne engineering dept -
Clunes Museum
Photograph
BLACK AND WHITE PPHOTOGRAPH OF A GROUP OF PEOPLE IN COSTUMS ON STAGEIN PENCIL ON BACK: CLUNES PRIMARY 7043, STAMPED WITH "N.L.HARVEY - PRESS PHOTO A.M.P. BALLARAT 9SOME ILLEGIBLE) IN VIOLET INKprimary 7043, primary school 7043 -
Ballarat Heritage Services
Photograph - Newspaper clipping, Victoria Theatre, Sovereign Hill Players
Victoria Theatre is a reconstructed 1850s theatre situated in Main Road, Sovereign Hill, Ballarat. In this picture are second from left Andrew Dark, fourth from left Peter Eyres.Five performers on stage at the Victoria Theatre at Sovereign Hill. sovereign hill, victoria theatre, ballarat, dark, eyres, goldfields, music, andrew dark, peter eyres -
Bass Coast Shire Council - Robert Smith Collection
Artwork, other - Going Home, Vic O'Connor
Linocut/ Edition of 1980 4/9 Stage 111Signed, dated, titled and edition -
Stawell Historical Society Inc
Photograph, YP Anniversary in hall with children in Fancy Dress c 1930's
Y P Anniversary Salvation Army in time of Major & Mrs G Morgan Smith. Some I can Identify. Gwen Smith (Centre Back), Girl with Trumpet Mavis O,Neil, on her right Elizabeth WatsonGroup of People on stage in front of banner "Jesus Saves" -
Federation University Historical Collection
Photograph - Black and White, Federation University Albert Coates Complex under construction, 1972
Fiver black and white photographs showing the former Union Building, now the Federation University Albert Coates Complex, under construction. .1) View of the first stage residences site south west, shows Stage 1 Engineering and Metallurgy/Geology. .2) View of the first stage residences site to the South west. Roadway dam creates upper pond. .3) View of the first stage residences site to the eastward. Shows lower pond and roadway dam. .4) View of the first stage residences site to the South. Start of Union Building Construction. .5) .View to the south east across lower pond, shows the Tree of Knowledge and first stage buildings.albert coates complex, union building, mount helen campus -
4th/19th Prince of Wales's Light Horse Regiment Unit History Room
Presentation display: Manufacturing stages for .303 inch service round, c 1950
Glass fronted wooden frame in which is mounted examples of components at the various stages of making .303 inch round. Top row - samples of the various metals used Centre row - Examples of components at stages of manufacture of cartridge case Bottom row - Examples of components at stages of manufacture of bulletOn back - 4/19 PWLH Sgts Mess 97 -
Clunes Museum
Administrative record - LEDGER, ACCOUNT OF THE NUMBER OF FORMS OF LICENSE RECEIVED FROM 1883 TO 1885
LEDGER CONTAINING DETAILS MINER'S RIGHTS, BUSINESS LICENCES, HAWKER - (ON FOOT, WITH ANIMALS), SLAUGHTER YARD, CARRIER, FOREWARDING AGENT, STAGE CARRIAGE, PAWNBROKER, PERMITS TO FISH IN RESERVOIRS, TOBACCO LICENCES RECEIVED BY CLERK OF COURTS TO THE COMMISSIONER OF AUDIT, MELBOURNE.BLUE SOFT CARDBOARD COVERED LEDGER CONTAINING ACCOUNT OF THE NUMBER OF FORMS OF LICENCE RECEIVED BY CHARLES A.C. CRESWELL, CLERK OF COURTS AND RECEIVER OF REVENUE, CLUNES 1883 - 1885 AND LATER BY GEORGE FREDERICK BATEMAN 1885.. LICENSES COVERED ARE: MINTERS RIGHTS; BUSINESS; HAWKER; SLAUGHTERYARD; CARRIER; FORWARDING AGENT; STAGE CARRIAGE; PAWNBROKER; PERMITS TO FISH IN RESERVOIRS; TOBACCO.local history, document, book receipt, council audit ledger -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Main Breakwater construction, Portland, n.d
Port of Portland Authority Archivesport of portland archives, harbour construction, main breakwater -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Lee Breakwater, Portland, n.d
Port of Portland Authority Archivesport of portland archives, construction, lee breakwater -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Main Breakwater construction, Portland, n.d
Port of Portland Authority Archivesport of portland archives, main breakwater, construction, portland harbour, harbour development -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Canal Bridge Construction, Portland, n.d
Port of Portland Authority Archivesport of portland archives, canal bridge, construction, harbour development -
Glenelg Shire Council Cultural Collection
Photograph, n.d
Port of Portland Authority ArchivesFront: Back- '92'- pencil, top leftport of portland archives -
University of Melbourne, Burnley Campus Archives
Photograph - Black and white print, Plant Research Institute/ Laboratory, 1928
Note by T.H. Kneen 19 November 1991, "Apart from the specimens of Eucalyptus camaldulensis the ground from the front of P.R.L. to Swan Street was very poor and became known as Siberia to generations of Burnley students."Black and white photograph. Just prior to completion. No planting at this stage.On reverse, "Plant Research Laboratory Nov 1928. Completed Dec 1928. Occupied Jan 1929. No 1." Initialed "A.W.J." (A.W. Jessep).plant research laboratory, a.w.jessep, trees, p.r.l., plant research institute, pri, siberia, eucalyptus camaldulensis -
Stawell Historical Society Inc
Photograph, Salvation Army Choir
Songert Brigade ChoirColour Photograph. Large Group of Salvation Army Officer - On Stageon reverse: Songster Brigade (Choir) Wriiten in Pencilreligion -
Whitehorse Historical Society Inc.
Article, $4.27 million hostel construction begins
Construction of the Nunawading Community Hostel stage 1 begins.Construction of the Nunawading Community Hostel stage 1 begins. with photo.Construction of the Nunawading Community Hostel stage 1 begins. retirement homes and villages, nunawading community hostel, athan, savvas, finlayson, lillith -
Melbourne Legacy
Photograph - Photo, Annual Demonstration
Photograph of a Legacy Demonstration, teenage girls in costumes, some in military style costumes, some holding Australian flags. Throughout the year Melbourne Legacy provided classes for Junior Legatees such as dancing, gymnastics and eurythmics, the Demonstration was an annual event to showcase their skills. Melbourne Legacy conducted Annual Demonstrations / Parades from 1928 through to 1979, usually held at Melbourne Town Hall. The beautiful costumes were made by members of the Junior Legacy Mothers' Club and the Melbourne Legacy Wives' Association.A record of a Junior Legacy Demonstration.Black and white photo of Junior Legatees on stage at an annual demonstration.junior legatee, legacy demonstration, costumes -
Bendigo Historical Society Inc.
Photograph - PETER ELLIS COLLECTION: BAND ON STAGE
Colour photograph of band on stage. 6 people. Signage unclear,entertainment, music, bush band -
St Patrick's Old Collegians Association (SPOCA)
Photograph - Buildings, SPJC, Rooms, post-1870
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Flagstaff Hill Maritime Museum and Village
Animal specimen - Whale Rib Bone, Undetermined
Prior to carrying out a detailed condition report of the cetacean skeletons, it is useful to have an understanding of the materials we are likely to encounter, in terms of structure and chemistry. This entry invites you to join in learning about the composition of whale bone and oil. Whale bone (Cetacean) bone is comprised of a composite structure of both an inorganic matrix of mainly hydroxylapatite (a calcium phosphate mineral), providing strength and rigidity, as well as an organic protein ‘scaffolding’ of mainly collagen, facilitating growth and repair (O’Connor 2008, CCI 2010). Collagen is also the structural protein component in cartilage between the whale vertebrae and attached to the fins of both the Killer Whale and the Dolphin. Relative proportions in the bone composition (affecting density), are linked with the feeding habits and mechanical stresses typically endured by bones of particular whale types. A Sperm Whale (Physeter macrocephalus Linnaeus, 1758) skeleton (toothed) thus has a higher mineral value (~67%) than a Fin Whale (Balaenoptera physalus Linnaeus, 1758) (baleen) (~60%) (Turner Walker 2012). The internal structure of bone can be divided into compact and cancellous bone. In whales, load-bearing structures such as mandibles and upper limb bones (e.g. humerus, sternum) are largely composed of compact bone (Turner Walker 2012). This consists of lamella concentrically deposited around the longitudinal axis and is permeated by fluid carrying channels (O’Connor 2008). Cancellous (spongy) bone, with a highly porous angular network of trabeculae, is less stiff and thus found in whale ribs and vertebrae (Turner Walker 2012). Whale oil Whales not only carry a thick layer of fat (blubber) in the soft tissue of their body for heat insulation and as a food store while they are alive, but also hold large oil (lipid) reserves in their porous bones. Following maceration of the whale skeleton after death to remove the soft tissue, the bones retain a high lipid content (Higgs et. al 2010). Particularly bones with a spongy (porous) structure have a high capacity to hold oil-rich marrow. Comparative data of various whale species suggests the skull, particularly the cranium and mandible bones are particularly oil rich. Along the vertebral column, the lipid content is reduced, particularly in the thoracic vertebrae (~10-25%), yet greatly increases from the lumbar to the caudal vertebrae (~40-55%). The chest area (scapula, sternum and ribs) show a mid-range lipid content (~15-30%), with vertically orientated ribs being more heavily soaked lower down (Turner Walker 2012, Higgs et. al 2010). Whale oil is largely composed of triglycerides (molecules of fatty acids attached to a glycerol molecule). In Arctic whales a higher proportion of unsaturated, versus saturated fatty acids make up the lipid. Unsaturated fatty acids (with double or triple carbon bonds causing chain kinks, preventing close packing (solidifying) of molecules), are more likely to be liquid (oil), versus solid (fat) at room temperature (Smith and March 2007). Objects Made From the Whaling Industry We all know that men set forth in sailing ships and risked their lives to harpoon whales on the open seas throughout the 1800s. And while Moby Dick and other tales have made whaling stories immortal, people today generally don't appreciate that the whalers were part of a well-organized industry. The ships that set out from ports in New England roamed as far as the Pacific in hunt of specific species of whales. Adventure may have been the draw for some whalers, but for the captains who owned whaling ships, and the investors which financed voyages, there was a considerable monetary payoff. The gigantic carcasses of whales were chopped and boiled down and turned into products such as the fine oil needed to lubricate increasing advanced machine tools. And beyond the oil derived from whales, even their bones, in an era before the invention of plastic, was used to make a wide variety of consumer goods. In short, whales were a valuable natural resource the same as wood, minerals, or petroleum we now pump from the ground. Oil From Whale’s Blubber Oil was the main product sought from whales, and it was used to lubricate machinery and to provide illumination by burning it in lamps. When a whale was killed, it was towed to the ship and its blubber, the thick insulating fat under its skin, would be peeled and cut from its carcass in a process known as “flensing.” The blubber was minced into chunks and boiled in large vats on board the whaling ship, producing oil. The oil taken from whale blubber was packaged in casks and transported back to the whaling ship’s home port (such as New Bedford, Massachusetts, the busiest American whaling port in the mid-1800s). From the ports it would be sold and transported across the country and would find its way into a huge variety of products. Whale oil, in addition to be used for lubrication and illumination, was also used to manufacture soaps, paint, and varnish. Whale oil was also utilized in some processes used to manufacture textiles and rope. Spermaceti, a Highly Regarded Oil A peculiar oil found in the head of the sperm whale, spermaceti, was highly prized. The oil was waxy, and was commonly used in making candles. In fact, candles made of spermaceti were considered the best in the world, producing a bright clear flame without an excess of smoke. Spermaceti was also used, distilled in liquid form, as an oil to fuel lamps. The main American whaling port, New Bedford, Massachusetts, was thus known as "The City That Lit the World." When John Adams was the ambassador to Great Britain before serving as president he recorded in his diary a conversation about spermaceti he had with the British Prime Minister William Pitt. Adams, keen to promote the New England whaling industry, was trying to convince the British to import spermaceti sold by American whalers, which the British could use to fuel street lamps. The British were not interested. In his diary, Adams wrote that he told Pitt, “the fat of the spermaceti whale gives the clearest and most beautiful flame of any substance that is known in nature, and we are surprised you prefer darkness, and consequent robberies, burglaries, and murders in your streets to receiving as a remittance our spermaceti oil.” Despite the failed sales pitch John Adams made in the late 1700s, the American whaling industry boomed in the early to mid-1800s. And spermaceti was a major component of that success. Spermaceti could be refined into a lubricant that was ideal for precision machinery. The machine tools that made the growth of industry possible in the United States were lubricated, and essentially made possible, by oil derived from spermaceti. Baleen, or "Whalebone" The bones and teeth of various species of whales were used in a number of products, many of them common implements in a 19th century household. Whales are said to have produced “the plastic of the 1800s.” The "bone" of the whale which was most commonly used wasn’t technically a bone, it was baleen, a hard material arrayed in large plates, like gigantic combs, in the mouths of some species of whales. The purpose of the baleen is to act as a sieve, catching tiny organisms in sea water, which the whale consumes as food. As baleen was tough yet flexible, it could be used in a number of practical applications. And it became commonly known as "whalebone." Perhaps the most common use of whalebone was in the manufacture of corsets, which fashionable ladies in the 1800s wore to compress their waistlines. One typical corset advertisement from the 1800s proudly proclaims, “Real Whalebone Only Used.” Whalebone was also used for collar stays, buggy whips, and toys. Its remarkable flexibility even caused it to be used as the springs in early typewriters. The comparison to plastic is apt. Think of common items which today might be made of plastic, and it's likely that similar items in the 1800s would have been made of whalebone. Baleen whales do not have teeth. But the teeth of other whales, such as the sperm whale, would be used as ivory in such products as chess pieces, piano keys, or the handles of walking sticks. Pieces of scrimshaw, or carved whale's teeth, would probably be the best remembered use of whale's teeth. However, the carved teeth were created to pass the time on whaling voyages and were never a mass production item. Their relative rarity, of course, is why genuine pieces of 19th century scrimshaw are considered to be valuable collectibles today. Reference: McNamara, Robert. "Objects Made From the Whaling Industry." ThoughtCo, Jul. 31, 2021, thoughtco.com/products-produced-from-whales-1774070.Whale bone during the 17th, 18th, 19th and early 20th centuries was an important industry providing an important commodity. Whales from these times provided everything from lighting & machine oils to using the animal's bones for use in corsets, collar stays, buggy whips, and many other everyday items then in use.Whale rib bone with advanced stage of calcification as indicated by brittleness. None.warrnambool, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, whale bones, whale skeleton, whales, whale bone, corsets, toys, whips, whaleling industry, maritime fishing, whalebone -
Bendigo Historical Society Inc.
Photograph - PETER ELLIS COLLECTION: BAND PLAYING
Colour photograph. Peter Ellis. Bush band on stage. Native foliage in front of stage. Recorder. Banjo. Accordion. Keyboard. Back of photo reads: Peter Ellis playing with the Gay Charmers.entertainment, music, bush band