Made for Chris Neyland by Rene Densham when he was born in 1953 and later given to Running Stitch by Lois Densham who is Chris Neylands aunt. The quilt was made from scraps of woollen fabric from clothing used in the family. It was used in Chris' cot or pram when he was an infant. Lois can remember the dark green fabric coming from a jacket she once wore and the blue tartan pieces from a skirt worn by Rene, her mother. Lois also remembers her mother being "a better piano player than a cook or a sewer" and " made in the tradition of making do from a family who knew how". The family structure is as follows: Rene married Bob Densham and had three daughters: Doreen (Saunders), Betty and Lois Densham. Betty married Bob Neyland and they have a son, Chris.Quilt, child's coverlet made of woollen squares from suits and jackets. Colours are greens and browns.quilting history, running stitch group, running stitch collection, densham, mrs rene elizabeth neyland, mr chris, quilting - history

The practice of wearing emu plumes in hats began with the Queensland Mounted Infantry. It is thought to have begun when the unit was engaged in suppression of the Shearers’ Strike of 1891. It remained a Queensland tradition till 1915 when other AIF units of the Light Horse began to do the same. After some dispute and discussion, the practice was approved provided the soldiers paid for their own plumes. Some regiments did not take up plumes: 6th and 7th LH continued to wear wallaby fur puggarees; 4th LH refused plumes because of the association with anti-unionism. The post-war militia adopted plumes and today all Royal Australian Armoured Corps (RAAC) regiments wear emu plumes in slouch hats. In the 1950s 8/13 Victorian Mounted Rifles and some other RAAC regiments wore an emu plume tuft behind the regimental badge on black berets. Framed Emu feathers with the use of, with news item on history of the Light HorseKangaroo feathersmilitary, light horse, queensland, plumes, emu, wwi, world war one, hat

The Hanro company was established in Switzerland in 1884. In 1926 a site in Hargreaves Street Bendigo, behind the School of Mines, was purchased to establish the Bendigo Knitting Mills, a subsidiary of Hanro. The managing director was Charles Handerchin who came from Switzerland. The company was delisted from the Australian Stock Exchange in 1963 when it was taken over by John Brown Industries.Hanro Autumn-Winter Catalogue 1962: The cover is of card with a white background with a large H in blue to the right. Sketched in black pen is a lady with a cardigan buttoned up with six buttons, long sleeves and a collar. To the right in white is *Hanro* under that in black print is *Catalogue Autumn-Winter 1962 Swiss Inspired Knitwear* Inside the cover is advertising. Attached with cello tape is a green sheet of paper with a sketch of a lady wearing a sweater with long sleeves and collar and bow. To the right is a medal, circular in shape with *Fashion Award Australian wool bureau* under that is Hanro, Gold Medal Winner 1962 Wool Fashion Awards*, a description of the garment, size and colour. Look better in a Hanro Sweater!* The catalogue is on gloss paper with sketched so ladies modelling Pullovers, cardigans, twin sets and jackets. Each item has its garment number description, sizes and colour. The back page is white with a large H to the left with *Hanro* in white and (Aust) Knitting Mills Limited* to the right is a box with a black border with the Sales offices addresses and phone numbers. At the bottom is *The Quality Is A Proud Tradition*.book, magazine, catalogue, hanro. catalogue.

BHS CollectionHanro Autumn and Winter Catalogue 1963: Brown background with black print on card. A four star banner with Hanro printed in white on a black back appears on the on the left side. A black sketch of an adult male dressed in white shirt, black tie, light V neck cardigan with three buttons, and light trousers with a weave. The words Swiss Inspired Knitwear appears at the lower right edge of the page. White autumn leaves are scattered over the front cover. The back cover has a four star Hanro banner with a white background and black printing left of centre. Australia Knitting Mills Ltd heads the Information for sales offices for Bendigo and Interstate offices. Autumn leaves in white are scattered over the back cover in white against the tan cover. The words 'The Quality is a Proud Tradition' graces the lower edge of the page. Advertising inside the front cover was a description of the Hanro Autumn and Winter Knitwear line consisting of men's cardigans, pullovers and shirt style. Each item has an item number, a description, colours available and sizes .Box 116ACambridge Press Bendigobook, magazine, catalogue, hanro. catalogue. cambridge press bendigo.

BHS CollectionHanro Autumn-Winter Catalogue 1963: The cover is orange card with black and white print. White Autumn leaves scattered across the page with black four point diamond banner to the left with white Hanro in the centre. A lady sketched in black pencil is modelling a twin set trimmed with a band, down the centre and collar. To the right top side hand written in biro is *R Cooper*. Right side in black print is 1963 Autumn-Winter Catalogue, under that is *Swiss Inspired Knitwear. Inside the cover is advertising the current line Jackets, Twinsets, Pullovers and cardigans. Each item has a number, description, size and colour. On each page a price has been hand written in biro on all items. Back of cover is orange card background with white autumn leaves scattered over the page with a white four point banner with a black *Hanro* printed in the centre next to that is (Aust) Knitting Mills ltd. Also printed are the addresses and phone numbers of the Sales Offices in each State. At the bottom is *The Quality Is A Proud Tradition* Box 116ACambridge Press, Bendigobook, magazine, catalogue, hanro. catalogue. cambridge press bendigo.

This photograph depicts female singers accompanied by members of the Beechworth Band at a 'Liedertafel' concert in the main hall at the Burke Museum in 1999. The concert related to an exhibition titled, 'From the Liedertafel to the Skating Rink: Entertainment in Beechworth 1852 - early 1900s', which celebrated the rich and diverse entertainments that were part of Beechworth life in the nineteenth and early twentieth centuries. 'Liedertafel' is a German tradition that accompanied European settlers to Australia. It refers to a friendly society of men united by an enthusiasm for singing. The Beechworth Liedertafel was established 14 March 1894 at the London Tavern, Camp Street, Beechworth, by president, Mr. A.A. Billson, and a visiting conductor, Mr. H. Fielder. The Beechworth Brass Band was formed by Mr. H. Vandenberg in 1887. Marching bands, choirs, circus acts, theatrical performances, races, and seasonal activities, such as Mr. Spiller's roller skating rink, which was founded in the late 1860s, were among the entertainments on offer in Beechworth.This photograph of the Beechworth Band playing at the Burke Museum is historically significant for the information it conveys about an exhibition at the Burke Museum between September and November 1999. The use of the contemporary Beechworth Band in a 'Liedertafel' performance provides insight into curatorial approaches at the turn of the twenty-first century and improves our understanding of how exhibitions use objects in the Burke Museum's Collection to tell stories about the past in the present. The image is historically and socially significant for attesting to the enduring appeal of local musical associations, which were a popular means of entertainment that fostered social connections among settlers from diverse ethnic backgrounds. Liedertafel choirs were originally male-only, therefore, the presence of female singers at the 1999 exhibition reflects progressive social and community values with regard to gender and inclusion.Rectangular colour photograph printed on matte photographic paper.Reverse: 7030 / Label: Burke Museum / Liedertafel Exh / Emily Messen, Luetta / Schier, Hannah / Routledge, Sarah / McKinley 2000 (?) / 2000 (?) / liedertafel, beechworth band, burke museum, exhibition 1999, from the liedertafel to the skating rink, entertainment in beechworth 1852 - early 1900s, past exhibitions, performances at the burke museum, european settlers, german community, german choral societies, brass bands, male choir, colonial passtimes, colonial entertainments, cultural traditions, gold rush, immigration, beechworth's german heritage, london tavern beechworth, camp st beechworth, beechworth historic district, beechworth's first brick tavern, spiller's skating rink, vandenberg's beechworth brass band, benevolent societies, intellectual societies, protestantism, billson brewery beechworth, teetotallism, fancy dress carnivals, skating carnivals, fundraising societies, german musicians, crimean war, beechworth german association, freemasonry, yma's, beechworth athenaeum, beechworth skating rink

The Ballarat School of Mines was established in 1870 through the initiatives of the Ballarat Mining Board making it the oldest site of technical education in Australia. The Board was concerned with the shortage of mine managers for the goldfields. Classes began in surveying, mathematics, and chemistry and a decade later they included metallurgy , assaying and geology. With the decline in goldmining the direction of the college changed and broadened, the art School was established and the Ballarat Junior Technical School developed. In 1976, the tertiary sector seperated from the School of Mines and Industries Ballarat to form the Ballarat College of Advanced Education. In the 1980s SMB was a Community College of Technical Education and Further Education (TAFE) offering a wide range of vocational, enrichment and preparatory programs. It is continuing the tradition of providing for the educaiton needs of people within the Central Highlands. During the 1970s and 80s it acquired and refurbished old buildings and developed new facilities to keep up with the needs of an expanding curriculum and student population. The era of these annual reports is just before the merger with the University of Ballarat.A number of soft card covered annual report for the Ballarat School of Mines. .1) 12 page black covered report featuring an image of the E.J. Tippett Library. Includes information on death of E.J. Tippett, disability policy, Peter Quinn, Patti McNulty, Bob Feary, Shane Everand, Integration, Fiona Watson, retirement of Robert Morgan, Opening of the carpentry and Joinery Facility in Davey Street, formation of the School of Business and Information Technology, Melissa Bone, opening of the E.J. T. Tippett Learning Resource Centre (Library), Refurbishment of the Administration Building, Food Service Building (Prospects), Court House Theatre, Enrolment centre, Museum, Creche, Women's Trade technical Program, Rural Education Program, Ararat Prison Program, Community Studies Section, Ararat Adult Literacy Group. Literacy Assistance for Undergraduates, Fire training, fitness, open Learning, Training & Employment Group, Awards, Filipino Visitors, oil Seed Research, Brunei, Barometer (gift) for Horticulture, Special Equipment (guillotine and brake press; programmable logic Controller; theodolite: laser lever; Universal testing Machine; Atomic Absorption Spectrophotometer)., organisational Structure. Photos include Ken Flecknoe, Peter Quinn, Patti McNulty, Bob Feary, Shane Everard, Fiona Watson,Linda Bland, Robert Morgan, David McCaughey, E.J. Tippett, Frank Sheehan, Julie Baulch, Jo Reeves, Col McCurry, Jenny Garnham .3) Blue covered book with a photograph of the M.B. John Building taken from Albert Street on the cover. Topics include: Ken Flecknoe, Peter Shiells, Ararat Campus, David Haddow, Kevin Martin, Rendle Hannah, Gary Eason, Geoff Pope, Albert Peart, M.B. John building opened, Hairdressing Salon, Community Centre, Creche, closure of Lydiard Street, Museum, Jenny Levison, Inskill, Small Business Training, Ballarat Eat free Library, Barkly Street, Wormalds Valve Group, Aboriginal Programs, Horticulture Center, Awards, Country fire Authority, tractor Donation, Women's Policy. Special purchases included surveying equipment with data recorder, test rig , CDT MIG welder, compact gas chromatograph with FID and single pen recorder, Olivetti stand-alone word processing unit. Images include Ken Flecknoe. Peter Shiells, John Crowe, Trevor Slater, Brian McLennan, Kerrie Cross, Albert Peart, John Cain, M.B. John, Enrollment Centre, Museum, Jo Watson, Wormalds, Brian Webber, Dianna Nikelson, Ian Aitken, Brendan B, Chez Dichiera, Heather Dixon, Julie Broadbent .4) 1993 - Brown and white soft covered annual review featuring students of the Ballarat School of Mines at work. Bill Gribble, Brian McLennan, Peter Shiells Retirement, Robert C. Lovett, Steven Mendelson, Max Palmer, Jenny Gough, Mary Molloy, Barrie Firth, Colin McCurry, Dora Hormann, Organisation Structure, Brewery Acquisition, Humffray Street Primary School, Grant Street Retaining Wall, Neville Bunning Plaque, VCE Plus, Ballarat Small Business centre, Ararat Prison, Ballarat Showgrounds Rotunda, .6) Green covered annual review with an aerial photograph over Albert Street, Ballarat. Content include Kerrie Cross, Peter Shiells. Kenneth Flecknoe Obituary, Ian Pimblett, Keith Boast, David Nicholson, Max Palmer, Brian Webber, Bob Lovett, Linda Bland, Prospects, Training restaurant, 3BBB, Malcolm Vallance, Aboriginal Programs, Ian Cathie, Koorie Support Unit, Caroline Hogg, 'Trained Men Make Their Own Terms' exhibition at the Gold Museum, Ricky Hains, Stephen Hughes, Jeff White, Dennis Bolster .8) Blue covered review for 1989. The contents include: Kerrie Cross, Peter Shiells, Ann McCaffrey, Kevin Alsop, Mary Molloy, Ross Furness, Robert Lovett, Victoria Street Student Hostel, Hugh Beggs, Ballarat Small Business Centre, Inskill, Ararat Campus, Hospitality and Tourism, Koorie Support Unit, Fiona Warsn, Bruce Staley, Terry Moran, Anthony Wonish, Ivan Deveson, Leo Shannon Memorial Award, Bryan Crebbin, Geoff Howard, R.C.W. Burdett, Jeff White, Ian Harris, Tom Wiseman, Bill Gribble, Allison Kay, Steven Mendelson, Keith Boast. .9) Grey covered book with a coloured photo of the Victoria Street Student Residence. Contents include: Kerry Cross, Peter Shiells, Morgan Bevan John Illuminated address. Jean Phillips, Koorie Support Unit, Andrew Sullivan, Victoria Street Student Residence, Horticulture, Inskill, Tertiary Awareness Project, Adult Education, Ivan Deveson, Brian Howe, Barry Jones, Joan Kirner, Andrew Trigg, Warren Perry, Murrell Rock Collections, Gwyn Hanssen-Piggott, Disability Awareness Day, Sebastopol Borough Logo, Phoebe Rimmer, Russell Jackson, R.J. Young Scholarship, Peter Muir, Founders Day Cake, Morgan John. .11) Black card covered booklet with five images of exteriors of the Ballarat School of Mines. the contents include: Jack Barker, Peter Shiells, Peter Ellyard, Ian Stoney, Terry Moran, Wayne Strong, David Ince, Simone Titheridge, Ian Aitken,Kevin Alsop, Bill Bridges, Clive Carmichael, Bob Feary, Rendle hannah, Roly Parfenovics, Graham Snibson, Kevin Stockdale, Len Wilson, Child Care Centre opening, Student accommodation, Victoria Street, Brewery site. naming buildings, E.J. barker. A.W. Steane K.J. Flecknow, Carpentry and joinery, Inskill, Hospitality, Pottery, ceramics, Founders' Day, Warren Perry, Agreement between Ballarat School of Mines and Ballarat university College, merger, Peter Baldwin, Awards, obituary Lindsay Hillman. Images include: Wayne Strong, David Ince, Simone Titheridge, kerrie Cross, Joan Kirner, Frank Sheehan, Bill Gribble Ros Wilkie, Judi O'Loughlin, Tony Leonard, Gemma Hearnes, Brendan Hill, Joanne Bell, Karl Moon, Stella Savy, Shirley Falkinder, Peter Baldwin, Jack Barker, Michael Ronaldson, David Kemp, Peter Shiells, Margot Healey, Sharon McLennan, Kerrie Firns, Petrena Brookers, Deb Goudappel, Claire Bond, Administration Building Lindsay Hillman. .13 ) Brown covered report with photographic images. Content includes: Pam Merrett. , Peter Shiells, Robert Lovett, Steven Mendelson, Max Palmer, Jenny Gough, Barrie Firth .14) Brown covered report with photographic images. Content includes: .15) Green covered report with photographic images. The blond woman standing on the right looking at a computer screen is Pam Merrett. Content includes: Bill Gribble, Ron Wild, Doug Sarah, Martin Hill, John Kemp, David Manterfield, Leslie Comy, Linette Penhall, Glen Martland. Virginia Fenelon. Michael Bracher, Brewery Building. Child care centre, Prospects Cafe Opening, Horticulture Training Centre, Retaining Wall, The Gordon, University of Ballarat and Ballarat School of Mines affiliation, Geoffrey Blainey, Ararat Community College Memo of understanding, Brian McLennan. Founders Day (Hadden Storey), Gwyn Hanssen-Pigott, Ken Latta, Neville Bunning Outstanding Achievement Award, Valerie Wilson, Jack Barker, John Sharpham, Jack Barker Resignation.ballarat school of mines, university of ballarat, integration, shane everard, robery morgan, linda bland, ballarat junior technical school, former court house, ken flecknoe, bruce muir, lindsay hillman, neil crouch, jack barker, keith boast, rex hollioake, m.b. john, bob lovett, brian mclennan, peter shiells, bruce tanner, jeff white, bryan crebbin, kerrie cross, ric dunlop, tom wiseman, barbara hughes, chris matheson, morgan b. john, albert street, steven mendelson, john crowe, ann mccaffrey, kevin alsop, mary molloy, ross furness, robert lovett, victoria street student hostel, student residences, hugh beggs, ballarat small business centre, inskill, ararat campus, hospitality and tourism, koorie support unit, fiona watson, bruce staley, terry moran, anthony wonish, ivan deveson, leo shannon memorial award, geoff howard, r.c.w. burdett, ian harris, bill gribble, allison kay, liz eddy, pam merrett, doug sarah, martin hill, john kemp, david manterfield, leslie comy, linette penhall, glen martland, virginia fenelon, michael bracher, brewery building, child care centre, prospects cafe, horticulture training centre, retaining wall, the gordon, university of ballarat and ballarat school of mines affiliation, geoffrey blainey, ararat community college memo of understanding, founders day, hadden storey, gwyn hanssen-pigott, ken latta, neville bunning outstanding achievement award, valerie wilson, john sharpham, kerry cross, morgan bevan john illuminated address, jean phillips, andrew sullivan, victoria street student residence, horticulture, inskill, tertiary awareness project, adult education, brian howe, barry jones, joan kirner, andrew trigg, warren perry, murrell rock collections, gwyn hanssen-piggott, disability awareness day, sebastopol borough logo, phoebe rimmer, russell jackson, r.j. young scholarship, peter muir, kenneth flecknoe obituary, ian pimblett, david nicholson, brian webber, prospects, training restaurant, 3bbb, malcolm vallance, aboriginal programs, ian cathie, caroline hogg, 'trained men make their own terms' exhibition at the gold museum, ricky hains, stephen hughes, dennis bolster, aboriginal education, e.j. tippett obituary, patti mcnulty, bob feary, equal opportunity officer, robert c. morgan, school of business and information technology, e.j. tippett library, e.j. tippett library opening, carpentry and joinery, women's trade and technical program, rural education program, ararat prison program, barometer, oil seed research, . bill gribble, peter shiells retirement, robert c. lovett, max palmer, jenny gough, barrie firth, colin mccurry, dora hormann, organisation structure, brewery acquisition, humffray street primary school, grant street retaining wall, neville bunning plaque, vce plus, ararat prison, ballarat showgrounds rotunda

This doily is typical of items of household linen in popular use in the 19th and early-to-mid 20th centuries. It was a tradition for brides to have a 'glory box' containing linen and embroidered and crocheted articles to take to their new home. The chosen design of Kookaburra and wattle flowers and leaves reflects the creator's interest in Australian flora and fauna. In the Words of donor, Betty Stone, … “These crocheted and embroidered articles cover a period of three generations- ie. Sarah (nee Chamberlain) Lees, Ann (nee Lees) Dale, and Daisy Elvena (nee Dale) Welsh. All three were accomplished needlewomen; also, both Sarah Lees (born 1844) and her daughter, Ann (b 1865) crocheted a wide variety of articles for use in their homes. A few examples of these items have survived the years.” (NOTE: For additional information please refer to my book Pioneer and Places- A History of Three Warrnambool Pioneering Families ie. Chamberlain, Dale and Lees families) This item is associated with the Warrnambool pioneer families of Chamberlain, Dale and Lees. These families are listed in the Pioneers' Register for Warrnambool Township and Shire, 1835-1900, published by A.I.G.S. Warrnambool Branch. The item is a fine example of early 20th-century needlework. It is also significant for its reflection on the new Australian fauna and flora.Doily, round, white cotton. Embroidered Kookaburra on a branch, wattle flowers and leaves, and edged with brown crochet. From the Chamberlain Dale Lees Collectionflagstaff hill, warrnambool, flagstaff hill maritime museum and village, great ocean road, chamberlain family, dale family, lees family, betty stone, warrnambool pioneer, warrnambool genealogy, wangoom, chamberlain dale lees collection, glory box, doily, embroidery, needlework, crochet, handmade, craft, manchester, linen, haberdashery, kookaburra, wattle, australiana

The (logging) truck carries a representation of John Glover’s painted landscapes, which Cox has painted on a solid block of wood. John Glover is one of Australia’s most celebrated colonial landscape painters. Born in England, he was a highly successful water-colourist and painter of landscapes in the tradition of French artist Claude Lorrain. Arriving in Australia in 1831, Glover adapted his picturesque style and luminous technique to his new surrounds, creating naturalistic and atmospheric paintings of Australian nature, settler life, and Aboriginal culture. Working out of doors, Glover developed an understanding of the unfamiliar Australian landscape, especially the twisting forms of native eucalyptus trees. His direct experience of nature, as both pioneer settler and painter, resulted in a new approach using a subtle palette of olive greens, ochres, misty greys and intense blues, and layered glazes of mauve, grey and gold, to portray Australian light and atmosphere. Dale Cox continues the ongoing preoccupation and tradition of landscape painting in the Nillumbik area and our impact on the environment in a contemporary way. The truck creates a playful nexus between painting (representational landscape) and sculpture, purposely bluring boundaries across these traditionally distinct disciplines. ‘Ghost’ seeks to convey the idea that when we remove something significant from a location, like the landscape itself, the remaining ‘place’ changes to become a new ‘place’. This may seem self-evident until we think more deeply about location and landscape. The white truck is a ghost, an ethereal, transient being that spirits away an entire place, forever removed from itself, and forever changed. Logging wild trees can never be like harvesting a ‘crop’. Logging removes a landscape, and changes a place forever. The ‘packaging’ of this painted landscape highlights the anomaly between commodity and our environment. Dale Cox was a local artist and this work was highly commended at the 2012 Nillumbik Prize. White plastic toy (logging) truck with a landscape painting on a wooden block. The landscape painting is reminiscent of paintings by colonial artist John Glover. N/Alandscape, truck, sculpture, environment, john glover, colonial, painting, ghost, nillumbik prize

Carlisle and its cathedral. This cathedral church, which has stood on this site for over 800 years has a great story to tell. It is a story that can be traced back further still, to an even earlier church of the 7th century AD. Archaeological excavations on this site have taken the story back to Roman times. Today the dean and canons and other cathedral staff ensure that the worship of God remains the main work of this cathedral, while long-standing traditions of music, hospitality and education are also maintained. The story of this place is not so much about buildings, but about people. The buildings remain as evidence of the lives of people who lived and worked here and of what they believed and achieved. Until 1540 a community of Augustinian canons served the cathedral. They lived highly organized lives in monastic buildings suited to their needs. As canons rather than monks, they were freer to undertake pastoral and educational work. thomas crump, carlisle, carlisle cathedral, mason's mark, stonemasons

Carlisle and its cathedral. This cathedral church, which has stood on this site for over 800 years has a great story to tell. It is a story that can be traced back further still, to an even earlier church of the 7th century AD. Archaeological excavations on this site have taken the story back to Roman times. Today the dean and canons and other cathedral staff ensure that the worship of God remains the main work of this cathedral, while long-standing traditions of music, hospitality and education are also maintained. The story of this place is not so much about buildings, but about people. The buildings remain as evidence of the lives of people who lived and worked here and of what they believed and achieved. Until 1540 a community of Augustinian canons served the cathedral. They lived highly organized lives in monastic buildings suited to their needs. As canons rather than monks, they were freer to undertake pastoral and educational work. carlisle, cathedral, stonemasons, mason's marks

Carlisle and its cathedral. This cathedral church, which has stood on this site for over 800 years has a great story to tell. It is a story that can be traced back further still, to an even earlier church of the 7th century AD. Archaeological excavations on this site have taken the story back to Roman times. Today the dean and canons and other cathedral staff ensure that the worship of God remains the main work of this cathedral, while long-standing traditions of music, hospitality and education are also maintained. The story of this place is not so much about buildings, but about people. The buildings remain as evidence of the lives of people who lived and worked here and of what they believed and achieved. Until 1540 a community of Augustinian canons served the cathedral. They lived highly organized lives in monastic buildings suited to their needs. As canons rather than monks, they were freer to undertake pastoral and educational work. carlisle, cathedral, stonemasons, mason's marks

Carlisle and its cathedral. This cathedral church, which has stood on this site for over 800 years has a great story to tell. It is a story that can be traced back further still, to an even earlier church of the 7th century AD. Archaeological excavations on this site have taken the story back to Roman times. Today the dean and canons and other cathedral staff ensure that the worship of God remains the main work of this cathedral, while long-standing traditions of music, hospitality and education are also maintained. The story of this place is not so much about buildings, but about people. The buildings remain as evidence of the lives of people who lived and worked here and of what they believed and achieved. Until 1540 a community of Augustinian canons served the cathedral. They lived highly organized lives in monastic buildings suited to their needs. As canons rather than monks, they were freer to undertake pastoral and educational work. carlisle, cathedral, stonemasons, mason's marks

Carlisle and its cathedral. This cathedral church, which has stood on this site for over 800 years has a great story to tell. It is a story that can be traced back further still, to an even earlier church of the 7th century AD. Archaeological excavations on this site have taken the story back to Roman times. Today the dean and canons and other cathedral staff ensure that the worship of God remains the main work of this cathedral, while long-standing traditions of music, hospitality and education are also maintained. The story of this place is not so much about buildings, but about people. The buildings remain as evidence of the lives of people who lived and worked here and of what they believed and achieved. Until 1540 a community of Augustinian canons served the cathedral. They lived highly organized lives in monastic buildings suited to their needs. As canons rather than monks, they were freer to undertake pastoral and educational work. carlisle, cathedral, stonemasons, mason's marks

Carlisle and its cathedral. This cathedral church, which has stood on this site for over 800 years has a great story to tell. It is a story that can be traced back further still, to an even earlier church of the 7th century AD. Archaeological excavations on this site have taken the story back to Roman times. Today the dean and canons and other cathedral staff ensure that the worship of God remains the main work of this cathedral, while long-standing traditions of music, hospitality and education are also maintained. The story of this place is not so much about buildings, but about people. The buildings remain as evidence of the lives of people who lived and worked here and of what they believed and achieved. Until 1540 a community of Augustinian canons served the cathedral. They lived highly organized lives in monastic buildings suited to their needs. As canons rather than monks, they were freer to undertake pastoral and educational work. carlisle, cathedral, stonemasons, mason's marks

Carlisle and its cathedral. This cathedral church, which has stood on this site for over 800 years has a great story to tell. It is a story that can be traced back further still, to an even earlier church of the 7th century AD. Archaeological excavations on this site have taken the story back to Roman times. Today the dean and canons and other cathedral staff ensure that the worship of God remains the main work of this cathedral, while long-standing traditions of music, hospitality and education are also maintained. The story of this place is not so much about buildings, but about people. The buildings remain as evidence of the lives of people who lived and worked here and of what they believed and achieved. Until 1540 a community of Augustinian canons served the cathedral. They lived highly organized lives in monastic buildings suited to their needs. As canons rather than monks, they were freer to undertake pastoral and educational work. carlisle, cathedral, stonemasons, mason's marks

Carlisle and its cathedral. This cathedral church, which has stood on this site for over 800 years has a great story to tell. It is a story that can be traced back further still, to an even earlier church of the 7th century AD. Archaeological excavations on this site have taken the story back to Roman times. Today the dean and canons and other cathedral staff ensure that the worship of God remains the main work of this cathedral, while long-standing traditions of music, hospitality and education are also maintained. The story of this place is not so much about buildings, but about people. The buildings remain as evidence of the lives of people who lived and worked here and of what they believed and achieved. Until 1540 a community of Augustinian canons served the cathedral. They lived highly organized lives in monastic buildings suited to their needs. As canons rather than monks, they were freer to undertake pastoral and educational work. carlisle, cathedral, stonemasons, mason's marks

Carlisle and its cathedral. This cathedral church, which has stood on this site for over 800 years has a great story to tell. It is a story that can be traced back further still, to an even earlier church of the 7th century AD. Archaeological excavations on this site have taken the story back to Roman times. Today the dean and canons and other cathedral staff ensure that the worship of God remains the main work of this cathedral, while long-standing traditions of music, hospitality and education are also maintained. The story of this place is not so much about buildings, but about people. The buildings remain as evidence of the lives of people who lived and worked here and of what they believed and achieved. Until 1540 a community of Augustinian canons served the cathedral. They lived highly organized lives in monastic buildings suited to their needs. As canons rather than monks, they were freer to undertake pastoral and educational work. carlisle, cathedral, stonemasons, mason's marks

Carlisle and its cathedral. This cathedral church, which has stood on this site for over 800 years has a great story to tell. It is a story that can be traced back further still, to an even earlier church of the 7th century AD. Archaeological excavations on this site have taken the story back to Roman times. Today the dean and canons and other cathedral staff ensure that the worship of God remains the main work of this cathedral, while long-standing traditions of music, hospitality and education are also maintained. The story of this place is not so much about buildings, but about people. The buildings remain as evidence of the lives of people who lived and worked here and of what they believed and achieved. Until 1540 a community of Augustinian canons served the cathedral. They lived highly organized lives in monastic buildings suited to their needs. As canons rather than monks, they were freer to undertake pastoral and educational work. carlisle, cathedral, stonemasons, mason's marks

Carlisle and its cathedral. This cathedral church, which has stood on this site for over 800 years has a great story to tell. It is a story that can be traced back further still, to an even earlier church of the 7th century AD. Archaeological excavations on this site have taken the story back to Roman times. Today the dean and canons and other cathedral staff ensure that the worship of God remains the main work of this cathedral, while long-standing traditions of music, hospitality and education are also maintained. The story of this place is not so much about buildings, but about people. The buildings remain as evidence of the lives of people who lived and worked here and of what they believed and achieved. Until 1540 a community of Augustinian canons served the cathedral. They lived highly organized lives in monastic buildings suited to their needs. As canons rather than monks, they were freer to undertake pastoral and educational work. Colour photograph of graffiti in a church.carlisle, cathedral, stonemasons, mason's marks, graffiti

Carlisle and its cathedral. This cathedral church, which has stood on this site for over 800 years has a great story to tell. It is a story that can be traced back further still, to an even earlier church of the 7th century AD. Archaeological excavations on this site have taken the story back to Roman times. Today the dean and canons and other cathedral staff ensure that the worship of God remains the main work of this cathedral, while long-standing traditions of music, hospitality and education are also maintained. The story of this place is not so much about buildings, but about people. The buildings remain as evidence of the lives of people who lived and worked here and of what they believed and achieved. Until 1540 a community of Augustinian canons served the cathedral. They lived highly organized lives in monastic buildings suited to their needs. As canons rather than monks, they were freer to undertake pastoral and educational work. carlisle, cathedral, stonemasons, mason's marks

Carlisle and its cathedral. This cathedral church, which has stood on this site for over 800 years has a great story to tell. It is a story that can be traced back further still, to an even earlier church of the 7th century AD. Archaeological excavations on this site have taken the story back to Roman times. Today the dean and canons and other cathedral staff ensure that the worship of God remains the main work of this cathedral, while long-standing traditions of music, hospitality and education are also maintained. The story of this place is not so much about buildings, but about people. The buildings remain as evidence of the lives of people who lived and worked here and of what they believed and achieved. Until 1540 a community of Augustinian canons served the cathedral. They lived highly organized lives in monastic buildings suited to their needs. As canons rather than monks, they were freer to undertake pastoral and educational work. carlisle, cathedral, stonemasons, mason's marks

Carlisle and its cathedral. This cathedral church, which has stood on this site for over 800 years has a great story to tell. It is a story that can be traced back further still, to an even earlier church of the 7th century AD. Archaeological excavations on this site have taken the story back to Roman times. Today the dean and canons and other cathedral staff ensure that the worship of God remains the main work of this cathedral, while long-standing traditions of music, hospitality and education are also maintained. The story of this place is not so much about buildings, but about people. The buildings remain as evidence of the lives of people who lived and worked here and of what they believed and achieved. Until 1540 a community of Augustinian canons served the cathedral. They lived highly organized lives in monastic buildings suited to their needs. As canons rather than monks, they were freer to undertake pastoral and educational work. carlisle, cathedral, stonemasons, mason's marks

Carlisle and its cathedral. This cathedral church, which has stood on this site for over 800 years has a great story to tell. It is a story that can be traced back further still, to an even earlier church of the 7th century AD. Archaeological excavations on this site have taken the story back to Roman times. Today the dean and canons and other cathedral staff ensure that the worship of God remains the main work of this cathedral, while long-standing traditions of music, hospitality and education are also maintained. The story of this place is not so much about buildings, but about people. The buildings remain as evidence of the lives of people who lived and worked here and of what they believed and achieved. Until 1540 a community of Augustinian canons served the cathedral. They lived highly organized lives in monastic buildings suited to their needs. As canons rather than monks, they were freer to undertake pastoral and educational work. carlisle, cathedral, stonemasons, mason's marks

Carlisle and its cathedral. This cathedral church, which has stood on this site for over 800 years has a great story to tell. It is a story that can be traced back further still, to an even earlier church of the 7th century AD. Archaeological excavations on this site have taken the story back to Roman times. Today the dean and canons and other cathedral staff ensure that the worship of God remains the main work of this cathedral, while long-standing traditions of music, hospitality and education are also maintained. The story of this place is not so much about buildings, but about people. The buildings remain as evidence of the lives of people who lived and worked here and of what they believed and achieved. Until 1540 a community of Augustinian canons served the cathedral. They lived highly organized lives in monastic buildings suited to their needs. As canons rather than monks, they were freer to undertake pastoral and educational work. carlisle, cathedral, stonemasons, mason's marks

The land was bought in 1853 by John Smith and he built the house. The house was offered for sale in 1866 when George Barnacle bought it and named it 'Warwick Cottage' after his birth place. it was offered to short term tenants such as the surveyor Creed, Miss Boes a dressmaker and O'Doherty the Catholic school teacher. In 1874 Dr Rastrick was a tenant and in 1878 it was occupied by the grocer William Searle and his sister a dressmaker. Barnacle offered the cottage for sale in October 1885 advising that the iron roofed stone cottage , 4rooms, detached kitchen and outhouses had been previously occupied by W.C.Uncles and at that time William Muhleg Carpenter. It ultimately sold privately to Miss Beatty and she continued to rent it to tenants. James Kilbride was the tenant in 1887-88. The cottage was sold in 1888 to Isaac Smale. The house continued its tradition of housing dressmakers with Mrs Barby carrying on that profession in the 1940's,50's and 60's. Coloured photographcottage, building, home, house, 77 cox street, warwick cottage

Benjamin Bolton and his two eldest sons, William and Arthur, began a printing business known as Bolton & Sons on March 25, 1885. The location of the original printing business was in High Street, Bendigo but later moved to Williamson Street where the business underwent a name change to Bolton Bros and expanded into manufacturing paper bags and other stationery lines. In 1902, Bolton Bros moved to 43 Mitchell Street which housed the retail stationery department and the main office, while the printing factory was on the second and third floors. Next door at 47 Mitchell Street the wholesale division and machine service department operated. William and Arthur Bolton and their sons travelled throughout central and northern Victoria selling their own products and representing other companies. Bolton Bros continue to trade today with fifth generation family ownership continuing the tradition. (Fn https://www.boltonbros.com.au/about-us)Printed and handwritten paper invoice from Bolton Bros. to JH Abbott dated 14/1/20 for nibs.mayor bolton, mayor abbott, city of greater bendigo commerce, making a nation exhibition, bolton brothers printers, mayoress bolton

Photo display relating to the work of Eltham anthropologist Professor Donald Thomson (1901-1970) who was renowned for his work researching Aborigines across Central Australia. Part of the Bicentennial/Heritage Week Display, "The Eltham Tradition", Eltham Shire Office, 17-22 April 1988. "The Photographic record which forms part of the Donald Thomson collection housed at the Museum of Victoria, by arrangement with the University of Melbourne contains 10,580 negatives. The collection also includes 5,700 artefacts and 4,500 pages of field notes. Cumbersome camera equipment and glass negatives often had to be carried hundreds of miles by pack horse, on small boars and other means. Three documentary films have been made, two by the BBC and released in over 18 countries and third, made by Academy of Science (1987) is for Year 12 Biology students. 28,000 feet of film record of Arnhem land was destroyed whilst in Commonwelath Government Custody." Two colour photographsactivities, eltham shire office, heritage display, heritage week, donald thomson, collection

Rennie Ellis (1940–2003) was as a pivotal figure in Australian visual culture. He was both a documentary photographer and a prominent presence in advertising, television and photography. Ellis was known for his candid documentary images of contemporary Australian life. His photographs of social events, such as music festivals, fashion parades or nightclubs are iconic, but his practice also encompassed the grittier side of life. In his AFL series, Ellis skilfully portrays the nation’s passion for the game, extending his lens beyond the boundary line to showcase the spirited fans alongside the on-field action. In Ellis’ photograph Malcom Fraser, VFL Grand Final 1979 we see a young supporter shake hands with Liberal Prime Minister, Malcom Fraser. In the grand Australian tradition, politicians and PMs are active in the football sphere. This work was shown in the 2017 Counihan Gallery exhibition Leather Poisoning, along with many other works by Ellis capturing the nations love of the game. Donated by the Rennie Ellis Photographic Archive